Reference Guide (PDF Edition)
Table Of Contents
- When Your First Photo Can’t Wait
- Package Contents
- About This Document
- Table of Contents
- For Your Safety
- Notices
- Getting to Know the Camera and Its Menus
- First Steps
- Basic Photography and Playback
- Shooting Settings
- Video Recording
- Viewing and Retouching Pictures
- Voice Memos
- Connecting to HDMI TVs and Recorders
- Connecting to Smart Devices
- Connecting to Computers or FTP Servers
- Connecting to Other Cameras
- Flash Photography
- Remote Flash Photography
- Menu Guide
- Defaults
- The Photo Shooting Menu: Shooting Options
- Shooting Menu Bank
- Extended Menu Banks
- Storage Folder
- File Naming
- Role Played by Card in Slot 2
- Image Area
- Image Quality
- Image Size
- RAW Recording
- ISO Sensitivity Settings
- White Balance
- Set Picture Control
- Manage Picture Control
- Color Space
- Active D-Lighting
- Long Exposure NR
- High ISO NR
- Vignette Control
- Diffraction Compensation
- Auto Distortion Control
- Photo Flicker Reduction
- Metering
- Flash Control
- Focus Mode
- AF-Area Mode
- AF Subject Detection Options
- Vibration Reduction
- Auto Bracketing
- Multiple Exposure
- HDR Overlay
- Interval Timer Shooting
- Time-Lapse Video
- Focus Shift Shooting
- The Video Recording Menu: Video Recording Options
- Shooting Menu Bank
- Extended Menu Banks
- Storage Folder
- File Naming
- Destination
- Video File Type
- Frame Size/Frame Rate
- Image Area
- ISO Sensitivity Settings
- White Balance
- Set Picture Control
- Manage Picture Control
- HLG Quality
- Active D-Lighting
- High ISO NR
- Vignette Control
- Diffraction Compensation
- Auto Distortion Control
- Video Flicker Reduction
- Metering
- Focus Mode
- AF-Area Mode
- AF Subject Detection Options
- Vibration Reduction
- Electronic VR
- Microphone Sensitivity
- Attenuator
- Frequency Response
- Wind Noise Reduction
- Mic Jack Plug-in Power
- Headphone Volume
- Timecode
- External Rec. Cntrl (HDMI)
- Custom Settings: Fine-Tuning Camera Settings
- Custom Settings Bank
- a: Focus
- a1: AF-C Priority Selection
- a2: AF-S Priority Selection
- a3: Focus Tracking with Lock-On
- a4: Focus Points Used
- a5: Store Points by Orientation
- a6: AF Activation
- a7: Focus Point Persistence
- a8: Limit AF-Area Mode Selection
- a9: Focus Mode Restrictions
- a10: Focus Point Wrap-Around
- a11: Focus Point Display
- a12: Built-in AF-Assist Illuminator
- a13: Focus Peaking
- a14: Manual Focus Ring in AF Mode
- b: Metering/Exposure
- c: Timers/AE Lock
- d: Shooting/Display
- d1: Continuous Shooting Speed
- d2: Maximum Shots per Burst
- d3: Limit Release Mode Selection
- d4: Sync. Release Mode Options
- d5: Extended Shutter Speeds (M)
- d6: Limit Selectable Image Area
- d7: File Number Sequence
- d8: View Mode (Photo Lv)
- d9: Starlight View (Photo Lv)
- d10: Warm Display Colors
- d11: LCD Illumination
- d12: View All in Continuous Mode
- d13: Release Timing Indicator
- d14: Image Frame
- d15: Grid Type
- d16: Virtual Horizon Type
- d17: Custom Monitor Shooting Display
- d18: Custom Viewfinder Shooting Display
- e: Bracketing/Flash
- f: Controls
- g: Video
- g1: Customize i Menu
- g2: Custom Controls
- g3: Control Lock
- g4: Limit AF-Area Mode Selection
- g5: Focus Mode Restrictions
- g6: AF Speed
- g7: AF Tracking Sensitivity
- g8: View Assist
- g9: Zebra Pattern
- g10: Limit Zebra Pattern Tone Range
- g11: Grid Type
- g12: Custom Monitor Shooting Display
- g13: Custom Viewfinder Shooting Display
- The Playback Menu: Managing Pictures
- The Setup Menu: Camera Setup
- Format Memory Card
- Language
- Time Zone and Date
- Monitor Brightness
- Monitor Color Balance
- Viewfinder Brightness
- Viewfinder Color Balance
- Finder Display Size (Photo Lv)
- Limit Monitor Mode Selection
- Auto Rotate Info Display
- AF Fine-Tuning Options
- Non-CPU Lens Data
- Save Focus Position
- Sensor Shield Behavior at Power Off
- Clean Image Sensor
- Image Dust Off Ref Photo
- Pixel Mapping
- Image Comment
- Copyright Information
- IPTC
- Voice Memo Options
- Camera Sounds
- Silent Mode
- Touch Controls
- HDMI
- USB Connection Priority
- Location Data (Built-In)
- Wireless Remote (WR) Options
- Assign Remote (WR) Fn Button
- Conformity Marking
- Battery Info
- USB Power Delivery
- Energy Saving (Photo Mode)
- Slot Empty Release Lock
- Save/Load Menu Settings
- Reset All Settings
- Firmware Version
- The Network Menu: Network Connections
- My Menu/Recent Settings
- Troubleshooting
- Technical Notes
- Compatible Lenses and Accessories
- Camera Displays
- Compatible Flash Units
- Compatible Accessories
- Software
- Caring for the Camera
- Caring for the Camera and Battery: Cautions
- Specifications
- Approved Memory Cards
- Memory Card Capacity
- Battery Endurance
- Trademarks and Licenses
- Cautions: Location Data (GPS/ GLONASS)
- Notices
- Bluetooth and Wi-Fi (Wireless LAN)
- Index
425
Using an On-Camera Flash
D
i-TTL Flash Control
When an optional flash unit that supports the Nikon Creative Lighting
System is attached and set to TTL, the camera uses monitor pre-flashes for
balanced or standard “i-TTL fill-flash” flash control. i-TTL flash control is not
available with flash units that do not support the Nikon Creative Lighting
System. The camera supports the following types of i-TTL flash control:
•
Standard i-TTL fill-flash is activated automatically when [Spot metering] is
selected.
A
The Sync Terminal
A sync cable can be connected to the sync
terminal (which features a JIS-B locking nut) as
required. Do not connect another flash unit via a
sync cable when performing rear-curtain sync
flash photography with a flash unit mounted on
the camera accessory shoe.
Flash control Description
i-TTL balanced
fill-flash
The camera uses “i-TTL balanced fill-flash” flash control
for a natural balance between the main subject and
ambient background lighting. After the shutter-release
button is pressed and immediately before the main flash,
the flash unit emits a series of monitor pre-flashes which
the camera uses to optimize flash output for a balance
between the main subject and ambient background
lighting.
Standard i-TTL
fill-flash
Flash output is adjusted to bring lighting in the frame to
a standard level; the brightness of the background is not
taken into account. Recommended for shots in which the
main subject is emphasized at the expense of
background details, or when exposure compensation is
used.