Owner's Manual

47
TD-000472-00-A
Dense Reverb
The Dense Reverb (presets with a “D” suffi x) is a model of a DSP reverb with more dense refl ections that some may fi nd
more representative of actual acoustic spaces.
Home
FX Masters
Select FX
Channel
Effect
FX Masters
FX 1
+
FX
Dense Reverb
Select
Dense Reverb
Select Effect
1. Lo Cut Knob – Attenuates, or “cuts” frequencies below this frequency
setting. Range is to 20 Hz to 2 kHz.
2. Hi Cut Knob – Attenuates, or “cuts” frequencies above this frequency
setting. Range is 200 Hz to 20 kHz.
3. Reverb Time Knob – Reverb Time (RT) is the length of time required for
the reverberation to drop by 60 dB.
4. Initial Delay Knob – Sets the time interval between input signal and fi rst
refl ection.
5. High Ratio Knob – Changes the amount of high frequency refl ections.
6. Diffusion Knob – Controls the density of groups of Early Refl ections. Or
Simulates the complexity of surfaces off which the sound refl ects.
7. Reverb Delay Knob – Changes the delay between refl ections.
8. Early Refl ections Knob – Changes the amplitude of the early refl ections.
Lush Reverb
Lush Reverb (presets with an “L” suffi x) is a model of a DSP reverb with a more “lush” character.
Home
FX Masters
Select FX
Channel
+
FX
Lush Reverb
Effect
FX Masters
FX 1
Select
Pitch Shift
Select Effect
1. Lo Cut Knob – Attenuates, or “cuts” frequencies below this frequency
setting. Range is 20 Hz to 2 kHz.
2. Hi Cut Knob – Attenuates, or “cuts” frequencies above this frequency
setting. Range is 200 Hz to 20 kHz.
3. Size Knob – The longest dimension of the simulated acoustic space
in meters.
4.
Pre Delay Knob – Sets the time interval between input signal and
fi rst refl ection
5. Low Reverb Knob – Adjusts the reverb decay time for frequencies below
the crossover frequency.
6.
Crossover Knob – Sets the crossover point for the Low Reverb Time and
the High Reverb Time.
7. High Reverb Knob – Adjusts the reverb decay time for frequencies above
the crossover frequency.
8. Diffusion Knob – Adjusts the early refl ections to simulate a more complex or less complex refl ective acoustic surface.
— Figure 45 —
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— Figure 46 —
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3 4 5 86 7