User's Manual

ManualsBrandsNative Instruments ManualsComputer AudioKOMPLETE KONTROL S49 MK2 49-Key Controller for KOMPLETE

Table Of Contents

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Table of Contents
1. Disclaimer
2. Welcome to KOMPLETE KONTROL
- 2.1. Document Conventions
- 2.2. New Features in KOMPLETE KONTROL 2.1.6
- 2.3. New Features in KOMPLETE KONTROL 2.1.3
- 2.4. New Features in KOMPLETE KONTROL 2.1.0
- 2.5. Box Contents
- 2.6. System Requirements
- 2.7. Accessibility
3. The KOMPLETE KONTROL Workflow
4. Setting up KOMPLETE KONTROL
- 4.1. Connecting the Keyboard to the Computer
- 4.2. Setting up the Stand-Alone Application
- 4.3. Setting up Host Integration
- 4.4. Connecting Pedals to the Keyboard
- 4.5. Connecting External MIDI Equipment to the Keyboard
5. Software Overview
- 5.1. Header
- 5.2. Browser
- 5.3. Perform Panel
- 5.4. Plug-in Panel
- 5.5. Plug-in Chain Panel
- 5.6. MIDI Assignment Editor
- 5.7. Plug-in Area
- 5.8. Sampler Plug-In
  - 5.8.1. Envelopes
- 5.9. Audio Plug-In
6. Keyboard Overview
- 6.1. Perform and Edit Section
- 6.2. Transport Section
- 6.3. Control Section
- 6.4. Mode Buttons
- 6.5. 4-D Encoder
- 6.6. Keybed and Light Guide
- 6.7. Touch Strip
- 6.8. Transpose and Fixed Velocity Buttons
7. Global Controls and Preferences
- 7.1. Instrument Views
- 7.2. Switching Instances
- 7.3. Transport and Tempo
  - 7.3.1. Resetting the Clock
  - 7.3.2. Adjusting Tempo
- 7.4. Adjusting Master Volume
- 7.5. Preferences
- 7.6. Keyboard Settings
- 7.7. Loading a Plug-in in Default State
8. MIDI Communication
- 8.1. Mapping MIDI Controls to Third-Party Controllers
- 8.2. Host Automation
  - 8.2.1. Recording Automation
  - 8.2.2. Automation IDs for the Perform Panel
- 8.3. Using the Keyboard in MIDI Mode
- 8.4. Using the Keyboard as Stand-Alone MIDI Controller
9. Using the MIDI Assignment Editor
- 9.1. The Mapping System
- 9.2. Opening the MIDI Assignment Editor
- 9.3. Assigning MIDI Messages to Control Elements
- 9.4. Renaming Control Elements
- 9.5. Creating a New MIDI Template
- 9.6. Renaming MIDI Templates
- 9.7. Creating Key Zones
- 9.8. MIDI Message Types and Assignments
10. Host Integration
- 10.1. Integration with MASCHINE
  - 10.1.1. Basic Control Functions
  - 10.1.2. Advanced Integration Control Functions
- 10.2. Integration with Apple Logic Pro X and GarageBand
- 10.3. Integration with Ableton Live
- 10.4. Integration with Steinberg Cubase and Nuendo
- 10.5. Integration with PreSonus Studio One
- 10.6. Integration with Hosts using MCU Protocol
11. Browsing the Library
- 11.1. Browser Basics
- 11.2. Opening the Browser
- 11.3. Loading Preset Files
- 11.4. Choosing Between Factory Content and User Content
- 11.5. Filtering Preset Files by Product
- 11.6. Filtering Preset Files by Bank
- 11.7. Resetting the Product Selection
- 11.8. Types and Characters Tags
  - 11.8.1. Filtering Preset Files by Types and Characters
  - 11.8.2. Selecting Multiple Tags from the Same Level
- 11.9. Working with Favorites
- 11.10. Performing a Text Search
- 11.11. Displaying Preset File Information
- 11.12. Auditioning your Preset Files
12. Working with Effects
- 12.1. Opening the Plug-in Chain Panel
- 12.2. Adding Effects
- 12.3. Selecting Plug-in Slots
- 12.4. Reordering Effects
- 12.5. Scrolling the Plug-in Chain
- 12.6. Bypassing Effects
- 12.7. Removing Effects
13. Working with Loops and One-Shot Samples
- 13.1. Sampler Plug-In and Audio Plug-In Use Cases
- 13.2. Loading One-Shot Samples and Loops
- 13.3. Opening the Audio Plug-In or Sampler Plug-In
- 13.4. Switching between the Audio Plug-In and the Sampler Plug-In
- 13.5. Playback Behavior of Audio Plug-In in Host Software
14. Managing the Library
- 14.1. Saving Preset Files to the User Library
- 14.2. Deleting User Preset Files from the User Library
- 14.3. Editing the Tags and Properties of User Preset Files
- 14.4. Syncing Multiple Instances
- 14.5. Working with the Files Pane
- 14.6. Loading VST Plug-ins
- 14.7. Installing NKS Instruments
- 14.8. Importing KOMPLETE KONTROL-Compatible User Files
15. Controlling Instrument, Loop, One-shot and Effect Parameters
- 15.1. About Pre-Mapped Instruments, Loops, One-shots and Effects
- 15.2. Adjusting Parameters
- 15.3. Switching Parameter Pages
- 15.4. Customizing Parameter Mappings using the Plug-in Panel
16. Smart Play – Playing and Editing Scales and Chords
- 16.1. A Note about Music Theory
- 16.2. Activating the Scale Engine
- 16.3. Selecting and Playing a Scale
- 16.4. Playing Chords
- 16.5. Editing Scales and Chords
- 16.6. Setting the SCALE Parameters
  - 16.6.1. SCALE Root Note
  - 16.6.2. SCALE Bank and Type
- 16.7. Setting the KEY MODE Parameter
- 16.8. Setting the CHORD Parameters
17. Smart Play – Playing and Editing Arpeggiator Sequences
- 17.1. Playing Arpeggiator Sequences
- 17.2. Using a Sustain Pedal to Control the Arpeggiator
- 17.3. Using Arpeggiator Snapshots on the Keyboard
- 17.4. Editing the Arpeggiator
- 17.5. MAIN Parameters
  - 17.5.1. MAIN Mode
  - 17.5.2. MAIN Type
- 17.6. RHYTHM Parameters
- 17.7. OTHER Parameters
- 17.8. ADVANCED Parameters
- 17.9. RANGE Parameters
  - 17.9.1. RANGE Min. Key
  - 17.9.2. RANGE Max. Key
- 17.10. HOLD Parameter
18. Envelopes

