Specifications

MACKIE
◆ Outputs include XLR and 1/4˝ TRS line
outputs for the left and right mains, 1/4˝
TRS line outputs for subs 1-4, and an XLR
mono main output. The mono main out
has its own level control so a mono mix
can sent to another zone and adjusted
accordingly.
◆ The Phones/Control Room switch and
level control are connected to stereo head-
phone outputs and left and right Control
Room output, allowing the stereo Tape
Return, Left/Right Main Mix, and Solo to
be monitored.
◆ A stereo playback device can be monitored
via the Tape Return inputs. Tape Return to
Phones/C-R routes the tape playback signal
into the monitor system and meters, and
the Tape Return knob adjusts the level of
playback,which can be monitored via
headphones.
◆ Tape return signals can also be assigned
directly to the Main Mix. This not only
routes Tape Returns to Main L/R outputs
but also disables all other inputs to the
mains.You can play a tape or CD between
sets without losing a channel and submas-
ter settings. They also have RCA-style tape
outs for output to conventional stereo
recording devices.
◆ Each of the six aux sends has its own indi-
vidual master send control, driving 1/4˝
TRS output jacks. Six stereo aux returns
are provided, with 1/4˝ TRS input jacks.
Two aux returns can be folded back into
AuxSends 1 and 2 via their own volume
controls to add effects in stage monitors.
◆ An XLR input is provided for a talkback
mic, which can be assigned to the Main
Mix (for making announcements over the
mains) or Aux 1-2. The talkback mic has a
level control in the talkback section.
◆ Like all Mackie mixers, the SR24•4 and SR
32•4 are designed for rugged 24-hour-a-
day use.With their multiple input/output
configurations, true 4-bus architecture, 6
aux send and extensive routing capabilities,
they can be used in a variety of live sound
and recording applications. Their sturdy
steel construction houses rugged, double-
sided SMT-plated fiberglass circuit boards,
and 60mm faders with ultra-tight lip seals
for keeping out dust and other contami-
nants. Impact-resistant knob are mounted
so they “ride”just above the steel chassis.
AUDIO MIXERS
377
PHOTO - VIDEO - PRO AUDIO
ORDER & INFO. [phone] • FAX: [phone] [phone]
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24•4-VLZ PRO/32•4-VLZ PRO
16/24/32•8
8-Bus Recording/PA Mixers
Designed to eliminate the last
barrier between you and audio
creativity – Mackie’s 8-Bus
mixers have recorded
more platinum albums
and major motion
picture soundtracks
than any other mixer in
their class – in fact, they
set the standard for
affordable 8-bus consoles.
Excellent for project
studios and digital
multitrack recording, when
combined with digital multitrack or hard disk recording
systems, they feature low-noise/high-headroom mic preamps
on every channel, as well as channel inserts and direct outs.
In the channel strip you’ll find Mackie’s truly musical EQ –
with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid
EQ – as well as a Low Cut Filter, which allows you to eliminate mic thumps
and room rumble from your mix, and use your EQ for music and vocals.
With Mix B, “in-line monitoring” is a breeze. Six aux sends and six aux
returns allow you to use all the effects you want. And the 8•Bus’s complete
talkback and phones level controls make communicating with the talent a snap.
And besides being built like tanks, the 24•8 and 32•8 can grow along with
your budget and input requirements. Both can be expanded in increments of
24 channels with the 24E Channel Expander Console.You can also add meter
bridges, stands, and even a “sidecar” for patchbays.
32• Bus 24• Bus 16• Bus
Total Channels 32 24 16
Buses 888
Mix B Inputs 32 24 16
MicPreamps 32 24 16
EQ 4-band parametric 4-band parametric 4-band parametric
Aux sends/ch. 666
Aux Returns 444
Tape Outputs 24 24 24
Channel Inserts 32 24 16
Faders 100mm 100mm 100mm
24•8 Mixer
shown with
optional
stand