Logic 7 Dedicated Control Surface Support
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1 Contents Preface 7 7 7 7 8 8 8 8 8 9 9 9 9 9 9 9 10 10 10 10 10 10 11 What Is Covered CM Automation Motormix CM Labs Motormix Emagic Logic Control Emagic Logic Control XT Mackie Baby HUI Mackie C4 Mackie Control Mackie Control Extender Mackie Control Universal Mackie HUI Radikal Technologies SAC-2.
Chapter 2 27 28 31 46 48 49 51 52 52 56 64 65 65 Logic Control—Details The Channel Strip(s) The Assignment Zone Fader Bank Zone Master Fader Display Zone The Function Key Zone The Global View Zone Function Button Zone The Transport Zone The Cursor/Zoom Key Zone The Jog/Scrub Wheel Zone Functions and Menus Chapter 3 75 75 78 80 80 80 81 83 Mackie C4 V-POTs, V-SELECTs Buttons at Bottom Marker Overlay Track Overlay Channel Strip Overlay Function Overlay Assignment Overview Chapter 4 85 85 85 85 85 86
Chapter 8 117 117 117 118 Yamaha DM1000 Requirements Set Up Assignment Overview Chapter 9 125 125 125 126 Yamaha 02R96 Requirements Set Up Assignment Overview Chapter 10 131 131 131 132 135 135 135 135 136 Yamaha 01V96 Requirements Set Up Assignment Overview Selected Channel Data Entry Section Channel Strips Stereo Channel Strip USER DEFINED KEYS Section Chapter 11 139 139 139 139 CM Labs Motormix Requirements Set Up Assignment Overview Chapter 12 147 147 147 147 153 Radikal Technologies SAC-2
Appendix B 169 169 170 172 Logic Control—MIDI Implementation SysEx Message Header Global Control Messages Common Control Messages Appendix C 181 Logic Control—Control Surface Layout and IDs Appendix D 185 Logic Control—MIDI Implementation Chart Index 187 Contents
Preface What Is Covered This manual covers Logic’s dedicated control surface support. Please read it thoroughly to make the most of your new controller(s). Logic comes with dedicated support for certain control surface models. There are several plug-ins which are are a part of Logic. Some plug-ins support multiple similar control surface models. You can use any combination of control surfaces with Logic.
Emagic Logic Control XT This is the extension unit for the Logic Control. It has only the channel strip section; therefore it is not useful without a Logic Control. If you have installed Mackie’s firmware version 1.0.2 or higher, make sure that the Logic Control XT runs in Logic Control mode. See sections “Logic Control—Basics” on page 13 and “Logic Control—Details” on page 26. Also see the Appendix for more details. Mackie Baby HUI Only available in Logic Pro, not in Logic Express.
Mackie Control Universal The Mackie Control Universal must be switched to Logic Control mode. See the documentation from Mackie on how to switch to Logic Control mode. See sections “Logic Control—Basics” on page 13 and “Logic Control—Details” on page 26. Mackie HUI Only available in Logic Pro, not in Logic Express. The HUI plug-in has been tested with the original Mackie HUI.
Tascam US-224 A stripped-down version of the US-428, with dedicated support in the US-428 plug-in. See section “Tascam US-428” on page 151. Tascam US-428 See section “Tascam US-428” on page 151. Yamaha 01V96 Only available in Logic Pro, not in Logic Express. The Yamaha 01V96 emulates two HUI units, using two virtual MIDI In and Out connections over its USB cable. See section “Yamaha 01V96” on page 125. Yamaha 02R96 Only available in Logic Pro, not in Logic Express.
Yamaha DM2000 Only available in Logic Pro, not in Logic Express. The Yamaha DM2000 emulates three HUI units, using three virtual MIDI In and Out connections over its USB cable. See section “Yamaha DM2000” on page 101.
1 Logic Control—Basics 1 Introduction Using a mouse and computer keyboard to do things normally done on an analog mixer can be disconcerting. Clicking an onscreen fader or knob, and dragging the mouse to achieve a silky smooth fade or pan move is difficult, if not impossible, for many users. Logic Control provides you with hands-on control of virtually all of Logic’s real-time parameters. Move a fader and Logic’s on-screen fader will move with it.
All of your fader and V-POT moves can be recorded and will faithfully play back in realtime. As the Logic Control units are equipped with motorized faders, remote controlled buttons, knobs and LEDs, your automation data will be reflected on the Logic Control’s surface instantly. This keeps you completely informed about all levels—for tracks, pan, parameters, EQs etc. The feedback you receive on the 2 row, by 55 character LCD is so good, in fact, that you may find you rarely look at your computer monitor.
Connecting the Unit(s) Connect your Logic Control and/or Logic Control XT units as shown in the diagram below. Computer MIDI Interface Optional Footswitches As mentioned above, each Logic Control or Logic Control XT unit must have a discrete MIDI in and MIDI out connection. Do not “daisy-chain” other MIDI devices via MIDI THRU to the MIDI in or out ports used by the Logic Control units as this may result in data errors.
• EXTERNAL CONTROL is assigned to the MASTER fader level. Only use an expression pedal with this socket. The polarity of the foot switches is determined by the Logic Control when powered up. Therefore it is useful to first connect the foot switches, then power up. Power Up Once everything is connected, press the power switch found to the rear left of your Logic Control and Logic Control XT units. Once powered, the displays will illuminate and the LCD will display a welcome message.
Quick Start Once Logic is launched, any connected (and powered) Logic Control units will automatically be detected. The LCD above the V-POTs will indicate the tracks (shown from left to right) as they appear—from top to bottom—in the Arrange window Track List of your Autoload song. The two character Mode Display will display Pn, the Position/ Time Display will display 1 1 1 1, assuming that your Autoload song starts at this position.
Switching View Modes To toggle between Mixer and Global View modes, repeatedly press the GLOBAL VIEW button, located directly above the MASTER fader on the Logic Control. Global View mode is indicated by the green LED to the right of the button. When deactivated, the Logic Control will instantly switch to Mixer View mode. All faders, V-POTs, switches, LEDs and LCDs will update to reflect the current View mode.
Global View gives you direct access to the Volume, Pan, Mute and Solo parameters of all 80 MIDI channels, 64 audio tracks etc. as outlined above. Note the light gray legend which links the GLOBAL VIEW button to the eight buttons in the “Global View” zone of the Logic Control front panel. Simply press the button which corresponds to the object “class” that you wish to view. You can select multiple classes by clicking on multiple buttons simultaneously.
The following topics cover a couple of “viewing” options that work in all View modes. Channel Views The channels section (i. e. the channel strips) can be in two fundamental view “modes”—Multi Channel and Channel Strip View. Normally, switching between these modes only affects the V-POTs, with the other channel controls always remaining in Multi Channel View. Please note that there are some exceptions to this: in special view modes, the faders and SOLO and MUTE buttons have alternate uses/meanings.
Simply press the LEFT/RIGHT CURSOR keys to step up/down to the next “page” of parameters. The current/total number of pages (e. g. “Page 1/3”) is displayed in the top right-hand corner of the LCD whenever multiple “pages” are available—i. e. when parameter names are shown in the lower row. To get to the first or last page, hold down OPTION while pressing the LEFT/RIGHT CURSOR key. Switching by page is just the default.
Note: 8-bit ASCII characters such as curly quotes and umlaut characters are replaced by the best-possible 7-bit ASCII equivalent, e. g. ä = ae, ö=oe, ü=ue, á = a, ø = oe, œ = oe, ß = ss, å = a. In case you don’t like the way a track or instrument name is abbreviated, you can provide your own version, simply by appending it with a backslash (\). To get the track “My very long track name” displayed as “long” instead of “TrckNm”, the track name must be “My very long track name\long”.
Song Position/SMPTE Time Display The right-most display is a multi-digit, seven-segment LED. It is accompanied by two small LEDs to its immediate left, which provide a quick visual indication of the currently active display format: SMPTE or BEATS. To toggle between the two Time formats, repeatedly press the SMPTE/BEATS button in the Display section at the top of the Logic Control—just below the SMPTE/BEATS LEDs.
• the Position/Time Display shows Message, Alert, Attention or Caution, depending on the icon in the alert • if the alert text does not fit in the LCD’s upper row, it will start scrolling after 3 seconds. When the text has scrolled to the end, it will remain onscreen for 3 seconds and will then recommence. You can scroll the alert text manually with the jog wheel. Once you start doing so, automatic scrolling is disabled In addition to the Jog Wheel, all V-POTs can be used to scroll the alert text.
Get Into the Habit of Using Markers Not much more can be said. Markers allow you to quickly “jump” from location to location in a “project”. The Logic Control features a number of shortcuts which allow you to rapidly switch between Markers. Markers are very useful for the creation/selection of Cycle regions and a number of other tasks, such as Drop In and Replace. If you tend to follow a particular song structure, or like to work in “chunks” of bars (4, 8, 16 bars etc.
2 2 Logic Control—Details This chapter will introduce you to the front panel of the Logic Control. It is assumed that you are familiar with the basic use and terminology of Logic. As such, we will not cover the functionality and uses of the individual Logic parameters themselves. Please consult your Logic reference manual or online help files, if you require further information.
We strongly encourage you to press the buttons, turn the V-POT knobs etc. as you’re reading through this chapter (not that you probably need much encouragement). This will help you to get a “feel” for how the Logic Control works, and how the various parts of the control surface interact with one another. Topics in this chapter are broken down into “Zones” of the Logic Control surface.
