User's Manual
Table Of Contents
- 1 Overview
- 1.1 Introduction
- 1.2 What is in the Box
- 1.3 What is in your MyPreSonus account
- 1.3.1 Step 1: Register Revelator
- 1.3.2 Step 2: Download and Install Universal Control
- 1.3.3 Step 3: Download and Install Studio One Artist (Optional)
- 1.3.4 Step 4: Download and Install Studio Magic (Optional)
- 2 Connections and Controls
- 2.1 Basic hookup
- 2.2 Standalone controls
- 2.2.1 Setting the Microphone Level
- 2.2.2 Setting Headphone level
- 2.2.3 Setting Monitor level
- 2.2.4 Selecting Presets
- 3 Universal Control
- 3.1 The Launch Window
- 3.1.1 Launch Window Menu Items
- 3.2 Using Your Revelator with Popular Applications
- 3.2.1 Using Revelator for System Audio
- 3.2.2 Using Revelator for Skype
- 3.2.3 Using Revelator for Zoom
- 3.2.4 Using Revelator for Google Meets
- 3.2.5 Using Revelator for OBS
- 3.2.6 Using Revelator on Chromebook
- 3.2.7 Using Revelator with Zoom on Chromebook
- 3.2.8 Using Revelator with Google Meet on Chromebook
- 3.2.9 Using Revelator with iOS/iPadOS devices
- 3.2.10 Using Revelator with Android devices
- 4 Presets, Fat Channel, and Voice Effects
- 4.1 Preset Management
- 4.1.1 Changing Preset Button Slots
- 4.1.2 Storing New Presets
- 4.2 Fat Channel and Voice FX
- 4.2.1 High Pass Filter (HPF)
- 4.2.2 Gate
- 4.2.3 Compressor (Comp)
- 4.2.4 Equalizer (EQ)
- 4.2.5 Limiter
- 4.2.6 Voice FX
- 4.3 Reverb
- 5 Mixing and Loopback Audio
- 5.1 What is Loopback Audio?
- 5.2 Mixer Controls
- 5.2.1 Microphone Channel Controls
- 5.2.2 Mixer Channel Controls
- 5.2.3 Main Output Controls and Mix Selection
- 5.3 Feedback Loops are Bad
- 6 Advanced Features and Customization Tools
- 6.1 Settings Menu
- 6.2 Advanced Fat Channel and Voice Effects Controls
- 6.2.1 High Pass Filter
- 6.2.2 Noise Gate
- 6.2.3 Compressor
- 6.2.4 Changing the Signal Chain
- 6.2.5 Equalizer
- 6.2.6 Limiter
- 6.2.7 Voice FX
- 7 Studio One Artist Quick Start Guide
- 7.1 Installation and Authorization
- 7.2 Setting Up Studio One
- 7.2.1 Configuring Audio Devices
- 7.2.2 Configuring MIDI Devices
- 7.3 Creating a New Song
- 7.3.1 Configuring Your I/O
- 7.3.2 Creating Audio and Instrument Tracks
- 7.3.3 Recording an Audio Track
- 7.3.4 Adding Virtual Instruments and Effects
- 8 Resources
- 8.1 Gain Staging 101: Begin at the Beginning
- 8.2 Microphone Tips and Tricks
- 8.2.1 Handling Noise
- 8.2.2 How Close is Too Close?
- 8.2.3 Problematic Pronunciation
- 8.2.4 Putting it All Together
- 8.2.5 Removing Revelator from its Base
- 8.3 Technical Specifications
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6 Advanced Features and Customization Tools
6.2 Advanced Fat Channel and Voice Effects Controls
Revelator
Owner’s Manual
Passive Program EQ
1. On/Off. Turns the EQ on or off in the signal chain.
2. Low Boost. Sets the level of boost applied around the chosen low frequency.
This control interacts nicely with the Low Attenuation control, allowing for boosts
in apparent bass energy while keeping overall bass energy within optimal limits.
3. Low Attenuation. Sets the level of attenuation applied around
the chosen low frequency. his control interacts nicely with the
Low Boost control, allowing for boosts in apparent bass energy
while keeping overall bass energy within optimal limits.
4. Low Frequency Select. Sets the center frequency of the band
covered by the Low Boost and Low Attenuation controls.
5. High Bandwidth. Sets the Q (or width) of the effect of the high EQ band.
6. High Boost. Sets the level of boost applied around the chosen high frequency.
7. High Attenuation. Sets the amount of attenuation applied in a shelving
fashion to frequencies at and above the chosen high frequency.
8. High Frequency. Sets the center frequency of the high EQ band.
9. Attenuation Select. Sets the frequency at and above which
the High Attenuation control attenuates treble content.
Vintage 1970s EQ
1. EQ On/Off. Enables/disables the EQ globally. Touch to toggle on or off.
2. Low Frequency. Sets the shelving frequency for the Low Band.
3. Low Gain. Sets the Gain for the Low Band.
4. Low-Mid Frequency. Sets the center frequency for the Low-Mid Band.
5. Low-Mid Gain. Sets the Gain for the Low-Mid Band.
6. High-Mid Frequency. Sets the center frequency for the High-Mid Band.
7. High-Mid Gain. Sets the Gain for the High-Mid Band.
8. High Gain. Sets the Gain for the High Band.