Stereo Amplifier User Manual
11
INT-30A Owners Manual
We go to a lot of  trouble to make products reliable, and the failure rate of  
our amplifiers is very low. This is small comfort to the few, but take it easy 
and give us a call if  you have problems.
People are interested in how long it takes for these amplifiers to break in. 
Depending on the resolution of  the rest of  your audio chain, you may or 
may not notice any break in of the amplifier beyond the first few hours 
of  operation. You will very likely notice the difference in sonic character 
between cold and normal operating temperature over the first hour, so we 
recommend letting these amplifiers warm up before any serious listening. 
This generation of  amplifiers warms up faster and is more bias-stable 
during warm up than previous versions, but we still recommend an hour 
for critical listening. At the factory we adjust the bias and offset values 
initially and then after warm-up and then again after 48 hours, if necessary.  
The “sweet spot” is a sink temperature between 50 and 55 degrees C., but 
this is not critical, and will vary with your room temperature. You should 
be able to put your hands on the heat sinks without undue discomfort for 5 
seconds or so. 
The amplifier has a thermal cutout that will disconnect AC power if the 
temperature exceeds 75 degrees Centigrade. This thermal cutout should 
never occur in real life. This is a very rare occurrence, and would indicate a 
serious problem.
We have a general recommendation about interconnects, and speaker 
cables: They should cost less than the amplifier, and contain at least some 
conductive material. We have tried a lot of products and most work well, 
but as a practical matter we cannot make blanket recommendations as to 
your purchase of  cables. Under all circumstances you should unplug power 
cords before changing signal cables…. you’ve been warned!
The amplifier is not sensitive to source interconnects. It is also not 
sensitive to radio frequency pickup, which allows some flexibility in 
choosing source interconnects without shields, though shields are usually a 
very good idea. For long runs balanced cables are highly recommended for 
their inherent rejection of  noise.
We prefer speaker cables that are short and stout. Oxygen-free copper and 
silver are the suggested materials. If  you find any really exceptional cable 
made of  gold, please gift us a couple hundred meters.
Fortunately this amplifier is not sensitive to the capacitive/inductive 
character of some of  the specialty speaker cables, so feel free to 
experiment.
We have found that about 90 per cent of bad sounding cables are really 
bad sounding connections, and we recommend that attention be paid to 
cleanliness of  electrical contact surfaces and proper connector fit.
Speaker Interface










