SX-PR54/M ENGLISH DIGITAL ENSEMBLE SX-PR54/M Operating Instructions Matsushita Electric Industrial Co., Ltd. Web Site: http://www.panasonic.co.jp/global/ ENGLISH Before connecting, operating or adjusting this product, please read these instructions completely. Please keep this manual for future reference. Printed in Japan QQTG0701 Se0503S0 ENGLISH This manual was printed with soy based ink.
01_Caution for AC Mains Lead.fm 2 ページ 2003年5月16日 金曜日 午後3時44分 Caution for AC Mains Lead (For United Kingdom) (For the type as shown in figures A and B) For your safety, please read the following text carefully. This appliance is supplied with a moulded three pin mains plug for your safety and convenience. A 5-ampere fuse is fitted in this plug. Should the fuse need to be replaced please ensure that the replacement fuse has a rating of 5-ampere and that it is approved by ASTA or BSI to BS1362.
01_Caution for AC Mains Lead.fm 3 ページ 2003年5月16日 金曜日 午後3時44分 THE FOLLOWING APPLIES ONLY IN THE U.S.A. AND CANADA CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE SCREWS. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
01_Caution for AC Mains Lead.
01_Caution for AC Mains Lead.
01_Caution for AC Mains Lead.fm 6 ページ 2003年5月16日 金曜日 午後3時44分 THE FOLLOWING APPLIES ONLY IN THE U.S.A. IMPORTANT SAFETY INSTRUCTIONS Read these operating instructions carefully before using the unit. Follow the safety instructions on the unit and the safety precautions listed below. Keep these operating instructions handy for future reference. Safety 1. Power Source—Connect the unit to a power source of the type described in these instructions or as marked on the unit. 2.
01_Caution for AC Mains Lead.fm 7 ページ 2003年5月16日 金曜日 午後3時44分 Cautions for safest use of this unit Installation location If operation seems abnormal 1. A well-ventilated place. Immediately turn off the power, disconnect the power cord plug from the electrical outlet, and contact the store where it was purchased. Take care not to use this unit in a place where it will not receive sufficient ventilation, and not to permit the ventilation holes to be covered by curtains, or any similar materials. 2.
02_Contents.fm 8 ページ 2003年5月16日 金曜日 午後3時48分 Contents Cautions for safest use of this unit ............................................................................................................. 7 Controls and functions............................................................................................................................... 10 BASIC FUNCTIONS Getting started .........................................................................................................................
02_Contents.fm 9 ページ 2003年5月16日 金曜日 午後3時48分 Part V Disk Drive ....................................................................................................................................... 90 Outline of the Disk Drive function ................................................................................................... 90 Outline of the procedure ................................................................................................................. 92 Loading data ...............
03_Controls and functions.fm 10 ページ 2003年5月16日 金曜日 午後3時50分 Controls and functions PIANO STYLIST You can choose to have all the settings of this instrument automatically set. (Refer to page 50.) AUTO PLAY CHORD Add an automatic accompaniment to your selected rhythm. (Refer to page 44.) AUTO PLAY CHORD MAIN VOLUME MAX SPLIT POINT MODE OFF/ON ONE TOUCH PLAY FADE APC/SEQUENCER VOLUME IN RHYTHM GROUP Various rhythm patterns are available for each rhythm group. (Refer to page 41.
03_Controls and functions.fm 11 ページ 2003年5月16日 金曜日 午後3時50分 FAVORITES Fashion a customized display in which all your favorite sounds, rhythms and styles etc. are assembled. (Refer to page 30.) DISPLAY Displays performance information, function settings and other messages. (Refer to page 27.) Use the CONTRAST buttons to adjust the display so that it is easy to read. SOUND GROUP Various sounds are available for each sound group. (Refer to page 31.) SEQUENCER Record and play back your performance.
Basic functions 04_Basic functions.
月曜日 午後1時32分 Playing the piano Your piano is equipped with various fine functions which make it an extremely versatile instrument. But it should be remembered that it is first of all a fine piano. Select one of the piano sounds and enjoy its excellent quality. When you activate the SIMPLE PIANO feature, the entire keyboard is instantly transformed into a piano, regardless of the current instrument settings.
Basic functions 04_Basic functions.fm 14 ページ 2003年5月19日 月曜日 午後1時32分 Progressive Pianist Your piano offers a fun method of learning to play piano.
月曜日 午後1時32分 Basic functions 04_Basic functions.
Basic functions 04_Basic functions.
月曜日 午後1時32分 Basic functions 04_Basic functions.
Basic functions 04_Basic functions.
月曜日 午後1時32分 Basic functions 04_Basic functions.fm 19 ページ 2003年5月19日 C F G7 C C F G7 C C G7 F • In this example you played chords by pressing the keys for the “root notes” (ONE FINGER chords). But you can also specify the chord by playing all the notes in the chord. (Refer to page 45.) • You can insert a fill-in pattern while the preset rhythm pattern is playing by pressing either the FILL IN 1 or FILL IN 2 button.
Basic functions 04_Basic functions.
月曜日 午後1時32分 Basic functions 04_Basic functions.
Basic functions 04_Basic functions.
月曜日 午後1時32分 Basic functions 04_Basic functions.
Basic functions 04_Basic functions.
月曜日 午後1時32分 Load rhythm data from a Technics pattern disk (COMPOSER LOAD) AUTO PLAY CHORD MAIN VOLUME MAX SPLIT POINT MODE OFF/ON ONE TOUCH PLAY FADE APC/SEQUENCER VOLUME IN RHYTHM GROUP SOUND OUT ARRANGER METRONOME POP ROCK FUNK & SOUL SOUND GROUP TEMPO / PROGRAM DISCO POP BALLAD BALLAD BALLROOM & SHOW STRINGS VOCAL SEQUENCER GUITAR & SAX & ORGAN & SOUND HARPSI BRASS WOODWIND ACCORDION SYNTH EXPLORER PLAY EASY REC FAVORITES PROGRAM MENUS DISK IN USE DISK MAX SET CHORD FINDER PRO
Basic functions 04_Basic functions.
05_About the display.fm 27 ページ 2003年5月19日 月曜日 午後1時39分 About the display A large-size display, easy to operate with excellent readability, is used for displaying various information such as the names of the selected sounds and rhythms etc. and when setting the functions. Let’s take a look. • The display illustrations shown in this User’s Manual are examples for the sake of clarification; the actual displays on your in strument may differ from the illustrations.
