Owner`s manual

ManualsBrandsRadio Shack ManualsAmplifier32-2055

AUX SOLO

The SOLO button next to each level control

(7) solos that send and allows you to check the

send level in the main meters. There is a solo

LED (8) in the Send section, to help you locate

what the heck you soloed.

Note: The six AUX Sends are each mono sig-

nals, and they are soloed in mono. If you are

using a stereo pair of sends for headphone cue,

use the SOLO button in the PHONES 1 or 2 ar-

eas to check the sends in stereo.

STEREO AUX RETURNS

The AUX Returns (9) provide 12 additional

inputs to the console for return from effects and re-

verb devices. The returns have switch matrices to

allow easy assignment to headphones or mix buses.

When any return is soloed, the solo LED in the lower

left-hand corner of the Return area lights.

For extra flexibility, the AUX Returns have been

designed with an extremely wide range of available

gain, offering as much as 15dB boost over unity.

The return jacks are wired to provide both stereo

and mono operation. See AUX Returns under JACK

PANEL later in this section for details.

Returns 1 & 2

AUX Returns 1 & 2 (10) each have a stereo SOLO

switch, a stereo LEVEL control, a BALANCE control

and a bank of ASSIGN switches.

ASSIGN (1 & 2)

AUX Returns 1 & 2 are assigned in stereo pairs

(Return 1, L & R; Return 2, L & R) to the L / R MIX

buses or to odd-even pairs of the 8 submix buses

(11). If you would like an effects return to accom-

pany its dry signal on the multitrack (wet tracks),

these are the returns to use.

Returns 3 & 4

AUX Returns 3 & 4 (12) each have a stereo SOLO

switch, a stereo LEVEL control and a smaller bank of

ASSIGN switches.

ASSIGN (3 & 4)

Returns 3 & 4 are assigned in stereo pairs (Return

3, L & R; Return 4, L & R) to the L / R MIX buses or

to the PHONES 1 and PHONES 2 buses via respec-

tive banks of buttons for each return(13). If you

want additional effects returns preset in the head-

phone mixes, these are the returns to use.

Returns 5 & 6

AUX Returns 5 & 6 (14)

each have a stereo SOLO switch

and a stereo LEVEL control. Re-

turns 5 & 6 are permanently

assigned to the L/R MIX bus.

All returns are useful in a mix-

down situation, as they are all

assignable to the L / R mix.

MIX-B / MONITOR

The MIX-B / MONITOR sec-

tion (15) is quite straightfor-

ward. It offers a stereo level

control for the MIX-B output,

and an ASSIGN: MIX-B TO

L / R MIX switch, which can

add the MIX-B bus signal to the

main L / R Mix. This essentially

doubles the inputs available for

mixdown. Avoid this pitfall: If

you are monitoring the L/ R

mix in the control room and

have the MIX-B to the L / R mix

assigned, do not also select

MIX-B in the monitor source

switch matrix. If you do, MIX-B

will sound twice as loud in the

control room as it is in the L / R

mix!

SOLO

AUX SENDS

STEREO AUX RETURNS

PHONES

L/R MIX

1-2

3-4

5-6

7- 8

L/R MIX

SOLO

1-2

3-4 5-6 7-8

PHONES

L/R MIX

LEVEL

ASSIGN

LEVELLEVEL

PHONES

+15

+20

SOLO

SOLO SOLO

LEVEL LEVEL

LEVEL

ASSIGN TO

L/R MIX

SOLO

AUX SEND

3/4

MIX-B

MONITOR

AUX SEND

5/6

EXTERNAL

MONO

TAPE SUB

MASTERS

AUX SEND 1

MASTER

MIX B / MONITOR

PHONES 1

PHONES

LEVEL

SOLO

MIX-B

MONITOR

EXTERNAL

PHONES 2

PHONES

LEVEL

2-TK

MIX-B

L/R MIX

EXTERNAL

SOURCE

MONITOR

CNTRL RM

STUDIO

OPERATING

LEVEL

INDICATOR

AND

TALKBACK

LEVEL LEVELMIX-B

LEVEL

RUDE

SOLO LITE

AUX SEND 2

PHONES

STUDIO

+15

OOOOOO

+15

BAL ANCE

POWER

AUX SEND

3/4

AUX SEND

5/6

SOURCESOURCE

SOLO

+15

LAYOUT

AND

FUNCTION