Specifications

5
Shure Wired Microphones
wired
microphones
5”, 10”, 12” & 18” versions•
50Hz-17kHz•
Condenser•
Optional – Cardioid, Super •
Cardioid or Omni
Speech•
Boardrooms, Classrooms, •
Conferencing, Houses of Worship
Shure Microflex MX400 Series
For lecterns, desktops, podiums etc.
Gooseneck
Installation Microphones
4” Flexible Gooseneck + 9m Cable•
50Hz-17kHz•
Condenser•
Optional – Cardioid, Super Cardioid or Omni•
Speech•
Schools, Theatre, Houses of Worship•
Black or white•
Shure Microflex MX202
For overhead drops on stages for choir, speech or
performance mic’ing.
Overhead
Boundary
50Hz-17kHz•
Condenser•
Cardioid, Super Cardioid or Omni•
3.6m cable•
Speech•
Boardrooms, Classrooms, •
Conferencing, Houses of Worship
Shure Microflex MX391
Basic tabletop conferencing mic. Black
or white, with or without inline preamp.
50Hz-17kHz•
Condenser•
Cardioid, Bi-•
Directional or Omni
Black•
Silver•
White (Omni only)•
3.6m cable•
Speech•
Boardrooms, •
Classrooms,
Conferencing,
Houses of Worship
Shure Microflex MX395
Through surface mount conferencing
mic. Low profile, 32mm dia, low cut
filter, XLR, Bi colour LED (optinal black &
silver only).
50Hz-17kHz•
Condenser•
Cardioid, Super Cardioid or Omni•
3.6m cable•
Speech•
Boardrooms, Classrooms, •
Conferencing, Houses of Worship
Shure Microflex MX392/393
Advanced tabletop conferencing mic.
Black, LED Indicator, Preamp,
Programmable Switch & Logic (MX
392 only).
50Hz-17kHz•
Condenser•
Cardioid•
6.1m cable•
Speech•
Boardrooms, Classrooms, Conferencing, •
Houses of Worship
Shure Microflex MX396
Multi directional tabletop
conferencing mic. Dual or tri
elements, Bi colour LED indicator &
configurable mute switch.
50Hz-17kHz•
Condenser•
Cardioid•
Speech•
Boardrooms, Classrooms, Conferencing, •
Houses of Worship
Requires SLX receiver•
Shure Microflex MX690
Wireless tabletop conferencing
mic. Compatible with Shure SLX
series wireless systems, battery
gauge, programmable for press-to-talk,
press-to-mute or toggle.
How do I stop my microphone from feeding back?
Feedback is caused by a complex interaction between the sound system, the room, and the
microphone. Higher quality mics generally exhibit better feedback rejection. Directional mics such
as Cardioid or Super Cardioid types are much better than Omni Directional types.
The following rules of thumb generally apply:
 
 

 
Equalisers and Digital Feedback Reducers when used properly can also help.
TECH-TIPS
For budget conscious
installations that require
superior radio performance
you can’t go past the Shure SLX
range of radio microphones.
tips
guide
7
see page