Version 2006 for Windows ® © Copyright PG Music Inc.1989-2006. All rights reserved.
PG Music Inc. License Agreement CAREFULLY READ THE FOLLOWING TERMS AND CONDITIONS BEFORE COMPLETING THE INSTALLATION OF THIS SOFTWARE. USAGE OF THE SOFTWARE INDICATES YOUR ACCEPTANCE OF THE FOLLOWING TERMS AND CONDITIONS. LICENSE A. The program may only be used on a single machine. B. You may transfer the program and license to another party if the other party agrees to accept the terms of this Agreement.
Table of Contents PG MUSIC INC. LICENSE AGREEMENT.............................................................................. 2 TABLE OF CONTENTS ............................................................................................................. 3 CHAPTER 1: INTRODUCTION................................................................................................ 4 CHAPTER 2: SUMMARY OF NEW FEATURES...................................................................
Chapter 1: Introduction ® ® Congratulations on your upgrade to Band-in-a-Box 2006 for Windows . This documentation covers the new features in Band-in-a-Box 2006. 9 Chapter 2 is a summary of the new features. 9 Chapter 3 is a QuickStart Tutorial. 9 Chapters 4 to 16 describe the new features in detail.
Chapter 2: Summary of New Features The New Features in Band-in-a-Box 2006 for Windows are... “Conductor”- Live Looping/Playback control. As the song is playing, many “single key” hot keys are now available to control the playback and looping of the song. For example, pressing the “4” key will insure that the middle chorus is the next one played, and pressing the “S” key will insure that the middle section is looped. This would be useful to extend a song that has the last chorus playing.
New symbols in notation. The notation now supports many new expression and articulation marks including section letters (A, B etc.), slurs, legato, accent, staccato, crescendo, decrescendo, staccatissmo and more. Right-click on the notation or on a note to insert these symbols. Symbols are available in normal and “Jazz” looks. ASIO Audio/Software synth driver support has been added.
This will open an audio file in WAV, MP3, Windows Media Player (WMA, WMV) or CD Audio (CDA) format. To play it at a slower speed, choose the desired speed on the Play | Tempo menu. New Audio Plug-Ins added! Three new DirectX plug-ins have been added to Band-in-a-Box 2006.
The Melody Embellisher has been enhanced. You can now save/load your own presets for the Embellisher. MIDI Normalize option. If performing live, or at a jam session, it helps to have the volume of all of the songs be similar. Now, with a MIDI Normalize feature, you can level the volumes to a range set in the program options. For example, you can set all volumes to be between 65 and 75, and the program will make each song play within those levels. This is done in the Preferences-Arrangement tab.
Clearer piano display. The instruments displayed on the on-screen piano now make use of higher resolutions, so that each instrument display is clearer. Range of bars for MIDI files. When making a MIDI file, you can now select a range of bars to be included. Highlight any range of bars, and the MIDI file will be made for just that range. Support for 11th chords. A new option (in Prefs-Display) for “11th chords” allows display of “9sus” chords as “11” (e.g., Bb11 instead of Bb9sus).
Convert to Harmony feature enhanced. Now when adding a harmony to the Melody (or Soloist), there are options to remove duplicate notes and to spread (shift) the start times of the notes for the harmony notes to achieve a more natural, richer harmony sound. The melody is not affected, only the harmony notes, and there are options for the range of spread for the harmony notes.
There’s an easier way to “Play From Bar __, Chorus ___.” Simply right-click on the bar and choose this menu item. Auto-set # of rows of Chordsheet. In order to try to display most songs on a single page of the Chordsheet, there is an “auto” option in Preferences [Display] that lets you set a range for the number of rows to display on one screen. The program will use more rows for songs with bigger choruses, so that most songs will display on one Chordsheet in the largest font possible.
No more “Style not found” messages! Now, when a requested style is not found, BB will intelligently substitute the next best style. This feature is available for every style that PG Music has made, and also can be customized by third-party or any users by making a text file (*.NA) with suggested alternative styles. Batch convert a folder of songs to MIDI files. Do you need to convert an entire folder of BB songs to MIDI files? This can now be done with a single command.
1-Bar Lead-In Option. There’s now an option for a 1-bar lead-in, instead of 2 bars. Song List Cancel button. The Song List generation now has a CANCEL button so that it can be interrupted. Auto-Close Memo. The Song memo now has an option to close automatically during playback. Melodist Editor has all-soloist access. There’s now access to all Soloists from the Melodist Editor, previously only the first 256 were accessible. Current bar = inserted bar.
