TABLE OF CONTENTS TABLE OF CONTENTS ............... 1 DISCLAIMER ................................. 3 Copyright Notice........................ 3 Trademark Disclaimer ................ 3 COMPLIANCE ............................... 4 Industrial Canada Emission Compliance Statements ............ 4 Federal Communications Commission (FCC) Statement .................................. 4 Australia and New Zealand Statement .................................. 5 Japan Statements ......................
Using REDmote / Touchscreen LCD ............. 156 Using Side Handle ............ 157 Using Side SSD................. 157 Copying Media ...................... 157 Erasing Media ........................ 158 Macintosh OS X ................ 158 Windows ........................... 158 APPENDIX C: CHARGING BATTERIES................................ 159 REDVOLT............................... 159 Battery LED Array.............. 159 Battery Performance ......... 159 RED Travelcharger™ ............. 160 Operation ....
DISCLAIMER RED® has made every effort to provide clear and accurate information in this Operation Guide, which is provided solely for the user’s information. While thought to be accurate, the information in this document is provided strictly “as is” and RED will not be held responsible for issues arising from typographical errors or user’s interpretation of the language used herein that is different from that intended by RED.
COMPLIANCE INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada. FEDERAL COMMUNICATIONS COMMISSION (FCC) STATEMENT This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation.
AUSTRALIA AND NEW ZEALAND STATEMENT This device has been tested and found to comply with the limits for a Class B digital device, pursuant to EN 55022:2006 JAPAN STATEMENTS This is a Class B product based on the standard of the Voluntary Control Council for Interference (VCCI) for information technology equipment. If this equipment is used near a radio or television receiver in a domestic environment, it may cause radio interference. Install and use the equipment according to the instruction manual.
The Waste Electrical and Electronic Equipment (WEEE) mark applies only to countries within the European Union (EU) and Norway. This symbol on the product and accompanying documents means that used electrical and electronic products should not be mixed with general household waste. For proper treatment, recovery and recycling, please take this product to designated collection points where it will be accepted free of charge.
BEFORE YOU START Congratulations on your purchase of a RED EPIC® M / X camera. Please read the attached safety instructions, and only then unpack the camera body and any accessories. If there is any physical damage or missing components for either your camera body or any accessories, please file a support ticket at www.RED.com/support. Figure 1: RED EPIC Camera IMPORTANT SAFETY INSTRUCTIONS READ BEFORE USING YOUR CAMERA A. Heed all cautions and warnings in these instructions. B.
shock and serious injury to the user. DO NOT use the camera in the rain or under other conditions with high moisture without appropriate protection, and immediately remove power source if camera or accessories are exposed to moisture. WARNING: To reduce the risk of fire or electric shock, do not expose the camera or accessories to rain or moisture. J. DO NOT expose your camera to excessive vibration or impact (shock). Be careful not to drop your camera. Internal mechanisms may be damaged by severe shock.
CAUTION: The power cord plug for the AC Power Adapter is used as the power disconnect. To disconnect all power from the AC Power Adapter, unplug the power cord plug from the wall outlet. During use, the power cord plug should remain easily accessible at all times. R. Lithium Ion batteries may be subject to special handling requirements pursuant to federal and local laws. Please refer to specific shipping instructions included with your battery regarding proper transport of your battery.
THEORY OF OPERATION The RED EPIC digital cinema camera provides high performance digital imaging over a wide range of frame rates and optical formats including Super 35mm, 35mm and Super 16mm. The camera is supplied as standard with a PL mount, and may be configured with mounts and 19 mm rods to accommodate most cinematography lenses, matte boxes and follow focus systems. Adaptors for 15mm offset studio and 15mm lightweight rods are also available.
This recording technique permits RGB color processing choices to be deferred to post production and/or to be adjusted in the field to visualize alternative color treatments, without impacting the recorded image. The camera’s monitoring path converts RAW sensor data to a white balanced 12-bit depth 2048 x 1080 pixel RGB 4:4:4 video signal.
NOTE: If you ignore the X-track completely, you will have a standard exposure with 13.5 stops of native dynamic range just as if you had not enabled HDRx. For this reason, we encourage the Atrack exposure to be "normal" as it provides the most options. If you are tempted to shoot "overunder", you are then fully committed to using HDRx and your postproduction options are reduced.
LINE LEVEL ANALOG INPUTS The recording level of Line inputs are affected only by the signal provided by the field production sound mixer or other external line level source. The sound mixer operator should choose a mixer output level that aligns a reference tone signal to the 0dBu (0.775 volts RMS / -20dBFS) reference mark drawn through the camera’s Peak Meter, or if using +4dB as reference level, a mixer output level that aligns a reference tone signal to the +4dBu (1.
HDMI A 720p or 1080p PREVIEW output suitable for monitoring via a PC monitor or most HDTV displays. When an HD-SDI or HDMI monitor is connected WITHOUT an LCD or EVF, and in PREVIEW mode, the HD-SDI or HDMI monitor will display the menus as if it were the LCD or EVF as shown below, displaying setting changes in real-rime.
REDMOTE® REDmote is a proprietary camera control unit for RED EPIC cameras that attaches to the rear of the camera Brain or the back face of the rearmost expansion module. The REDmote may also be detached from the camera and operate over a proprietary REDlink™ 2.4Ghz wireless connection. Whether operating attached or via wireless, REDmote supports all basic controls necessary to operate the camera, including Record Start / Stop, Shutter Speed, White Balance, ISO and programmable User Keys.
For additional information about digital magazines, refer to APPENDIX B: MANAGING DIGITAL MEDIA. METADATA RED EPIC cameras record extensive Metadata, which is data that describes the precise characteristics of the picture and sound signals in each frame of the recording. This includes camera specific setup information, project and clip management information, Clip Name, Time Code, Date and GMT, lens and shutter speed / angle parameters, audio settings and any video image processing information.
MULTI CAMERA SHOOTS The naming scheme means that three cameras, slated as A, B, C, will generate easily recognizable clips: A001_C001_0502**.RDC B001_C001_0502**.RDC C001_C001_0502**.RDC 3D FOOTAGE Refer to APPENDIX F: 3D SETUP / OPERATION > CLIP NAMING CONVENTIONS. SMPTE TIMECODE Edge Code is a SMPTE timecode track that always starts at 1.00.00.00 on the first frame recorded to the digital media. It is a sequential code that is continuous from frame to frame and also continuous from clip to clip.
