System information
Multicamera Editing
Vegas Pro makes it easy to work with video from multiple cameras right from the timeline. You can capture
and edit video for a single scene from multiple cameras or for a single scene shot multiple times from one
camera. Multicamera work is generally completed in five steps.
Shooting Multicamera Video
When shooting multicamera video, there are a few key components to consider before getting started:
n If possible, use the same make and model of camera and the same settings. Otherwise, you may
need to do significant color correction in order to match the look between cameras.
n If possible, provide a single timecode source to all cameras.
With synchronized timecode, Vegas Pro can lay out multicamera media in perfect synchronization.
Otherwise, you'll need to manually adjust the alignment between clips. For more information, see
"Synchronizing Video in Multicamera Projects" on page 192.
Unsynchronized timecode between two cameras—even of the same type—drifts as much as one
second per hour. Likewise, date/time stamps also drift and can only be used for approximate layout.
If you only need two cameras on your shoot, be aware that some Sony cameras (e.g. HVR-V1) can
synchronize timecode (using a feature called “TC Link”) over IEEE-1394.
n Set the date and time in each camera. The closer these are, the better the approximate layout will
be. Even if you’re using a master timecode source, you should set the date/time as a backup.
n Before or after each scene, record a synchronization point. It is preferable to use a video slate board
for this purpose, but you can also employ a loud and visible hand clap. You can also use a flash
from a still camera, but you must disable any red-eye reduction, as this can cause multiple flashes.
A fast camera flash combined with a fast shutter speed can be problematic as well.
Regardless of the synchronization method you choose, it must be visible by all cameras.
n If you forget to record a synchronization point, you'll have to align the clips using another reference
point, such as something consistent in the audio or video. Be aware that in distant shots, the audio
captured by the camera’s microphone will be delayed from the video (1 frame for every 11.5
meters).
n At least one of the cameras should be recording the audio you’ll use for the final edit. Alternatively,
if you’re using dual-system sound, you can record audio on another device altogether. If you are
shooting a musical performance, you might even be using the studio-recorded audio track. If you
record audio on multiple cameras, you'll be able to switch between it along with the video if you
choose.
Chapter 7
MULTICAMERA EDITING191