User Manual

BV512 VOCODER
(RECORD+REASON)
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Controlling the Hold function
As described in “Hold button”, pressing the Hold button on the front panel “freezes” the current filter spectrum until
you deactivate it again. This can be used for creating sample & hold-like effects, stuttering or garbled vocoder
sounds:
D Connect e.g. the Gate output on a Matrix device to the Hold input on the back of the BV512.
By playing back a gate pattern on the Matrix, the Hold function will repeatedly be turned on and off according to
the programmed rhythm in the pattern. Hold will be active for the length of each gate signal.
D Automate the Hold function with the main sequencer, either by recording it or by drawing in its controller lane.
• If you route MIDI to the BV512 you can control the Hold function in two ways by default: By pressing a damper
pedal connected to your MIDI controller or by playing the note C4.
In both cases, the Hold function will be momentary - Hold is on until you release the pedal or key.
Using the individual band level connections
As described in “Individual band levels”, the individual band level connectors on the back are CV output and input
jacks. The upper row sends out the CV signals from the envelope followers for the different frequency bands, while
the lower jacks are CV inputs for controlling the individual bandpass filters (breaking the internal connection from the
envelope followers). There are several interesting things you can do with these connections:
Crosspatching frequency bands
By connecting outputs to inputs in alternative configurations, you can drastically change the result of the vocoding.
For example, you could have low frequencies in the modulator signal give high frequencies in the vocoded sound and
vice versa. Note:
• In 4 band and 8 band mode, only the 4/8 first output/input pairs are used.
• In 32 band mode and FFT (512) mode, each connection corresponds to two or several frequency bands.
This means that connecting an output to the input with the same number is not the same as using the internal sig-
nal path (no CV cable connected). You can hear this quite clearly in FFT (512) mode: connect all outputs to the
corresponding inputs and gradually remove the CV cables while listening to the vocoder sound - the sound will
progressively get more detailed.