CAMERA OPERATIONAL CONTROLS This section describes the available operational controls on the EPIC camera Brain, Side SSD Module, Side Handle and REDmote accessories.
o • • LED Red Blinking = Running on Battery Below 5% Record Status LED: Indicates status of camera for recording: o LED Off = No Media o LED Green = Ready to Record o LED Red Constant = Recording o LED Red Slow Blink = Recording, 25% Media Left o LED Red Fast Blink = Recording, 5% Media Left o LED Yellow = Finalizing Both LEDs: Indicates status of camera for recording: o Both LEDs Green Blink = FW Update in Progress SIDE SSD MODULE REAR FRONT E B C A D A SSD Slot B User Key 1 C Use
• SSD Slot: Slot for REDMAG 1.8” SSD Media. • User Key 1: Initiates user defined camera function. Undefined by Default. • User Key 2: Initiates user defined camera function. Undefined by Default. • User Key 1 + User Key 2 : Press both keys to Eject (unmount) REDMAG 1.8” SSD Media • Focus / Record Button: Touch for Auto Focus, fully depress to Start or Stop Record.
SIDE HANDLE TOP B A C E D F A Battery Release D LCD Menu Keys B Focus / Record Button E LCD Display C Adjustment Ring F LCD Backlight Button Figure 6: RED Side Handle Controls - Top • Battery Door Release Button: Releases Side Handle battery door to permit battery exchange. • Focus / Record Button: Touch for Auto Focus, fully depress to Start or Stop Record. • Adjustment Ring: Selects and adjusts camera parameter values. Similar to the scroll wheel on the navigation group.
FRONT A A Stills / Movie Slider Figure 7: Side Handle Controls - Front • Stills / Movie Slider: Selects between STILLS and MOVIE modes of operation. NOTE: This switch is not active at this time. Default camera operation is MOVIE 22 Version 3.0 ©2011-2012 RED.COM INC. 955-0002_v3.
REAR A B C E D F Figure 8: RED Side Handle Controls - Rear A MENU Button D User Keys A-D B Rocker Switch E System Keys 1- 3 C Navigation Group F Thumbwheel Lock • Menu Button: Press to access / camera setup menus. • Rocker Switch: Increases or decreases selected value based on parameter selected in USER KEYs. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
• Navigation Group: Allows navigation through camera menus, selection of camera parameter for adjustment, and adjustment of selected camera parameter. C A B Figure 9: Side Handle Navigation Group A • • 24 Scroll Wheel B Direction Keys C Enter Button o Scroll Wheel: Selects and adjusts camera parameter value. o Direction Keys: Navigates camera menus and may select parameter for adjustment. o Enter Button: Confirms selected parameter value adjustment. User Keys: User Function Keys A-D (F).
INSTALLATION / REMOVAL WARNING: THE SIDE HANDLE IS NOT HOT SWAPPABLE - MEANING YOU CANNOT REMOVE OR INSTALL WHILE THE CAMERA IS POWERED ON. BEFORE INSTALLING OR REMOVING THE SIDE HANDLE, YOU MUST POWER DOWN THE CAMERA. FAILURE TO DO SO MAY RESULT IN DAMAGE TO THE SIDE HANDLE AND / OR CAMERA BRAIN THAT IS NOT COVERED BY WARRANTY. To install the side handle: 1. Power down the camera if necessary. 2. Remove the brain side plate (if installed) by removing the single screw located at the bottom. 3.
To remove the side handle: 1. Power down the camera if necessary. 2. Rotate the thumbscrew downwards until detached from camera body. Disengage lip from top of camera brain. Rotate side handle upwards to remove. Rotate thumbscrew downwards until loose. 3. Rotate upwards and pull down to disengage lip at top of side handle from camera brain. 4. Remove side handle from camera. 26 Version 3.0 ©2011-2012 RED.COM INC. 955-0002_v3.
QUAD BATTERY MODULE A A B B Figure 10: Quad Battery Module – Side – Shown WITHOUT Batteries Installed A Battery Status LED B Battery Eject Button • Battery Status LED: Indicate current status of corresponding battery. • Battery Eject Button: Ejects corresponding battery to permit battery exchange. INSTALLATION / REMOVAL WARNING: THE QUAD BATTERY MODULE IS NOT HOT SWAPPABLE - MEANING YOU CANNOT REMOVE OR INSTALL WHILE THE CAMERA IS POWERED ON.
3. Install the Adapter Plate. a. Place the adapter plate over the v-mount on the rear of the camera brain. b. Using a T-20 Torx, tighten the four (4) screws snug. 28 Version 3.0 ©2011-2012 RED.COM INC. 955-0002_v3.
c. Tighten the screws again in a cross pattern until tight. 4 2 1 3 4. Install the Quad Battery Module a. Insert the lip at the top of the battery module into the recess at the top of the adaptor plate. Rotate Battery Module Down Until Flush with Adaptor Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
b. Rotate battery module down flush with the rear of the adaptor plate. c. While applying steady pressure to hold the battery module against the adaptor plate, use a T-20 Torx to rotate the lock on the adapter plate clockwise to secure the battery module. Press Battery Module Flush with Adaptor Rotate Lock Clockwise Until Red Dot Lines Up with Lock Icon To remove the Quad Battery Module and Adaptor Plate: 1. Power down the camera if necessary. 2.
6. Remove the adaptor plate from the camera brain. REDMOTE This section describes the physical controls on the REDmote. For complete details on REDmote control, refer to APPENDIX E: REDMOTE OPERATION. IMPORTANT: For your REDmote to operate with this camera build version, ensure your REDmote has been upgraded to the latest firmware. Refer to APPENDIX E: REDMOTE OPERATION > MAINTENANCE > UPGRADING REDMOTE FIRMWARE.
- User Key A – Press to execute user defined function. Default: Toggles Focus Assist Indicator - User Key B – Press to execute user defined function. Default: Toggles False Color > RAW Check - User Key C – Press to execute user defined function. Default: Toggles False Color > 1:1 Magnify. - User Key D – Press to execute user defined function. Default: Toggles False Color > Exposure Check • Menu Button: Press to access / camera setup menus.
