MXL DRUM MICROPHONES

SUMMER 2010 RHYTHM 101
greater degree of sensitivity. This suggested
that the V67n is geared to perform in quieter
musical scenarios – someone who plays
predominantly with brushes perhaps – and
would also be well suited to the controlled
environment of a studio.
The 603s had major frequency contrasts
to cover (a rack tom, a fl oor tom, a pair of
hi-hats and three cymbals) but did so
outstandingly. The cymbals came through
brightly, but were sweet and full-bodied
rather than overly toppy. Both toms,
meanwhile, possessed a decent slap on
impact that was further embellished with a
resonant, airy note.
Verdict
It’s easy to understand why MXL has such a
good reputation. Live, with only two of the
drums close-miked, the mics gave my kit a
warm, natural and clear sound, so my drums
had a polished presence, front-of-house. Brief
tests at a local studio confi rmed that they are
versatile enough to be seriously considered
for recording too. Most drummers choose the
drums and cymbals that they play with great
care. Mics are equally critical to your overall
sound and deserve the same deliberation and
appreciation as the gear itself.
Rating ✪✪✪✪✪
TRY IT WITH...
MOGAMI MIC CABLES
fellow Marshall Electronics
brand and maker of possibly the
best audio cables in the world.
ULTIMATE SUPPORT
mic stands – to get the mics in
position and hold them there
throughout the gig.
The mics gave my kit a warm,
natural and clear sound, so
the drums had a polished
presence, front-of-house
A-55 KICKER IS
a dynamic mic which lends
itself to low-end instruments
CUBE IS
recommended for all types
of percussive miking duties
603 CONDENSERS
were designed to be used as
joint overheads above a kit
V67N IS DESCRIBED
as versatile and able to record
a variety of instruments
RHY180.gear_mxl 101 7/15/10 10:22:06 AM