About the display 05_About the display.fm 28 ページ 2003年5月19日 月曜日 午後1時39分 PAGE Setting display When there are additional parts to the current display, a page number indication, for example PAGE1/2, appears in the upper right corner of the screen. For example, 1/2 indicates that there are two pages of the display, and the current page is page 1. In this case, you can use the upper and lower PAGE buttons, to the right of the balance buttons, to view different “pages” of the display.
05_About the display.fm 29 ページ 2003年5月19日 月曜日 午後1時39分 DISPLAY HOLD • The following display appears. DISPLAY HOLD EXIT 2. Use the buttons below the display to select a language. 3. Press the OK button. • The indicator for this button may flash if the current display is one which is normally automatically canceled. • If the PROGRAM MENUS button, for example, is pressed, the DISPLAY HOLD mode is canceled. CONTRAST 4. Press a button on the panel whose explanation you wish to read.
05_About the display.
06_Part I.fm 31 ページ 2003年5月20日 火曜日 午後5時24分 Part I Sounds and effects Overview of sounds The following is an overview of the sound parts of this instrument. NX SOUND Part NX SOUND is the Technics original sound generator format which evokes realtime performance quality and expressive power, and dramatically expands the number of sounds and effects generated. This format includes GM2 (General MIDI Level 2), and make various controls possible when data is created and reproduced by computer.
06_Part I.fm 32 ページ 2003年5月20日 火曜日 午後5時24分 Part I Sounds and effects • The sounds in DRUM KITS are percussion sounds that you play by striking the keyboard keys. • MEMORY is reserved for storing sounds you modify. (Refer to page 119.) 䡲 ALPHABET Press the CTG button to show the sound names in alphabetical order. • Press the ALP button to return to the CATEGORY display. 3. Select the desired sound from the list on the display.
06_Part I.fm 33 ページ 2003年5月20日 火曜日 午後5時24分 Part I Sounds and effects 䡲 TREMOLO Tremolo is a rapid oscillation in volume, like the effect of a rotating speaker. The tremolo speed can be changed while you are playing. ATTACK TIME: Use the ∧ and ∨ buttons to adjust the time it takes for the drawbar sound to sound after a key is played. RELEASE TIME: Use the ∧ and ∨ buttons to adjust the time it takes for the drawbar sound to die out after the keys are released.
06_Part I.
06_Part I.fm 35 ページ 2003年5月20日 火曜日 午後5時24分 Part I Sounds and effects SPLIT POINT You can split the keyboard into right and left sections (SPLIT), and assign a different sound to each section. 䡲 Customized split point Use the following procedure if you wish to store a split point at a location other than G2/C3/C4. 1. Press the LEFT button in the CONDUCTOR 1. Press and hold the SPLIT POINT button for a to turn it on. few seconds.
06_Part I.fm 36 ページ 2003年5月20日 火曜日 午後5時24分 Part I Sounds and effects 2. Use the ∧ and ∨ buttons to adjust the amount • The higher the number, the greater the amount of resonance. • When set to 0, there is no string resonance. of resonance (0 to 99).
06_Part I.
06_Part I.fm 38 ページ 2003年5月20日 火曜日 午後5時24分 Part I Sounds and effects REVERB • The display looks similar to the following. REVERB applies a reverberation effect to the sound. Press the REVERB button to turn it on. REVERB 2. Use the ▲ and ▼ buttons to select the name of the effect group. 䡲 Type and parameter settings 1. Press and hold the REVERB button for a few seconds. Sounds and effects • The display changes to the following. • EFFECT MEMORY is an edited effect group. 3.
06_Part I.fm 39 ページ 2003年5月20日 火曜日 午後5時24分 Part I Sounds and effects 3. Select MIC REVERB & EFFECT. MIC REVERB & EFFECT • The display looks similar to the following. You can add reverb and other effects to sound from a connected microphone. • Connect a microphone to this instrument. (Refer to page 134.) 1. Press the PROGRAM MENUS button to turn it on. 4. Set using the button on the left of the display. PROGRAM MENUS Select the effect name (MIC REVERB/MIC EFFECT).
06_Part I.
07_Part II.fm 41 ページ 2003年5月16日 金曜日 午後5時16分 Part II Playing the rhythm Overview of rhythm performance An explanation follows of the terms related to this instrument’s rhythm performance. Rhythm and accompaniment pattern Rhythm and Style One rhythm of this instrument is comprised of four VARIATION patterns, and for each one the optimum sounds and effects are set. All of these together comprise one STYLE.
07_Part II.fm 42 ページ 2003年5月16日 金曜日 午後5時16分 Part II Playing the rhythm 䡲 VARIATION There are four variations available for each rhythm. Use the VARIATION buttons to select the desired variation. 䡲 Synchronized start With the synchronized start feature, the rhythm pattern starts when you play a key on the keyboard. 1. Select a rhythm. 1 2 MUSIC STYLE ARRANGER 3 4 VARIATION 2. Press the SYNCHRO & BREAK button to turn it on. SYNCHRO & BREAK • Confirm that the MUSIC STYLE ARRANGER button is off.
07_Part II.
07_Part II.fm 44 ページ 2003年5月16日 金曜日 午後5時16分 Part II Playing the rhythm 2. Press the INTRO & ENDING 1 or INTRO & ENDING ENDING 2 button to turn it on. Finish the rhythm performance with an ending pattern. 1 2 INTRO & ENDING 1. Select a rhythm and press the START/STOP button. • An ending pattern is produced, and then the rhythm performance stops. • If you accidentally press the INTRO & ENDING button in the middle of the tune, you can press the FILL IN 1 or FILL IN 2 button.
07_Part II.fm 45 ページ 2003年5月16日 金曜日 午後5時16分 Part II Playing the rhythm Minor, seventh and minor seventh chords are also easily produced. • minor chord seventh chord minor seventh chord Play the root note plus a black key to the left of it. Play the root note plus a white key to the left of it. Play the root note plus a black key and a white key to the left of it. Example: Cm Example: C7 Example: Cm7 When three or more keys of a chord are pressed, it is recognized as a chord.
07_Part II.fm 46 ページ 2003年5月16日 金曜日 午後5時16分 Part II Playing the rhythm 䡲 MEMORY Press the MEMORY button and select either one of the following: ON: Even when removing your finger from the keys, the present chord is retained until the next chord is specified. OFF: When removing your finger, the chord is deleted. AUTO: The chord is retained when auto accompaniment is playing but is not retained when stopped. 6. Specify a chord.
