User's Manual
Table Of Contents
- 1 Overview
- 1.1 Introduction
- 1.2 What is in the Box
- 1.3 What is in your MyPreSonus account
- 1.3.1 Step 1: Register Revelator
- 1.3.2 Step 2: Download and Install Universal Control
- 1.3.3 Step 3: Download and Install Studio One Artist (Optional)
- 1.3.4 Step 4: Download and Install Studio Magic (Optional)
- 2 Connections and Controls
- 2.1 Basic hookup
- 2.2 Standalone controls
- 2.2.1 Setting the Microphone Level
- 2.2.2 Setting Headphone level
- 2.2.3 Setting Monitor level
- 2.2.4 Selecting Presets
- 3 Universal Control
- 3.1 The Launch Window
- 3.1.1 Launch Window Menu Items
- 3.2 Using Your Revelator with Popular Applications
- 3.2.1 Using Revelator for System Audio
- 3.2.2 Using Revelator for Skype
- 3.2.3 Using Revelator for Zoom
- 3.2.4 Using Revelator for Google Meets
- 3.2.5 Using Revelator for OBS
- 3.2.6 Using Revelator on Chromebook
- 3.2.7 Using Revelator with Zoom on Chromebook
- 3.2.8 Using Revelator with Google Meet on Chromebook
- 3.2.9 Using Revelator with iOS/iPadOS devices
- 3.2.10 Using Revelator with Android devices
- 4 Presets, Fat Channel, and Voice Effects
- 4.1 Preset Management
- 4.1.1 Changing Preset Button Slots
- 4.1.2 Storing New Presets
- 4.2 Fat Channel and Voice FX
- 4.2.1 High Pass Filter (HPF)
- 4.2.2 Gate
- 4.2.3 Compressor (Comp)
- 4.2.4 Equalizer (EQ)
- 4.2.5 Limiter
- 4.2.6 Voice FX
- 4.3 Reverb
- 5 Mixing and Loopback Audio
- 5.1 What is Loopback Audio?
- 5.2 Mixer Controls
- 5.2.1 Microphone Channel Controls
- 5.2.2 Mixer Channel Controls
- 5.2.3 Main Output Controls and Mix Selection
- 5.3 Feedback Loops are Bad
- 6 Advanced Features and Customization Tools
- 6.1 Settings Menu
- 6.2 Advanced Fat Channel and Voice Effects Controls
- 6.2.1 High Pass Filter
- 6.2.2 Noise Gate
- 6.2.3 Compressor
- 6.2.4 Changing the Signal Chain
- 6.2.5 Equalizer
- 6.2.6 Limiter
- 6.2.7 Voice FX
- 7 Studio One Artist Quick Start Guide
- 7.1 Installation and Authorization
- 7.2 Setting Up Studio One
- 7.2.1 Configuring Audio Devices
- 7.2.2 Configuring MIDI Devices
- 7.3 Creating a New Song
- 7.3.1 Configuring Your I/O
- 7.3.2 Creating Audio and Instrument Tracks
- 7.3.3 Recording an Audio Track
- 7.3.4 Adding Virtual Instruments and Effects
- 8 Resources
- 8.1 Gain Staging 101: Begin at the Beginning
- 8.2 Microphone Tips and Tricks
- 8.2.1 Handling Noise
- 8.2.2 How Close is Too Close?
- 8.2.3 Problematic Pronunciation
- 8.2.4 Putting it All Together
- 8.2.5 Removing Revelator from its Base
- 8.3 Technical Specifications
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4 Presets, Fat Channel, and Voice Effects
4.2 Fat Channel and Voice FX
Revelator
Owner’s Manual
4.2.3 Compressor (Comp)
Audio signals have very wide peak-to-average signal-level ratios (sometimes
referred to as dynamic range) which is the difference between the loudest
level and the softest level. This can create problems when you’re setting
input levels because when enough gain (or volume) is applied to capture
the softest level at its best, one cough, laugh, or excited moment can
overload the input, resulting in distortion… and not the cool kind.
A compressor works by limiting the dynamic range of an audio source to make it
sound more consistent and even. By setting the maximum level, the compressor
makes sure that any audio signal that exceeds that volume is reduced to match it.
Choose between Low, Moderate, High, and De-Ess. Low will provide
the least amount of compression, High will provide the most.
Use the De-Ess setting if you notice a lot of “sibilance” in your speech.
Sibilance is the pronounced presence of the “s” or “sh” sound. Depending
on your accent and speech pattern, it can be more or less pronounced.
Power User Tip: While it may be charming in casual speech, sibilance can quickly become
distracting because it resonates at a higher frequency that can become grating when
heard repeatedly. The goal of a de-esser is not to remove the “s” sound entirely, rather, it’s
intended purpose is to level it out so that it’s even with the rest of the consonants. In other
words, you’ll still sound like you.
For more advanced compression controls and to learn about the different
compressor models onboard your Revelator, see Section 6.2.3.
4.2.4 Equalizer (EQ)
An equalizer, or EQ, is a filter that allows you to adjust the volume level of a
frequency or range of frequencies within an audio signal. In its simplest form,
an EQ will let you turn the treble and bass up or down, allowing you to adjust
the coloration of your car stereo or your television. In professional audio circles,
equalization is a highly sophisticated art that can be used to sculpt the tone of
instruments in a mix, counteract anomalies in a room, or just pump up the bass.
Regardless of its application, good equalization is critical to a good sound.
When used correctly, an equalizer can provide the impression of nearness
or distance, “fatten” or “thin” a sound, and help blend or provide separation
between similar sounds in a mix, allowing both to be heard as intended.