User Manual
Table Of Contents
- 1 Overview
- 1.1 Introduction
- 1.2 About This Manual
- 1.3 What is in the Box
- 1.4 What is in your My PreSonus Account
- 2 Getting Started
- 2.1 Level-Setting Procedure
- 3 Hookup
- 3.1 Connections and Controls
- 3.1.1 Inputs
- 3.1.2 Outputs
- 3.1.3 Rear Panel Connections
- 3.2 Channel Controls
- 3.2.1 Digital Returns
- 3.3 The Super Channel
- 3.3.1 Pairing a Bluetooth Device
- 3.4 Aux Buses
- 3.4.1 Monitor Bus Controls
- 3.4.2 Creating Monitor Mixes
- 3.5 Internal FX Bus
- 3.5.1 Effects Presets
- 3.5.2 Internal FX Bus Return
- 3.5.3 Creating Internal Effects Mixes
- 3.5.4 Using an External Effects Processor
- 3.6 Master Section Controls
- 3.6.1 Control Room Levels
- 3.7 Typical Band Setup Diagram
- 3.8 Typical Home Studio Setup Diagram
- 4 SD Recording and Playback
- 4.1 SD Recording
- 4.2 SD Playback
- 5 Connecting to a Computer
- 5.1 Installation for Windows
- 5.1.1 Universal Control (Windows only)
- 5.1.2 Loopback Recording (Windows only)
- 5.1.3 Using the StudioLive for System Sound
- 5.2 Installation for macOS
- 5.2.1 Using the StudioLive for System Sound
- 5.3 Using the StudioLive with Popular Audio Applications
- 5.4 Digital Sends and Returns
- 5.4.1 Digital Sends
- 5.4.2 Digital Returns
- 6 Capture 2
- 6.1 Installation Instructions
- 6.1.1 macOS
- 6.1.2 Windows
- 6.2 Start Page
- 6.2.1 Tagging and Organizing a Session
- 6.2.2 Creating a Session
- 6.2.3 Open a Session
- 6.2.4 Audio Device and Sample Rate
- 6.2.5 Options Menu
- 6.3 The Session Page
- 6.3.1 Track Column
- 6.3.2 Transport
- 6.3.3 Time Display
- 6.3.4 Timeline Ruler
- 6.3.5 Navigating the Session
- 6.3.6 Editing Tools
- 6.3.7 Meter Bridge
- 6.3.8 Markers and the Marker List
- 6.4 Recording a Session in Capture
- 6.5 Importing and Exporting Audio Files
- 6.5.1 Importing Audio Files into Capture
- 6.5.2 Export Audio Files
- 6.6 Mixing Your Capture Sessions
- 6.6.1 Exporting Your Final Mix to an Audio File
- 6.6.2 Mixing a Capture 2 Session in Studio One
- 6.6.3 Mixing a Capture 2 Session in a Different Recording Application
- 6.7 Capture 2 Key Commands
- 7 Studio One Artist Quick Start
- 7.1 Installation and Authorization
- 7.2 Setting Up Studio One
- 7.2.1 Configuring Audio Devices
- 7.2.2 Configuring MIDI Devices
- 7.3 Creating a New Song
- 7.3.1 Configuring Your I/O
- 7.3.2 Creating Audio and MIDI Tracks
- 7.3.3 Recording an Audio Track
- 7.3.4 Adding Virtual Instruments and Effects
- 8 Resources
- 8.1 EQ Frequency Guides
- 8.2 Block Diagrams
- 8.2.1 StudioLive AR16c, and AR12c Block Diagram
- 8.2.2 StudioLive AR8c Block Diagram
- 8.3 Recall Sheets
- 8.3.1 AR16c and AR12c Recall Sheet
- 8.3.2 AR8c Recall Sheet
- 8.4 Technical Specifications
- 9 Troubleshooting
- 9.1 Troubleshooting
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6 Capture 2
6.3 The Session Page
StudioLive
™
ARc Series
Owner’s Manual
• Click inside the Timeline Ruler at any point in time
and drag down or up to zoom in or out.
• In the lower left-hand corner of the Edit window, you will find the vertical-zoom
controls. These controls increase or decrease the height of the tracks and
audio files.
Scrolling
To scroll left and right through time in your Session, click-and-drag
the horizontal scroll bar near the bottom of the Edit window.
You can also scroll through your Session by clicking and
dragging the Timeline Ruler left or right.
Locate Selection
To jump the playback cursor to the beginning of any audio event,
press L on the keyboard or select Session>Locate Selection.
6.3.6 Editing Tools
In the upper right corner, you will see four editing-tool buttons. These
tools will determine the function of your mouse during editing.
Power User Tip: The audio-editing process can be unforgiving. Small inaccuracies when
splitting, moving, or performing other actions on recorded audio can lead to unwanted
results. As simple as it may seem, the act of listening while editing is often overlooked.
For instance, when sizing the edges of a vocal part to remove unwanted sounds
between words, it is tempting to make the edits based on the visual representation of
the waveform. While this may work sometimes, it is much better to listen as you size
the events to be sure you are not removing any critical part of the vocals. Listening
to your edits as you make them will save time and frustration in nearly every case.