User's Manual
Table Of Contents
- 1 Overview
- 1.1 Introduction
- 1.2 What is in the Box
- 1.3 What is in your MyPreSonus account
- 1.3.1 Step 1: Register Revelator
- 1.3.2 Step 2: Download and Install Universal Control
- 1.3.3 Step 3: Download and Install Studio One Artist (Optional)
- 1.3.4 Step 4: Download and Install Studio Magic (Optional)
- 2 Connections and Controls
- 2.1 Basic hookup
- 2.2 Standalone controls
- 2.2.1 Setting the Microphone Level
- 2.2.2 Setting Headphone level
- 2.2.3 Setting Monitor level
- 2.2.4 Selecting Presets
- 3 Universal Control
- 3.1 The Launch Window
- 3.1.1 Launch Window Menu Items
- 3.2 Using Your Revelator with Popular Applications
- 3.2.1 Using Revelator for System Audio
- 3.2.2 Using Revelator for Skype
- 3.2.3 Using Revelator for Zoom
- 3.2.4 Using Revelator for Google Meets
- 3.2.5 Using Revelator for OBS
- 3.2.6 Using Revelator on Chromebook
- 3.2.7 Using Revelator with Zoom on Chromebook
- 3.2.8 Using Revelator with Google Meet on Chromebook
- 3.2.9 Using Revelator with iOS/iPadOS devices
- 3.2.10 Using Revelator with Android devices
- 4 Presets, Fat Channel, and Voice Effects
- 4.1 Preset Management
- 4.1.1 Changing Preset Button Slots
- 4.1.2 Storing New Presets
- 4.2 Fat Channel and Voice FX
- 4.2.1 High Pass Filter (HPF)
- 4.2.2 Gate
- 4.2.3 Compressor (Comp)
- 4.2.4 Equalizer (EQ)
- 4.2.5 Limiter
- 4.2.6 Voice FX
- 4.3 Reverb
- 5 Mixing and Loopback Audio
- 5.1 What is Loopback Audio?
- 5.2 Mixer Controls
- 5.2.1 Microphone Channel Controls
- 5.2.2 Mixer Channel Controls
- 5.2.3 Main Output Controls and Mix Selection
- 5.3 Feedback Loops are Bad
- 6 Advanced Features and Customization Tools
- 6.1 Settings Menu
- 6.2 Advanced Fat Channel and Voice Effects Controls
- 6.2.1 High Pass Filter
- 6.2.2 Noise Gate
- 6.2.3 Compressor
- 6.2.4 Changing the Signal Chain
- 6.2.5 Equalizer
- 6.2.6 Limiter
- 6.2.7 Voice FX
- 7 Studio One Artist Quick Start Guide
- 7.1 Installation and Authorization
- 7.2 Setting Up Studio One
- 7.2.1 Configuring Audio Devices
- 7.2.2 Configuring MIDI Devices
- 7.3 Creating a New Song
- 7.3.1 Configuring Your I/O
- 7.3.2 Creating Audio and Instrument Tracks
- 7.3.3 Recording an Audio Track
- 7.3.4 Adding Virtual Instruments and Effects
- 8 Resources
- 8.1 Gain Staging 101: Begin at the Beginning
- 8.2 Microphone Tips and Tricks
- 8.2.1 Handling Noise
- 8.2.2 How Close is Too Close?
- 8.2.3 Problematic Pronunciation
- 8.2.4 Putting it All Together
- 8.2.5 Removing Revelator from its Base
- 8.3 Technical Specifications
49
6 Advanced Features and Customization Tools
6.2 Advanced Fat Channel and Voice Effects Controls
Revelator
Owner’s Manual
Detuner
True to its name, the Detuner will artificially lower your voice.
1. Tune. Sets the amount your voice will be lowered.
2. Wet/Dry. Blends the affected sound with the dry sound of your voice. Set to
100% to only hear the processed sound. Set to 0% to only head the dry sound.
Vocoder
Think of a vocoder as a “talking synthesizer.” Your voice is sent through a
filter and essentially removed so that only the synthesized sound after it
was modulated by the filter remains. This results in a synthesized sound that
pulses to the tempo of your voice with the same tonal characteristics.
1. Freq. Sets the frequency of the filter.
2. Type. Choose between three filter types: Noise, Sawtooth, Rectangle
3. Wet/Dry. Blends the affected sound with the dry sound of your voice. Set to
100% to only hear the processed sound. Set to 0% to only head the dry sound.
Ring Modulator
A Ring Modulator basically takes two separate signals (your voice and an oscillator)
and creates a new signal that is made up of the sum and differences of the original
sources. All of this is a fancy way of saying: it makes you sound like a robot.
1. Dist. Controls the amount of distortion from zero to over-the-top.
2. Freq. Sets the frequency of the oscillation.
3. SC Freq. Sets the frequency of the Sub Carrier.
4. Sub Carrier. You can choose to add a low frequency oscillation to
your signal or not by engaging or disengaging the Sub Carrier.
5. Wet/Dry. Blends the affected sound with the dry sound of your voice. Set to
100% to only hear the processed sound. Set to 0% to only head the dry sound.