Operator`s manual

Manual-10
Control Assignments for
Echo Effect
Delay Time is calibrated in BPM.
ere are two ways to set the BPM
using encoder P1. e BPM may be
set continuously over a range of 40
to 240 BPM with a resolution of 0.1
BPM by rotating P1 or simply by tap-
ping P1 to the beat.
e Regenera-
tion is adjusted
using P2.
Regeneration is
the amount of
delayed signal
fed back into
the delay input.
Regeneration
may be adjusted
continuously
transforming with the control return-
ing to the set Wet/Dry ratio when the
control is at rest (in the center).
Tip: To build an Echo in the back-
ground, leave the Eect Cue on. To
empty the Echo memory, turn Eect
Cue (B5) and Eect (B6) off.
Tip: To share
an eect with
both PGM 1
and PGM 2,
insert the eect
in the Aux Bus
and use the
FlexFX switches.
Remember that
an eect in the
Aux Bus aects
the FlexFX, Mic
and Aux Inputs.
over a range of 10% to 94% in 256 steps. ere
is no second function for P2 in the Echo Effect.
e BPM Multiplier is selected using J1.
Pressing J1 toggles between normal transform
operation and the BPM multiplier. If the green
mode indicator is lit, J1 adjusts the multiplier to
½, 1, 2, or 4.
A Wet / Dry control is provided for all effects
with J2. Pressing J2 toggles between transform
operation (indicator off ) and Wet / Dry control
(indicator on). Left joystick movement is more
Dry, right movement is more Wet. Moving the
joystick up provides instant, momentary 100%
Wet. Moving the joystick down provides instant,
momentary 100% Dry. is allows Wet or Dry
Control Assignments for
LFO Filter Effect
Filter Cutoff Frequency is adjustable
from 40 Hz to 10.24 kHz with the
primary function of P1 (green mode
indicator off ).
LFO frequency (sweep rate of
modulating signal) is calibrated in
BPM by tapping the beat on P1. e
TAP may set the BPM over a range
of 24 to 240 beats per minute with a
resolution of
0.1 BPM.
Resonance
(filter Q) is
adjusted using
the primary
function of P2
(green mode indicator off ). Resonance or (Q) is
adjustable over a range of 0.7 to 15. Resonance
determines how peaked the cutoff of the filter is.
Depth is adjusted using the second function
of P2 (green mode indicator on). e Depth is
adjustable from 0 to 4 octaves. Depth sets how
far the Filter Cutoff Frequency is moved from
the set value, at the LFO (low frequency oscilla-
tor) modulating frequency. One octave is 2x, so
if the Depth were set to 1 octave and the filter
frequency were set to 1 kHz, the filter would be
swept from a cutoff frequency of 500 Hz to 2
kHz at the LFO modulating rate.
e BPM Multiplier is selected with J1. Press-
ing J1 toggles between transform operation and
BPM multiplier. If the green mode indicator is
on, J1 may adjust the multiplier to ½, 1, 2, or 4.
Wet / Dry control is provided
for all effects on J2. Pressing J2
toggles between transform operation
(indicator off ) and Wet / Dry control
(indicator on). Left joystick movement
is more Dry, right movement is more
Wet. Moving the joystick up provides
instant momentary 100% Wet. Mov-
ing the joystick down provides instant
momentary 100% Dry. is allows
Wet or Dry
transforming
with the con-
trol returning
to the set Wet /
Dry ratio when
the control is
at rest (in the
center).
GROUPDECK
P1 P2
J1
B1 B2
1 2
B3 B4 B5 B6
J2
TRANSFORM /
BPM x1
ECHO
PROCESSOR 1
DELAY IN BPM ECHO REGENERATION
TAP BPM
LFO FILTER
PROCESSOR 2
2
4
PGM 1 PGM 2 AUX B MAIN ON ON
INSERT CUE EFFECT
½
TRANSFORM /
ALL WET
MORE
DRY
ALL DRY
MORE
WET
GROUPDECK
P1 P2
J1
B1 B2
1 2
B3 B4 B5 B6
J2
TRANSFORM /
BPM x1
ECHO
PROCESSOR 1
FILTER FREQUENCY FILTER RESONANCE
FILTER DEPTHTAP / LFO BPM
LFO FILTER
PROCESSOR 2
2
4
PGM 1 PGM 2 AUX B MAIN ON ON
INSERT CUE EFFECT
½
TRANSFORM /
ALL WET
MORE
DRY
ALL DRY
MORE
WET