BOMB EVF D A B C Figure 13: BOMB EVF A Focus Ring B/C Brightness Control D EVF Tally Light • Focus Ring: Adjusts optimal subject focus for your eye. Available diopter range is +2.0 to -5.0. • EVF User Key (B): Increases EVF display brightness. • EVF User Key (C): Decreases EVF display brightness. NOTE: The specific function of EVF user keys (B/C) may be programmed by the user. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
TOUCHSCREEN LCD B A C Figure 14: RED Touchscreen LCD A Backlight Adjust B LCD User Key C C LCD User Key D • Backlight Adjust: Adjusts LCD backlight intensity. Upper button +, Lower button - • LCD User Key C (B): Press to execute user defined function. Default: Toggles False Color > 1:1 Magnify. • LCD User Key D (C): Press to execute user defined function. Default: Toggles False Color > Exposure. NOTE: The specific function of keys C and D may be programmed by the user.
BASIC OPERATION This section describes basic operation, starting from power up, Viewfinder layout and Menu navigation. WARNING: THE SIDE HANDLE, SIDE SSD MODULE, REAR MODULES AND LENS MOUNT ARE NOT HOT SWAPPABLE – MEANING YOU CANNOT REMOVE OR INSTALL THEM WHILE THE CAMERA IS POWERED ON. BEFORE INSTALLING OR REMOVING ANY OF THESE ACCESSORIES, YOU MUST POWER DOWN THE CAMERA. FAILURE TO DO SO MAY RESULT IN DAMAGE TO THE ACCESSORY AND / OR CAMERA BRAIN THAT WILL NOT BE COVERED UNDER WARRANTY.
QUAD BATTERY MODULE The optional QUAD BATTERY MODULE accepts up to four 30Wh REDVOLT® batteries, which can power the camera and typical accessories. Figure 16: Quad Battery Module Battery layout is as shown: Uses the lowest charged battery first when more than one battery is installed. 36 Version 3.0 ©2011-2012 RED.COM INC. 955-0002_v3.
Called out as Rear Module (RM Bx) Bay number on lower UI and Rear 1-4 in POWER status. LED on Battery module flashes showing the battery currently being used (even if only one battery, LED will flash).
Also shows battery location and status on REDmote. In this case RM (Rear Module) B3 (Bay 3). POWER shows installed batteries and state of charge. EXTERNAL DC POWER EPIC accepts input voltages between 11.5V - 17V D.C and can draw a maximum current of 12 Amps. • An appropriate 150W supply with DC output rated at 15V 10A such as AC Power Adapter P/N 7400019 available from RED DIGITAL CINEMA. • RED Charger. For RED Charger you must use 2B-to-1B Power Adapter Cable P/N 790-0138.
POWER UP Locate the camera’s Power / Record button on the right face of the Brain. NOTE: This button also serves as a Record Start / Stop button once the camera is powered up. A B C A A Power Status LED B Power / Record Button C Media Status LED Figure 17: Power / Record Button / Status LEDs When an appropriate power source is connected to the Brain, the Power Status LED will illuminate Red. If it is illuminated, depress and then release the Power / Record button.
NOTE: Once powered up, if the Power Status LED illuminates Red, it indicates low remaining battery capacity and a battery exchange or switch over to external DC power is recommended. POWER DOWN The camera can be powered down in two ways: 1. Using REDmote or Side Handle Menu controls, or via Touch Screen LCD icons. Refer to SECONDARY MENUS > POWER. 2. Depress and continue to hold the Power / Record button in its fully depressed position for a minimum of 5 seconds.
GRAPHICAL USER INTERFACE AND NAVIGATION RED LCD/TOUCHSCREEN LCD, BOMB EVF, EXTERNAL MONITORS The following is a general description of the structure of the camera’s Graphical User Interface (GUI) which overlays the video monitor signal on the Viewfinder output(s) of the camera.
• Frame Guide: Record or Projection area • • Next Clip Filename: Filename of the clip that will be shot next Genlock: Indicates presence of valid Genlock signal / sensor sync to genlock • • Project Frame Rate: Current project TIME BASE Jam Sync: Timecode Jam Sync status / time code jam • RM: Indicates communication to REDmote • Noise Level Bar: Relative number of RAW pixels in noise • LAN: Indicates communication via Ethernet connection • Histogram: RGB Histogram.
The GUI is broken down into the following three main sections: the Upper Status Row, the Live Action Area, and the Lower Status Row. On VIEWFINDER output(s), all three sections are visible, on PREVIEW outputs only the Live Action Area and associated graphic overlays are visible. On PROGRAM outputs, none of the graphic overlays are visible, i.e. a PROGRAM output is defined to be a CLEAN FEED output.
LIVE ACTION AREA Contains the recorded image area plus Surround View™ look around area, plus overlays for Frame Guide, Safe Action / Safe Title and the current Clip Name and Timecode values. Each overlay may be color coded in one of 5 colors to maximize the contrast between the guide(s) and scene being captured.
• GEN Green - A genlock signal compatible with the current project and monitor rates has been locked to. SYNC • SYNC Gray - The sensor sync mode is not Genlock. • SYNC Red - The sensor sync mode is Genlock, but it is not locked to any genlock signal. • SYNC Green - A genlock signal compatible with the current project and monitor rates has been locked to and the sensor timing is also locked to it. POWER STATUS If powering camera through DC power, the current voltage will be displayed.
RAW CLIP METER The RAW Clip meter looks a traffic light style meter and indicates if either of the Red, Blue or Green channels of the RAW sensor data are clipping. This meter is unaffected by White Balance, ISO, VIEW or LOOK settings and therefore represents a true measurement of the exposure levels of the sensor at all times. RAW NOISE LEVEL BAR The RAW noise level bar displays the amount of pixels in the image that are in noise.
SIDE HANDLE As you navigate and adjust settings on the camera (main menu settings only), they will be reflected on the Side Handle LCD display.
• Frame Rate: Current frame capture rate • Gen: Indicates presence of valid Genlock signal • Shutter Speed: Exposure Time (or Degrees) • White Balance: Color Temp • Sync: Timecode Jam Sync status • Resolution Record Resolution • RIG: Indicates 3D rig metadata is present • Quality: REDCODE setting • LAN: Indicates communication via Ethernet connection • Clip Filename: Filename of the clip that will be shot • Media Status: Media location and remaining media capacity in % • Project Frame
USING TOUCHSCREEN LCD If operating a Touchscreen LCD, camera menu navigation may be made through finger gestures. • To adjust a parameter value, simply touch it, and then swipe the finger left / right to adjust its value. • To access an advanced parameter settings display, press and hold down on the parameter icon. • Touch anywhere outside the overlay windows to enter the value changes and to hide the sub-menus. • To enter the Secondary Menus, touch the MENU icon.