07_Part II.fm 47 ページ 2003年5月16日 金曜日 午後5時16分 Part II Playing the rhythm • Use this control to lower the automatic accompaniment volume when it is too loud relative to your manual performance. • At the MAX position, the volumes of the automatic accompaniment parts correspond to their current settings; at the OFF position, the volume is 0. The volume should normally be set to MAX. • The set values are shown in the APC column of the volume balance display. (Refer to page 27.
07_Part II.
07_Part II.
07_Part II.
07_Part II.
07_Part II.
07_Part II.fm 53 ページ 2003年5月16日 金曜日 午後5時16分 Part II Playing the rhythm Recall the panel setup 2. Use the ∧ and ∨ buttons to select the item. 1. Use the BANK button to select a bank (A, B, 3. Use the ON and OFF buttons to store the on C). or off status for the selected item. 2. Press the desired PANEL MEMORY number button (1 to 8). • Turning the P.MEM 5-8 button ON enables the selection of panel settings for numbers 5 to 8. • The panel setup changes to the one stored in the specified memory.
08_Part III.
08_Part III.fm 55 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer SEQUENCER menu The configuration of the SEQUENCER setting display is as follows. 1. Press the PROGRAM MENUS button to turn it on. PROGRAM MENUS • The display looks similar to the following. 2. Select SEQUENCER. • The display looks similar to the following. Sequencer • The SONG ∧ and ∨ buttons are used to select a song. • You can press the NAMING button and assign a name to the song.
08_Part III.fm 56 ページ 2003年5月20日 火曜日 午前8時14分 Part III Summary of the SEQUENCER menu items RECORD & EDIT These functions are recording and editing operations used for creating a new performance. REALTIME RECORD (page 59) Record each part of your performance just as you play it on the keyboard. PUNCH RECORD (page 64) Correct a selected portion of your recorded performance. STEP RECORD (page 65) Store the sounds note-by-note on the display.
08_Part III.fm 57 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Sequencer parts The following summary explains what is stored in each SEQUENCER part. Part name [name on display] • • Used for Recorded contents Recording the performance of each part (REALTIME/STEP) • Sound and volume settings • PART EXPRESSION • Contents of sound and effect settings that can be set on the MIXER display (Refer to page 104.
08_Part III.fm 58 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Easy Record Suppose you are playing your instrument and you wish to record and play back your performance to hear how it sounds. You can bypass the set-up procedures of the full-scale sequencer and begin recording quickly and easily. • Note that by executing EASY REC, the original data in the selected song number is erased. Recording procedure 1. Press the EASY REC button to turn it on. SEQUENCER PLAY EASY REC 4. Press the OK button.
08_Part III.fm 59 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Realtime Record With REALTIME RECORD, your performance is recorded with the timing exactly as you played it on the keyboard. Use this mode to record your performance in up to 16 tracks and create your own orchestra or band. Recording procedure 1. Press the PROGRAM MENUS button to turn it • The display looks similar to the following. on. • The display changes to the following. 6.
08_Part III.fm 60 ページ 2003年5月16日 金曜日 午後5時41分 Part III 10. Play the keyboard. • Recording begins. • You can also press the START/STOP button to start the rhythm and begin recording. • If the metronome is on, when you press the START/STOP button, a two-measure count plays, after which recording automatically begins. In this case, the rhythm does not start. Recording does not start until the two-measure count is completed.
08_Part III.fm 61 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Sequencer Play Play back your recorded performance. 1. Press the SEQUENCER PLAY button to turn it on. SEQUENCER PLAY EASY REC 5. If you want to playback a song starting from a point other than the first measure, use the MEAS ∧ and ∨ buttons to specify the measure number. • “MEASURE=” indicates the current measure number. 6. Press the START/STOP button. CHORD STEP REC • The display looks similar to the following.
08_Part III.fm 62 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer CYCLE PLAY • The display looks similar to the following. You can have specified measures played back repeatedly. 1. On the SEQUENCER PLAY display, specify “PLAY” for track numbers you wish to have played back. 2. Press the CYCLE button. • The display looks similar to the following. 3. Use the START MEASURE ∧ and ∨ buttons to specify the beginning measure number. 4.
08_Part III.fm 63 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Naming Here is the way to assign a name to your recorded song. 1. On the SEQ MENU display use the SONG SELECT ∧ and ∨ buttons to select a song. 2. Press the NAMING button. • The display looks similar to the following. 3. Use the buttons below the display to assign a name. • Set the character input position with the POSITION buttons, select the characters with the alphanumeric buttons and repeat name assignment.
08_Part III.fm 64 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Song Select You can select a desired song from the list of recorded songs. 1. On the SEQ MENU display, select RECORD 3. Use the SONG SELECT ▲ and ▼ buttons to & EDIT. select a song. 2. On the RECORD & EDIT display, select SONG SELECT. • The display looks similar to the following. • The total amount of memory used for the current song is shown as a percentage (%) to the right of the song name.
08_Part III.fm 65 ページ 2003年5月16日 金曜日 午後5時41分 Part III 7. Press the REC STOP button at the point you want to stop recording. • Punch recording stops immediately. • You can also begin punch-in recording by playing the keyboard. • You can specify the punch-in/punch-out points with the Pedal. (Refer to page 120.) AUTO PUNCH RECORD You can also set the punch-in and punch-out points beforehand, so that recording automatically begins and ends at the specified points. 1.
08_Part III.fm 66 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer • The display changes to the STEP RECORD input display similar to the following. • Any panel setting changes—for example changes in the sound selection, button operation, wheel operation, etc.—are recorded at the cursor position. • When a dial is operated, the input value is indicated on the display. Confirm that this is the correct value and press the YES button to record the value or the NO button to cancel it.
08_Part III.fm 67 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Correcting the data 1. In the STEP RECORD mode, specify the track you wish to correct. Sound data The name of the sound is displayed. Change the sound as desired (the sound setting display is interposed on the current display). 2. Use the MEAS buttons to go to the measure you wish to modify. Use the CURSOR buttons to move the cursor to the point ( ∗ ) you wish to edit. • The data stored at that point is shown on the display.
