User Manual
There are
individual
Pitch Slider,
Bend, Nudge, and Keylock controls for each
sample slot. The BPM is also displayed next to
the pitch slider. If no BPM is present in the tracks
ID3 tag, the pitch of the track is displayed as a
percentage.
Click and drag the pitch slider to make regular
pitch adjustments. Hold the shift key and move
the pitch slider to make ne pitch adjustments.
Click on the and buttons to nudge the
track into time. (temporary pitch adjustment)
Hold the ctrl key and click the and buttons to
make ultra-ne pitch adjustments to nudge the
track, adjusting the pitch permanently.
Use the
“Play From”
selector to choose where the track will play from.
You can choose to play a track from the start of
the le, any one of the cue points, or any one of
the loop in points.
When this is set to play from start, or play from
a cue point, the track will play right through until
stopped. When a loop is selected, the track will
play until the loop out point, unless you have
“track repeat” on, in which case the track will loop
using the in and out points of the selected loop.
The number of options will be dependent on
the number of cue points and loops already set
in your track. i.e if the track loaded has no cue
points and loops set, then only “start” will be
available as a “Play From” option.
Displays an
overview of the
track loaded to each sample slot. The waveform,
play head position, cue points and selected
loops will all be visible.
Each
individual
sample slot
has a separate volume slider and gain control.
- Use the volume slider to mix
and make temporary adjustments to the volume
of the sample you are playing. You can use these
sliders like you use the line faders or up faders
on your DJ mixer, fading from full volume right
through to completely silent.
- In addition to the volume slider
there is an additional gain knob for each slot.
These allow you to ne tune the maximum
gain volume of the loaded sample. The gain
adjustment will also be written to the track’s ID3
tag, meaning that it will be the same everytime
you load it.
Use the master output
selector button to choose
where you wish to have the
SP-6 output to.
outputs through channel 1
outputs through channel 2
outputs through channel 3
4 outputs through channel 4
a outputs through the Aux output
The master sample player knob adjusts the
overall SP-6 volume.
By default
each sample
slot will be set to Master, mirroring the SP-6
master output setting. You can however, use the
individual output selector buttons to override the
master output setting.
To send an individual slot to a different
output from the master, deselect the master
option by clicking the maSteR button for the
corresponding slot.
This will unlink the sample slot from the master
sample player output selection, allowing you to
choose the 1, 2, 3, 4 or Aux output for each slot.
These output routings will be saved when you
close down Scratch Live, so the next time you
launch Scratch Live, your preferred settings will
remain the same.
Use the mute buttons to mute the audio
output for each of the SP-6’s sample
slots. Click the mute button to silence the audio
output, click the mute button again to turn the
audio back on.
You can also ctrl-click on the mute buttons to
mute the outputs momentarily, meaning that the
audio will only be muted for as long as you hold
your mouse click.
The SP-6 has four separate
sample banks, labeled A, B, C
and D. To switch between the
different banks click on the a, , c or d buttons.
Each bank will save the individual sample and
sample slot settings you last used, allowing you
to prepare banks for easy recall at a later stage.
Sample Bank A will load as the default.
All features of the SP-6 are MIDI assignable.
The SP-6 window must be opened rst before
enabling MIDI assign mode. See “midi cOntROL”
RANE SL 4 FOR SERATO SCRATCH LIVE • OPERATOR’S MANUAL 2.2.2
21