System information
Item Description
Use 10-bit encoding Select this check box if you want to capture 10-bit source material for
increased color resolution. Source material with gradients in the
background can benefit from 10-bit encoding.
When you use 10-bit video in your project, choose 32-bit floating
point (video levels) from the Pixel format setting on the Video tab of
the Project Properties tab. For more information, see "Setting Project
Properties" on page 53.
Do not select this check box if you want to capture with MXF
encoding.
Timecode source Choose a setting from the drop-down list to specify the desired
timecode source.
n 9-Pin Remote – Estimates timecode using the 9-pin RS422
cable from the deck. This format is more prone to errors and
requires more preroll than VITC or HANC.
n VITC – Uses SMPTE 12M timecode embedded in the video.
n HANC – Uses SMPTE RP-188 timecode embedded in the
video.
Timecode offset If video capture is not frame accurate, type a value in the box or use
the spin control to adjust timecode.
Applies only to RS-422 timecode sources.
Converting Video to 24p
If you want to create a 24 fps, progressive-scan project using existing interlaced video, you're in luck: Vegas
Pro makes easy work of converting your existing footage.
If you are shooting interlaced video that you plan to convert to 24p, your camera's shutter speed will
determine the quality of frame rate conversion in Vegas Pro:
n If you're shooting NTSC or HDV 60i video, set your shutter speed to 1/60 second.
n If you're shooting PAL or HDV 50i video, set your shutter speed to 1/50 second.
These settings will provide the smoothest-looking motion possible after conversion. Faster frame rates
can produce visibly choppy motion.
ADDING, MANAGING, AND ARRANGING MEDIA129