• Touching the Audio Meter will display the Audio Input menu. Refer to SECONDARY MENUS > SETTINGS > AUDIO/VIDEO for complete information. POWER DOWN NOTE: Camera will automatically power down if supply voltage drops to 11.5 Volts. THROUGH POWER MENU 1. Select the MENU icon Menus. in the right corner of the Upper Status Bar to reveal the Secondary 2. Select POWER. 3. Select SHUTDOWN. 4. The camera will immediately power down. USING POWER STATUS DISPLAY 1.
LOCK / UNLOCK TOUCHSCREEN OPRERATION LOCK To lock out the touchscreen operation, touch and hold the MENU icon until the LOCK icon displays; indicating the touchscreen has been locked out. When locked, the main menu will be displayed. UNLOCK To unlock out the touchscreen and allow normal operation, touch and hold the LOCK icon MENU icon displays; indicating the touchscreen has been unlocked. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
FIRST TIME USE – SETTING UP YOUR RED EPIC 1. ATTACH POWER SOURCE If a REDVOLT battery is installed in the Side Handle and DC power is connect through the DC IN connector, the DC IN power supply has priority and will power the camera instead of the battery. BATTERY Connect a RED battery to the camera in one of the following ways: SIDE HANDLE Attach a Side Handle and insert a REDVOLT battery. INSTALL A C B 1. Press the battery door release button (A). 2. Open battery door (B). 3.
REMOVE 1. Press the battery door release button (A). 2. Open battery door (B). 3. Press upwards on retainer (C) to release battery. 4. Remove battery from side handle. QUAD BATTERY MODULE Attach a Quad Battery Module and insert one or more REDVOLT® batteries. INSTALL Insert battery into desired location and press until a click is heard and battery is seated. REMOVE B B A 1. Press the battery eject button (A) for desired battery. 2. When battery pops out, remove battery from battery module (B).
RED BRICK Attach to the camera using a V-Plate and 2B-to-1B Power Adapter Cable P/N 790-0138 to the DC IN connector. DC POWER Connect a DC power source to the camera in one of the following ways: • Plug the RED AC Power Adapter into AC power, and the LEMO connector to the DC IN connector. • Plug the RED CHARGER into AC power, and the LEMO connector to the DC IN connector via 2B-to1B Power Adapter Cable P/N 790-0138.
NOTE: When fully inserted, the SSD media protrudes slightly from the SSD slot as indicated above. When SSD media is inserted into the camera, the camera will recognize if the media is unformatted: - On LCD, EVF and external monitors, in the media section of the GUI, NONE will be displayed twice (as opposed to when no media is inserted, the GUI displays NONE with three dashes below “---“).
ADJUST PROJECT SETTINGS TIME BASE To adjust the project TIME BASE, press the MENU button on the Side Handle or REDmote. Then use the Scroll Wheel or Direction Keys to navigate to SETTINGS > PROJECT > TIME BASE and press ENTER. Adjust to the desired value using the Scroll Wheel and press ENTER once more to confirm. If using a Touch Screen, select SECONDARY MENUS > SETTINGS > PROJECT > TIME BASE.
To adjust Record Resolution, navigate the Cursor to the RESOLUTION icon in the Upper Status Row and press the Navigation Group ENTER key. Adjust to the desired value using the Scroll Wheel and press ENTER a second time to confirm. If using a Touch Screen, press the RESOLUTION ICON, adjust RESOLUTION by sliding your finger left / right, or tap on the desired resolution, and then press anywhere else on the touch screen to confirm.
Time Code and Edge Code values used by the camera are Non Drop Frame (NDF); Drop Frame (DF) is not supported. Audio is captured uncompressed at 24-bit resolution, 48KHz sample rate per channel. Digital media such as REDMAG 1.8” SSDs are very robust, but should be treated with equal care as exposed film or a videotape master. We recommend storing digital media that contains your footage in a secure location and backing up the data to a digital archival media, such as data tape or hard disk drive.
5. PLAYBACK Playback is available on RED EPIC. Playback is accessed by going to SECONDARY MENUS > SETTINGS > PLAYBACK or by touching the Playback arrow icon in the upper Left corner of the GUI. The Playback function will display. For complete details, go to SECONDARY MENUS > SETTINGS > PLAYBACK. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
MENU CONTROLS Displayed in the Upper Display Group of the VIEWFINDER output(s), are FRAMERATE (FPS), EXPOSURE (ISO), _._ (F/Stop), WHITE BALANCE, RESOLUTION, and QUALITY (REDcode). These parameters are adjustable directly through this screen. When using the touchscreen, directly to the right of these parameters is the MENU icon which when pressed will take you to the secondary camera set up menus.
• To close an alpha numeric keypad when entering information directly, tap anywhere on the screen outside the keypad. ADVANCED SETTING MENUS At this time, only FRAMERATE, F-STOP, SHUTTER SPEED and WHITE BALANCE on the MAIN MENU have advanced settings and SIDE HANDLE / REDMOTE 1. Navigate to the desired setting using the NAVIGATION GROUP direction keys and then press the UP directional key. 2. Use the direction keys to navigate to the desired parameter adjustment field and press ENTER to confirm. 3.
MAIN MENU Available options under the MAIN MENU are FRAMERATE (FPS), ISO (SENSATIVITY), F STOP, 1/SEC (EXPOSURE), WHITE BALANCE, RESOLUTION, and QUALITY (REDcode). FPS Used to select an image capture frame rate that differs from the Project’s TIME BASE frame rate. Ranges are as follows: • 1 sec – 300 fps (2K 2.4:1) • 1 sec – 120 fps (5K 2.
If you press record with a frame rate set too high for the selected record quality, you will be prompted to allow the camera to change the REDCODE setting to the maximum quality that enables that frame rate. REDmote will also display this message. BASIC SETTINGS Provides quick selection of the most common Varispeed frame rates. ADVANCED SETTINGS When selected a numerical keypad will appear allowing the desired Varispeed Framerate to be entered in 1 fps increments.