08_Part III.fm 68 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Example of storing a chord progression 3 (2) While playing an F chord, press the h key one time. Measure 1 2 4 C C Am F D7 G7 w w h h h h 1. On the SEQ MENU display, use the SONG SELECT ∧ and ∨ buttons to select the song number. Then select RECORD & EDIT. 2. On the RECORD & EDIT display, select STEP RECORD. • The display changes to the PART SELECT display. 3.
08_Part III.fm 69 ページ 2003年5月16日 金曜日 午後5時41分 Part III Chord data When the chord name is displayed at the cursor position, you can press the DELETE key to erase the data and then store a new chord. • If you do not erase the displayed data before entering new chord data, the new data is inserted at this point, and the displayed data is merely shifted by the note value of the new chord. • Rests can also be erased. Each time the DELETE key is pressed, the rest is erased in units of Œ × 1.
08_Part III.fm 70 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Track Assign Each SEQUENCER part is already assigned to a track number. However, you can use the TRACK ASSIGN function to assign parts to tracks as you wish. 1. On the SEQ MENU display, use the SONG SELECT ∧ and ∨ buttons to select the song TRACK ASSIGN PRESETS A preset track assignment can be selected. number. Then select RECORD & EDIT. 1. On the TRACK ASSIGN display, press the 2. On the RECORD & EDIT display, select TRACK ASSIGN.
08_Part III.fm 71 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Quantize The QUANTIZE function can correct the timing of your performance after it has been recorded. If the rhythm is slightly out of sync or inexact, it will automatically be corrected to the specified quantize level. 1. On the SEQ MENU display, select RECORD & EDIT. 2. On the RECORD & EDIT display, select QUANTIZE. • The display looks similar to the following. 7. Use the STRENGTH ∧ and ∨ buttons to select the amount of quantize (%).
08_Part III.fm 72 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Song Clear Erase the recorded contents of all tracks. 1. On tne SEQ MENU display, select RECORD & EDIT. 2. On the RECORD & EDIT display, selct SONG CLEAR. 4. Press the OK button. • The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. • If the YES button is pressed, “COMPLETED!” appears on the display, the specified songs are erased.
08_Part III.fm 73 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer Note Edit You can edit performance (NOTE) data on a piano roll display. This differs from the normal STEP RECORD edit procedure, and is a convenient way to check the data for each note. • Data other than NOTE data cannot be corrected or recorded. To correct or record other types of data, use the STEP RECORD display. (Refer to page 65.) 1. On the SEQ MENU display, select RECORD & EDIT. 2. On the RECORD & EDIT display, select NOTE EDIT.
08_Part III.fm 74 ページ 2003年5月16日 金曜日 午後5時41分 Part III Sequencer CYCLE PLAY You can aurally check the data you are editing by accessing the CYCLE PLAY display from the NOTE EDIT display. 3. Use the END MEASURE ∧ and ∨ buttons to • If you wish other tracks to be played back, they should be selected beforehand on the SEQUENCER PLAY display. (Refer to page 61.) • Cycle playback of the specified measures begins. • If the SOLO button is turned on, playback changes to that of the recording track only.
08_Part III.fm 75 ページ 2003年5月16日 金曜日 午後5時41分 Part III Inserting DRUMS data You can also store DRUMS data on this display. 1. Specify the point where the new note data will be stored. 2. Use the VEL ∧ and ∨ buttons to specify the velocity (how hard the key is played). Sequencer CYCLE PLAY You can aurally check the data you are editing by accessing the CYCLE PLAY display from the DRUM EDIT display. • The procedure is the same as for NOTE EDIT.
08_Part III.fm 76 ページ 2003年5月16日 金曜日 午後5時41分 Part III • The track assignment settings are also copied. Note that in some cases, the CONTROL, RHYTHM and CHORD part data in the destination tracks may be lost. TRACK MERGE Sequencer • If ALL is selected, the specified measures are copied to all tracks at the same time. FIRST MEAS: Specify the first measure to copy. LAST MEAS: Specify the last measure to copy.
08_Part III.fm 77 ページ 2003年5月16日 金曜日 午後5時41分 Part III 4. Use the ERASE DATA ∧ and ∨ buttons to specify the type of data to be erased. ALL: All data is erased. NOTE: Only note data is erased. CONTROL: Only control data (volume, effect and other panel settings as well as selection changes) is erased. 5. Press the OK button. • The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. MEASURE DELETE Delete specified measures from a track.
08_Part III.fm 78 ページ 2003年5月16日 金曜日 午後5時41分 Part III APC TO SMF CONVERT This function converts data to Standard MIDI File (SMF) format, allowing you to play back song data created using this instrument’s automatic accompaniment on an external sequencer or sound generator. Sequencer 2. Use the APC ∧ and ∨ buttons to select the parts you wish to convert. • Parts that are set to OFF will not be converted. 3. Press the CONVERT button.
08_Part III.fm 79 ページ 2003年5月16日 金曜日 午後5時41分 Part III 5. Use the CHANGE TO ∧ and ∨ buttons to specify the pitch you wish to change to. 6. Press the OK button. • The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. VELOCITY CHANGE Modify the recorded velocity in specific measures of specific tracks. Sequencer 2. Use the FIRST MEAS ∧ and ∨ buttons to specify the start point (measure number) of the transpose. 3.
09_Part IV.
09_Part IV.fm 81 ページ 2003年5月20日 火曜日 午後5時25分 Part IV Composer Summary of the COMPOSER menu items RECORDING MEMORY-A Create a memory in the MEMORY A bank. PATTERN COPY (page 88) Copy a rhythm pattern into a memory. RECORDING MEMORY-B Create a memory in the MEMORY B bank. SEQ TO COMPOSER COPY (page 89) Copy recorded data in the SEQUENCER to the COMPOSER. RECORDING MEMORY-C Create a memory in the MEMORY C bank. EASY COMPOSER Create a rhythm pattern with a simplified procedure.
09_Part IV.fm 82 ページ 2003年5月20日 火曜日 午後5時25分 Part IV Composer Create a completely new rhythm Clear the memories and compose a completely new rhythm from scratch. • You can also use this method when copying a pattern from a preset rhythm or the SEQUENCER. Prepare to record 1. On the COMPOSER MENU display, select a memory in which to record (RECORDING MEMORY A, B, or C). • The display looks similar to the following. 2. Use the buttons below the display to select the pattern you want to create.
