Getting Started Guide
Table Of Contents
- Table of Contents
- Installation
- Setting Up
- Guided Tour
- About this Chapter
- Guided Tour
- The Rack
- The Back
- The Transport Panel
- The Sequencer
- The Tool window
- The Devices
- Reason Hardware Interface
- Combinator
- Mixer 14:2
- Line Mixer 6:2
- Subtractor Analog Synthesizer
- Thor Polysonic Synthesizer
- Malström Synthesizer
- NN-19 Digital Sampler
- NN-XT Digital Sampler
- Dr. Octo Rex Loop Player
- Redrum Drum Computer
- Kong Drum Designer
- MClass Mastering effects
- BV512 Vocoder
- Scream 4 Sound Destruction Unit
- RV7000 Advanced Reverb
- RV-7 Digital Reverb
- DDL Digital Delay Line
- D-11 Foldback Distortion
- ECF-42 Envelope Controlled Filter
- CF-101 Chorus/Flanger
- PH-90 Phaser
- UN-16 Unison
- COMP-01 Compressor
- PEQ2 Two Band Parametric EQ
- Spider Audio Merger & Splitter
- Spider CV Merger & Splitter
- The Matrix Pattern Sequencer
- RPG-8 Monophonic Arpeggiator
- ReBirth Input Machine
- Tutorial 1 - Playing a Song
- Tutorial 2 - Playing devices and selecting sounds
- Tutorial 3 - Creating a drum pattern
- Tutorial 4 - Recording a bass line
- Tutorial 5 - Adding a REX loop
- Tutorial 6 - Adding an arpeggio
- Index
GUIDED TOUR
33
Mixer 14:2
This is a mixer with fourteen stereo channels, four stereo effect sends and a basic two-band EQ section.
By connecting the different devices to different mixer channels (and the stereo output of the mixer to the
hardware interface) you can listen to all your devices at the same time, adjust levels and pan, add effects
and so on - just like on a physical mixer.
Line Mixer 6:2
This is a simple mixer with 6 stereo channels and one stereo effect send/return. It can be used in situa-
tions where basic mixing facilities will suffice. Ideal for mixing device outputs within Combinator patches.
Subtractor Analog Synthesizer
The Subtractor is a polyphonic synthesizer laid out much like an advanced analog synth. It features two os-
cillators, two filters and a host of modulation functions, allowing for everything from fat basses to swirling
pads and screaming lead sounds.