• Series of connected LED segments, starting in the center position and fanning to the left AND right (e. g. Q-Factor) • An LED dot below the V-POT indicates when the parameter value is in the centered/ default position Holding down the C/ALT button sets the V-POTs to high resolution parameter adjustment mode, where applicable. Holding down the OPTION button toggles the V-POT between the minimum/maximum parameter value.
Holding down the OPTION button, while pressing any SOLO button will disable solo for all tracks. In the “Send Destination/Level” views (see the Send Assignment Modes section, from page 39 onwards), the SOLO button controls the Pre/Post mode selection—in both Multi Channel and Channel Strip views. Mute Switch Used to defeat the track’s signal. Each channel features an independent Mute LED which illuminates when a track is muted.
Touch-Sensitive Motor Fader These 100mm faders are for controlling the channel’s levels. They transmit 1,024 discrete “steps” as a 10 Bit value, making their use very smooth. When FLIP is activated, the parameter currently assigned to the V-POT can be controlled with the fader. This allows you to more easily control pans, aux returns, MIDI track parameters, EQs, Plug-in, Audio Instrument or other channel parameter levels/values. Please see the Logic Reference Manual for further information.
When these buttons are pressed, the Mode Display, plus the LED associated with each button, will update to reflect the currently selected assignment “mode”. The LCD will also update to display the parameters relevant to the selected Assignment. These parameters, are, of course assigned to the corresponding V-POTs. All ASSIGNMENT buttons work as toggle switches, which means that if you click them repeatedly, they will switch between the Multi Channel and Channel Strip View modes.
Track Assignment Modes The TRACK button selects Assignment modes which allow the editing of a number of global track parameters. It toggles between all displayed channels and the individual parameters of the selected channel (Track Multi Channel View or Track Channel Strip View). The parameters in Track Multi Channel View include: Volume, Pan, Track Mode, Track Input, Track Output and Automation.
By pressing NAME/VALUE, you can toggle the display mode and instead see the parameter names in the upper row and parameter values in the lower row: Volume Pan +0.5dB 0 Inst ES2 Ins.1 Ins.2 Send 1 Send 2 Send 3 Dstrtn AutFlt -54.0 -27.0 -oo dB As these display variants can be toggled in all Channel Strip Views similarly, the following will only show displays in Value mode. • V-POT/V-SELECT 1—edits Volume.
• V-SELECT 7 or F7—switches to Track Multi Channel View and displays the automation parameter selected for display in the Arrange window. Also switches to Arrange View. • V-SELECT 8 or F8—switches to Track Setup Channel Strip View (see below). Track Setup Channel Strip View In this mode rarely used parameters can be edited for the selected track. • V-POT/V-SELECT 1—edits Track Mode (mono, stereo, left, right). • V-POT/V-SELECT 2—selects the Surround Mode. Confirm with V-SELECT 2.
Channel Strip View Pan/Surround Channel Strip View allows you to edit all surround parameters for the selected track. • The Mode Display will show Pn. (for “Pan/Surround channel strip”). • The upper LCD row shows the name of the track and “Pan/Surround”. Track 1 "Audio 1" SrrAng SrrDvr SrrLFE Mode • • • • • • Pan/Surround V-POT/V-SELECT 1—edits angle (or pan on non-surround tracks) V-POT/V-SELECT 2—edits diversity V-POT/V-SELECT 3—edits LFE level V-POT 4—selects the surround mode.
• turning a V-POT changes the surround X value (or adjusts pan position on non- surround tracks) • pressing a V-SELECT sets surround X to its default • the faders edit surround surround Y Notes on Surround X/Y editing X and Y have the value range −1000 to +1000, however the resolution is not that high, as surround positions are currently recorded in 7 bit only. Note that X and Y act in a rectangular coordinate system. So value pairs outside the surround circle are not possible.
Channel Strip View EQ Channel Strip view allows you to edit all EQ parameters—in all bands—for the selected track. • The Mode Display will show EQ. (for “EQ channel strip”). • The upper LCD row shows the name of the track, “EQs”, the page number and total number of pages—e. g. “Page 1/2”.
• • • • the Mode Display will show FG. V-POTs 1 to 8 control EQ band 1 to 8 Frequency MUTE buttons 1 to 8 control EQ band 1 to 8 Bypass FADERs 1 to 8 control EQ band 1 to 8 Gain Note that in this mode, the faders form a frequency response curve, if the EQ bands have ascending frequency values. You can edit another track’s EQs by simply selecting the track, without leaving this view mode. Send Assignment Modes Briefly pressing the SEND button toggles between Send Multi Channel or Send Channel Strip View.
Channel Strip View Send Channel Strip view allows you to edit all Send parameters for the selected track. • The Mode Display will show SE. (for “Send channel strip”). • The upper LCD row shows the name of the track, “Sends”, the page number and total number of pages—e. g.
• The upper LCD row shows the name of the track, “Sends”, the page number and total number of pages—e. g. “Page 1/4” Track 1 "Audio 1" Sends Page 1/2 Snd1Ds Snd2Ds Snd3Ds Snd4Ds Snd5Ds Snd6Ds Snd7Ds Snd7Ds • V-POT/V-SELECT 1 to 8—edits the displayed parameter • With the horizontal Cursor buttons you shift pages. The number of parameters which are displayed simultaneously depends on the number of Logic Control XTs you have.
Plug-In Assignment Modes Pressing PLUG-IN toggles between Plug-in Multi Channel or Plug-in Channel Strip View. Please note that there is one exception to this behavior: if you are in Instrument Edit View, pressing this button switches to Plug-in Edit View. Multi Channel View This mode shows the plug-ins associated with a particular Insert “slot” for all channels. • The Mode Display will show P1 to P9, or simply 10 to 16, dependent upon the selected Plug-In Insert “slot” number.
Channel Strip View This mode shows the plug-ins associated with all Insert “slots” for the selected channel. • The Mode Display will show PL. • The upper LCD row shows Ins1Pl through Ins8Pl • The lower LCD row shows the plug-in which is currently selected for this insert slot. Muted plug-ins are indicated by an asterisk *, which precedes the plug-in name. • Turning the V-POTs pre-selects a new plug-in. Until activated, the plug-in name flashes.
• Pressing a V-SELECT sets the parameter to its default value, except where the parameter only has two values (on/off, for example). In this case, pressing the VSELECT toggles between these values. • The CURSOR LEFT/RIGHT buttons switch to the next or previous parameter page. Note that when shifting by a “page”, this always “quantizes” to integer pages.
Some plug-ins however don’t provide parameter names and/or values as text. In this case the parameters are enumerated as “Control #1”, “Control #2” etc., and the values are displayed as numbers between 0 and 1000. Some VST plug-ins don’t allow to retrieve the value range; in this case the range 0 to 1000 is assumed. This is disturbing with switches, as they can’t be toggled with V-POTs nor with V-SELECTs. In this case hold down OPTION and turn the V-POT.
• Pressing a V-SELECT while the SHIFT button is held down mute/unmutes the Instrument • Pressing a MUTE button while the SHIFT button is held down mute/unmutes the Instrument Instrument Edit View • The Mode Display will show In. • Dependent on the NAME/VALUE button, the LCD changes in the following ways: • Name—The upper LCD row shows the track’s name, instrument name, current parameter page and total number of parameter pages.
Note that when shifting by bank, this always “quantizes” to integer banks. As an example: • your song has 19 tracks. • Logic Control shows tracks 1 to 8 • BANK Right shifts to 9 to 16 • BANK Right shifts to 12 to 19 • BANK Left shifts back to 9 to 16, not to 4 to 11 This way, you always revert to the bank positions you expect, and are used to. Channel Left/Right As per the BANK buttons, but moves up or down in increments of a single channel.
• Pressing CONTROL + FLIP switches to zero mode. Pressing CONTROL + FLIP again disables zero mode. In this mode the faders are set to zero and don’t move. Useful for acoustic/microphone recordings if Logic Control is located in the recording booth, and you don’t want to hear/capture any motor noise. Both flip and swap mode work in all view modes.
Display Zone These buttons affect what you see in the LCD and Position/Time Display. Name/Value To toggle between the two Display formats—Name or Value—repeatedly press the NAME/VALUE button in the Display section of the Logic Control—just below the SMPTE/ BEATS LEDs. For more information, see the Liquid Crystal Display (LCD) section, from page 21 onwards.
• V-POT/V-SELECT 5 (label “TrkNam”)—sets track name display format “Name”—track name only “#:Name”—track number and name This parameter can also be toggled with OPTION+NAME/VALUE • V-POT/V-SELECT 6 (label “Lock”)—toggles Channel Strip View track lock “Off”—as you are used to: selecting a track also switches the currently edited Channel Strip track “On”—the currently edited Channel Strip Track is not affected by selecting a track.
The Function Key Zone The eight Function Keys—F1 to F8—are assigned as follows: • F1 to F7 recalls screensets 1 to 7 • F8 closes the top-most window, with “floating” windows closed first.
The Global View Zone The Global View mode is activated by pressing any of the GLOBAL VIEW buttons. When any is activated, the green LED to the right of the GLOBAL VIEW button will illuminate. Pressing multiple GLOBAL VIEW buttons simultaneously will display the objects of the selected types. To do so: Hold down any GLOBAL VIEW button, and add or remove other object types by repeatedly pressing the other desired GLOBAL VIEW buttons.