09_Part IV.fm 83 ページ 2003年5月20日 火曜日 午後5時25分 Part IV KEY SETTING Set the key and chord in which you wish the recorded pattern to be played. If the recorded performance is played in a key or chord different from this setting, the automatic accompaniment will not be able to distinguish the correct chord. Composer • For the ACCOMP and BASS parts, select sounds from groups other than the DIGITAL DRAWBAR sound groups.
09_Part IV.fm 84 ページ 2003年5月20日 火曜日 午後5時25分 Part IV QUANTIZE: Smooth out any unevenness in the timing of your performance. Composer 6. When you have finished recording the rhythm, turn off the PROGRAM MENUS button. • Before recording, select the note value for the desired quantize level. (The quantize level is shown on the display as QUANTIZE=.) KEY IN CHORD MODIFY (except for INTRO, ENDING, DRUMS): Use the GROUP and TYPE ∧ and ∨ buttons to select the type of pattern progression.
09_Part IV.fm 85 ページ 2003年5月20日 火曜日 午後5時25分 Part IV Composer PITCH POINT: The pitch at which the pattern progression sound is lowered by one octave. REV: Depth of the REVERB (0 to 127). • When the root note of the specified chord is higher than the set pitch point, the pitch of that part is automatically lowered by one octave, thus avoiding an unnaturally high accompaniment pitch. • This is effective only for the part for which the Melody group was selected in CHORD MODIFY CHANGE.
09_Part IV.fm 86 ページ 2003年5月20日 火曜日 午後5時25分 Part IV Composer Step Record Use STEP RECORD to store the notes one-by-one on the display. This is a convenient way to store complicated patterns that are difficult to play. Recording procedure 1. While you are recording, press the STEP RECORD button. • The display changes to the STEP RECORD display similar to the following. 6. Specify the pitch and velocity of the note by playing the keyboard.
09_Part IV.fm 87 ページ 2003年5月20日 火曜日 午後5時25分 Part IV Composer Measure Edit You can edit the recorded data one measure at a time. Select the function you wish to edit. 1. During recording, press the MEASURE EDIT button. • The display looks similar to the following. START MEASURE: Specify the start point to copy the selected measures to. 3. Press the OK button. • The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function.
09_Part IV.fm 88 ページ 2003年5月20日 火曜日 午後5時25分 Part IV Composer MEASURE DELETE MEASURE INSERT Delete specified measures from all parts at once. Insert blank measures at a specified point. • The length of the performance accordingly decreases by the number of deleted measures. • The length of the performance accordingly increases by the number of inserted measures. 1. Use the FIRST MEASURE ∧ and ∨ buttons, to 1. Use the FIRST MEASURE button to select the specify the first measure to delete. 2.
09_Part IV.fm 89 ページ 2003年5月20日 火曜日 午後5時25分 Part IV 䡲 Copying individual parts 1. Use the PAGE ∧ and ∨ buttons to select PAGE 2/2. • The display looks similar to the following. Composer 6. Use the TRANSPOSE ∧ and ∨ buttons to change the key of the copied measures (−24 to +24). • Units are in semitones. 7. Use the MEMORY ∧ and ∨ buttons to specify the COMPOSER memory to copy to. 8. Use the PATTERN ∧ and ∨ buttons to specify the pattern to copy to. 9. For each COMPOSER part, specify the 2.
10_Part V.fm 90 ページ 2003年5月16日 金曜日 午後8時41分 Part V Disk Drive Outline of the Disk Drive function The Disk Drive enables you to store recorded and stored data from this instrument’s memories on disks, as well as play commercial recorded disks on this instrument. Internal memory and Disk Drive The storable internal memory of this instrument as well as the backup time are limited.
10_Part V.fm 91 ページ 2003年5月16日 金曜日 午後8時41分 Part V Disk Drive Using commercial song disks Playback of commercial song disks Not only disks recorded on this instrument, but also data from commercial song disks can be read on this instrument. DIRECT PLAY lets you enjoy playing commercially sold song disks directly from a disk. It’s fast because you don’t have to load the disk data into your instrument’s memory.
10_Part V.
10_Part V.fm 93 ページ 2003年5月16日 金曜日 午後8時41分 Part V Disk Drive Loading data Recall (load) the data from the disk to this instrument’s memories. • Note that the load procedure causes any data which is currently stored in the relevant memories to be erased. LOAD Load data that saved to a disk into this instrument’s memory. • The display looks similar to the following. 1. Insert the disk with the stored data into the Disk Drive. Push it all the way in until you hear a click. 2.
10_Part V.fm 94 ページ 2003年5月16日 金曜日 午後8時41分 Part V 䡲 SMF LOAD Load data which was saved in the “Standard MIDI File” (SMF) format. 1. On the LOAD (PAGE 1/3) display, press the Disk Drive 5. Press the LOAD button. • The LOAD operation begins. • When the operation has been successfully completed, “COMPLETED!” is shown on the display. • If you press the START/STOP button, playback of the loaded data begins. SMF button. • The display looks similar to the following.
10_Part V.fm 95 ページ 2003年5月16日 金曜日 午後8時41分 Part V Disk Drive Direct Play You can enjoy immediate playback of “Standard MIDI File” (SMF), “Disk Orchestra Collection” (DOC) and “PianoDisc” disks—all without loading the song data. 1. Insert the disk with the stored data into the 䡲 The display during playback Disk Drive. 2. On the DISK MENU display, select DIRECT PLAY. • The display looks similar to the following. 3.
10_Part V.fm 96 ページ 2003年5月16日 金曜日 午後8時41分 Part V 䡲 MEDLEY PLAY With DIRECT PLAY, songs saved on a disk can be played back continuously in a medley. 1. On the DIRECT PLAY display, set the MED- Disk Drive 2. Press the START button. • Medley playback begins. • During medley playback, you can use the SKIP button to skip to the next song. LEY settings. • If ALL is pressed, all the files are selected, and the songs are played back in order in a medley. If ALL is pressed again, the files are deselected.
10_Part V.fm 97 ページ 2003年5月16日 金曜日 午後8時41分 Part V Disk Drive Saving data The recorded data and panel settings of this instrument can be saved on a disk. 䡲 TECHNICS FORMAT Disks You can use 3.5 inch 2DD (720KB) or 2HD (1.44MB) disks. • How to distinguish the two disk types: 2DD No hole 2HD 1. Use the buttons below the display to specify Hole the file number you wish to save to.