ISO (SENSITIVITY) Adjusts the camera’s ISO rating. The sensitivity value is adjustable in 1/3rd stop increments. When the ISO rating is adjusted, the camera logs the change as metadata and the monitor path reacts accordingly. Higher ISO values lead to brighter images in the monitor path, and vice versa. Range is ISO 250 – 12800 Default is ISO 800 -.
BASIC SETTINGS Allows adjustment of the aperture (F stop) of the attached lens. The range will vary depending on the attached lens. ADVANCED SETTINGS When selected, the advanced settings menu allows fine control over the f-stop value under APERTURE and focal distance under FOCUS. APERTURE (F STOP) Provides the ability to enter the F stop value directly. Range depends on attached lens. Default depends on attached lens. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
FOCUS Provides the ability to enter the focal distance directly. Range depends on attached lens. Default depends on attached lens. 1/SEC (EXPOSURE) BASIC SETTINGS Adjusts the exposure of each frame captured by the MYSTERIUM X sensor. Shutter speed presets are provided for all common speeds (and shutter angles) for 24 / 25 fps and 50 / 60 fps project frame rates.
ADVANCED SETTINGS When selected, the advanced settings menu allows fine control over the Exposure value, and permits entry in any of the three following common units – EXPOSURE (Shutter Speed), INTEGRATION TIME or ABSOLUTE ANGLE (Shutter Angle). EXPOSURE (SPEED) Provides the ability to enter the Exposure value as a Shutter Speed (1/xx sec). Range is 2 – 1/8000th Sec - Slowest available speed is 1/frame rate, so for 24 fps it is 1/24th Sec. Default is 1/48th Sec. Version 3.0 955-0002_V3.
INTEGRATION TIME Provides the ability to enter the Exposure value as a Shutter Integration Time (xx milliseconds). Range is 0.125 to 41.708 mS (milliseconds) Default is 20.833 MS ABSOLUTE ANGLE Provides the ability to enter the Exposure value as a Shutter Angle (xx Degrees). Range is 1.000 to 360.000 Degrees Default is 180.
To Convert Shutter Speed to Angle Equivalent: Equivalent Degrees = (Shutter Speed x Frame Rate x 360) E.g. = (1/48 x 24 x 360) = (8640/48) = 180 SHUTTER DEGREES SHUTTER DEGREES 1/32 270 1/120 72 1/48 180 1/192 45 1/50 172.8 1/348 22.5 1/60 144 1/696 11 1/96 90 1/1000 8.6 Equivalent Shutter = 1 / (Frame Rate x 360 / Angle) E.g. = 1/ (24 x 360/180) = 1/ (8640/180) = 1/48 DEGREES SHUTTER DEGREES SHUTTER 270 1/32 72 1/120 180 1/48 45 1/192 172.8 1/50 22.
ADVANCED SETTINGS When selected, allows additional adjustment of the White Balance. Available options are PRESET, COLOR TEMP, TINT, and CALCULATE WHITE BALANCE. Press APPLY PRESET for settings to take effect.
TINT Color Temperature calculations assume a pure light source that may not be true in the specific scene the camera is imaging. To compensate for any residual colorcast, the TINT parameter can adjust the RGB color balance with a compensating Magenta - Green color component. Default is 0.000. When selected, a secondary keypad will appear allowing you to enter the desired Tint value directly. NOTE: Selecting Calc White Balance calculates a new Tint value.
RESOLUTION Allows adjustment of resolution. Default is 5K 2:1 The following Resolution options are available: • 5K • 5K ANA • 3K • 5K 2:1 • 4K • 2K • 5K WS • 4K HD • 2K WS Current RED EPIC resolutions listed below with their respective size (in pixels). For a visual reference, see APPENDIX L: RESOLUTION CHART.
REDCODE OPTIONS FOR VARIOUS FRAME RATES Minimum frame rate is 1 sec per frame; maximum frame rate is a function of REDCODE setting, and record resolution: FPS 24 25 30 48 50 60 72 75 90 96 100 120 150 175 210 250 288 300 5K FF RC 3:1 RC 4:1 RC 4:1 RC 6:1 RC 7:1 RC 8:1 RC 9:1 RC 10:1 RC 12:1 RC 12:1 - - - - - - - - 5K 2:1 RC 3:1 RC 3:1 RC 4:1 RC 6:1 RC 6:1 RC 8:1 RC 9:1 RC 9:1 RC 11:1 RC 12:1 - - - - - - - - 5k ANA RC 3:1 RC 3:1 RC 3:1 RC 4:1 RC 5
SECONDARY MENUS Press the Menu button on the REDmote / Side Handle or touch the MENU icon access the Secondary Menus. on the LCD to Available options in this menu screen are HDR, FOCUS, PRESETS, MEDIA, SETTINGS, and POWER. EXPOSURE is not implemented at this time. HDR MENU Available options are HDR OFF, HDRx and STOPS. NOTE: HDR mode cannot be modified when in Magnify 1:1 mode. HDR ON / OFF By default, HDRx is OFF (HDR button is illuminated Blue).
STOPS To adjust the STOPS parameter, select the Stops box and use the UP / DOWN arrows to adjust. Range is 1 to 6. Default is 2. FOCUS MENU The Focus Menu is used to enable and select Focus parameters including MODE and ZONES. MODE MANUAL FOCUS To adjust the MODE parameter, select the Menu box and use the UP / DOWN arrows to adjust. Available options are MANUAL and CONFIRM. Default is MANUAL. MANUAL When selected all focus operations are manual.
For best results with Focus Confirm, operators should 'rock' the focus ring -- focusing through the point of optimum focusing and back again in decreasing amplitude -- as when 'zeroing-in' for precision manual focus. AUTO FOCUS NOTE: The following menus will ONLY appear if a DSMC Canon Mount is installed with a Canon or Sigma lens attached. With a DSMC Canon Mount installed and a Canon EF or Sigma Lens attached, available options become MANUAL, CONFIRM, SINGLE, CONTINUOUS, TOUCH TRACK, and RACK.