• CONTROL—while held down, the Group Clutch is engaged, i.e. Track Groups are temporarily disabled. • C/ALT—fine tuning variation of the function. Automation Buttons The five buttons in this area activate/deactivate the various automation modes of Logic. These work in conjunction with the channel SELECT switches. Simply choose the channel you wish to automate, select the Automation mode via one of these six buttons, and move the corresponding fader.
When the OPTION key is held down, pressing one of the Automation buttons chooses the selected automation mode for all tracks. When an automation mode has been selected for all tracks, the button’s LED will illuminate whenever the OPTION key is held. N. B.—This is slightly different for the “Off” automation mode, when holding down the OPTION button.
Utilities Buttons Save Saves the current Song file. When pressed, a file save dialog will open on your computer screen, waiting for you to enter a filename as per usual. The Logic Control LCD will display There is a file select dialog and the Position/Time Display will show ALErt. All LEDs will go off. on the screen Once the file save has been confirmed—in Logic—the Logic Control will return all controls to their status prior to invoking the Save command.
With CANCEL you can also cancel a blinking pre-selection of a parameter value. Enter If an alert is open, the ENTER button triggers the default button. See About Alert Messages section on page 23 for more information. If no alert is open, and the selected track is a folder track, the ENTER button enters this folder. The Transport Zone This section of the Logic Control features twelve (12) buttons. All are equipped with a dedicated LED to indicate their current status.
Large Marker Mode When pressing the MARKER button while holding down SHIFT, the LCD will update to display three options, assigned to the first three V-SELECTs. • V-SELECT 1 to 5—display the first 5 Markers by name. Pressing a V-SELECT sets the current song position to this Marker. When the current song position is inside a marker, the lower line displays INSIDE, and the V-POT LED ring is on. • V-SELECT 6—Cr w/o—Creates a marker without rounding to the nearest bar.
Nudge With the help of the NUDGE button, you can nudge selected regions, sequences and events. Marker and Nudge Mode are mutually exclusive; activating one deactivates the other. Small Nudge Mode Hitting the NUDGE button reassigns the behavior of the FAST FWD and REWIND buttons. They nudge the selected regions, sequences or events by the value defined in the Large Nudge Mode (see below).
• The cursor buttons always emulate the computer keyboard’s cursor keys. This allows you to easily select an object. Large Nudge Mode is terminated by pressing NUDGE. Temporary Nudge Mode If you want to use NUDGE temporarily (for one or two “nudges”), hold down the NUDGE key, and user one or more of the above V-POTs: this will execute the nudge function and leave “nudge” mode as soon as you release the NUDGE button.
Cycle View Pressing the SHIFT + CYCLE buttons activates Cycle View mode: • The Mode Display displays Cy • V-POT/V-SELECT 1—shows and edits the current Cycle status (off or on); you can also use the CYCLE button • V-SELECT 2—BySel— sets the current Cycle region by the selection made in the Arrange window—i. e.
Drop View Pressing SHIFT + DROP buttons activates Drop View: • The Mode Display shows dr • V-POT/V-SELECT 1 shows and edits the current Drop status (off or on); you can also use the DROP button • V-POT 3—Move— moves the current Drop region by a bar with each “click” when turning the V-POT • The display shows the Drop In and Drop Out locators above V-POTs 5 and 7 • Pressing V-SELECT 5 picks up the current song position for the Drop In locator • Turning V-POT 5 changes the Drop In locator in bars • Turning V-
Rewind Rewinds/shuttles through the song. If pressed repeatedly while rewinding, the rewind speed will be accelerated with each button push. If the FAST FWD button is pressed while REWIND is engaged, the fast rewind will be slowed. Repeated presses of the FAST FWD button will slow down, stop, and eventually reverse the shuttle direction. Pressing the STOP button will halt the rewind. Using the JOG/SCRUB WHEEL will also exit shuttle mode.
Stop Stops all other Transport functions. Pressing the STOP button a second time will return to the song start point, or the beginning of the nearest cycle region, if Cycle is active. Repeated presses will toggle between the two. Play Plays from the current song position. If pressed repeatedly, it will jump to the beginning of the nearest cycle region, if Cycle is active. SHIFT + PLAY works as a Pause command. Record Activates recording on the selected MIDI, Audio or Audio Instrument track.
The Cursor/Zoom Key Zone This collection of five buttons serves a number of purposes. Normal operation When the ZOOM button’s LED is off, these buttons select the current parameter, shift the current parameter page or Send/EQ/Insert slot, depending on the current V-POT assignment. When holding down the OPTION button, the CURSOR LEFT/RIGHT buttons scroll to the first/last page, and the CURSOR UP/DOWN buttons scroll to the first/last slot.
The Jog/Scrub Wheel Zone The JOG/SCRUB WHEEL and SCRUB button can be used to navigate through the song, which is useful for a number of Transport tasks. Simply turn the dial to use it. The following Scrub modes change the behavior of the JOG/SCRUB WHEEL. • SCRUB mode off: the JOG/SCRUB WHEEL moves the SPL • SCRUB mode on: the JOG/SCRUB WHEEL performs scrubbing. “Scrubbing” allows you to hear the data of the selected track while scrolling/moving through the song.
Logic Control Modifier Function/Comments MUTE — Toggle Mute of track. OPTION Disable Mute for all tracks. In Track Multi Channel View: SHIFT Toggle Mute/Bypass of the shown parameter In EQ Multi Channel View: SHIFT Toggle Bypass of the current EQ band In EQ Frequency/Gain View: — Toggle bypass of selected EQ band. In Send Multi Channel View: SHIFT Toggle bypass of selected send. In Send Destination/Level Multi Channel View: — Toggle bypass of selected send.
Logic Control Modifier Function/Comments FADER — Adjust volume. In Flip Mode “Duplicate”: — Same function as V-POT of same channel. In Flip Mode “Swap”: — Swap function with V-POT of same channel. In Surround Angle/Diversity View: — Adjust surround diversity. In EQ Frequency/Gain View: — Adjust gain of selected EQ band. In Send Destination/Level Multi Channel View: — Adjust send level of selected send.
DISPLAY Parameters Logic Control Modifier Function/Comments NAME/VALUE — Toggle between parameter name and parameter value display. SHIFT Cycle through level meter displays: vertical, horizontal and off. OPTION Toggle between track name and track number:name display. CONTROL Clear clip/overload flags. SMPTE/BEATS CMD/ALT Enter “Control Surface Group Settings Mode” — Toggle between SMPTE and Beat format in clock display.
Logic Control Modifier Function/Comments F3 — Recall screen set 3. SHIFT Toggle Event Editor window. CMD/ALT Paste TRACK Switch to Multi Channel View—Track Mode. PAN/ Switch to Multi Channel View—Pan/surround LFE. SURROUND F4 EQ Switch to Multi Channel View—Frequency. SEND Switch to Multi Channel View—Position. MARKER Delete Marker NUDGE Nudge value: Beat — Recall screen set 4. SHIFT Toggle Score window. CMD/ALT Clear TRACK Switch to Multi Channel View—Input.
Logic Control Modifier Function/Comments F7 — Recall screen set 7. SHIFT Toggle Transport window. CMD/ALT Select Similar Objects TRACK Switch to Multi Channel View—Displayed Parameter PAN/ Switch to Surround X/Y View SURROUND EQ F8 Switch to Frequency/Gain Multi Channel View. SEND Switch to Destination/Level Multi Channel View. — Close top-most floating window. SHIFT Toggle Audio window. CMD/ALT Select Inside Locators TRACK Switch to Track Setup View.
MODIFIERS—While Held Down: SHIFT Switch to second function. OPTION Apply function to all tracks or set parameter to minimum/maximum. CONTROL Engage Group Clutch while held down C/ALT Enable fine mode; shift parameter page by 1 parameter instead of page. AUTOMATION Buttons Logic Control Modifier Function/Comments READ/OFF — Set selected track’s automation to Read or Off. OPTION Set all tracks’ automation to Read or Off. TOUCH LATCH WRITE — Set selected track’s automation to Touch.
TRANSPORT Buttons Logic Control MARKER Modifier Function/Comments — Toggle Small Marker Mode. SHIFT Toggle Large Marker Mode — Toggle Small Nudge Mode. SHIFT Toggle Large Nudge Mode MARKER Create a marker. This allows you to create a marker with one hand without entering “Big Permanent Marker Mode”. — Toggle Cycle. SHIFT Switch to Cycle View. — Toggle Drop. SHIFT Switch to Drop View. REPLACE — Toggle Replace. CLICK — Toggle playback or record metronome click.
Logic Control Modifier Function/Comments PLAY 4 — Play. SHIFT Pause. — Record. RECORD = Cursor Keys & Scrub Wheel Logic Control Modifier CURSOR 34 If in Multi Channel View: Function/Comments — Select previous/next parameter or of current View. ZOOM Scroll window horizontally by page If in Channel Strip EQ, Send View or Plug-in/Instrument Edit View: — Shift current editor page by 1 page. C/ALT Shift current editor page by 1 parameter.
Logic Control Modifier Function/Comments JOG WHEEL — Move song position line. CYCLE Set the Left Locator to the current SPL, advance the SPL as normally, then set the Right Locator to the SPL. Further Jog Wheel turns while still holding down CYCLE advances the SPL and sets the Right Locator again. Tip: rotating the jog wheel counterclockwise while holding down CYCLE defines a skip-cycle range.