10_Part V.fm 98 ページ 2003年5月16日 金曜日 午後8時41分 Part V Disk Drive Specify the kind of data you wish to save to the disk. To maximize effective use of disk memory or to minimize the save time, select only the type of data you wish to save. 1. Use the PAGE buttons to access the 2/3 SAVE OPTION display. • The display looks similar to the following. 䡲 SMF FORMAT 0 This instrument’s SEQUENCER data can be saved in the “Standard MIDI File” format (FORMAT 0) for use on other instruments.
10_Part V.fm 99 ページ 2003年5月16日 金曜日 午後8時41分 Part V • When set to ON, a space is added each time a file is saved. Therefore, if you have already saved a file once with the 1 MEASURE SPACE set to ON, please set it to OFF each time the file is subsequently saved. 8. Use the SAVE AS button to select the sound generator mode (GM/GM2/NX). Disk Drive 9. Press the SAVE button. • The SAVE operation begins. • When the operation has been successfully completed, “COMPLETED!” is shown on the display.
10_Part V.fm 100 ページ 2003年5月16日 金曜日 午後8時41分 Part V Disk Drive Set the automatic display when a disk is inserted When a disk is inserted in the Disk Drive, the display automatically changes to a disk-procedure display. Follow this procedure to customize the automatic display. PREFERENCES 1. On the DISK MENU display, select PREFERENCES. • The display looks similar to the following. 2. Use the buttons to the left of the display to select the item, and the ∧ and ∨ buttons to change the setting.
11_Part VI.
11_Part VI.fm 102 ページ 2003年5月19日 月曜日 午後1時44分 Sound Part VI Sound Part Setting Set the various sound attributes for each part. 3. Use the buttons below the display to adjust each attribute (explained in detail following). Selecting an attribute • The settings display is comprised of 5 pages. Use the PAGE buttons to switch pages. 1. On the SOUND MENU display, select PART SETTING. 2. Use the PART SELECT ∧ and ∨ buttons to select the part. 4.
11_Part VI.fm 103 ページ 2003年5月19日 月曜日 午後1時44分 Part VI Sound EQ LOW: Use the EQ LOW FC, GAIN ∧ and ∨ buttons to adjust the sound quality in the lower range. Sound EQ HIGH: Use the EQ HIGH FC, GAIN ∧ and ∨ buttons to adjust the sound quality in the upper range. GLIDE PEDAL: Use the GLIDE ON/OFF buttons to enable or disable the glide effect, if it has been assigned to the pedal. • For pedal settings, refer to page 120.
11_Part VI.fm 104 ページ 2003年5月19日 月曜日 午後1時44分 Sound Part VI Sound Mixer Use the MIXER display to visually adjust the major settings of each part. Use this display to make broad, general changes to the settings. 1. On the SOUND MENU display, select MIXER. • The MIXER display consists of 5 pages. Use the PAGE buttons to switch among the pages. • Each time the OTHER PARTS/TR button is pressed, the part that is displayed changes.
月曜日 午後1時44分 Part VI EQUALIZER LOW: Sound quality correction in the low range. Select EQUALIZER LOW FC; use the buttons below the display to set the standard frequency. Select EQUALIZER LOW GAIN; use the buttons below the display to set the ratio of change. Sound VIBRATO RATE: Select VIBRATO RATE. Use the buttons below the display to adjust the vibrato speed for each part (0 to 127). VIBRATO DEPTH: Select VIBRATO DEPTH.
11_Part VI.fm 106 ページ 2003年5月19日 月曜日 午後1時44分 Sound Part VI Sound Master Tuning This setting is used to fine-tune the pitch of the entire instrument. This is convenient when this instrument is played with other instruments or with a recorded performance. 1. On the SOUND MENU display, select MASTER TUNING. • The display changes to the following. 2. Use the ∧ and ∨ buttons to adjust the pitch. Key Scaling For each part you can change the tuning of each key within a one-octave range.
月曜日 午後1時44分 Part VI Sound Sound Load Option The data for each individual sound is set with the most suitable effect settings, etc., but in some cases when switching from one sound to another and these settings are recalled, the setup is not the way you want it. By using the SOUND LOAD OPTION, you can adjust the settings so that specific data is not recalled. 1. On the SOUND MENU display, select SOUND LOAD OPTION. • The display looks similar to the following. 2.
12_Part VII.
13_Part VIII.
13_Part VIII.fm 110 ページ 2003年5月20日 火曜日 午前8時21分 Part VIII Sound Edit Easy Edit The most commonly used edit functions are consolidated on one display, providing convenient and quick editing operation. 1. On the SOUND EDIT menu display, select EASY EDIT. • The display changes to the following. Easy Edit items BRILLIANCE: Adjust the brightness of the sound. VIBRATO DEPTH: Set vibrato depth. VIBRATO SPEED: Set vibrato speed. Sound Edit 2.
13_Part VIII.fm 111 ページ 2003年5月20日 火曜日 午前8時21分 Part VIII TONE SELECT 1. On the SOUND EDIT menu, select TONE. • The display looks similar to the following. • Use the ▲ and ▼ buttons to select a setting item and then the ∧ and ∨ buttons to specify a selection. • Select ON/OFF and use the ∧ and ∨ buttons to select ON or OFF. Sound Edit LEGATO: Sound is emitted only when the key is played legato. NON LEG: Sound is not emitted when the key is played legato.
13_Part VIII.fm 112 ページ 2003年5月20日 火曜日 午前8時21分 Part VIII Sound Edit 4. Select HIGH and use the ∧ and ∨ buttons and select H-FADE and use the ∧ and ∨ buttons to define the area of the higher range of tone output. • By entering different values for the H-FADE and HIGH settings, you can define a sloping volume decrease from the peak output which corresponds to the note pitch.
13_Part VIII.fm 113 ページ 2003年5月20日 火曜日 午前8時21分 Part VIII Sound Edit Pitch Edit Adjust the settings related to the pitch of the sound. KEY SHIFT & DETUNE 1. On the SOUND EDIT menu display, select PITCH. • The display looks similar to the following. • Use the ▲ and ▼ buttons to select a setting item and then the ∧ and ∨ buttons to specify a selection. • Select ON/OFF and use the ∧ and ∨ buttons to select ON or OFF. 3. Adjust the settings for the pitch change envelope.
