1.4

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Source: Select an existing Color in the template. The tint or opacity will be
applied to this color.
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Tint/Opacity: The slider sets the percentage of tint or opacity. Set the value
using the slider, or type the percentage directly in the input box.
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Use Opacity: Check to set the Tint slider to use Opacity instead.
Color Settings
Color Management can keep colors consistent across different outputs by using Color Profiles.
When producing output to a new device, color adjustments are made to present the color as
accurately as possible on this new device.
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Enable Color Management: Check to disable color management and ignore embedded
color profiles when importing images (with the exception of imported PDF files as it might
contain a multiple tagged sub images).
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Working Space Group: Defines the color profiles for the currenttemplate.
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RGB: Use the drop-down to select a color profile for RGB colors. The list displays
ICC profiles located in "%USERPROFILE%\Connect\color-profiles\rgb".
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CMYK: Use the drop-down to select a color profile for CMYK colors. The list
displays ICC profiles located in "%USERPROFILE%\Connect\color-profiles\cmyk"
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Gray: Use the drop-down to select a color profile for Grayscale. The list displays
ICC profiles located in "%USERPROFILE%\Connect\color-profiles\gray"
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Untagged Images Group: Defines color profiles for any image that does not specifically
have color profiles or color settings enabled.
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RGB: Use the drop-down to select a color profile for RGB colors. The list displays
ICC profiles located in "%USERPROFILE%\Connect\color-profiles\rgb".
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CMYK: Use the drop-down to select a color profile for CMYK colors. The list
displays ICC profiles located in "%USERPROFILE%\Connect\color-profiles\cmyk"
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Gray: Use the drop-down to select a color profile for Grayscale. The list displays
ICC profiles located in "%USERPROFILE%\Connect\color-profiles\gray"
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Options Group:
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Rendering intent: Use the drop-down to specify how colors are converted that are
out of range of a profile. For example, you may use tricks like reducing the
saturation of the entire print so that a color that is out of range still appears a bit
more vibrant than ones that are in range. Rendering intents use different methods to
trick the eye into believing that the print can reproduce irreproducible colors.
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