User Manual

3.2.5 Reverse sample playback ......................................................................................... 34
3.2.6 Changing the volume envelopes .............................................................................. 35
3.2.7 Velocity Sensitivity and adjusting the VCA-level .................................................. 36
3.2.8 Using the digital multimode filter .......................................................................... 36
3.2.9 Playing filtered sounds ............................................................................................. 37
3.2.10 Envelope control of the filter frequency ............................................................... 37
3.2.11 Filter frequency keyboard scaling ......................................................................... 37
3.2.12 The DSP synth LFO section ................................................................................... 38
3.2.13 Assigning LFO and MIDI modulation to the cutoff frequency .......................... 39
3.2.14 Assigning LFO and MIDI modulation to the resonance, volume, panpot position
and sample-oscillator pitch ..................................................................................... 37
3.3 Playing the "Analog"-synthesizer .................................................................................................... 40
3.3.1 Differences to other synthesizers ............................................................................. 41
3.3.2 Let's go - Getting familiar with the analog filters. ................................................. 42
3.3.3 Short excursion: oscillators and envelopes ............................................................ 44
3.3.4 Back to analog-technology – the multimode filter and filter-routing. ................. 46
3.3.5 The LFO section of the analog-synth ...................................................................... 50
3.3.6 Oscillators – the improved LFO’s! .......................................................................... 58
3.3.7 The fixed filterbank .................................................................................................. 59
3.3.8 The envelopes of the Spectralis analog-synth ........................................................ 62
3.3.9 Note priority and multitrigger settings ................................................................... 63
3.4 Step-sequencer basics ......................................................................................................................... 65
3.4.1 Filterbank rhythms ................................................................................................... 65
3.4.2 Tonal sequences ......................................................................................................... 69
3.5 Step-sequencer advanced I
3.5.1 Tonal Sequences ........................................................................................................ 69
3.5.2 Option 1: Adjusting preset values and entering steps ........................................... 70
3.5.3 Option 2: Setting pitch, length, probability and dynamic value separately ...... 71
3.5.4 Option 3: Input and editing of notes in the single-step editor .............................. 72
3.5.5 MIDI learn function for pitch .................................................................................. 73
3.5.6 Line rotation .............................................................................................................. 73
3.6 Target selection ................................................................................................................................... 74
3.6.1 Special features for MIDI targets ............................................................................ 75
3.7 Creating triggergroups - multiple analog synth parts .................................................................... 75
3.7.1 Playing the triggergroups ........................................................................................ 76
3.7.2 The definition of triggergroups ............................................................................... 77
3.8 Step-sequencer advanced II
3.8.1 Parameter lines ......................................................................................................... 79
3.8.2 Triggerpoint muting and overwriting ..................................................................... 81
3.8.3 Single step editor ....................................................................................................... 81
3.8.4 Single parameter editor ............................................................................................ 82
3.9 Editing motifs and patterns ............................................................................................................... 83
3.9.1 Exchanging motifs .................................................................................................... 83
3.9.2 The motif edit menu.................................................................................................. 84
3.9.3 Initialising motifs and part parameters .................................................................. 85
3.9.4 Exchanging drum grooves ....................................................................................... 85
3.9.5 Recording your own motifs ...................................................................................... 86
3.9.6 Realtime recording ................................................................................................... 86
3.9.7Start Realtime Recording during playback ............................................................ 87
3.9.8 Step by Step Input ..................................................................................................... 88
3.9.9 "Chord-Trigger" recording - independent note and rhythm input ................... 88
3.9.10 Programming new rhythms with the beat-matrix ............................................... 90
3.9.11 Swing feeling and shuffle quantisation ................................................................. 92
3.9.12 Randomize patterns ................................................................................................ 93
3.9.13 Randomize sounds .................................................................................................. 94