User Manual
Table Of Contents
- 1 Overview
- 1.1 Introduction
- 1.2 About This Manual
- 1.3 What is in the Box
- 1.4 What is in your My PreSonus Account
- 2 Getting Started
- 2.1 Level-Setting Procedure
- 3 Hookup
- 3.1 Connections and Controls
- 3.1.1 Inputs
- 3.1.2 Outputs
- 3.1.3 Rear Panel Connections
- 3.2 Channel Controls
- 3.2.1 Digital Returns
- 3.3 The Super Channel
- 3.3.1 Pairing a Bluetooth Device
- 3.4 Aux Buses
- 3.4.1 Monitor Bus Controls
- 3.4.2 Creating Monitor Mixes
- 3.5 Internal FX Bus
- 3.5.1 Effects Presets
- 3.5.2 Internal FX Bus Return
- 3.5.3 Creating Internal Effects Mixes
- 3.5.4 Using an External Effects Processor
- 3.6 Master Section Controls
- 3.6.1 Control Room Levels
- 3.7 Typical Band Setup Diagram
- 3.8 Typical Home Studio Setup Diagram
- 4 SD Recording and Playback
- 4.1 SD Recording
- 4.2 SD Playback
- 5 Connecting to a Computer
- 5.1 Installation for Windows
- 5.1.1 Universal Control (Windows only)
- 5.1.2 Loopback Recording (Windows only)
- 5.1.3 Using the StudioLive for System Sound
- 5.2 Installation for macOS
- 5.2.1 Using the StudioLive for System Sound
- 5.3 Using the StudioLive with Popular Audio Applications
- 5.4 Digital Sends and Returns
- 5.4.1 Digital Sends
- 5.4.2 Digital Returns
- 6 Capture 2
- 6.1 Installation Instructions
- 6.1.1 macOS
- 6.1.2 Windows
- 6.2 Start Page
- 6.2.1 Tagging and Organizing a Session
- 6.2.2 Creating a Session
- 6.2.3 Open a Session
- 6.2.4 Audio Device and Sample Rate
- 6.2.5 Options Menu
- 6.3 The Session Page
- 6.3.1 Track Column
- 6.3.2 Transport
- 6.3.3 Time Display
- 6.3.4 Timeline Ruler
- 6.3.5 Navigating the Session
- 6.3.6 Editing Tools
- 6.3.7 Meter Bridge
- 6.3.8 Markers and the Marker List
- 6.4 Recording a Session in Capture
- 6.5 Importing and Exporting Audio Files
- 6.5.1 Importing Audio Files into Capture
- 6.5.2 Export Audio Files
- 6.6 Mixing Your Capture Sessions
- 6.6.1 Exporting Your Final Mix to an Audio File
- 6.6.2 Mixing a Capture 2 Session in Studio One
- 6.6.3 Mixing a Capture 2 Session in a Different Recording Application
- 6.7 Capture 2 Key Commands
- 7 Studio One Artist Quick Start
- 7.1 Installation and Authorization
- 7.2 Setting Up Studio One
- 7.2.1 Configuring Audio Devices
- 7.2.2 Configuring MIDI Devices
- 7.3 Creating a New Song
- 7.3.1 Configuring Your I/O
- 7.3.2 Creating Audio and MIDI Tracks
- 7.3.3 Recording an Audio Track
- 7.3.4 Adding Virtual Instruments and Effects
- 8 Resources
- 8.1 EQ Frequency Guides
- 8.2 Block Diagrams
- 8.2.1 StudioLive AR16c, and AR12c Block Diagram
- 8.2.2 StudioLive AR8c Block Diagram
- 8.3 Recall Sheets
- 8.3.1 AR16c and AR12c Recall Sheet
- 8.3.2 AR8c Recall Sheet
- 8.4 Technical Specifications
- 9 Troubleshooting
- 9.1 Troubleshooting
10
3 Hookup
3.4 Aux Buses
StudioLive
™
ARc Series
Owner’s Manual
3.4.1 Monitor Bus Controls
1. AFL button. This button will solo the aux bus to the aux outputs after the fader.
Power User Tip: Using this control to listen in on a performer’s monitor
mix can be a great way to quickly dial in just the right amount of
each signal and get to a great monitor mix more quickly.
2. Mute button. This button will mute or unmute its aux bus. The LED to
the left of it will illuminate red when the aux bus output is muted.
Power User Tip: Muting an aux bus output during performance breaks is a
quick and easy way to prevent accidental signal spikes or feedback.
3. Output level. Adjusts the master level of the aux output.
3.4.2 Creating Monitor Mixes
Creating custom monitor mixes is critical. If musicians can’t hear themselves or their
bandmates, their performances will suffer. A monitor mix can be mono or stereo.
Most often, an individual live monitor mix is mono and is sent to a floor-wedge or
sidefill monitor. (The obvious exception is in-ear monitor systems.) A studio monitor
mix is usually stereo because it is sent to a headphone amplifier that requires both a
left- and a right-channel input. In both cases, the function of the aux bus is the same.
As an example, let’s create a mix for Aux Bus 1:
1. The Aux 1 send control for each channel sets the send level in the Aux 1 mix.
Use these knobs the same way that you use the output level controls to dial
in your main mix. Ask your musicians what they would like in their monitor
mix and use their requests as a starting point.
2. Use the Aux 1 Output control to adjust the overall output level.
3. Press the Aux 1 AFL button to listen to the mix through the headphone or
control room outputs as you make final adjustments to the mix.
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