More Notation improvements There’s a 3-state button to easily change between Standard, Editable, and Note Roll notation modes without toggling. There’s a selectable width for bar lines, and ties. User can put a % setting in the notation options to affect the bar width. For dotted notes, the dots are now drawn a little farther from the note. There are spin buttons in the note attributes window.
Printout improved. There are print templates in the print dialog to achieve various printout styles - normal/lyrics only/chords and lyrics/chords only/blank paper. Print Range. A specific range of bars can now be printed, either by highlighting a region or entering a range of bars. There’s a better routine and more options when saving as a JPG file. There are also new print options for “# of copies to print” and “print specific page #.
Chapter 3: QuickStart Tutorial QuickStart Tutorial for the Version 2006 Upgrade. The full descriptions of the new features in Version 2006 of Band-in-a-Box are provided elsewhere. This tutorial is a QuickStart tour of the new features in Band-in-a-Box 2006. Note: It is assumed that you are somewhat familiar with the previous release of Band-in-a-Box. Explore Band-in-a-Box Version 2006 First, we’ll take a quick tour of the new features in BB. Then we’ll do an in-depth tutorial for the main new features.
New Main Menu Items There is a File | Open Audio command, to open WAV, WMA, MP3, WMV, or CD Audio files. The Melody (and Soloist) menu has a menu item to launch the Sequencer window. Melody | Edit Melody | Utilities menu has an item to loosen up (vary) the start times of notes on the Melody track. New Right Mouse Menus There are new right mouse menu options on the Chordsheet, such as “Play from Bar/Chorus #.” The Notation menu has an enhanced right-mouse menu with new functions.
- Section 4: Middle Chorus (i.e. start of chorus #2) - Section 5: Last Chorus - Section 6: Ending Let’s load in c:\bb\Tutorial – BB 2006\ Conductor Demo 1 (no sections).MGU This is a typical Band-in-a-Box song that has an intro, 3 choruses, and an ending. There are no sections defined, so we’ll rely on those defaults above. (Section 2 = Intro etc.) First off, we need to enable the Conductor QWERTY keys. To launch the Conductor, press the tilde key (~) or the Conductor button.
Now let’s make some Custom sections. Normally you’d use custom sections for a song that doesn’t conform to the format of 32 bars with 3 choruses, and would thus require custom points for the sections. Let’s load in the Conductor Demo 2 (Custom Sections).MGU. This song has one long chorus, and we’ll make sections for it. Open up the Conductor window, and notice that we’ve already input the section numbers for you. (bar #1, bar #5 etc.).
So now we know how to control the Conductor using a MIDI keyboard. But what if we play piano, and would like to be able to also use our MIDI keyboard for regular piano playing, without triggering Conductor keys. This can be done by the setting “OK to change (MIDI Control) setting by A/Bb/B in octave.” Æ When you have set this, you can use the lowest A, Bb, and B notes on your MIDI keyboard to enable or disable the MIDI Control of the Conductor. If you have an 88-note controller, the lowest note is A1.
Press the PREVIEW button to hear the effect of 16 voices singing the same part! Experiment, by changing the vibrato types for each voice. Experiment by making the harmonies “looser.” Higher TIMING settings result in looser timing for the various voices. A high setting of 100 results in an “unpracticed” choir sound. Exit the harmonies window, and choose a different preset harmony.
Chapter 4: Conductor Window “Conductor”- Live Looping/Playback control. As the song is playing, there are now options to allow control the flow of playback by one of three methods: 1. Conductor window 2. QWERTY hot keys 3. MIDI keyboard The Conductor is launched with the Conductor button on the toolbar, or the tilde (~) hot key, or menu option Window | Conductor Window. You must enable the QWERTY keys to be active for the Conductor during playback.
QWERTY and MIDI Hot Keys Using the Conductor QWERTY or MIDI keys, you can: - Define and jump to up to 10 user defined sections in the song, - Jump back 1 bar/4 bars/# of bars/screen/part/chorus/section, - Jump ahead 1 bar/4 bars/# of bars/screen/part/chorus/section, - Loop 1 bar/4 bars/# of bars/screen/part/chorus/section, - Pause/stop the song.