3 Mackie C4 3 You can use the C4 in an own control surface group (place its icon below Logic Control) or combined with a Logic Control/XT (place the icon right of the existing icons). In the latter case, the C4 adds 8 channels in Multi Channel views. We recommend to use the C4 in an own control surface group. This allows you to edit instruments and plug-ins and independently do mixing on the Logic Control or other control surface.
Pan/Surround Multi Channel View: Row 2 edits Pan/Surround parameter 2 Row 3 edits Pan/Surround parameter 3 Row 4 edits Pan/Surround parameter 4 (in the order Pan/Angle, Diversity, LFE, Surround Mode, X, Y) SINGLE left/right changes the parameter edited in row 1, and thus also affects the parameter edited in row 2 to 4 Surround Angle/Diversity View (to be entered on C4 with CHAN STRIP, V-SELECT 31) Row 1 edits Surround Angle Row 2 edits Surround Diversity Surround X/Y View (only to be entered from Logic Co
Row 4 edits EQ Band Q Factor INSERT up/down selects the edited EQ band EQ Channel Strip View Row 1 edits EQ Frequency of all 8 bands Row 2 edits EQ Gain of all 8 bands Row 3 edits EQ Q of all 8 bands Row 4 edits EQ Bypass of all 8 bands Send Multi Channel View Row 1 edits Send Destination Row 2 edits Send Level Row 3 edits Send Position Row 4 edits Send Mute INSERT UP/DOWN selects the edited Send slot Send Channel Strip View Rows 1 to 4 edit 32 Send parameters SINGLE left/right shifts display of Send par
INSERT up/down selects the edited plug-in insert BANK left/right shifts the edited parameters by 32. In Split mode, this applies to Split Upper; when holding down SHIFT: applies to Split Lower SINGLE left/right shifts the edited parameters by 1. In Split mode, this applies to Split Upper; when holding down SHIFT: applies to Split Lower Instrument Edit View V-POT/V-SELECT 1 to 32 build a group of 32 parameters. Split is possible. BANK left/right shifts the edited parameters by 32.
Alternate Mode Options Holding down the TRACK button accesses a further sub-menu in the bottom LCD to enter Global View with a certain object type: • V-SELECT 25 switches to MIDI tracks • V-SELECT 26 switches to Inputs • V-SELECT 27 switches to Audio tracks • V-SELECT 28 switches to Audio Instrument tracks • V-SELECT 29 switches to Auxiliary tracks • V-SELECT 30 switches to Busses • V-SELECT 31 switches to Outputs • V-SELECT 32 switches to Master output Releasing the TRACK button without pressing a V-SELECT
SLOT UP/DOWN Selects the currently edited EQ, Send or plug-in insert (see above). Marker Overlay While the MARKER button light is on, the Marker overlay is active. A Logic Control in the same control surface group shows “MA” in the assignment display. V-SELECT 1 to 30 goes to Marker 1 to 30. The upper LCD line shows the marker name; the lower line shows “INSIDE” when the song position is inside a marker. V-SELECT 31 creates a new marker. V-SELECT 32 deletes the current marker.
V-POT/V-SELECT row 3 edits Send 1 to 8 Level. V-POT/V-SELECT 25 switches to Instrument edit. V-POT/V-SELECT 26 edits track output. V-POT/V-SELECT 27 edits automation mode. V-POT/V-SELECT 28 edits group membership. V-POT/V-SELECT 29 edits Volume. V-POT/V-SELECT 30 edits Pan. V-POT/V-SELECT 31 edits Surround Diversity. V-POT/V-SELECT 32 edits Track Mode. Function Overlay While the FUNCTION button light is on, the Function overlay is active.
• 12 (“Clear Autom.
Assignment Overview See also section “Channel Strip (x8)” on page 65.
4 Tascam FW-1884 4 Introduction Logic supports the Tascam FW-1884 and FE-8 extension. Version 1.10 also supports the SoftLCD application which displays information on track names, parameter assignment and current value of the encoders. While one of the automation mode buttons is held down, SoftLCD displays the tracks’ current automation mode, and encoder edits it. Alerts are displayed in SoftLCD. Select buttons allow to remote-control alert buttons.
Assignment Overview A right-aligned modifier button below a button description means: while holding down this modifier, the button has this alternate meaning.
Channel strips Control Assignment REC LEDs These LEDs are on when the corresponding track is recording and flash when the track is Record Ready SEL selects the track SHIFT when encoders control a Send Level, toggles Send Mute READ sets the track’s automation mode to Read WRITE sets the track’s automation mode to Write TCH sets the track’s automation mode to Touch LATCH sets the track’s automation mode to Latch SOLO toggles the Solo status of the track MUTE toggles the Mute status of the tra
MASTER fader This fader always controls the master volume. If no Master object exists in the environment, it controls Output 1-2. Master Section Control Assignment READ while held down, SEL buttons are on if a track has Read automation mode. Pressing the SEL button sets Read mode. Turning the encoder also edits the automation mode. WRITE while held down, SEL buttons are on if a track has Write automation mode. Pressing the SEL button sets Write mode. Turning the encoder also edits the automation mode.
Control Assignment SET sets left locator to current song position SHIFT sets Drop In locator to current song position OUT goes to right locator SET sets right locator to current song position SHIFT sets Drop Out locator to current song position REW Shuttle Rewind key command FFWD Shuttle Forward key command STOP Stop key command PLAY Play key command REC Record key command Chapter 4 Tascam FW-1884 89
5 Mackie HUI 5 Requirements You need • a HUI or compatible product • Logic Pro 7 or newer Set Up • Make sure that an XSKey with a Logic Pro 7 authorization is connected. • Make sure that your HUI unit(s) are connected bidirectionally with the computer, using a MIDI interface. • Choose menu item Logic Pro > Control Surfaces > Setup… • Choose menu item New > Install… in the Setup window’s local menu.
Assignment Overview A right-aligned modifier button below a button description means: while holding down this modifier, the button has this alternate meaning. ASSIGN Section Control Assignment SEND A assigns Send 1 Level to V-POTs, and Send 1 to 4 Levels to DSP V-POTs. While held down, the scribble strips show the current Send 1 destination assignment SHIFT/ADD as above, but Send 6 SEND B assigns Send 2 Level to V-POTs, and Send 1 to 4 Levels to DSP V-POTs.
Fader Bank Buttons Control Assignment Bank Left shifts channel strips by one bank to the left Bank Right shifts channel strips by one bank to the right Channel Left shifts channel strips by one channel to the left Channel Right shifts channel strips by one channel to the right WINDOW Section Control Assignment TRANSPORT toggles the Transport window EDIT toggles the Arrange window MIX toggles the Track Mixer window ALT toggles the Sample Editor window STATUS toggles the Audio Pool window
Channel Strips Control Assignment Level Meters display momentary and peak level REC/RDY toggles Record Ready OPTION/ALL disables Record Ready for all tracks INSERT BYPASS off: selects track for plug-in selection BYPASS on: toggles bypass of currently selected insert slot V-SEL Pan selected: sets Pan to center if DEFAULT on Send 1 to 8 selected: edits Send Pre/Post, toggles Send Mute or sets Send Level to default value Send Assign, Input or Output: confirms selection V-POT adjusts parameter select
DSP EDIT/ASSIGN Section Control Assignment ASSIGN — COMPARE toggles DSP display between modes “track name/parameter name” and “parameter name/parameter value” BYPASS toggles bypass of currently edited plug-in insert DSP Select 1 to 4 Assignment Pan: • DSP Select 1 sets Pan or Surround Angle to center • DSP Select 2 sets Surround Diversity to center • DSP Select 3 sets Surround LFE to center • DSP Select 4 sets Surround Mode to center Assignment Send: • toggle Send 1 to 4 or 5 to 8 Mute Plug-In Assi
Function Keys Control Assignment F1 Clears Overload LEDs SHIFT/ADD Switches to Global View and enables MIDI Tracks CMD/ALT/FINE Toggles Arrange window F2 Recalls Screen Set 2 SHIFT/ADD Switches to Global View and enables Inputs CMD/ALT/FINE Toggles Track Mixer window F3 Recalls Screen Set 3 SHIFT/ADD Switches to Global View and enables Audio Tracks CMD/ALT/FINE Toggles Event Editor window F4 Recalls Screen Set 4 SHIFT/ADD Switches to Global View and enables Audio Instruments CMD/ALT/FINE Toggles S
AUTO MODE Section Control Assignment READ sets selected track to automation mode “Read”. While held down, channel Strip AUTO buttons set automation mode to Read OPTION/ALL sets all tracks to automation mode “Read” LATCH sets selected track to automation mode “Latch”. While held down, channel Strip AUTO buttons set automation mode to “Latch” OPTION/ALL sets all tracks to automation mode “Latch” TRIM — TOUCH sets selected track to automation mode “Touch”.
