User Manual
Table Of Contents
- 1 Overview
- 1.1 Introduction
- 1.2 Studio 192 and Studio 192 Mobile Hardware Features
- 1.3 UC Surface Features
- 1.4 Studio One Artist Features
- 1.5 What is in the Box
- 2 Hookup
- 2.1 Front Panel Connections and Controls
- 2.2 Back Panel Connections
- 2.3 Connection Diagrams
- 2.3.1 Studio 192
- 3.2.1 Studio 192 Mobile
- 3 Connecting to a Computer
- 3.1 Installation for Windows
- 3.2 Installation for Mac OS X
- 3.3 Using the Studio 192-series interfaces with Popular Audio Applications
- 3.4 Controlling Studio 192-Series Mic Preamps from your DAW
- 4 UC Surface Monitor Control Software
- 4.1 UC Surface Launch Window
- 4.2 UC Surface Mix Controls
- 4.2.1 Channel Controls
- 4.2.2 Channel Detail
- 4.3 Dynamics Processing and EQ
- 4.3.1 Dynamics Tab
- 4.3.2 EQ Tab
- 4.3.3 Fat Channel Presets
- 4.4 Adding Effects
- 4.4.1 Editing Effects and Effects Presets
- 4.4.2 Reverb and its Parameters
- 4.4.3 Delay and its Parameters
- 4.4.4 Reverb Effects Presets Library
- 4.4.5 Delay Effects Preset Library
- 4.4.6 Digital Effects Types
- 4.5 Main Options
- 4.6 Quick Controls: Talkback, Scenes, and More
- 4.6.1 Talkback
- 4.6.2 Quick Scenes, Mute Groups, and Scene Library
- 4.7 The Settings Page
- 4.7.1 Device Settings Tab: System Settings
- 5 Studio One Artist Quick Start
- 5.1 Installation and Authorization
- 5.2 Setting Up Studio One
- 5.2.1 Configuring Audio Devices
- 5.2.2 Configuring MIDI Devices
- 5.3 Creating a New Song
- 5.3.1 Configuring Your I/O
- 5.3.2 Creating Audio and MIDI Tracks
- 5.3.3 Recording an Audio Track
- 5.3.4 Adding Virtual Instruments and Effects
- 5.4 Monitor Mixing with Z-Mix
- 5.4.1 Z-Mix Functions
- 5.4.2 Punching In
- 6 Technical Information
- 6.1 Specifications
- 7 Warranty Information
- 7.1 How Consumer Law Relates To This Warranty
48
6 Technical Information
6.1 Specifications
Studio 192 and Studio 192 Mobile
Owner’s Manual
6 Technical Information
6.1 Specifications
Microphone Preamp (XLR Balanced)
Type XLR Female (via Combo), Balanced Remote
Maximum Input level (min. gain, 1 kHz@0.5% THD+N) +12 dBu, ±0.5 dB
Gain Control Range 60 dB, ±1 dB
Frequency Response (A-D) 10 Hz to 40 kHz, ±0.2 dB
Dynamic Range (min. gain, A-wtd) > 110 dB
Dynamic Range (mid. Gain, unwtd) > 105 dB
THD+N (min. gain, A-wtd) < 0.005%
Input Impedance 1600Ω
EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) < 128 dBu
Common Mode Rejection Ratio (1 kHz, +55 dB gain) > 55 dB
Phantom Power +48V, ± 3V, > 8 mA per channel
Instrument Inputs
Type ¼” TS Female (via Combo), Unbalanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +16 dBu ±0.5 dB
Gain Control Range 85 dB, ±1 dB
Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (min. gain, A-wtd) > 110 dB dB
Dynamic Range (mid. Gain, unwtd) > 105 dB
THD+N (1 kHz, -1 dBFS, A-wtd) < 0.005%
THD+N (1 kHz, -1 dBFS, unwtd) < 0.005%
Input Impedance > 1 MΩ
Crosstalk (1 kHz, channel-to-channel) < -80 dB
Line Inputs
Type ¼” TRS Female (via Combo on Studio 192), Balanced
Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +18 dBu, ±0.5 dB
Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (min. gain, A-wtd) > 114 dB
** Dynamic Range (mid. gain, unwtd) > 105 dB
THD+N (1 kHz, -1 dBFS, A-wtd) < 0.005%
Input Impedance 10 kΩ
Crosstalk (1 kHz, channel-to-channel) < -80 dB
Main and Line Outputs
Type (Line Outputs) ¼” TRS Female, Impedance Balanced
Type (Main Outputs) ¼” TRS Female, Impedance Balanced
Maximum Output Level +18 dBu, ±0.5 dB
Frequency Response 20 Hz to 20 kHz, ±0.2 dB
Dynamic Range (A-wtd) > 112 dB
THD+N (1 kHz, -1 dBFS, unwtd) < 0.005%
Output Impedance 51Ω
Crosstalk (1 kHz, channel-to-channel) < -80 dB