Specifications

YAMAHA
02R96
DIGITAL MIXERS
410
PHOTO - VIDEO - PRO AUDIO
◆ Allows dynamic automation of virtually
all mix parameters, including Levels,
Mutes, Pan, Surround Pan,Aux
Sends,Aux Send Mutes,EQ, effects,
and Plug-Ins.
◆ Events are recorded in real time and
can be edited either offline, with high
resolution 1/4 frame accuracy, or by
re-recording with punch in/out
◆ The smooth and quiet touch-sensitive,
100mm motorized faders make writing
and updating automation fast and
intuitive.
◆ You can specify which parameters will
be recorded, and punch channels in
and out of recording on-the-fly.
◆ User Defined Remote Layer operations,
and scene and library recall operations
can also be automated,combining snap
shot and dynamic mix automation
◆ Automix can be synchronized to an
external timecode source or to the
internal timecode generator
◆ Up to 16 Automixes can be stored in
the Automix library – They can also be
stored to an external MIDI device, such
as a MIDI data filer, by using MIDI
Bulk Dump
Automix Functions
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– Rear Panel–
A. Sixteen balanced XLR mic and 1/4˝ TRS
line inputs with 1/4˝ TRS inserts (+4dB
unbalanced).
B. Channels 17 - 24 feature balanced 1/4˝
TRS line level inputs.
C. Analog Master I/O Section
– XLR stereo outputs (+4dB balanced)
– Left and right 1/4˝ balanced TRS control
room monitor outputs (+4dB balanced)
– Dedicated left and right 1/4˝ TRS studio
monitor outputs (+4dB balanced)
– 1/4˝ TRS studio (+4dB balanced) and RCA
(-10dBv unbalanced) 2-track inputs.
– RCA stereo outputs (-10dBv unbalanced)
D. Eight freely assignable balanced 1/4˝ TRS
Omni outputs can be independently
accessed from the Bus Outs,Aux Sends,
the Stereo Out,Insert Outs, Direct Outs,
or Surround Monitor Channels.
E. AES/EBU digital I/O (XLR) and two coax-
ial digital I/Os.
F. A balanced XLR SMPTE timecode input
and a dedicated MTC (MIDI Time Code)
input are provided for synchronizing the
Automix functions with an external
device.
G. A USB “To Host”port and 8-pin mini
serial DIN “To Host”port allow MIDI
communication (including MTC)
between the 02R96 and your host com-
puter. The “To Host”ports are ideal for
integrating the included Studio Manager
Software.
H. MIDI IN,OUT, and THRU ports can be
used to send/receive program changes for
scene recall,control changes and parame-
ter changes for real-time parameter con-
trol,Bulk Dump for data storage, MIDI
Clock, MTC, and MMC.
I. Wo rd Clock In and Out is provided by
75Ω BNC connectors – termination can be
switched on and off.
J. The 64-pin Cascade In and Out ports can
be used to cascade up to four 02R96s to
create a multiple-unit mixing system with
up to 224 input channels.
Machine Control
◆ Both Sony 9-pin (P2) and MMC protocols are supported for external machine con-
trol.Control can be switched between MTR and master target machines.
◆ You can control the transport and locate functions of up to eight external recorders
that support MMC (MIDI Machine Control).Machines that support MMC can be
controlled by connecting them to the 02R96’s MIDI, SERIAL,USB, or with the
optional mLAN I/O Card installed in expansion Slot #1.
K. Four mini-YGDAI slots support up to 32 additional 24-bit/96kHz-capable inputs and
outputs (64 I/Os at 44.1/48kHz) via optional analog and digital I/O cards including
AES/EBU, ADAT lightpipe,TDIF, and mLAN.
L. A 25-pin D-sub GPI connector allows external equipment to be triggered from specified
faders or User Define Keys.
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