Eb5 Reduce All Volumes by 5 Ctrl-Alt-Shift-Q E5 Increase all Volumes by 5 Ctrl-Alt-Shift-W F5 ALL Mute/Unmute Alt-2 F#5 Bass Mute/Unmute Alt-3 G5 Piano Mute/Unmute Alt-4 G#5 Drums/Unmute Alt-5 A5 Guitar Mute/Unmute Alt-6 Bb5 Strings Mute/Unmute Alt-7 B5 Melody/Unmute Alt-9 C6 Soloist Mute/Unmute Alt-8 Db6 THRU Mute/Unmute Alt 0 D6 Audio Mute F6 to D7 Jump to Sections 1-10 of the song 1-9 and 0 Eb7 Loop Current Chorus a E7 Loop Current Section s F7 Loop Current Ba
If you prefer to enter custom values for the section numbers, you can do this if you check the “custom” checkbox, and then type in up to 10 bar numbers for each section. The section numbers are saved with the song. Once you have defined the sections, you can jump to a certain section of the song as the song is playing, simply by: 1. Pressing the 1-9 or 0 key on the QWERTY keyboard or, 2. Opening the Conductor window (~ hot key) and clicking on the section button or, 3.
- Pause the song (Backspace). - Go back 1 chorus (Ctrl a). - Go ahead 1 chorus (Shift A). At the end of the current chorus, go back 1 section, press Y then Ctrl S. Note: Pressing the Y sets the mode to do the action at the end of the current chorus These actions can also be done with the MIDI keyboard. See the MIDI keyboard mapping diagram for details. Example using the MIDI keyboard.
Chapter 5: Melody/Soloist Sequencer There are 2 tracks in Band-in-a-Box to add your own recordings. These are the Melody and Soloist tracks. Normally you would want a single part on each of them. But, since MIDI information can have separate channels, it is possible to store 16 separate parts on each of the Melody and Soloist parts. For the following discussion, we’ll assume that you’re using the Melody track, but the same functions are available for the Soloist.
If you click on the Lead Sheet window, you’ll see the entire MIDI file displayed on separate tracks of notation. Since this represents 6 separate tracks (in the case of violet.MID), this is likely “too much information” for you to read, unless you are a symphony conductor. To customize the notation display for sequencer mode, press the lead sheet options button, and see the settings for Multi-Channel Tracks. Press the “CUSTOM channels play/display” buttons to launch the Sequencer window.
There is a small button at the right of the track line that allows you to delete/ rechannel or merge the channel with another channel. You can also change the patch (instrument) for that track by using the instrument patch combo box. So now that we’ve customized the display, we are seeing the bass and trumpet on the notation, and hearing the entire track.
2. Record a Melody part. At the end of the recording, pick a channel for the part that is not already used by Band-in-a-Box. BB uses channels 2-10, so channels 11 to 16 are available for your counter melody parts. 3. Repeat step 2 by recording additional melody parts. 4. Assign patches to the Melody parts using the Sequencer Window.
Chapter 6: ASIO ASIO Audio/Software synth driver support has been added. Now there’s almost no latency (delay) for audio or software synths like the Roland VSC! By using an ASIO audio driver, software synths like the Roland VSC (DXi or VSC) will play with almost no latency (delay is only 5-10ms). So you’ll hear the sounds instantly, and be able to play along using MIDI Thru with the same ultra-low latency. On the Preferences [Audio] tab, you’ll see the following options for Audio Driver Type: MME or ASIO.
Input Channels is the total number of mono input channels that your sound card has. (Note: Band-in-a-Box groups each into a stereo pair.) Output Channels is the total number of mono output channels that your sound card has. (Note: Band-in-a-Box groups each port into a stereo pair.) The Allowed Sample Rates field shows the sample rates are allowed by your sound card’s ASIO driver. Band-in-aBox has a built-in resampler which lets you play and record files that aren’t directly supported by your ASIO driver.
Chapter 7: Notation Symbols The Notation Symbols are entered from the Notation Event dialog, which is accessed from the right-click menu in the Editable Notation window. This dialog lets you insert (or remove) notation symbols such as, Slurs Accents Crescendo - Legato Decrescendo - Marcato Staccato - Staccatissimo This Notation Event dialog also lets you make an adjustment to the chord symbol height for a beat, by choosing the Chord Height Adjustment event type.
The Event Type list box lets you choose the event type (slur, decrescendo, etc.). The Length of Event field determines the length of a slur, crescendo, or decrescendo. The length is specified in beats and ticks. If an event is a “single-peg” event, such as a staccato or accent, then this field will cause multiple events to be inserted if the range is greater than zero (and the range spans multiple pegs).
