english studio monitor kh 120 kh 120
© Rainer Holz / Corbis Perfection Unique quality management Precision Accuracy Reliability User oriented engineering Attention to detail
The measure of all sound Flexibility Control Versatility Transparency Authenticity Consistency studio monitor kh 120 kh 120
Neumann Studio Monitor Systems Neumann is well-known in the audio industry for its high quality microphones in studios, broadcast, and on stage. Neumann has also been a pioneer in the audio industry for over 80 years with a long history of world-class products. These products have kept Neumann on the cutting edge of technology – from mixing consoles and disc cutting lathes, to more recent innovations in digital technology with the Solution-D system.
studio monitor kh 120
1 Powerful alloy fabric dome Low-distortion highfrequency reproduction 2 Elliptical Mathematically Modelled Dispersion™ (MMD™) waveguide Smoother off-axis response 1 2 More forgiving of diverse acoustical environments 4 3 Composite sandwich cone Damping of break-up modes Long throw bass driver Low distortions at high sound levels 5 4 Two-color + dimmable Neumann logo Displays operation status and activation of the extensive protection system 3 5 6 Robust metal grille Protects against mechanica
studio monitor kh 120 More features: Wide horizontal dispersion Freedom of movement across the mixing console Narrow vertical dispersion Reduces reflections off the mixing console One-piece front panel with no discontinuities Reduced diffraction and smoother frequency response Powerful analog amplifiers with large headroom Improved transient response Separate woofer and tweeter electronic peak limiters and thermal-protection circuitry High reliability Production consistency Any KH 120 is “pairmatched” to any o
1 1 2 4-position bass, low-mid and treble acoustical controls More control in diverse acoustical environments 2 Wide range input gain and output level controls Easier interfacing with signal sources 3 3 New mounting hardware options More flexibility in mounting cabinets in more diverse locations 4 Display dimmer For low lighting level conditions or behind the screen applications 3 7 a version 6 4 5 View of connectors and control switches 5 d version Ground lift Reduced noise in electrically
studio monitor r kh 120 7 XLR analog input 8 Lipsync delay (0 … 10/12 frames)* To align audio and video signals Time-of-flight delay (0 … 400 ms)* To compensate for listening distance differences 9 Signal select Analog, Digital A, Digital B, Digital A+B (all available with and without delay) 10 BNC input and buffered BNC output / 24 bit, 192 kHz, AES3, S/P-DIF* Compatible with commonly used digital signals* ! More features: Separate woofer and tweeter electronic peak limiters and thermal-protection ci
Acoustical Controls (Bass/Low-Mid/Treble) Frequency Response dB dB 10 10 0 0 -10 -10 -20 -20 -30 -30 20 50 100 500 1k 5k 10k 20kHz 20 Group Delay 50 100 500 1k 5k 10k 20kHz Maximum Output Level (at 1% / 3% THD) ms dB SPL 110 40 100 20 90 0 80 20 50 100 500 1k 5k 10k 20kHz 70 20 50 100 500 1k 5k 10k 20kHz Horizontal Isobar Dispersion Plot 90° 60° –9 –6 30° –3 0° 0 dB –3 −30° –6 –9 −60° −90° 100 500 1k 5k 10k 20k
studio monitor kh 120 Acoustics KH 120 A KH 120 D −3 dB free field frequency response 52 Hz … 21 kHz, ± 3 dB Pass band free field frequency response 54 Hz … 20 kHz, ± 2 dB < 20 dB(A) at 10 cm Self-generated noise (with controls set to 100 dB SPL and 0 dB) > 100 Hz Total harmonic distortion < 0.5 % at 95 dB SPL at 1 m Max. SPL in full space / calc. in half space at 3% THD at 1 m Bass Capability (max. SPL calc. in half space at 3% THD at 1 m) 105.1 / 111.1 dB SPL (averaged 100 Hz ... 6 kHz) 104.
Accessories As a full service provider, Neumann offers an extensive range of accessories: LH 28 Tripod Stand Adaptor for mounting on standard 35 mm (1 3/8“) diameter tripods. LH 29 TV-spigot for mounting onto a standard TV spigot. Order Info Product Art.
