User Manual
Table Of Contents
- 1 Overview
- 1.1 Introduction
- 1.2 About This Manual
- 1.3 What is in the Box
- 1.4 What is in your My PreSonus Account
- 2 Getting Started
- 2.1 Level-Setting Procedure
- 3 Hookup
- 3.1 Connections and Controls
- 3.1.1 Inputs
- 3.1.2 Outputs
- 3.1.3 Rear Panel Connections
- 3.2 Channel Controls
- 3.2.1 Digital Returns
- 3.3 The Super Channel
- 3.3.1 Pairing a Bluetooth Device
- 3.4 Aux Buses
- 3.4.1 Monitor Bus Controls
- 3.4.2 Creating Monitor Mixes
- 3.5 Internal FX Bus
- 3.5.1 Effects Presets
- 3.5.2 Internal FX Bus Return
- 3.5.3 Creating Internal Effects Mixes
- 3.5.4 Using an External Effects Processor
- 3.6 Master Section Controls
- 3.6.1 Control Room Levels
- 3.7 Typical Band Setup Diagram
- 3.8 Typical Home Studio Setup Diagram
- 4 SD Recording and Playback
- 4.1 SD Recording
- 4.2 SD Playback
- 5 Connecting to a Computer
- 5.1 Installation for Windows
- 5.1.1 Universal Control (Windows only)
- 5.1.2 Loopback Recording (Windows only)
- 5.1.3 Using the StudioLive for System Sound
- 5.2 Installation for macOS
- 5.2.1 Using the StudioLive for System Sound
- 5.3 Using the StudioLive with Popular Audio Applications
- 5.4 Digital Sends and Returns
- 5.4.1 Digital Sends
- 5.4.2 Digital Returns
- 6 Capture 2
- 6.1 Installation Instructions
- 6.1.1 macOS
- 6.1.2 Windows
- 6.2 Start Page
- 6.2.1 Tagging and Organizing a Session
- 6.2.2 Creating a Session
- 6.2.3 Open a Session
- 6.2.4 Audio Device and Sample Rate
- 6.2.5 Options Menu
- 6.3 The Session Page
- 6.3.1 Track Column
- 6.3.2 Transport
- 6.3.3 Time Display
- 6.3.4 Timeline Ruler
- 6.3.5 Navigating the Session
- 6.3.6 Editing Tools
- 6.3.7 Meter Bridge
- 6.3.8 Markers and the Marker List
- 6.4 Recording a Session in Capture
- 6.5 Importing and Exporting Audio Files
- 6.5.1 Importing Audio Files into Capture
- 6.5.2 Export Audio Files
- 6.6 Mixing Your Capture Sessions
- 6.6.1 Exporting Your Final Mix to an Audio File
- 6.6.2 Mixing a Capture 2 Session in Studio One
- 6.6.3 Mixing a Capture 2 Session in a Different Recording Application
- 6.7 Capture 2 Key Commands
- 7 Studio One Artist Quick Start
- 7.1 Installation and Authorization
- 7.2 Setting Up Studio One
- 7.2.1 Configuring Audio Devices
- 7.2.2 Configuring MIDI Devices
- 7.3 Creating a New Song
- 7.3.1 Configuring Your I/O
- 7.3.2 Creating Audio and MIDI Tracks
- 7.3.3 Recording an Audio Track
- 7.3.4 Adding Virtual Instruments and Effects
- 8 Resources
- 8.1 EQ Frequency Guides
- 8.2 Block Diagrams
- 8.2.1 StudioLive AR16c, and AR12c Block Diagram
- 8.2.2 StudioLive AR8c Block Diagram
- 8.3 Recall Sheets
- 8.3.1 AR16c and AR12c Recall Sheet
- 8.3.2 AR8c Recall Sheet
- 8.4 Technical Specifications
- 9 Troubleshooting
- 9.1 Troubleshooting
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8 Resources
8.1 EQ Frequency Guides
StudioLive
™
ARc Series
Owner’s Manual
Table 2
•
bass “pluck”
•
acoustic/electric
guitar attack
•
lower piano register
attack
•
vocal clarity
•
decrease muddiness in
vocals and mid-range
instruments
•
decrease long bass
overtones in cymbals
•
enhance background
vocal breathiness
•
disguise vocals and
guitars that are slightly
out of tune
•
adds distance to
background
instruments
•
softens a “thin” guitar
•
breathier vocals
•
brighten cymbals,
string instruments,
flutes
•
more realistic
samples and synths
•
brighten vocals,
acoustic guitar,
piano
•
harder cymbals
•
vocal presence
•
kick & tom attack
•
more finger sound
on bass
•
piano and acoustic
guitar attack
•
brighter rock guitar
•
kick & tom attack
•
percussion attack
•
reduce vocal dullness
•
more finger sound on bass
•
sharpness to:
synths, rock guitars,
acoustic guitars, piano
•
bass line clarity
and punch
•
decrease kick and
tom dullness
•
decrease dullness
in guitars
•
vocals: reduce
“s” sound
•
vocals: reduce
“s” sound
•
bass line clarity
and punch
•
bass line clarity
(especially for softer
playback levels)
•
vocal fullness
•
hard hitting snare
and guitar
•
fullness to low
frequency
instruments
(kick, tom, bass)
•
decrease bass
“boom” to increase
clarity in the mix
•
decrease guitar
thinness
•
lessen overly
bright guitar
overtones
•
increase guitar clarity
•
lessen guitar “boom”
•
harder bass to low
frequency
instruments (kick,
tom, bass)
•
guitar and snare
fullness
•
piano and horns
warmth
50 Hz 100 Hz 200 Hz 400 Hz 800 Hz 1.5 kHz
BOOST
CUT
3 kHz 5 kHz 7 kHz 10 kHz 15 kHz