Owner`s manual

OWNER’S MANUAL
14
SIXTY-TWO
Filter
The FILTER sweeps from Low-Pass to High-Pass. Set it to 12 o’clock for a at “no-lter” response. Moving
the lter toward the LOW position progressively reduces high frequencies. Moving the lter toward the HIGH
position progressively reduces low frequencies. The Resonance or Q of these Filters can be adjusted on
the mixer in the "Deck 1-2 Channel Options Menu" on page 23, or in the "Rane Drivers" on page 26.
High resonance adds a “zip” effect to the Filter when it is moved. Low resonance is best when the Filter is
used for mixing.
FlexFX
The blue FLEXFX buttons assign an input to the FlexFX bus where internal, external analog or software
effects via USB may be inserted. Any combination of Deck 1, Deck 2, Mic or USB Aux can be assigned
with the option to insert internal effects, external analog effects or software effects via USB. See "FlexFX
Loop" on page 18.
Channel Faders & Crossfader
These faders use magnetic non-contact mechanisms with no noise and no bleed. Each fader has REVERSE
and CONTOUR controls on the front panel. See "Magnetic Fader Maintenance" on page 36.
Channel Meters
Each Deck channel has a mono meter to assist in setting levels. These meters are quasi-peak with peak
hold. Use the LEVEL controls to stay out of the red.
Headphone Cue
CUE buttons assign a signal to the headphone monitor. Deck 1, Deck 2, USB Aux, and the
FlexFX Bus can be cued in the headphones before bringing it into the mix. Cue controls
operate as solo or radio-button controls. This means engaging a Headphone Cue turns
all the other Headphone Cue controls off. You can select more than one at a time by
simultaneously pressing more than one Cue.
The Headphone monitor provides stereo or mono split cue operation.
When set for stereo operation (SPLIT CUE dim), the Pan control pans between stereo
Cue and stereo Main Mix.
When set for Split Cue operation (SPLIT CUE bright), the Pan control pans between
Mono Cue in the left ear and mono Main Mix in the right ear.
The Phones LEVEL control sets the volume to the headphone jacks.
Headphone outputs are from ¼" and 3.5 mm jacks on the front panel. Both share the
same mix.
CUE
DECK 1
CUE
USB AUX
CUE
DECK 2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGHLOW
10
0
2
4
8
6
MAINCUE
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
RIGHTLEFT
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
+6OFF
HIGHLOW
RIGHTLEFT
HIGHLOW
SYNC
BYPASS CLEAN FEED
SYNC OFF
START / STOPNUDGEBPM
SLIP
SYNC
SYNC OFF
SLIP
B B
A A
DECK 1MIC
DECK 1
AUX
SP-6 ASSIGN ON OVER
HIGH
LEVEL
LOW
FLEXFX
INSERT
TIME TAP
CUES 1 2 3 4 5
C D
543
SAMPLES 4 5 6321
21
BA
ON
CUE
EXT. INSERTFILTER
BEAT
FLANGER PHASER ECHO ROBOT REVERB
FLEXFX
BACK
LOAD
SCROLL
LOOPS
BEATS SELECT SELECT
SHIFT SHIFT
LEVEL
FILTER
FLEXFX
AUTO MANUAL
LOOP IN
ROLL OUT
SAVE
BEATS
LOOP
ROLL
SAVELOOP
IN
OUT
LOOP
DECK 2 MIX DECK 2
LEVEL
PHONES
SP-6 ASSIGN
BACK
LOAD
SCROLL
LOOPS
LEVEL
PAN
SPLIT CUE
MANUAL AUTO
LOW
MID
HIGH
LEVEL MAIN
SESSION OUT
SESSION IN
BOOTH
LOW
DEPTH
MID
HIGH
PH / CD PH / CD
SOURCE
PAN
1 2
FILTER
FLEXFX
SOURCE
PAN
3 4
FILTER
FLANGER +Fb
BPM:120 * 1:1
4000 ms