Specifications

YAMAHA
MG SERIES COMPARISON
AUDIO MIXERS
389
PHOTO - VIDEO - PRO AUDIO
ORDER & INFO. [phone] • FAX: [phone] [phone]
1-800-875-6951 • www.bhphotovideo.com
MG10/2 MG12/4 MG16/4 MG16/6FX MG24/14FX MG32/14FX
Input Channels 10 12 16 16 24 32
XLR Mic Inputs 4 6 10 10 16 16
1/4˝ TRS Line Inputs 2 4 8 8 16 16
Stereo Inputs 2 2 2 2 4 4
1/4˝ TRS Insert I/O Ch 1 – 2 Ch 1 – 4 Ch 1 – 8 Ch 1 – 8 Ch 1 – 16 Ch 1 – 16
Phantom Power + 48 V + 48 V + 48 V + 48 V + 48 V + 48 V
Input Gain Control 44 dB variable 44 dB variable 44 dB variable 44 dB variable 44 dB variable 44 dB variable
High Pass Filter 80 Hz 12 dB/Oct 80 Hz 12 dB/Oct 80 Hz 12 dB/Oct 80 Hz 12 dB/Oct 80 Hz 12 dB/Oct 80 Hz 12 dB/Oct
AUX Send/Return
1/4˝ TRS Send 2 (1/Pre,2/Post) 2 (1/Post-Pre, 2 (1/Post-Pre, 2 (1/Pre,2/Post-Pre) 6 (1-4 Post-Pre, 6 (1-4 Post-Pre,
2/Post) 2/Post) 5-6 Post) 5-6 Post)
1/4˝ TRS Stereo Aux Return 1 1 1 1 2 2
Effect Send — — — 1 2 2
2 Track In Stereo RCA Stereo RCA Stereo RCA Stereo RCA Stereo RCA Stereo RCA
Record Out Stereo RCA Stereo RCA Stereo RCAStereo RCAStereo RCA Stereo RCA
Main Stereo Out 1/4˝ TRS 1/4˝ TRS & XLR 1/4˝ TRS & XLR 1/4˝ TRS & XLR 1/4˝ TRS & XLR 1/4˝ TRS & XLR
Main Stereo Inserts — — — — 1/4˝ TRS 1/4˝ TRS
Stereo C/R Out 1/4˝ TRS 1/4˝ TRS 1/4˝ TRS 1/4˝ TRS — —
Stereo Sub Out — — — — 1/4˝ TRS 1/4˝ TRS
Mono (Sub) Out — — — — XLR XLR
Mono Out Low Pass Filter — — — — 80-120 Hz 12dB/Oct 80-120 Hz 12dB/Oct
1/4˝ TRS Group Out — 2 2 4 4 4
1/4˝ TRS Group Inserts — — — — 4 4
Stereo Headphone Output 1/4˝ TRS 1/4˝ TRS 1/4˝ TRS 1/4˝ TRS 1/4˝ TRS 1/4˝ TRS
CH EQ (Mono Channels)
Boost/Cut per band ±15 dB (Max.) ±15 dB (Max.) ±15 dB (Max.) ±15 dB (Max.) ±15 dB (Max.) ±15 dB (Max.)
High (Shelving) 10 kHz 10 kHz 10 kHz 10 kHz 10 kHz 10 kHz
Mid (Peaking) 2.5 kHz 2.5 kHz 2.5 kHz 0.25 – 5 kHz 0.25 – 5 kHz 0.25 – 5 kHz
Low (Shelving) 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz
CH EQ (Stereo Channels)
Boost/Cut per band ±15 dB (Max.) ±15 dB (Max.) ±15 dB (Max.) ±15 dB (Max.) ±15 dB (Max.) ±15 dB (Max.)
High (Shelving) 10 kHz 10 kHz 10 kHz 10 kHz 10 kHz 10 kHz
Hi-Mid — — — 3 kHz (Peaking) 3 kHz (Peaking) 3 kHz (Peaking)
Mid (Peaking) 2.5 kHz 2.5 kHz 2.5 kHz —
Low-Mid — — — 800 Hz (Peaking) 800 Hz (Peaking) 800 Hz (Peaking)
Low (Shelving) 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz 100 Hz
7-band Graphic Equalizer — — — (125, 250, 500, 1 k, — —
2 k, 4 k,8 kHz)
Boost/Cut per Band — — — ±12 dB (Max.)
Internal Digital Effect — — — 1 (16 Programs) 2 (16 Prgs each) 2 (16 Prgs each)
Power Supply External External External External Internal Internal
Dimensions (WDH) 10.2 x 11.3 x 2.5˝ 12.5 x 16.4 x 4.1˝ 16.7 x 16.4 x 4.1˝ 16.7 x 16.4 x 4.1˝ 33.5 x 21.3 x 5.9˝ 41.7 x 21.3 x 5.9˝
Mounting Capabilities Mic Stand Mountable Rack Mountable Rack Mountable Rack Mountable — —
Option Mic Stand Adapter BMS-10A — — — — —
SONIC SPECIFICATIONS
To tal Harmonic Distortion Less than 0.1 % (THD+N) 20 Hz – 20 kHz @ +14 dB 600 Ω (ST OUT)
Frequency Response 0 +1, -3 dB 20 Hz – 20 kHz @ +4 dB 600 Ω (ST OUT)
Input Hum & Noise 128 dB 20 Hz – 20 kHz, Rs=150 Ω,Input Gain=Max, Input sensitivity=-60 dB
Crosstalk -70 dB @ 1 kHz