Chapter 8: VST VST support added. Now you can use VST software synths and plug-ins, just as you use DirectX. Many software synths are available in VST format, so this expands the number of available synths and plug-ins for Band-in-a-Box. To select a VST plug-in for the first time, select the “Add VST plug-in...” item at the bottom of the plug-in Menu. Select a VST plug-in .dll file in the following Select a VST plug-in dialog, and it is added to the plug-in list.
bank, it will save all the presets you have edited. You can save individual presets, or you can build a custom bank by loading individual preset files into different preset slots, and then save the new bank file. Select Preset Menu Select a preset. You can also use the small Right/Left arrow buttons to step forward/backwards through the presets one at a time, to audition each preset.
panel will look like the above example. Band-in-a-Box presents one “generic” slider for each adjustable parameter in the plug-in. Parameter Name: Simply the name of each adjustable parameter. Value Slider: Move the slider to adjust the parameter value Value Indication Text: Displays the value of the slider, as interpreted by the plug-in. In the above example, Parameter 0: Bright is interpreted as an ON/OFF switch, but Parameter 1: Volume is interpreted as a value from 0 to 10.
Chapter 9: Piano Roll Enhancements Overlapping note indicator Overlapping notes are displayed in bold Aqua color, making them easy to identify. Right-Click Menu Item Eliminate overlapped notes. Adjustable Graphic Edit Spacing Adjust the event density when graphically inserting Controller and Pitch Bend events. This is adjustable from one event per 1tick, up to one event per 30 ticks.
more than small-value events. This keeps the same shape of a gesture, but makes the gesture bigger or smaller. Note Velocity Line Tool - With Add Mode, note velocities will exactly match the slope of your drawn line. - With Scale Mode, the Line Tool will shape the dynamics, but note velocities are scaled to follow the approximate shape of your drawn line. With Scale Mode, you can insert a Velocity fade, or change the velocity of a region, while preserving the Velocity dynamics of the music.
Chapter 10: New Audio Plug-Ins Added PG RTA The PG Real Time Analyzer (frequency analyzer) is ONLY a frequency measurement tool. PG RTA never modifies the audio. Sonic Repair An RTA can help identify frequencies which should be boosted or cut with an Equalizer plug-in. For instance, if an instrument track is too noisy, examine the frequency response with an RTA. To reduce noise, unused frequency bands would be the first likely places to equalize.
Rhythm'n'Blues tends to be bass-heavy. Most R&B tunes have an overall negative slope, with the high-frequency bands quieter than the low-frequency bands. If you mix an R&B tune with a straight-horizontal-line frequency distribution, it is probably too bright for the R&B genre. Classical music tends to be even darker than R&B, except for low bass frequencies. Techno and Dance music is often very bass-heavy.
PG Vinyl Tool PG Vinyl Tool can improve vinyl recordings. Vinyl discs can have many troubles, depending on their condition. Some records may be severely damaged, whereas others may only have a few occasional crackles. Though PG Vinyl Tool has many processing sections, it will not be necessary to use every section on every record. We can't really offer meaningful presets, because each record you process will be a little different. Digitally Recording a Vinyl Disc Here are some basic recording tips.
If you must use a mixer, check if your mixer has a couple of channels with high impedance guitar inputs. Guitar preamps often have a high input impedance, a characteristic which is also desirable in a turntable preamp. Connect the output of your Tuner or Mixer to your computer's soundcard input. In Band-in-a-Box set the input levels on the Mixer and computer to record a good loud level, but not loud enough to cause clipping.
Rumble Filter Checkbox Cheap or worn-out turntable platters can make subsonic vibrations. Slightly warped records can also make undesirable low-frequency noise. Use the Rumble filter to block unwanted low frequencies. The Rumble Filter is a 24 dB per Octave Butterworth High Pass filter, which attenuates undesirable low frequencies. In most situations, it will do no harm to always enable the Rumble Filter.
One might encounter a badly damaged record where the audio is so damaged that the guesses are not good enough. In these problem cases, try setting Fill Gaps to 70, or 50, filling the gaps with lower-amplitude guesses, which may sound less obnoxious. Set Fill Gaps to 100, unless it sounds bad. DeClick Checkbox Enable the DeClick section. PG Vinyl Tool defines clicks as midrange frequency defects, in the range of 500 Hz to 2000 Hz.
