Specifications

Portable 2-Channel Stereo Preamp and Mixer
The FP-24 is a studio-quality, two-channel, portable stereo microphone
mixer, designed for active use in demanding broadcast environments.
Features including assignable L-C-R inputs, built-in slate microphone,
1kHz tone oscillator, and headphone monitoring render this mixer
extremely adaptable in application. The remarkable audio performance
and comprehensive attributes of the FP-24 make it an appropriate choice
for studio or field production engineers. Due to its compact and rugged
mechanical and electrical construction, the FP-24 excels in no-compro-
mise settings such as radio, television and film production.
SHURE
FP-24
AUDIO MIXERS
362
EQUIPMENT LEASING AVAILABLE
PHOTO - VIDEO - PRO AUDIO
M367
Portable 6-Channel Mic/Line Mixer
An industry standard, the M367 is a six-input mono mic/line
mixer/remote preamplifier specifically designed for professional
applications. A complete and compact console, the M367’s excellent
performance, versatility and features make it ideal for studio, remote,
video deposition and sound reinforcement applications as well as an
add-on mixer for expanding existing facilities. Built to meet the requirements of the most demanding field production applications.
◆ Six switchable XLR-balanced mic or line level
inputs with individual gain controls and
low-frequency roll-off switches
◆ Two XLR-balanced outputs; one selectable
mic/line output and one dedicated line
output
◆ Metal XLR connectors on both inputs and
outputs, detachable AC cable
◆ Feedback-type input gain controls for
maximum clipping levels and dynamic range
◆ Built-in switchable peak limiter cuts output
overload distortion and adapts to power
supply voltage
◆ LED indicator shows limiter operation or
overload with limiter defeated
◆ Externally adjustable limiter threshold (-4 to
+18dB)
◆ Wide, flat frequency response (20Hz to 20
kHz) and extremely low distortion up to
+16dBm line level output
◆ VU meter is calibrated for +4 and +8dB with
range switch. Meter is also illuminated dur-
ing AC operation
◆ Phantom power for condenser mic operation
◆ Front-panel headphone level control and
monitor jack; can drive almost any stereo or
mono headphones
◆ Headphone output level is high enough to be
used as an auxiliary unbalanced line feed to
drive a tape recorder or power amplifier
◆ Automatic muting prevents speaker damage
during power on/off
◆ Highly stable, low-distortion tone oscillator
provides for line test and level checks
◆ Rear panel Mix Bus jack facilitates stacking
multiple M367’s for additional input capabil-
ity without losing any inputs. Two M367’s
connected, provides two independent master
gain controls and two isolated line amplifiers
with eight individually controlled inputs
◆ Selectable 120 or 240 v AC operation as well
as portable DC capability (three 9v batteries
required)
M367 ..........................................................524.50
◆ Tw o transformer-balanced microphone
inputs with left, center, and right position
mixing capabilities
◆ Unique 7-segment peak output meters, with
three selectable levels of LED brightness—
readable even in direct sunlight
◆ High current balanced output drivers pro-
vide signal integrity over long cable runs
◆ Headphone preamplifier enables monitoring
of program audio or external tape return
◆ "Unclippable" input peak limiters with
adjustable threshold (each input)
◆ Selectable 15v and 48v phantom power
◆ Switchable low-cut filters with 80 and 160
Hz corner frequencies,6dB per octave
◆ Powered with two AA alkaline batteries for
11-12 hours) or 4-14v DC power (PS20)
◆ The FP-24 has the ability to link with the
Shure FP33 mixer using the optional A33LK
cable kit to create a highly portable, flexible,
and cost-effective 5 x 2 audio production
system. (The A33LK kit can also be used
with the Shure FP23 to create a 4 X 2 setup.)