EDIT Section Control Assignment CAPTURE — SEPARATE — CUT Cuts the selection COPY Copies the selection PASTE Pastes the clipboard contents DELETE Deletes the selection Time Display 98 Control Assignment TIME CODE checked if counter displays time code FEET (not assigned) BEATS checked if counter displays bars/beats/format/ticks Time display displays time code or bars/beats/format/ticks RUDE SOLO LIGHT flashes if any track is soloed Chapter 5 Mackie HUI
LOCATE/NUMBERS Section Control Assignment CLR Deletes current marker = Creates a marker at the current song position / equivalent to computer keyboard / key * equivalent to computer keyboard * key - equivalent to computer keyboard – key + equivalent to computer keyboard + key 0 to 9 Normal: 1 to 9 recalls marker 1 to 9 Goto Marker: equivalent to computer keyboard keys 0 to 9 SHIFT/ADD Switches to Global View and enables 1: MIDI Tracks 2: Inputs 3: Audio Tracks 4: Audio Instruments 5: Aux Tra
Transport Section Control Assignment AUDITION — PRE Sets left locator IN Sets Drop In locator OUT Sets Drop Out locator POST Sets right locator RTZ goes to the left locator END goes to the right locator ON LINE toggles internal/external Sync LOOP toggles Cycle mode QUICK PUNCH toggles Drop mode REWIND Shuttles backward FAST FWD Shuttles forward STOP Stop PLAY Play SHIFT/ADD Pause RECORD 100 Record Chapter 5 Mackie HUI
Cursor Buttons Control Assignment Cursor Up Cursor mode: equivalent to computer keyboard arrow up key Zoom mode: zooms out vertically SHIFT/ADD Zoom mode: Individual track zoom in CMD/ALT/FINE Page Up OPTION/ALL + Scroll to top CMD/ALT/FINE Cursor Down Cursor mode: equivalent to computer keyboard arrow down key Zoom mode: zooms out vertically SHIFT/ADD Zoom mode: Individual track zoom out CMD/ALT/FINE Page Down OPTION/ALL + Scroll to bottom CMD/ALT/FINE Cursor Left Cursor mode: equivalent to computer
6 Mackie Baby HUI 6 Requirements You need • a Baby HUI • Logic Pro 7 or newer Set Up • Make sure that an XSKey with a Logic Pro 7 authorization is connected. • Make sure that your Baby HUI unit(s) are connected bidirectionally with the computer. • Choose menu item Logic Pro > Control Surfaces > Setup… • Choose menu item New > Install… in the Setup window’s local menu.
Encoder Assignment Section Control Assignment PAN assigns Pan to Rotary encoders SEND 1 assigns Send 1 Level to Rotary encoders SEND 2 assigns Send 2 Level to Rotary encoders SEND 3 assigns Send 3 Level to Rotary encoders SEND 4 assigns Send 4 Level to Rotary encoders Automation Section Control Assignment BYPASS/OFF sets selected track to automation mode “Off”. SHIFT toggles automation playback and recording of Volume READ sets selected track to automation mode “Read”.
Navigation Section Control Assignment RTZ goes to the left locator SHIFT Sets Drop In locator END goes to the right locator SHIFT Sets Drop Out locator BANK SELECT Left shifts channel strips by one bank to the left SHIFT shifts channel strips by one channel to the left BANK SELECT Right shifts channel strips by one bank to the right SHIFT shifts channel strips by one channel to the right Transport Section Control Assignment REWIND Shuttles backward FAST FWD Shuttles forward STOP Stop PLAY
7 Yamaha DM2000 7 Requirements You need • a DM2000 or compatible product • Logic Pro 7 or newer Set Up • Make sure that an XSKey with a Logic Pro 7 authorization is connected. • Make sure that your DM2000 unit(s) are connected with the computer via USB. • Make sure that the MIDI driver which comes with the unit is installed. At DM2000 Front Panel Basically you set up the DM2000 as if you are using it with Pro Tools. See the DM2000 user manual, section 19.
Assignment Overview A right-aligned modifier button below a button description means: while holding down this modifier, the button has this alternate meaning.
ENCODER MODE Section Control Assignment PAN assigns Pan to Encoders; assigns selected track’s pan/surround parameters to DSP Encoders AUX/MTRX assigns Send 1 Level to Encoders, and Send 1 to 4 Levels to DSP Encoders. While held down, the Channel Strip displays show the current Send 1 destination assignment ASSIGN 1 assigns Track Input to Encoders. While held down, the Channel Strip displays show the current Track Input assignment ASSIGN 2 assigns Track Output to Encoders.
EFFECTS/PLUG-INS Section Control Assignment Display toggles the Sample Editor window 5 — 6 toggles DSP display between modes “track name/parameter name” and “parameter name/parameter value” 7 toggles bypass of currently edited plug-in insert 8 toggles between Plug-in Assign and Plug-in Edit modes Parameter Up & Parameter Down Plug-In Edit: shifts parameter display by the number of Parameter controls in the control surface group (usually four) USER 13 Plug-In Edit: shifts parameter display by o
LCD Display Assignment LCD displays parameter details, plug-in selection or plug-in parameters TIME CODE checked if counter displays time code FEET (not assigned) BEATS checked if counter displays bars/beats/format/ticks Time display displays time code or bars/beats/format/ticks SELECT ASSIGN displays the Encoder assignment as follows: Pan, Snd1 to Snd8, S1As to S8As, In, Out TRACK ARMING Section Control Assignment 1 to 24 toggles Record Ready USER 5 disables Record Ready for all tracks MAS
AUTOMIX Section Control Assignment DISPLAY while held down, the Channel Strip displays display the tracks’ automation mode REC sets selected track to automation mode “Write”. While held down, channel Strip AUTO buttons set automation mode to “Write” USER 5 sets all tracks to automation mode “Write” ABORT/UNDO sets selected track to automation mode “Touch”.
USER DEFINED KEYS Section Control Assignment DISPLAY toggles the Audio Pool window 1 toggles the Transport window 2 shifts channel strips by one bank to the left 3 shifts channel strips by one bank to the right 4 Shifts to second meaning of some buttons See also description of other buttons 5 While held down, value change mode is set to “full”: relative value changes to go minimum or maximum See also description of other buttons 6 enters Group Edit mode: • the upper line in the DSP edit sect
LOCATOR Section Control Assignment DISPLAY toggles the Marker List window 1 to 8 recalls marker 1 to 8 USER 4 Switches to Global View and enables 1: MIDI Tracks 2: Inputs 3: Audio Tracks 4: Audio Instruments 5: Aux Tracks 6: Busses 7: Outputs and Master object DISPLAY selects tool: HISTORY 1: arrow [FORWARD] 2: pencil 3: rubber 4: text edit 5: scissors 6: glue 7: solo 8: mute 114 AUDITION — PRE Sets left locator IN Sets Drop In locator OUT Sets Drop Out locator POST Sets right locator RETU
Channel Strips Control Assignment Level Meters display momentary and peak level Encoder adjusts parameter selected in the AUX SELECT section Encoder PushSwitch Pan selected: sets Pan to center if MATRIX 1 on Send 1 to 8 selected: edits Send Pre/Post, toggles Send Mute or sets Send Level to default value Send Assign, Input or Output: confirms selection AUTO cycles automation mode.
Control Assignment SHUTTLE toggles Shuttle mode Parameter Wheel Default: move SPL by one bar Scrub: scrubbing Shuttle: Shuttle mode DEC Default: leaves Folder Goto Marker: cancels dialog USER 13 Toggles Audio window INC Toggles between Cursor and Zoom mode Cursor Up Cursor mode: equivalent to computer keyboard arrow up key Zoom mode: zooms out vertically USER 4 Zoom mode: Individual track zoom in USER 13 Page Up USER 5 Scroll to top + USER 13 Cursor Down Cursor mode: equivalent to computer keyb
8 Yamaha DM1000 8 Requirements You need • a DM1000 • Logic Pro 7 or newer Set Up • Make sure that an XSKey with a Logic Pro 7 authorization is connected. • Make sure that your DM1000 unit(s) are connected with the computer via USB. • Make sure that the MIDI driver which comes with the unit is installed. At DM1000 Front Panel While this document was created, we didn’t have access to DM1000 user documentation, but setting it up for Logic should be similar to the DM2000 setup—see above.
Assignment Overview A right-aligned modifier button below a button description means: while holding down this modifier, the button has this alternate meaning.
AUX SELECT Section Control Assignment AUX 1 assigns Send 1 Level to Encoders, and Send 1 to 4 Levels to DSP Encoders. While held down, the Channel Strip displays show the current Send 1 destination assignment DAW SHIFT/ADD as above, but Send 6 AUX 2 assigns Send 2 Level to Encoders, and Send 1 to 4 Levels to DSP Encoders.
LCD Function Control Assignment Left & Right Plug-In Edit: shifts parameter display by the number of Parameter controls in the control surface group (usually four) DAW ALT/FINE Plug-In Edit: shifts parameter display by one LCD The LCD displays different data, depending on the page you have selected with the buttons F2, F3, and F4: • INSERT ASSIGN/EDIT Display Mode: parameter details, plug-in selection or plug-in parameters. Press [F2] to select this mode.
LCD Insert Page Control Assignment ASSIGN — COMPARE toggles DSP display between modes “track name/parameter name” and “parameter name/parameter value” BYPASS toggles bypass of currently edited plug-in insert INSERT/PARAM toggles between Plug-in Assign and Plug-in Edit modes Parameter control 1 to 4 push-switch Assignment Pan: • Parameter control 1 push-switch sets Pan or Surround Angle to center • Parameter control 2 push-switch sets Surround Diversity to center • Parameter control 3 push-switch
Channel Strips Control Assignment Level Meters display momentary and peak level Encoder adjusts parameter selected in the AUX SELECT section Encoder Push-Switch Pan selected: sets Pan to center if MATRIX 1 on Send 1 to 8 selected: edits Send Pre/Post, toggles Send Mute or sets Send Level to default value Send Assign, Input or Output: confirms selection SEL If AUTO off: • AUX [AUX 8] off: selects track • AUX [AUX 8] on: selects track for insert assignment If AUTO on: • cycles automation mode.