However, a Gaussian filter is still a low pass filter. All low pass filters reduce high frequencies along with surface noise. You should only enable the Smoothing section if it is necessary for a badly damaged record. Experiment with the Smoothing Level to find an acceptable tradeoff between reduction in surface noise versus reduction of musical high frequencies. DeNoise Checkbox PG Vinyl Tool DeNoise is a “hiss gate.” It gradually attenuates quiet High Frequencies below the Denoise Threshold.
PG Vocal Remover PG Vocal Remover can reduce the level of vocals on many commercial recordings. Operating Principle PG Vocal Remover exploits a common mixing technique; the lead vocal is often center-panned (i.e., the left and right stereo channels have identical vocal loudness). Typically the bass and kick drum is centered, and often snare drum is centered. However, most accompaniment instrumental tracks and backup harmony vocals are side-panned (louder on one side than the other).
Source Recordings PG Vocal Remover works best on wave files extracted from well-made commercial audio CD’s, which usually have good fidelity and low distortion. But it works fine on many MP3 or WMA files, as long as the file is encoded in stereo. It works best with high quality recordings. Of course an MP3 or WMA file must be converted when loading into Band-in-a-Box. Operation Enable Plug-in Checkbox Toggle the checkbox to compare the sound with/without the Vocal Remover activated.
Compare the dry sound against the processed sound. The maximum vocal reduction setting could be extreme enough to ruin the instrumental quality. Sometimes it is better to allow some vocal leakage to achieve the bestsounding instrumental quality.
Chapter 11: Harmony Enhancements TC-Helicon Audio Harmonies are enhanced with Unison harmonies and a Choir feature. Now, when you’ve recorded your singing voice, in addition to harmony voices, you can add unison voices that “fatten” your sound. Each unison can have different vibrato and pitch characteristics.
Chapter 12: Other New Features Half-speed (and slower) Audio playback without affecting pitch! Open a MP3/WAV/WMA or audio CD track, and play back at 1/2, 1/4, or 1/8 speed. This is great for transcribing or analyzing audio. To open an audio file, choose the new menu option File | Open Audio (WAV, WMA, MP3, WMV). This will open an audio file in WAV, MP3, Windows Media Player, or CD Audio format. To play it at a slower speed, choose the desired speed on the Play | Tempo menu.
The Melody Embellisher has been enhanced. You can now save/load your own presets for the Embellisher. When you have made a custom setting in the Embellisher dialog, press the Export button to save the data as an .EMB file. When you want to recall the saved preset, press the Import button, and load in a previously made .EMB file. You can share your favorite presets with other installations of Band-in-a-Box using the EMB files. MIDI Normalize option.
For example, you could select Chorus #2 if that is the chorus that you want. The resultant MIDI file will be made from the selected range. Alternatively, without selecting a range on the chordsheet, you can make a MIDI file for a partial range by pressing the MIDI file button, and then the “Set Range” button. Support for 11th chords. A new option (in Prefs-Display) for “11th chords” allows display of “9sus” chords as “11” (e.g., Bb11 instead of Bb9sus).
The MIDI Monitor has been enhanced, with options for 1-based patch numbering and patch name display. Quick View Filter presets (such as “Notes Only,” “Controllers Only,” “Program Changes Only,” “Programs including Bank Changes”). Stability is improved when using soft synths. You can now direct render to audio as separate tracks. If this option is chosen, separate WAV files get written (mono or stereo) for each track (names MySong_Bass.WAV, MySong_Drums.WAV, etc.
If you have a Melody track and want to convert this to a harmony, with the new features of varied start times for the notes, and no note overlap: Select a Melody Harmony. Press the new button “Write Harmony to Melody Track.” You’ll then see a dialog allowing you to choose the range of the song to add the harmony, and the new options to “eliminate note overlap” and “loosen up the start times of the notes.
The Jukebox has been enhanced with a selectable time delay (in seconds) between songs. Also, the pause till MIDI/keyboard feature has been enhanced (spacebar can be used, and the setting is saved as a preference). This setting is made in the Jukebox options, press the Juke button (or F8 key) to launch the Jukebox. Also, in the Jukebox you can type a folder name directly, instead of waiting for the folder dialog. There’s an easier way to “Play From Bar __, Chorus ___.