NOTE: Edge Mode can be used for additional assistance in these conditions. Refer to SETTINGS MENU > DISPLAY > TOOLS > EDGE. MANUAL When selected all focus operations are manual. CONFIRM Enables the Center or Spot focus square for use with manual focus. This mode provides additional focus assistance to the photographer using RED, YELLOW, and GREEN color changes to the focus spot window. Inadequate subject illumination and/or contrast may interfere with normal Focus Confirm operation.
DSMC CANON MOUNT ELECTRONICALLY SUPPORTED LENSES • Canon EF 100-400mm f/4.5-5.6L IS • Canon EF 400mm f/5.6L • Canon EF 100mm f/2.0 USM • Canon EF 500mm f/4L IS • Canon EF 100mm f/2.8L Macro IS USM • Canon EF 50mm f/1.2L • Canon EF 135mm f/2.0L • Canon EF 50mm f/1.4 USM • Canon EF 135mm f/2.8 Soft focus • Canon EF 50mm f/2.5 Compact Macro • Canon EF 14mm f/2.8L II USM • Canon EF 600mm f/4L IS • Canon EF 15mm f/2.8 Fisheye • Canon EF 70-200mm f/2.8L IS • Canon EF 16-35mm f/2.
ZONES Available options are CENTER and SPOT. Default is CENTER. This control allows selection of the boxes used to indicate objects in/out of focus. CENTER Provides a large, square target for focus. When objects located in the circle are in focus, the square will be Yellow or Green. When objects located in the square are out of focus, the square will be Red. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
SPOT Provides a small, square target for precise focus (similar to Center focus, only smaller). When objects located in the square are in focus, the square will be Yellow or Green. When objects located in the square are out of focus, the square will be Red. SPOT FOCUS INDICATOR Moving The spot focus square can be moved around the screen. Touchscreen Tap on the spot focus square directly on the touchscreen and drag to the location you wish to relocate the spot focus circle. Version 3.0 80 ©2011-2012 RED.
Side Handle / REDmote 1. Navigate to the focus menu. 2. Press the down arrow on the Navigation Group. 3. The spot focus square line weight will increase and the Red cursor under FOCUS will dim slightly. 4. Press the ENTER button. 5. Use the directional arrows to move the Spot Focus square to the desired location. 6. To exit: - Press the ENTER button, the spot focus square line weight will increase, then press the UP arrow to go back to the FOCUS menu. - Press the MENU button.
RED EPIC DSMC TI PL MOUNT + LENS When a RED EPIC DSMC Ti PL Mount is installed and a Lens equipped with Cooke’s S4/i system (or equivalent is attached, the Focal Length and Focal Distance is displayed on the LCD, EVF and external monitors. The focal length and focal distance values and range will vary depending on the attached lens. When the focal length or focal distance of the lens is manipulated, the current values are displayed.
PRESETS MENU Presets are stored inside the camera. They can be imported / exported to the SSD. The Presets menu is used to create, save and import presets. Available options are APPLY, CREATE, IMPORT/EXPORT and DELETE. If presets are available, they will be accessible by using the arrow keys in the Preset name field. CREATE PRESET When selected allows you to create your own preset and decide which information will be stored with that preset.
PRESET NAME Press the Enter button on the New Name field, a keyboard will appear allowing you to enter the desired preset name. Use the arrow keys and Enter button, enter the desired name. When finished, press the Menu button to close the keyboard. PRESET INFORMATION Use the arrow keys and Enter button to select the information you want to be stored for your preset. Available options are IMAGE, SYSTEM, PROJECT, KEYS, and/or OUTPUT.
When successfully completed, “Preset Applied Successfully” will appear. REDmote will also display this message. EXPORT / IMPORT PRESET When selected you will be able to export presets from the camera to external memory (1.8” SSD), import presets from the external memory (1.8” SSD) to the camera, or apply available RMD presets. NOTE: Exported presets will be located in a folder labeled “Presets” on the CF or 1.8” SSD. This is also the location to place any presets for importing.
NOTE: If no media is connected or no presets are saved to the media, this selection will remain Grayed out (until a preset is exported of course). You will then be asked if you want to apply the imported preset. If No is selected, the preset will be imported and listed in the available Camera Presets. If Yes is selected, “Preset Applied Successfully” will appear when successfully completed. The preset will be listed in the available Camera Presets.
RMD PRESETS If an RMD file exported from REDCINE-X or REDCINE-X PRO is on the SSD it can be imported from the SSD to the camera. When APPLY is selected, the RMD file is transferred to active system memory. DELETE PRESET When selected will delete the selected preset from the camera. It will not delete the selected preset from the external media (1.8” SSD). IMPORTANT: You will not be warned of the deletion nor asked to confirm this deletion. Be sure to save your preset to the external media (1.
MEDIA MENU The Media Menu is used to format media (SSD) prior to use on the camera as well as to Eject (unmount) the media prior to removal from the camera. Available options when selected are SELECT MEDIA, FORMAT MEDIA, EJECT MEDIA, and UTILITIES. IMPORTANT: Media MUST be ejected from the camera before removal to prevent corruption and/or loss of data on media. SELECT MEDIA Allows you to select the Media location to be used by the camera. Default is the Side SSD (S-SSD) Module.
REEL NO. When selected a keypad will appear allowing you to enter a value between 1 and 999. CAMERA ID (SLATE) Identifies the camera with a letter A through Z. Default is A. CAMERA POS (POSITION) Identifies the camera position as Right, Left or Center. Default is Center. FORMAT When selected, formats the media and adds the selected properties. • During formatting, the camera will display “Formatting” with a Green status bar. REDmote will also display this message.
UTILITIES Options are SECURE FORMAT. SECURE FORMAT Secure Format is a low-level format the rebuilds the SSD file system. It should only be used if the performance of the SSD is in question. NOTE: If clips are present on the media, you will be informed of how many clips will be erased when you secure format the media. Version 3.0 90 ©2011-2012 RED.COM INC. 955-0002_v3.
SETTINGS MENU This section describes the various secondary controls available to configure the camera. Menu options are DISPLAY, LOOK, SENSOR, PROJECT, MODES, AUDIO/VIDEO, SETUP, MAINTENANCE, and PLAYBACK. DISPLAY Available options are TOOLS, ZEBRA, OVERLAY, MODES, FRAME GUIDE, AREA GUIDES, and MONITOR. TOOLS The Tools menu permits the operator to adjust the GUI elements displayed on the Viewfinder output(s) Available options are OFF, EXPOSURE, FOCUS, VIDEO, EDGE, MAGNIFY, and RAW.