13_Part VIII.fm 114 ページ 2003年5月20日 火曜日 午前8時21分 Part VIII Sound Edit Filter Edit Make major changes to the sound by eliminating specific frequency ranges. FILTER & EQUALIZER 1. On the SOUND EDIT menu, select FILTER. • The display looks similar to the following. • Use the ▲ and ▼ buttons to select a setting item and then the ∧ and ∨ buttons to specify a selection. • Select ON/OFF and use the ∧ and ∨ buttons to select ON or OFF.
ページ 2003年5月20日 火曜日 午前8時21分 Part VIII FILTER ENVELOPE Specify how the filter changes over time, from the time the key is played to the time the sound dies out. 1. Use the PAGE buttons view the 3/4 display. • The display looks similar to the following. • Use the ▲ and ▼ buttons to select a setting item and then the ∧ and ∨ buttons to specify a selection. 2. Use the buttons to the left of the display to select a tone. 3. Use the ∧ and ∨ buttons to modify the respective filter envelopes.
13_Part VIII.fm 116 ページ 2003年5月20日 火曜日 午前8時21分 Part VIII Sound Edit Amplitude Edit Adjust the settings related to the volume of the sound. LEVEL 1. On the SOUND EDIT menu, select AMPLI- • Use the ▲ and ▼ buttons to select a setting item and then the ∧ and ∨ buttons to specify a selection. TUDE. • The display looks similar to the following. • Use the ▲ and ▼ buttons to select a setting item and then the ∧ and ∨ buttons to specify a selection.
13_Part VIII.fm 117 ページ 2003年5月20日 火曜日 午前8時21分 Part VIII Sound Edit LFO Edit LFO can be applied to the pitch, amplitude, filter and/or pan to produce a cyclic modulation of the sound. • Twelve LFO groups can be used. LFO LFO. • The display looks similar to the following. • Use the ▲ and ▼ buttons to select a setting item and then the ∧ and ∨ buttons to specify a selection. • Select ON/OFF and use the ∧ and ∨ buttons to select ON or OFF. 2.
13_Part VIII.fm 118 ページ 2003年5月20日 火曜日 午前8時21分 Part VIII Sound Edit Effect Edit These are settings related to the various effects applied to your edited sound. EFFECT 1. On the SOUND EDIT menu display, select EFFECT. Sound Edit • The display looks similar to the following. 2. Use the CHORUS ON/OFF buttons set CHORUS to on or off. Use the respective DEPTH ∧ and ∨ buttons to specify how the CHORUS is applied. 3. Use the REVERB ADJUST ∧ and ∨ buttons to specify how the REVERB is applied. 4.
13_Part VIII.fm 119 ページ 2003年5月20日 火曜日 午前8時21分 Part VIII Sound Edit 6. Repeat steps 2 to 5 for the other controllers, as desired. 7. Use the GLIDE ∧ and ∨ buttons to select whether or not the glide effect is active. ENABLE: The glide effect is enabled. DISABLE: The glide effect is disabled. The MEMORY button in the SOUND GROUP section accesses memory banks reserved for the sounds you create with the SOUND EDIT.
14_Part IX.
火曜日 午後5時26分 Part IX 2. Use the ∧ and ∨ buttons to select its function. OFF: No function is assigned. SOFT PEDAL: Soft pedal on/off SOSTENUTO PEDAL*: Sostenuto pedal on/off P. MEM INCREMENT: Increment the PANEL MEMORY number selection by 1. P. MEM DECREMENT: Decrement the PANEL MEMORY number selection by 1. P. MEM BANK INC.: Change to the next PANEL MEMORY bank in order. P. MEM BANK DEC.: Change to the previous PANEL MEMORY bank in order. PANEL MEMORY 1 to 8: The specified PANEL MEMORY number is turned on.
15_Part X.
15_Part X.fm 123 ページ 2003年5月16日 金曜日 午後11時34分 Part X Customize Display Time Out Numerous message displays and setting displays conveniently guide you through the operation steps of this instrument. Once you become familiar with the operation of your instrument, however, you may wish to shorten or even suspend the display time of the message displays. 1. On the CUSTOMIZE display, select DISPLAY TIME OUT. • The display looks similar to the following. 2.
15_Part X.fm 124 ページ 2003年5月16日 金曜日 午後11時34分 Part X Customize Data Protection Data which you don’t want to change but which is normally overwritten during disk load, song change, or the automatic setting functions, etc. can be protected from accidental overwriting. 1. In the CUSTOMIZE MENU display, select 3. Use the ON/OFF button to select ON or OFF. DATA PROTECTION. ON: The data is protected and will not be changed. OFF: The data is not retained. • The display looks similar to the following. 4.
16_Part XI.fm 125 ページ 2003年5月16日 金曜日 午後11時40分 Part XI MIDI What is MIDI? MIDI (Musical Instrument Digital Interface) is the international standard for digital communication of electronic musical instrument data. This means that any equipment which has a MIDI terminal—such as electronic musical instruments and personal computers—can easily exchange digital data with other MIDI equipment without resorting to complicated conversions or connections.
16_Part XI.fm 127 ページ 2003年5月16日 金曜日 午後11時40分 Part XI MIDI Summary of the MIDI menu items PART SETTING Set the MIDI CHANNEL, OCTAVE and LOCAL CONTROL settings for each part. CONTROL MESSAGES (page 128) Enable or disable the exchange of various CONTROL data. REALTIME MESSAGES (page 128) Enable or disable the exchange of REALTIME COMMANDS, and select the CLOCK mode. COMMON SETTING (page 129) Set the functions which are common to all parts.
16_Part XI.fm 128 ページ 2003年5月16日 金曜日 午後11時40分 Part XI 4. Use the OCTAVE ∧ and ∨ buttons to set the octave shift value (−3 to 3). • Octave shift is set for transmitted data only; however the transmitted and received octave shifts are linked. For example, if the transmitted octave shift is set to 1, the received octave shift is automatically set to −1. MIDI 5. Use the LOCAL ∧ and ∨ buttons to enable or disable this instrument’s sound generator.
16_Part XI.fm 129 ページ 2003年5月16日 金曜日 午後11時40分 Part XI MIDI Common Setting Set the functions which are common to all parts. SETTING. • The display looks similar to the following. 2. Use ▲ and ▼ buttons to select the item. NOTE ONLY: Of the performance data, specify whether or not only note data is exchanged. PROGRAM CHANGE TO P. MEM: Enable or disable the exchange of program change numbers for the RIGHT 1 part by operation of the PANEL MEMORY buttons.
