Operation Manual
Table Of Contents
- Table of Contents
- The Sequencer
- Routing Audio and CV
- Routing MIDI to Reason
- Using Reason as a ReWire Slave
- MIDI and Keyboard Remote Control
- Synchronization
- Optimizing Performance
- Transport Panel
- Reason Hardware Interface
- The Mixer
- Redrum
- Subtractor Synthesizer
- Malström Synthesizer
- NN-19 Sampler
- NN-XT Sampler
- Introduction
- Panel Overview
- Loading Complete Patches and REX Files
- Using the Main Panel
- Overview of the Remote Editor panel
- About Samples and Zones
- Selections and Edit Focus
- Adjusting Parameters
- Managing Zones and Samples
- Working with Grouping
- Working with Key Ranges
- Setting Root Notes and Tuning
- Using Automap
- Layered, Crossfaded and Velocity Switched Sounds
- Using Alternate
- Sample Parameters
- Group Parameters
- Synth parameters
- Connections
- Dr. Rex Loop Player
- Matrix Pattern Sequencer
- ReBirth Input Machine
- The Effect Devices
- Menu and Dialog Reference
- About Audio on Computers
- MIDI Implementation
- Index
Malström Synthesizer
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To activate/deactivate a filter, click the On/Off button in the top left
corner.
When a filter is activated, the button is lit.
An activated filter
Filter types
To select a filter type, either click the Mode button in the bottom left corner or
click directly on the desired filter name so that it lights up in yellow:
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LP 12 (12 dB lowpass)
Lowpass filters let low frequencies through and cut off high frequencies.
This filter type has a roll-off curve of 12dB/Octave.
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HP 12 (12 dB highpass)
Highpass filters are the exact opposite of lowpass filters, cutting off low fre-
quencies and letting high frequencies through. This filter type also has a roll-
off curve of 12 dB/Octave.
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Comb + & Comb –
Comb filters are basically delays with very short delay times with adjustable
feedback (in Reason controlled with the Resonance knob). A comb filter
causes resonating peaks at certain frequencies.
The difference between “+” and “–” is in the position of the peaks, in the
spectrum. The main audible difference is that the “–”-version causes a bass
cut.
The Resonance parameter in both cases controls the shape and size of the
peaks.
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AM
AM (Amplitude Modulation) is often referred to as Ring Modulation. A Ring
Modulator works by multiplying two signals together. In the case of the Mal-
ström, the filter produces a sine wave which is multiplied with the signal from
osc:A or osc:B. Resonance controls the mix between the clean and modu-
lated signals.The Ring Modulated output will then contain added frequen-
cies which are generated by the sum of, and the difference between the two
signals. This can be used for creating complex, non-harmonic sounds.
Comb + Low Resonance Comb + High Resonance
Comb – Low Resonance Comb – High resonance