Quick start guide

9
Front Panel
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1. Headphone Outputs (1/4”, 1/8” / 6.35 mm, 3.5 mm, TRS): Connect your 1/4” or 1/8” (6.35 mm or 3.5
mm) headphones to this output for cueing and mix monitoring.
2. Mic 2 On: When set to On, the Mic 2 Input on the rear panel is active, and its audio signal is routed
directly to the program mix and cue mix. When set to Off, the Mic 2 Input is disabled.
3. Mic 2 Level: Turn this knob to adjust the gain of the Mic 2 Input.
4. Mic 2 Tone: Turn this knob to adjust the balance of low (bass) and high (treble) frequencies of the
audio signal coming from the Mic 2 Input.
5. Mic 1 Echo: Turn this knob to adjust the amount of the echo effect on the Mic 1 Input signal. Press
the Mic 1 Echo button on the top panel to activate or deactivate this effect.
6. Crossfader Contour Knob: Use this knob to adjust the slope of the crossfader curve. Turn the knob
to the left for a smooth fade (mixing) or to the right for a sharp cut (scratching). The center position is a
typical setting for club performances.
7. Channel Fader Contour Knobs: Use this knob to adjust the slope of the Channel Fader curves. Turn
the knob to the left for a smooth fade or to the right for a sharp cut.
8. Tension Knob: Use this knob to adjust the tension of the Crossfader. Turn the knob to the left to loosen
the crossfader for a lighter feel and to the right to tighten the crossfader for a heavier feel.
9. Fader Reverse: Set this switch to On to reverse the direction (“polarity”) of the corresponding fader.
Set it to Off to use the conventional fader polarity.
10. Split Cue: When this switch is set to the On (right) position, the headphone audio will be “split” such
that the cue channel is summed to mono and sent to the left headphone channel while the program
mix is summed to mono and sent to the right channel. When the switch is set to the Off (left) position,
the cue channel and program mix will be “blended” together. In both cases, use the Cue Mix knob on
the top panel to control the balance of the two signals.