Control Assignment DAW GROUP STATUS enters Group Edit mode: • the upper line in the DSP edit section displays the currently edited group number and name • Parameter control push-switch buttons 1 to 4 toggle properties of the currently edited group, labelled in the lower line • When INSERT/PARAM is off, DSP Edit Scroll Encoder scrolls through the group properties.
Control Assignment DAW PRE Sets left locator DAW IN Sets Drop In locator DAW OUT Sets Drop Out locator DAW POST Sets right locator DAW RTZ goes to the left locator DAW END goes to the right locator DAW ONLINE toggles internal/external Sync DAW QUICK PUNCH toggles Drop mode DAW AUTO FADER toggles automation playback and recording of Volume DAW AUTO PAN toggles automation playback and recording of Pan DAW AUTO PLUGIN toggles automation playback and recording of Plug-in parameters DAW A
9 Yamaha 02R96 9 Requirements You need • a 02R96 • Logic Pro 7 or newer Set Up • Make sure that an XSKey with a Logic Pro 7 authorization is connected. • Make sure that your 02R96 unit(s) are connected with the computer via USB. • Make sure that the MIDI driver which comes with the unit is installed. At 02R96 Front Panel Basically you set up the 02R96 as if you are using it with Pro Tools. See the 02R96 user manual, section 19.
Assignment Overview A right-aligned modifier button below a button description means: while holding down this modifier, the button has this alternate meaning. DISPLAY ACCESS Section Control Assignment METER Clears Overload LEDs AUX SELECT Section Control Assignment AUX 1 assigns Send 1 Level to Encoders, and Send 1 to 4 Levels to DSP Encoders.
EFFECTS/PLUG-INS Section Control Assignment Display toggles the Sample Editor window PLUG-INS toggles Encoder Push-Switch buttons between normal behavior and setting default value CHANNEL INSERTS determines mode of channel strip SEL buttons: • indicator off: track selection • indicator on: Insert selection 1 — 2 toggles DSP display between modes “track name/parameter name” and “parameter name/parameter value” 3 toggles bypass of currently edited plug-in insert 4 toggles between Plug-in Assign
LCD The LCD displays different data, depending on the page you have selected with the buttons F2, F3, and F4 (see page 171ff of the 02R96 user manual): • INSERT ASSIGN/EDIT Display Mode: parameter details, plug-in selection or plug-in parameters. Press [F2] to select this mode.
USER DEFINED KEYS Section Control Assignment DISPLAY while held down, the Channel Strip displays display the tracks’ automation mode 1 toggles between the Arrange and Track Mixer windows 2 toggles the Group Clutch 3 sets selected track to automation mode “Write”. While held down, channel Strip AUTO buttons set automation mode to “Write” 4 sets selected track to automation mode “Touch”.
MACHINE CONTROL Section Control Assignment DISPLAY toggles the Marker List window 1 to 8 recalls marker 1 to 8 REW Shuttles backward FF Shuttles forward STOP Stop PLAY Play REC Record Data Entry Section 130 Control Assignment SCRUB toggles Scrub mode SHUTTLE toggles Shuttle mode Parameter Wheel Default: move SPL by one bar Scrub: scrubbing Shuttle: Shuttle mode ENTER enters folder of selected track DEC leaves Folder INC Toggles between Cursor and Zoom mode Cursor Up Cursor m
10 Yamaha 01V96 10 Requirements You need • a 01V96 • Logic Pro 7 or newer Set Up • Make sure that an XSKey with a Logic Pro 7 authorization is connected. • Make sure that your 01V96 unit(s) are connected with the computer via USB. • Make sure that the MIDI driver which comes with the unit is installed. At 01V96 Front Panel Basically you set up the 01V96 as if you are using it with Pro Tools. See the 01V96 user manual, section 19.
Assignment Overview A right-aligned modifier button below a button description means: while holding down this modifier, the button has this alternate meaning.
Control Assignment AUX 8 determines mode of channel strip SEL buttons while channel strip AUTO button is off: • indicator off: track selection • indicator on: Insert selection HOME toggles Flip mode LCD Function Control Assignment Left & Right Plug-In Edit: shifts parameter display by the number of Parameter controls in the control surface group (usually four) DAW ALT/FINE Plug-In Edit: shifts parameter display by one F1 Clears Overload LEDs DAW SHIFT/ADD Switches to Global View and enables MIDI
LCD Insert Page Control Assignment ASSIGN — COMPARE toggles DSP display between modes “track name/parameter name” and “parameter name/parameter value” BYPASS toggles bypass of currently edited plug-in insert INSERT/PARAM toggles between Plug-in Assign and Plug-in Edit modes Parameter control 1 to 4 push-switch Assignment Pan: • Parameter control 1 push-switch sets Pan or Surround Angle to center • Parameter control 2 push-switch sets Surround Diversity to center • Parameter control 3 push-switch
Selected Channel Control Assignment Pan Encoder adjusts parameter selected in the FADER MODE section SEL toggles channel strips’ SEL buttons between track and insert selection Data Entry Section Control Assignment Parameter Wheel Default: move SPL by one bar Scrub: scrubbing Shuttle: Shuttle mode – (DEC) Default: leaves Folder Goto Marker: cancels dialog DAW ALT/FINE Toggles Audio window + (INC) enters folder of selected track Channel Strips Control Assignment Level Meters display momentary
USER DEFINED KEYS Section These keys can be assigned to the following functions: Control Assignment DAW WIN STATUS toggles the Audio Pool window DAW REC/RDY 1 to 16 toggles Record Ready DAW WIN TRANSPORT toggles the Transport window DAW BANK- shifts channel strips by one bank to the left DAW BANK+ shifts channel strips by one bank to the right DAW SHIFT/ADD Shifts to second meaning of some buttons See also description of other buttons DAW OPTION/ALL While held down, value change mode is set t
Control Assignment DAW EDIT TOOL selects the next tool.
Control Assignment DAW AUTO TRIM — DAW AUTO OFF sets selected track to automation mode “Off”.
11 CM Labs Motormix 11 Requirements You need • one or more CM Automation (or CM Labs) Motormix • Logic Pro 7 or newer Set Up • Make sure that your Motormix unit(s) are connected in both directions with the MIDI interface.
Control Assignment group sets select buttons, rotary encoders and Multi buttons to Group Edit mode SHIFT displays tracks’ group assignments in the LCD. The rotary encoders allow to change them. Select Switches These buttons have multiple purposes, depending on the current mode. Mode Assignment normal selects track displayed in upper LCD line.
Mode Assignment PLAY/ transport button flashes Transport section • 1: Record • 2: Pause • 3: Stop • 4: Play • 5: Rewind • 6: Fast Forward • Upper row displays current clock STOP/locate button flashes Locating functions 1: goes to left locator 2: goes to right locator 3: toggles Cycle 4: toggles Drop 5: goes to Marker mode (see below) 6: opens Marker list floating window Upper row displays current clock • • • • • • • Marker mode • 1 to 6: select markers 1 to 6.
Rotary Pots 142 Control Assignment Rotary pots 1 to 8 control parameter chosen with the Rotary Selector, as displayed in the 7 segment display (see below) 7 segment display shows current selection for Rotary pots: Send editing (S-MUTE or PRE/PST LED is on): • S1 to S8 = Send 1 to 8 level • F1 to F8 = EQ band 1 to 8 frequency • G1 to G8 = EQ band 1 to 8 gain • q1 to q8 = EQ band 1 to 8 Q factor Pan/Surround editing (select LED is on): • Pn = Pan • An = Surround Angle • dv = Surround Diversity • FE = S
Control Assignment Rotary toggles Flip Mode between off and Duplicate (i.e. faders duplicate Rotary encoders) Selector push button SHIFT toggles Display mode for channel strip displays: switches between • page info in upper line, parameter name in lower line • parameter name in upper line, parameter value in lower line Multi Buttons These buttons (labelled A to H) have multiple purposes, depending on the current mode, indicated by the green and yellow LEDs to the right.
Burn Buttons These buttons (labelled I to P) have multiple purposes, depending on the current mode, indicated by the red LEDs to the left.
Left Function Buttons Control AUTO ENBL/mode Assignment currently unassigned SHIFT switches rotary encoders to automation enable mode SUSPEND/create While held down, the group clutch is engaged, i.e. groups are disabled SHIFT creates a new group and goes to Group Edit view PLUG-IN/compare switches Rotary encoders and Multi buttons to Plug-in Assign mode. The Rotary Select knob then selects the insert to edit. In Plug-in Assign or Instrument Assign mode, switches back to Pan.
