User's Manual
Table Of Contents
- Maintenance and Repair
- TouchMix™ How To
- Register and Update
- TouchMix-30 Pro Package Contents
- TouchMix-8 / TouchMix-16 Package Contents
- About This Manual
- Getting Started
- Effects
- Mute Groups
- DCA Groups
- Sub Groups (TouchMix-30 Pro only)
- Using Auxiliaries as Sub Groups (TouchMix-8 and 16 only)
- Matrix Mixing
- Save Your Work as a Scene
- Sound Check
- Anti-Feedback System
- Real Time Analyzer (RTA)
- Mutes
- Copy & Paste
- Patch Matrix (TouchMix-30 Pro only)
- Room Tuning Wizard
- User Buttons
- MIDI Control
- Security
- Monitor (TouchMix-30 Pro only)
- Monitor (TouchMix-16 only)
- Solo In Place (SIP) (TouchMix-30 Pro only)
- TouchMix Reference
- Getting Started
- Top Panel and Remote-Device Controls (TouchMix-30 Pro)
- Rear Panel (TouchMix-30 Pro)
- Right Side of the TouchMix-16 Mixing Surface
- Right Side of the TouchMix-8 Mixing Surface
- Rear Panel (TouchMix-16)
- Rear Panel (TouchMix-8)
- TouchMix-30 Pro Specifications
- TouchMix-8 and TouchMix-16 Specifications
- TouchMix™ Feature List
- Nav Strip
- Input Channels
- Output Channels
- Sub Groups (TouchMix-30 Pro only)
- 2‑Trk Playback
- FX Masters
- Wizards
- FX Processor
- Security
- Miscellaneous Features
- Mute Groups
- About Mute Groups
- Mute Groups Screen
- Mute Group Edit Screen
- Record / Playback (Multitrack USB Drive)
- 2‑Trk − Recording
- DAW – Record / Playback (TouchMix-30 Pro only)
- Real-time Analyzer (RTA)
- Scenes
- Channel Safe
- Auto Mixer TouchMix-30 Pro
- External Control Surfaces - TouchMix-30 Pro
- Custom Fader Banks - TouchMix-30 Pro
- DCA Group Assignments
- MIDI
- Talkback / Noise
- TouchMix Wi-Fi Control
- Getting Started
- TouchMix Dimensions
- TouchMix Block Diagram
- Contact QSC
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Sub Groups (TouchMix-30 Pro only)
Like DCA Groups, Sub Groups are used to control the volume of multiple channels at once. However, DCA Groups simply add or subtract gain for
the channels they control. No signal is routed through a DCA. Unlike DCA Groups, signal is routed through Sub Groups. This means that Sub Groups
can apply processing including EQ, Limiting and even Effects to multiple channels. There are basically three ways that Sub Groups are used…
• To apply common processing and level control to multiple inputs and return the processed group to the Main L/R mix.
• To route a group of inputs to an external destination such as a broadcast mix. These output groups are commonly referred to as “stems”.
• To route a blend of Sub Groups to an external destination.
All eight Sub Groups appear on the Auxiliary mixes.
To output Sub Groups:
Joe’s Vocal
Aux 1
Sub Groups
There are two ways to assign Input Channels to Sub Groups.
From an Input Channel
To assign a channel to Sub Groups:
Inputs 1-8
In 1
Setup
Sub 3
If the Sub Group is going to be sent to the Main L/R output, the channel should usually be unassigned from Main L/R. Otherwise the channel’s
signal will be sent directly to the Main L/R output (without any processing) and also sent to the Main L/R by way of the Sub Group. There are some
advanced use cases where such a double assignment may be desirable but typically that is not the case.
From a Sub Group
To assign channels to a Sub Group:
Sub Groups
Sub 1
Setup
In 1
This will take you to the Sub Group Setup page.
The lower portion of the page displays the numbers and friendly names of the input channels. Touch the button of the channels you wish to assign
to the Sub Group. If the channel is assigned to the Main L/R mix, an [L/R] icon will appear by the button,
NOTE:
"Remove Input Channel from L/R when assigning to Sub Group?"
In the “Yes” position, assigning an input channel to a Sub Group will cause the input to be unassigned from the Main L/R.
In the “No” position, assigning a channel to a sub group will have no effect on the channel’s Main L/R assignment.