No more “Style not found” messages! Now, when a requested style is not found, BB will intelligently substitute the next best style. This feature is available for every style that PG Music has made, and also can be customized by third-party or any users by making a text file (*.NA) with suggested alternative styles. You can create additional .NA files for non-PG Music styles. Here is the format for the file. This is a sample line from the file. BLUGRAS5.
1-Bar Lead-In Option. There’s now an option for a “1-bar” lead-in, instead of 2 bars. This option is set in the Preferences Count-in and Metronome Options. Song List Cancel button. The Song List generation now has a [Cancel] button so that it can be interrupted. Auto-Close Memo. The Song Memo now has an option to close automatically during playback. When this option is set, the Memo button will close when play is pressed, and not re-open when stop is pressed.
Chapter 13: More Notation improvements The notation symbols enhancements are described elsewhere. There’s a 3-state button to easily change from Standard / Editable / Note Roll notation modes without toggling. The currently selected mode is highlighted with a red box around it. Standard Notation Mode Editable Notation Mode and Staff Roll Mode These can also be accessed from the right mouse menu on the Notation window. There’s a selectable width for bar lines, and ties.
Printout improved. There are print templates in the print dialog to achieve various printout styles - Normal/Lyrics Only/Chords and Lyrics/Chords Only/Blank Paper. In the print dialog, select the desired print template. To return to “normal settings,” choose the “Normal” template. Print Range. A specific range of bars can now be printed, either by highlighting a region or entering a range of bars.
There are also new print options for “number of copies to print” and “print specific page number.” The “Number of Copies:” to print is found in the Print Options dialog. To print a specific page number, press the [OK- Print Preview] button in the Print Options dialog. In the Preview window, select the [Print Page] button on the toolbar, then enter the page number in the Page # to Print dialog.
Chapter 14: Global Song Overrides “Global overrides” have been added. New options are added in Preferences [Overides], which allow you to set the overall song looping (always OFF, always ON, or as set in the song). Similar overrides are available to see which other information gets loaded from a file, such as patches, harmonies, volume/reverb/chorus/panning/banks. For example, you can set every song to load with looping ON, and don’t load any reverb settings from songs.
Chapter 15: Ear Training Improvements Great new games for ear training fun! Learning is best when it’s fun, and two new games have been added to the Band-in-a-Box 2006 Ear Training module for great times in “the woodshed.” The programs are available via buttons in the ear training dialog, or by dedicated buttons on the toolbar. Pitch Invasion Pitch Invasion helps to develop perfect pitch as you shoot down “alien” notes invading from above.
Music Replay Music Replay develops your pitch, rhythm, and melody recognition by replaying what the program plays, in note, rhythm, or melodic modes. For Music Replay, choose the MODE of the game. There are three modes: 1. Note Replay 2. Rhythm Replay 3. Melody Replay Set the Level to make the game harder. Press the HELP button for more information.
Chapter 16: StyleMaker Enhancements Many StyleMaker enhancements. When importing an instrument from another style to Piano/Guitar or Strings, you can now choose an instrument from Piano/Guitar or Strings. In the StyleMaker, choose Style | Import Instrument from Style. Then notice the selector box to choose an instrument to import and the destination instrument in “Import to this instrument.
The Quantize feature now has a “Strength” of quantization option. Previously it was “all or nothing,” now you can apply a percentage setting. Styles can now have different instruments (patches) for the “a” and “b” substyle. For example, you can have drum brushes on the “a” substyle, and sticks on the “b” substyle, or acoustic piano for the “a” and electric piano for the bridge.
PG Music Inc. Band-in-a-Box ® is protected by copyright and is the property of PG Music Inc. and its licensors. Copyright © 1989-2006 PG Music Inc. All rights reserved. PG MUSIC INC. 29 Cadillac Avenue Victoria, BC V8Z 1T3 Canada Contacts: E-mail: info@pgmusic.com Phone: toll free in the United States and Canada 1-800-268-6272, 1-888-PG-MUSIC (746-8742), Or 1-250-475-2874 (tolls apply) Universal International Freephone Service: Outside of the United States and Canada (where available).
Index 1-bar lead-in, 58 Patents, 2 ASIO, 31 PG Music control panel, 31 contacts, 67 driver dialog, 31 FAQs, 67 resampler, 31 technical support, 67 Audio files web site, 67 open, 51 PG Music Inc.
Unison harmony, 20 control panel, 35 VST select, 35 add plug-ins, 35 Index 69