16_Part XI.fm 130 ページ 2003年5月16日 金曜日 午後11時40分 Part XI MIDI Mode Setting Initialize the settings for when the NX SOUND or GM LEVEL 2 mode is ON. 1. On the MIDI MENU display, select MODE SETTING. 2. Select the mode. • There are two modes for GM LEVEL 2 depending on the parts to use. • The confirmation display appears. Press the YES button to execute the function, or press the NO button to cancel the function. • The display looks similar to the following.
16_Part XI.fm 131 ページ 2003年5月16日 金曜日 午後11時40分 Part XI MIDI AUTO OCTAVE SHIFT OUTPUT ON: If the octave has been automatically changed, the data of the transposed notes is transmitted, depending on the sound. OFF: The note data of the played keys is transmitted. 3. Use the ∧ and ∨ buttons to select the setting. 4. Repeat steps 2 and 3 for each item as desired.
16_Part XI.fm 132 ページ 2003年5月16日 金曜日 午後11時40分 Part XI MIDI Computer Connection These settings are used to select the mode related to MIDI signal flow when a personal computer is connected to the USB terminal of this instrument. • When connecting to a personal computer, install the USB driver on the included CD-ROM to the computer first. (Refer to the separate manual for more information.) 1. Turn off the power to this instrument. 2.
17_Initialize.fm 133 ページ 2003年5月19日 月曜日 午前11時37分 Initialize This instrument has many settable functions and storable memories. However, you can return the settings and memory to the factory-preset status. INITIAL 1. Press the PROGRAM MENUS button to turn it on. 4. Use the ▲ and ▼ buttons to select the desired type of initialization. PROGRAM MENUS • PERFORMANCE includes all the items which are listed below it. 5. Press the OK button. • The display changes to the confirmation display.
17_Initialize.fm 134 ページ 2003年5月19日 Connections 月曜日 午前11時37分 (on the rear panel) MIDI LINE OUT AUX IN OUT IN USB PEDAL IN AUX IN Other instruments such as a sound generator can be connected to this terminal, and the sound will be output from this instrument’s speakers. To receive monaural sound, connect the other instrument to the R/MONO terminal. (Do not connect the L terminal.) USB This terminal allows connection to a personal computer with a USB cable (commercially available type AB cable).
17_Initialize.fm 135 ページ 2003年5月19日 月曜日 午前11時37分 Assembly Follow the steps below to assemble your Technics piano. Make sure you are using the correct parts and that they are in the correct direction. • • At least 2 people are required for assembly. To disassemble the piano, reverse the procedure. 1. Remove the packing and take the parts out of 6. Secure the piano body to the stand. the carton. Confirm that all the parts on the printed list are present. Black Screw (A) List 2.
17_Initialize.fm 136 ページ 2003年5月20日 火曜日 午前8時20分 Symptoms which appear to be signs of trouble Phenomenon Sounds and effects The buttons, keys, etc. malfunction. Remedy • Turn off the POWER button once, then turn it on again. If this procedure is not successful, turn off the POWER button once. Then, while pressing the three lower left buttons in the RHYTHM GROUP section (8BEAT, 16BEAT and USA) at the same time, turn the POWER button on again.
17_Initialize.fm 137 ページ 2003年5月19日 月曜日 午前11時37分 COMPOSER Phenomenon Remedy Storage is not possible. • The remaining memory capacity of the COMPOSER is 0. Setting the time signature is not possible. • The time signature cannot be changed for a pattern which is currently recorded in the COMPOSER. If you wish to change the time signature, first follow the procedure to clear the memory. (Refer to page 82.
17_Initialize.fm 138 ページ 2003年5月19日 月曜日 午前11時37分 Error messages No. 00 01 02 03 05 06 07 08 10 15 16 17 18 20 21 22 23 24 25 26 138 QQTG0701 Contents The data on the disk that you are using is for a different product. An error has occurred while the disk was loading. Please try again! There is no disk in the Disk Drive. The file that you tried to load is empty. An error has occurred while the disk was saving. Please try again! The disk that you are using is write protected.
17_Initialize.fm 139 ページ 2003年5月19日 No. 56 58 62 64 65 66 67 68 69 70 71 月曜日 午前11時37分 Contents AUTO PUNCH recording has been unsuccessful because SEQUENCER operation was interrupted before the PUNCH OUT measure was reached. The song that you have tried to load exceeds this instrument’s available memory and cannot be loaded. The selected song memory has been cleared. The computer connection is not active because the computer port switch is set to MIDI.
18_Index.fm 140 ページ 2003年4月27日 日曜日 午後12時25分 Index A ADVANCED . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 APC/SEQUENCER VOLUME . . . . . . . . . . . . . . . . . . . . . . 46, 62 AUTO PLAY CHORD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 B BACKUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BANK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BASIC . . . . . . . . . . . . .
19_Specifications.fm 141 ページ 2003年5月20日 火曜日 午後6時55分 Specifications SX-PR54/M KEYBOARD 88 KEYS SOUND GENERATOR PCM MAX.
19_Specifications.
16_Part XI.fm 126 ページ 2003年5月16日 金曜日 午後11時40分 Part XI MIDI The following kinds of data can be transmitted/received. 䡲 NOTE data This is the most basic kind of MIDI data which is exchanged, and is used to specify which keys are played and how hard they are played. 䡲 PROGRAM CHANGE This is sound change data. When a different sound is selected on the transmitting instrument, the sound on the receiving instrument also changes. NOTE NUMBER: Number specifying which key is played.
19_Specifications.fm 143 ページ 2003年5月20日 火曜日 午後6時55分 (For U.S.A.) PANASONIC CONSUMER ELECTRONICS COMPANY, DIVISION OF MATSUSHITA ELECTRIC CORPORATION OF AMERICA One Panasonic Way, Secaucus, New Jersey 07094 PANASONIC SALES COMPANY, DIVISION OF MATSUSHITA ELECTRIC OF PUERTO RICO, INC., Ave. 65 de Infanteria, Km. 9.
SX-PR54/M ENGLISH DIGITAL ENSEMBLE SX-PR54/M Operating Instructions Matsushita Electric Industrial Co., Ltd. Web Site: http://www.panasonic.co.jp/global/ ENGLISH Before connecting, operating or adjusting this product, please read these instructions completely. Please keep this manual for future reference. Printed in Japan QQTG0701 Se0503S0 ENGLISH This manual was printed with soy based ink.