Right Function Buttons Control PLAY/ transport Assignment Play key command SHIFT switches Select Switches to Transport section mode STOP/locate Stop key command SHIFT switches Select Switches to Locate mode FFWD/monitor Shuttle Forward key command SHIFT opens System Performance window RWD/status Shuttle Rewind key command SHIFT opens Synchronization window NEXT/configure goes to next marker LAST/assign When rotary encoders display Send Destinations, switches them back to Send Levels Otherwise: go
12 Radikal Technologies SAC-2K 12 Requirements You need • an SAC-2K or SAC-2.2 • Logic Pro 7 or newer Set Up • Make sure that an XSKey with a Logic Pro 7 authorization. • Make sure that your SAC-2K unit(s) are connected bidirectionally with the computer, either using a MIDI interface or the USB connector built-in to the unit. • If the unit(s) are connected via USB, make sure that the MIDI driver which comes with • • • • the unit is installed.
Control Assignment Encoders Edit the parameter displayed in the LCD above Encoder push buttons Parameters with two values: toggles between the two values Parameters which change structure (e.g. plug-in selection): confirms preselection Otherwise: sets parameter value to default Channel Strips Control Assignment Mute/Solo toggles Mute/Solo 1 to 8 buttons between Mute and Solo mode.
Mixer-Mode Section Control Assignment Pan switches to multi-channel Pan editing. Encoders 9 to 12 edit Pan/Angle, Diversity, LFE and Surround Mode of selected track High, HiMid, LowMid, Low switches to multi-channel Gain editing of a certain EQ band. Encoders 9 to 12 edit frequency, gain, Q factor and on/off of the selected track. Pressing and releasing the button chooses a certain band, depending whether the song uses the old or new EQ.
Control Assignment Inst switches to Global View and displays Audio Instruments SHIFT switches to Global View and displays Aux objects Bus switches to Global View and displays Busses SHIFT switches to Global View and displays folders and other objects Group switches to Group editing: • Encoder 1 to 10 push buttons edit a group property, labelled in the LCD’s lower line • Encoder 11 scrolls the group properties • Encoder 12 selects a group to edit.
Control Assignment Num Toggles the numeric buttons between primary and secondary function (see above) Enter same as Enter key on the computer keyboard Locator Section The locator displays the current song position in bars/beats format, as defined in the Song Settings; however spaces between the sections are displayed with a period, as Logic’s bars/beats format may take up up to 14 characters, whereas this display has only 8 digits.
Marker Section Control Assignment SHIFT shifts to secondary function of other buttons.
Channel-Strips Section Control Assignment EQs Enters Channel Strip EQ editing mode. Pressing the button again cycles through the available pages. Inserts/Sends Enters Channel Strip plug-in editing mode—edits the currently selected insert of the selected track. Pressing the button again cycles through the available pages. Dynamics — MIDI — Instrument Enters Channel Strip instrument editing mode—edits the instrument of the selected track (if it’s an Audio Instrument track).
13 Roland SI-24 13 Requirements You need • a Roland SI-24 • Logic Pro 7 or Express 7, or newer Set Up • Make sure that your SI-24 unit(s) are connected to the RPC card using the included blue cable. This connector provides both digital audio and MIDI connections. • Make sure that the MIDI driver which comes with the unit is installed.
Control Assignment PLUG-IN toggles track edit section between • Plug-in mode (LED on) (Plug-in editor window opens) • Pan mode (LED off ) Plug-in editor window closes when Plug-in mode is left SHIFT toggles track edit section between • Instrument mode (LED on) (Instrument editor window opens) • Pan mode (LED off ) Instrument editor window closes when Instrument mode is left PAN 1 to 12 in Pan mode: • controls channel strip’s Pan (tracks in surround mode: surround angle) in EQ/Send mode: • 1/3/5/7: EQ
CH ASSIGN Controls Control Assignment INPUT shows the first 12 audio inputs (Global View) on channel strips SHIFT shows the first 12 MIDI channels (Global View) on channel strips OUTPUT shows the first 12 audio outputs (Global View) on channel strips: • 1: Output 1-2 (Front) • 2: Output 3-4 (Rear) • 3: Output 5 (Center) • 4: Output 6 (LFE) • 5: Output 7-8 (Digital out) SHIFT shows the first 12 audio channels (Global View) on channel strips BUS shows the first 12 audio buses (Global View) on channel s
Numeric Key Section Control Assignment SYSTEM switches SI-24 to System mode.
Transport Section Control Assignment PAUSE Pause REW rewinds SPL by one bar F FWD advances SPL by one bar STOP Stop PLAY Play RECORD Record Jog wheel Scrubbing off: move SPL in 1/1 bars Scrubbing on: scrub Chapter 13 Roland SI-24 159
14 Tascam US-428 14 Requirements You need • a US-428 or US-224 • Logic Pro 7 or Logic Express 7, or newer Set Up Make sure that your US-428/224 unit(s) are connected via USB with the computer. They are installed automatically. Assignment Overview A right-aligned modifier button below a button description means: while holding down this modifier, the button has this alternate meaning.
EQ Section Control EQ Gain Assignment controls gain of currently selected EQ of selected track ASGN controls EQ 1 type EQ Freq controls frequency of currently selected EQ of selected track ASGN controls EQ 2 type EQ Q controls Q factor of currently selected EQ of selected track ASGN controls EQ 3 type HIGH selects EQ 1 for EQ Gain, Freq and Q controls ASGN toggles EQ 1 bypass HI-MID selects EQ 2 for EQ Gain, Freq and Q controls ASGN toggles EQ 2 bypass LO-MID selects EQ 3for EQ Gain, Freq and Q c
Control Assignment Data wheel AUX 1 LED on: controls Send 1 level of selected track AUX 2 LED on: controls Send 2 level of selected track AUX 3 LED on: controls Send 3 level of selected track AUX 4 LED on: controls Send 4 level of selected track Otherwise: F3 LED on: performs scrubbing Otherwise: moves SPL by bars ASGN selects current track’s output LOCATE Section Control Assignment << LOCATE goes to previous marker LOCATE >> goes to next marker SET creates a new marker at the current SPL BANK S
Logic Control—Specifications A Appendix A Logic Control (Base Unit) Display • 55 × 2-digit (LCD) backlit multi-function display for detailed parameter information and metering • Built-in screensaver function • 2-digit, 7-segment display for mode displays • 10-digit, 7-segment display for song position information using SMPTE or bar/beats/ ticks • 1 × button to toggle the LCD between parameter name/value and to activate the level meters • 1 × button to toggle the 7-segment display between SMPTE and ba
• 4 × buttons to shift the displayed mixer channels to the left and right, either one channel at a time or in banks • 1 × button with status LED for the channel fader/V-POT flip: swaps the assignments of fader and V-POTs • 1 × button with status LED to toggle between Mixer View and Global View • 4 × buttons with status LED to activate automation modes such as Read, Write, Touch and Latch • 4 × buttons to select utility functions such as: “Save Song”, “Undo”, “Cancel” or confirm in dialogs • 4 × buttons t
Dimensions Logic Control XT (Extension Unit) Display • 55 × 2-digit (LCD) backlit multi-function display for detailed parameter information and metering • Built-in screensaver function Per channel (8 channels) • 1 × motorized 100mm touch-sensitive Penny & Giles faders with 10Bit resolution (1024 steps) • 1 × V-POT: digital endless rotary knob with position indicator and integrated push button for parameter adjustments of, for example, pan, EQ, send levels, etc.
Dimensions 168 Appendix A Logic Control—Specifications
Logic Control—MIDI Implementation B Appendix B The following information is important for software vendors who want to create a software integration for Logic Control/XT. This documentation covers firmware version V1.0. Note: All numbers are in hexadecimal format Variable bytes are shown in italics and use characters other than a-f as a placeholder All channel messages use running status messages.
Global Control Messages Host Connection and Initialization Received: 00 F7 Device Query 02 ss ss ss ss ss ss ss rr rr rr rr F7 Host Connection Reply 0F 7F F7 Go Offline Transmitted: 01 ss ss ss ss ss ss ss ll ll ll ll F7 Host Connection Query 03 ss ss ss ss ss ss ss F7 Host Connection Confirmation 04 ss ss ss ss ss ss ss F7 Host Connection Error ss = Serial number (7 bytes ASCII text, non null-terminated) ll = Challenge code (4 bytes) rr = Response code (4 bytes) Offli
Online Mode: Once the connection between Logic Control and the host software has been made, Logic Control stays in Online Mode until it receives a Go Offline message. Firmware version request Received: 13 00 F7 Version request Transmitted: 14 vv vv vv vv vv F7 Version reply vv 5 ASCII bytes containing version string, e.g. “V1.0”.
Common Control Messages Faders Received: Ei, ll, hh Move fader to position Transmitted: Ei, ll, hh Fader moved by user i Fader ID (00 thru 07; Master = 08) ll Fader position value low 7 bits(00–7F) hh Fader position value high 7 bits (00–7F) Example: E0, 40, 55 = Fader Ch. 1, position (55 << 7) + 40 Note: Message format for transmitted fader position is the same as for received position. Only the high 10 of the 14 transmitted bits are required.
V-POTs Received: None Transmitted: B0, 1i, XX V-POTs turned by user i V-POT ID (00–07) XX delta value in the form of ( 0 s v v v v v v ) s direction bit: 0 = clockwise, 1 = counter clockwise vv number of ticks Examples: • B0, 10, 01 = V-POT Ch. 1 is being turned clockwise by one tick. • B0, 17, 47 = V-POT Ch. 8 is being turned counter-clockwise by 7 ticks.