EXPOSURE This will show areas of under exposure (Purple) or over exposure (Red) on top of a monochrome image. The color is based on RAW data so over/under exposure refers to data actually close to clipping in the sensor. When selected, the icon “E√” will be displayed in the Lower Status Group. The EXPOSURE meter’s color bands provide the following information: PURPLE Minimum Exposure RED Maximum Exposure Between minimum and maximum exposure values, the image is displayed as a monochrome image.
FOCUS This will emphasize edges in the image without changing brightness/image content so it is easier to judge if the image is in focus. By adjusting your lens zoom and focus you can see which objects are coming into and falling out of focus. When selected, the icon “F√” will be displayed in the Lower Status Group.
ORANGE Super White (IRE 105-107) RED Super White (IRE 108-109) At all other values, the monochrome image displayed represents the luminance value of the ISO adjusted image. EDGE EDGE displays a color overlay that outlines the edges of objects in an outline mode. By adjusting your lens zoom and focus you can pinpoint focus. When selected, the icon “F√” will be displayed in the Lower Status Group. WARNING: This will potentially interfere with recordings done via HDMI/HD-SDI in "Clean" Mode! Version 3.
MAGNIFY Magnify displays the central region of the sensor in 1:1 pixel resolution. When enabled, the 1:1 text in the Lower Status Group will change to Green. If in Magnify mode, when the Record button is pressed, the system will automatically exit this mode. When using a touchscreen you can also perform this function by pinching your fingers together and apart. NOTE: HDR mode cannot be modified when in Magnify 1:1 mode. NOTE: When in magnify mode, you will not be able to adjust frame rate or resolution.
RAW RAW displays the image without any ISO correction. When selected, OFF will be highlighted in the Lower Status Group. ZEBRA Zebras enable and adjust the upper and lower values for two independent Zebra indicators. One zebra may be used for highlight exposure, and the other for mid tone or shadows. Zebras will be visible when in 1:1 zoom. By default, Zebra 1 and 2 are disabled. Version 3.0 96 ©2011-2012 RED.COM INC. 955-0002_v3.
ZEBRA 1 To enable, select ZEBRA 1 check box. Areas of the image exposed within these ranges will be indicated by crosshatched overlays at - 45 degrees relative to vertical. Zebra 1 is shown in the image below. High IRE Change the desired setting between 93 and 109 (default is 108). Low IRE Change the desired setting between 75 and 107 (default is 99). ZEBRA 2 To enable, select ZEBRA 2 check box.
Low IRE Change the desired setting between 0 and 84 (default is 44). OVERLAY Allows you to enable and color code graphic overlays visible the on the Viewfinder and Preview outputs. SHOW Check the box adjacent to each overlay type to show. Overlays available are AF Zones, Center and Grid. Look Around is always enabled. Check the boxes below Look Around are File Name, Time Code, and Lens Info. When selected will be displayed on the main screen. By default, all three are checked.
Grid The Grid display is shown below. The grid may be used as a “rule of thirds” indicator. Look Around Highlights the look around area. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
MODES Available GUI display mode adjustments are Exposure, Shutter Mode, Aperture, and Focal Distance. EXPOSURE Selects GUI display of Shutter Exposure on Main screen as Time (1/xx sec) or Angle (Degrees). Default is Time. Angle is shown below. SHUTTER Enables one of two shutter timing (duration) modes: Absolute or Relative. Default selection is Absolute. Absolute Shutter Speed is defined exclusively by the Shutter Speed setting.
APERTURE Selects GUI display of f/stop as 1/4 f Stop or 1/3 f Stop. Default is 1/3. FOCAL DISTANCE Allows you to set the Lens Info to display in Metric or Imperial measurements. Default is Imperial. FRAME GUIDE This sub-menu provides a selection of frame guides and safe action and safe title guides. User definable safe action and safe title guides may be saved as a USER PREFERENCE, thereby permitting the camera guides to be fully customized for any application.
User Frame guides can be set to your own preferences through the User Settings. Available options are Aspect Ratio, Scale X/Y and Offsets X/Y. Note that the selected size will be displayed in the bottom of the Frame Guide box. COLOR Sets the frame guideline color to White, Gray, Teal, Purple, Yellow, Green, Blue, Red, or Black. Select the color that provides maximum color contrast with the scene you are shooting. Default is White. TRANSPARANCY Sets the frame guide transparency.
Solid Line Style shown below. ASPECT RATIO For both Title Guide and Action Guide, available options are OFF, 16:9, 14:9, 4:3, 2.4:1, 1.85:1, and User. Default is OFF. User Title Guide and Action Guide can be set to your own preferences through User Settings. Available options are Aspect Ratio and Scale. Bracket Line Style shown below. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
COLOR Sets Title Guide and Action Guide line color to White, Blue, Yellow, Green, Red, or Black. Select the color that provides maximum color contrast with the scene you are shooting. TRANSPARENCY Sets Title Guide and Action Guide transparency. Options are 0%, 25%, 50%, 75% and 100%. LINE STYLE Sets Title Guide and Action Guide line style. Options are Solid, Dashed and Bracket. MONITOR Allows you to modify brightness of the LCD and EVF parameters through Brightness Control.
Double-Click Right 25% to Record When selected, the right 25% of the screen can be double-tapped to start and double-tapped again to stop recording. Double-Click Left 25% to Start AF When selected, the left 25% of the screen can be double-tapped to start the Auto focus (when DSMC Canon Mount and compatible lens are installed). LOOK The LOOK menu permits adjustment of COLOR, GAIN, FLUT®, and CURVE metadata values.
BRIGHTNESS Adjusts brightness without crushing highlights. Available range is – 10.0 to +10.0. Default is 0.0. GAIN The GAIN sub-menu permits adjustment of RED GAIN, BLUE GAIN and GREEN GAIN. RED Adjusts the gain of the RED channel only. Range is 0.0 (no Red) to 10.0. Default is 1.0. BLUE Adjusts the gain of the BLUE channel only. Range is 0.0 (no Blue) to 10.0. Default is 1.0. GREEN Adjusts the gain of the GREEN channel only. Range is 0.0 (no Green) to 10.0. Default is 1.0.