The Rename Template dialog with the current MIDI Template name appears.

2. Enter the desired MIDI Template name.

3. Click Rename to confirm.

The MIDI Template name has changed.

9.7. Creating Key Zones

The MIDI Assignment editor allows you to manage Key Zones. Key Zones can be used to assign

different MIDI channels to certain keys. In this section you learn about Key Zones, how you can

create them, how you select another MIDI channel and set the Light Guide color, and how you

transpose key pitches.

9.7.1. About Key Zones

A Key Zone is a group of contiguous keys to which you can assign a particular MIDI channel. Key

Zones are a flexible and handy tool that allows you to quickly set up advanced key mappings.

• You do not have to assign each key individually. Instead, assigning a key range to the Key

Zone will automatically set the correct assignments to all included keys.

• Each Key Zone can have its own MIDI channel, and color setting. These settings are applied to

all of the keys in a Key Zone.

• Key Zones span the entire range of MIDI notes. You can have between 1 and 16 Key Zones.

Key Zones cannot overlap (i.e. each key can only belong to one single Key Zone), and they

cannot have gaps between them (i.e. each key must belong to a Key Zone). You can disable

particular Key Zones: in this case their keys will not send any MIDI Note message (dead keys).

• Key Zone assignments are valid per MIDI Template.

Using the MIDI Assignment Editor