User Manual

16
4 UC Surface Monitor Control Software
4.3 Dynamics Processing and EQ
Studio 192
Owner’s Manual
4.2.3 Mix Detail
When a mix is selected, the following controls will be
available at the far left of the Fat Channel:
1
2
1. Mix name. To give each a custom name, simply click
on the default name to open a text field.
2. Aux Send position. By default, all aux mix buses are set to
Pre 2. This places the send of every input channel to each aux
bus before the fader but after all Fat Channel processing.
From this menu, you can choose between three send
positions for each Aux and FX mix:
Pre 1. Sends each channel to the Aux bus after the
polarity invert, highpass filter, and gate.
Pre 2. Sends each channel to the aux bus after all Fat Channel processing (polarity
invert, high-pass filter, gate, compressor, EQ, and limiter) but before the fader.
Post. Sends each channel to the Aux bus after all Fat Channel processing (polarity
invert, highpass filter, gate, compressor, EQ, and limiter) and after the fader.
Power User Tip: Use the Pre 2 position for headphone and in-ear mixes
to give your performers a polished “studio” sound. This setting should be
avoided for floor wedges, as compression can cause feedback problems.
4.3 Dynamics Processing and EQ
Every analog input on your Studio 192 interface is equipped with Fat Channel
dynamics processing and filtering. Fat Channel processing is also available on
the ADAT 1 input channels at 44.1 and 48 kHz. The Fat Channel’s processing
section consists of five parts: High Pass filter, Noise Gate, Compressor, Limiter,
and parametric EQ. Each can be turned on or off and controlled separately. This
processing is global across all mixes and only available to the eight analog inputs.
The signal flows as follows:
Hi-Pass LimiterEQØ Noise Gate Compressor