V-POT Display modes available: 174 Appendix B Logic Control—MIDI Implementation
External Controller Received: None Transmitted: B0, 2E, vv External Controller changed vv External Controller position value (00–7F) Example: • B0, 2E, 07 = External Controller value = 07 Jog Wheel Received: None Transmitted: B0, 3C, XX Jog wheel turned by user XX delta value in the form of ( 0 s v v v v v v ) s direction bit: 0 = clockwise, 1 = counter clockwise vv number of ticks Examples: • B0, 3C, 01 = Jog forward • B0, 3C, 41 = Jog reverse Appendix B Logic Control—MIDI Implementation 175
LCD Received: , 12, oo, yy, …, F7 Update LCD Transmitted: None oo Display offset to write from: 00 thru 37 for upper line, 38 thru 6F for lower line. yy Data: ASCII equivalents for display characters written from left to right, including line wrapping between upper and lower line. Up to 100 data bytes may be sent in one message. Example: • The following message writes “Hello” to top left of the LCD on a Logic Control master section.
Time Code/BBT Display Received: , 10, yy, …, F7 Update multiple characters B0, 4i, yy Update single character Transmitted: None i Digit ID: 0 = right-most, 9 = left-most yy Data bytes representing character to be written (See 7-Segment Display Character Table section on page 178). Up to ten characters can be sent in the SysEx message. Examples: • The following message writes “109.02.01.
7-Segment Display Character Table Hint: • Characters @ (40h) thru ` (60h) = (ASCII value) − 40h • Characters ! (21h) thru ? (3Fh) = ASCII value Note: The decimal point on each 7-segment character can be lit by adding 40 Hex to the value of the data.
Metering Received: D0, XX Peak level , 20, ii, mm, F7 Channel meter mode , 21, yy, F7 Global LCD meter mode Transmitted: None XX Meter level in the form of ( 0 h h h l l l l ): hh Channel to be addressed (0 thru 7) ll Meter level: 0 thru C = level meter 0% to 100% Overload not cleared! E = set overload F = clear overload ii Channel ID (0 to 7) mm mode bit map in the form of ( 0 0 0 0 0 l p s ): l Enable level meter on LCD p Enable peak hold display (horizontal only) s Enable Signal LED yy 00 = ho
Logic Control— Control Surface Layout and IDs ID Switch LED Function 00 • • REC/RDY Ch. 1 01 • • REC/RDY Ch. 2 02 • • REC/RDY Ch. 3 03 • • REC/RDY Ch. 4 04 • • REC/RDY Ch. 5 05 • • REC/RDY Ch. 6 06 • • REC/RDY Ch. 7 07 • • REC/RDY Ch. 8 08 • • SOLO Ch. 1 09 • • SOLO Ch. 2 0A • • SOLO Ch. 3 0B • • SOLO Ch. 4 0C • • SOLO Ch. 5 0D • • SOLO Ch. 6 0E • • SOLO Ch. 7 0F • • SOLO Ch. 8 10 • • MUTE Ch. 1 11 • • MUTE Ch. 2 12 • • MUTE Ch.
ID Switch LED Function 1A • • SELECT Ch. 3 1B • • SELECT Ch. 4 1C • • SELECT Ch. 5 1D • • SELECT Ch. 6 1E • • SELECT Ch. 7 1F • • SELECT Ch. 8 20 • V-Select Ch. 1 21 • V-Select Ch. 2 22 • V-Select Ch. 3 23 • V-Select Ch. 4 24 • V-Select Ch. 5 25 • V-Select Ch. 6 26 • V-Select Ch. 7 27 • V-Select Ch.
ID Switch 3E • LED Function GLOBAL VIEW: MIDI TRACKS 3F • GLOBAL VIEW: INPUTS 40 • GLOBAL VIEW: AUDIO TRACKS 41 • GLOBAL VIEW: AUDIO INSTRUMENT 42 • GLOBAL VIEW: AUX 43 • GLOBAL VIEW: BUSSES 44 • GLOBAL VIEW: OUTPUTS 45 • GLOBAL VIEW: USER 46 • SHIFT 47 • OPTION 48 • CONTROL 49 • 4A • • AUTOMATION: READ/OFF 4B • • AUTOMATION: WRITE 4C • • AUTOMATION: TRIM 4D • • AUTOMATION: TOUCH 4E • • AUTOMATION: LATCH 4F • • GROUP 50 • • UTILITIES: SAVE 51
ID Switch 62 • LED Function Cursor Left 63 • Cursor Right 64 • • Zoom 65 • • Scrub 66 • User Switch A 67 • User Switch B 68 • Fader Touch Ch. 1 69 • Fader Touch Ch. 2 6A • Fader Touch Ch. 3 6B • Fader Touch Ch. 4 6C • Fader Touch Ch. 5 6D • Fader Touch Ch. 6 6E • Fader Touch Ch. 7 6F • Fader Touch Ch.
Logic Control— MIDI Implementation Chart D Function Transmitted Recognized Remarks Channel, Default: Changed: 1 1 1 1 Each Logic Control unit should be installed on a separate MIDI port.
Index Index A B Abbreviation 22 ABORT/UNDO 112 About 16 Alert Messages 23 ALL SAFE 86 ALT 93 ALT/CMD 86 AMT 8 14 Arrange window 93, 96, 104, 109, 118, 133 arrow tool 99, 114 ASSIGN 92, 95, 121, 134 ASSIGN 1 109 ASSIGN 2 109 ASSIGN 3 109 Assignment LED 22 ASSIGN section 92 * 99 Audio Instruments 96, 99, 114 Audio Pool window 93, 113, 122, 136 Audio Tracks 96, 99, 114 Audio window 96 AUDITION 100, 114 AUTO 94, 97, 115, 122, 129 AUTO ENABLE section 96 Autoload Song 24 Automation 53 automation mode 94, 97,
Cursor Down 101, 116, 130 Cursor Keys 64 Cursor Left 101, 116, 130 Cursor Right 101, 116, 130 Cursor Up 101, 116, 130 CUT 86, 98 Cycle 59, 100 D Data Entry section 121, 135 DAW ALT/FINE 123, 136 DAW AUTO FADER 124, 137 DAW AUTO LATCH 124, 137 DAW AUTO MUTE 124, 137 DAW AUTO OFF 124, 138 DAW AUTO PAN 124, 137 DAW AUTO PLUGIN 124, 137 DAW AUTO READ 124, 137 DAW AUTO SEND 124, 137 DAW AUTO SEND MUTE 124, 137 DAW AUTO STATUS 124, 138 DAW AUTO TOUCH 124, 137 DAW AUTO TRIM 124, 138 DAW AUTO WRITE 124, 137 DAW BA
F4 96 F5 96 F6 96 F7 88, 96 F8 88 F8/ESC 96 F9 88 FADER 96, 109, 126 Fader 87, 94, 103, 115, 122, 129, 135 FADER BANK 20 Fader Bank 46 Fader bank buttons 93 FADER MODE 119 FADER MODE section 109, 119, 126, 132 FAST FWD 100, 105 Fast Fwd 62 FEET 98, 111, 120, 128, 133 FF 115, 130 FFWD 89 fine 93, 113, 123, 136 Firmware 16 FLIP 86 Flip Mode 47 Flip mode 92, 109, 119, 126, 133 folder 96, 99, 116, 121, 130, 135 Folders 19 Follow Control Surface 19 Footswitch 15 Foot Switch 1 101 Foot Switch 2 101 Foot switches
MODE 101 Modifier 52 MONITOR 97 Motor Fader 31 Multi Channel View 20, 32 Multi Channel view 33 MUTE 87, 92, 94, 96, 103 Mute 20, 30, 94, 96, 103, 104, 115, 122, 129, 135 mute tool 99, 114 N Name/Value 21, 22, 49 Navigation section 105 next tool 93 NUDGE 88 Nudge 58 O OFF 97 Off 97, 104, 112, 124, 129, 138 ON 115, 122, 129, 135 1 99 ON LINE 100 ONLINE 114 OPTION 29 Option 52 OPTION/ALL 93 OUT 89, 100, 114 OUTPUT 92 Outputs and Master object 96, 99, 114 Overload LEDs 96, 109, 118, 126, 133 P Page Down 101,
Scroll to top 101, 116 SCRUB 101, 115, 130 Scrub 65, 115, 123, 130, 137 SEL 87, 115, 122, 129, 135 SELECT 94 Select 30 SELECT-ASSIGN 92, 111, 120, 128, 133 Selected Channel 135 SEND 96 Send 39, 86 SEND 1 104 Send 1 Level 92, 104, 108, 119, 126, 132 SEND 2 104 Send 2 Level 92, 104, 108, 119, 126, 132 SEND 3 104 Send 3 Level 92, 104, 108, 119, 126, 132 SEND 4 104 Send 4 Level 92, 104, 108, 119, 126, 132 Send 5 Level 92, 108, 119, 126, 132 SEND A 92 SEND B 92 SEND C 92 Send Channel Strip 2 View 40 SEND D 92 Se
V-Pot 28, 32, 94 V-SEL 94 V-SELECT 28 V-Select 32 X W 0 99 Zero Mode 47 Zoom 101, 116 Zoom Key 64 Zoom mode 101, 130 zoom tool 99 Wheel 88 WINDOW section 93 WRITE 88, 97, 104 Write 53, 97, 104, 112, 124, 129, 137 192 Index XSKey 91, 103, 107, 117, 125, 131, 147 Z
