Specifications

Serious Capacity for
Sound Reinforcement
and Installations
If your application is live sound reinforcement you’ll want
all the channel capacity you can get - just in case. Vocal
mics, instrument mics, stereo keyboards, direct-injection
feeds, drum mics, and the rest can add up very quickly.
With 24 and 32 input channels, respectively, the
MG24/14FX and MG32/14FX are ready to handle all
but the most ambitious sound-reinforcement setups.
And with dual SPX digital effect systems on-board
you won’t need racks of outboard gear to get the
sound you need. There’s also a comprehensive range of
group and auxiliary busses to make even complex mixes easy.
YAMAHA
AUDIO MIXERS
388
FEATURES
EQUIPMENT LEASING AVAILABLE
PHOTO - VIDEO - PRO AUDIO
MG24/14FX –
24 Input Channels
◆ Channels 1 - 16 provide a choice of XLR
mic or 1/4˝ TRS line inputs with insert I/O
for adding external compressors or EQ.
◆ Channels 17 - 20 are configured as two 1/4˝
TRS stereo line inputs.
◆ Channels 21 - 24 are configured as two
stereo channels with a choice of 1/4˝ TRS
or RCA inputs.
MG/32/14FX –
32 Input Channels
◆ Channels 1 - 24 provide a choice of XLR
mic or 1/4˝ TRS line inputs with insert I/O
for adding external compressors or EQ.
◆ Channels 25 - 28 are configured as two 1/4˝
TRS stereo line inputs.
◆ Channels 29 - 32 are configured as two
stereo channels with a choice of 1/4˝ TRS
or RCA inputs.
Mic Preamps
◆ All 16 (MG24/14FX) and 24 (MG32/14FX)
mic preamps are of exemplary quality
featuring low-noise, high-precision head
amplifiers with phantom power switchable
in 8-channel groups.
14 Buses For Flexible
Signal Routing
◆ In addition to lots of input channels, live
sound reinforcement applications usually
demand a number of additional mixes -
usually in the form of group sub-mixes and
aux sends for external signal processing and
monitor mixes.
◆ Four stereo group bus pairs for convenient
channel grouping.
◆ Six auxiliary busses (four configurable for
pre- or post-fader operation and two set up
as effect sends).
◆ Two internal effect busses feed the dual
high-performance built-in SPX processors.
Dual SPX Digital Effects
◆ Not one, but two high-performance digital
signal processing stages,fed by separate
effect buses, are provided using the very lat-
est Yamaha DSP technology.
Each stage pro-
vides a selection of 16 professional-quality
SPX digital effects, including reverb,delay,
pitch change,chorus, phasing,vocal dou-
bling, distortion, and more.
◆ Parameter controls that can be adjusted to
tailor the effects to your sonic requirement
are also provided and Tap delay allows you
to create tempo-synchronized delays.
3-band EQ with
Sweepable Mid and HPF
◆ 3-band EQ with sweepable midband pro-
vided on all input channels provide excep-
tionally smooth, intuitive response,helping
you create cleaner, tighter mixes.
◆ All mono mic input channels also feature a
switchable high-pass filter that can be used
to cut out unwanted low-frequency noise.
Talkback Input
◆ Communication capability is important for
efficient setup as well as for keeping a show
running smoothly. Both the MG24/14FX
and MG32/14FX feature a talkback system
that allows the FOH engineer to communi-
cate with the monitor engineer, performers,
or other staff to keep the team operating at
optimum efficiency.
Sweepable LPF for Mono Out
◆ The XLR balanced mono output,aided by
the built-in sweepable low-pass filter, pro-
vides an ideal way to tune and drive a sub-
woofer system.
◆ An XLR input on the top of the console is
provided to accommodate a talkback mic
◆ Balanced XLR Stereo and Mono Outputs
MG24/14FX • MG32/14FX