FLUT FLUT (Floating Point Lookup Table) adjusts mid-range tone values. Range -8.0 to +8.0. Default is 0.0. EXPOSURE Adjusts exposure compensation. Available exposure range is –7.0 to +7.0. Default is 0.0. SHADOW Shadow adjusts the toe value of the FLUT or in other words, the tone near Black. Range is -2.0 to +2.0. Default is 0.0. Increasing the Shadow value raises the video level of near Blacks. Lowering the Shadow value crushes the video level of near Blacks.
ENABLE USER CURVE When checked will open more options allowing you to adjust the X and Y values for Black, Toe, Center, Knee, and White of the curve. PROJECT The project menu sets the operating parameters the camera will use for a given project. Options available are TIME BASE and TIME CODE. Version 3.0 108 ©2011-2012 RED.COM INC. 955-0002_v3.
TIME BASE Sets the TIME BASE (fps) to be used for the project - the primary acquisition frame rate, time code count and playback & editing frame rate. Setting is displayed in the lower left corner of VIEWFINDER output(s). Available options are 23.98, 24.00, 25.00, 29.97, 47.96, 48.00, 50.00, and 59.94. Default is 23.98. TIME CODE Selects the TIME CODE source to be used. Options are EXTERNAL TC and INTERNAL USERPROVIDED TC. TIME CODE DISPLAY Allows you to choose between TOD and Edge display. Version 3.
TIME CODE SOURCE Available options are EXTERNAL and USER-PROVIDED. User-Provided The three numerical boxes below allow you to set hours, minutes and seconds (in that order). Use RTC Time When selected the camera uses the cameras Real Time Clock as the timecode counter source (snapshot of the RTC.) Set Manually When selected allows the user to define a custom value as the timecode counter seed.
CAMERA ID (SLATE) Identifies the camera with a letter A through Z. Default is A. CAMERA POS (POSITION) Identifies the camera position as Right, Left or Center. Default is Center. AUDIO/VIDEO Menu adjusts AUDIO INPUT, AUDIO OUTPUT, AUDIO CHANNELS, MONITOR CONTROL, and TEST SIGNALS. AUDIO INPUT Allows you to enable / disable and adjust levels for audio inputs (CAM ANALOG). Default is unchecked. Range 8 to 64 dB, default is 10 dB. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
You can also directly input your desired audio levels. Audio channel level inputs are displayed in the lower section of the UI. When audio is enabled and an audio jack is plugged in (detected by the camera), the circle next to CH1, CH2 etc… will be Green and the box around the signal will be highlighted. When audio is enabled and an audio jack is not plugged in (not detected by the camera), the circle will be Red.
AUDIO OUTPUT Allows adjustment of audio output levels fed to the outputs. Available options for each channel are ON and MUTE. Default is ON at -9 dB. AUDIO CHANNELS Allows selection of audio inputs and operational modes. INPUT Available inputs are CH 1/2 and CH 3/4. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
NOTE: For cameras not equipped with a PRO I/O module, options are CH 1/2. Source Available options are NONE, CAM ANALOG, PRO I/O ANALOG, PRO I/O AES A, and PRO I/O AES B. NOTE: For cameras not equipped with a PRO I/O module, options are NONE or CAM ANALOG. Mode Available options are UNBALANCED and BALANCED. Version 3.0 114 ©2011-2012 RED.COM INC. 955-0002_v3.
Link Enables linkage between Channel Gain controls. Limiter Enables signal limiter circuit. Limiter enabled adds 10dB of headroom for Microphone level inputs, or 4dB for Line Level inputs. OUTPUT Link Enables linkage between Output Channel Attenuation controls. MONITOR CONTROL This sub-menu allows the monitor outputs settings to be modified. For changes to take effect, the camera MUST be restarted. MODE Allows you to choose the output for the LCD/EVF, HDMI and HD-SDI monitors. Version 3.0 955-0002_V3.
LCD/EVF Options are MENUS, PREVIEW, CLEAN, OVERLAY, 3D LEFT, and 3D RIGHT. If anything other than MENUS is selected on the LCD (such as CLEAN), to return to displaying the MENUS, perform a double-tap on the LCD screen. HDMI Options are OFF, MENUS, PREVIEW, CLEAN, OVERLAY, 3D LEFT, and 3D RIGHT. RES Allows you to choose the output resolution for HDMI monitors. Available options are AUTO, 720p and 1080p. NOTE: Some HDMI monitors may have trouble when "AUTO" is selected.
To enable a desired test signal, select the desired test signal box. To exit the test signal, tap the touchscreen one time or press the Enter or Menu button on the Side Handle or REDmote. SMPTE BARS CHIP CHART NOTE: RED EPIC test signals are not recordable, they are provided to help align external video monitors connected via the HD-SDI or HDMI outputs. SETUP This menu permits a variety of system setup tasks to be accomplished.
KEY SOURCE Use this menu to select the device to program. Options at this time are: • Brain • Side SSD/CF • LCD on Pro I/O • Side Handle • LCD on Brain • EVF on Brain • Bottom Handle • Lens • EVF on Pro I/O USER KEY Use this menu to select and program the camera user keys (buttons). NOTE: To reset keys to default settings, go to RESTORE. A reboot of the camera is necessary to restore defaults. NOTE: Multiple keys can be programmed to the same action.
• Brain GPI In Low Record Stop Side Handle • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Side Handle User Key A Down Side Handle User Key B Down Side Handle User Key C Down Side Handle User Key D Down Side Handle Function 1 Key Down Side Handle Function 2 Key Down Side Handle Function 3 Key Down Side Handle Function 4 Key Down Side Handle Function 5 Key Down Side Handle Function 6 Key Down Side Handle Function 7 Key Down Side Handle Still Select Side Handle Movie Select Side Hand
Side CF (SSD) • • Side CF Function 3 Button Down (press 1 and 2 together) Side CF Record Full Button Down Eject Media Toggle Record REDmote • • • • • • • • • • • • • • • • • • • • • • • • • • REDmote User Key A Down REDmote User Key B Down REDmote User Key C Down REDmote User Key D Down REDmote Function 1 Key Down REDmote Function 2 Key Down REDmote Function 3 Key Down REDmote Record Half Button Down REDmote Record Full Button Down REDmote Tele Level +1 REDmote Tele Level +2 REDmote Tele Level +3 REDmot
• Eject Media • Zoom In Speed 1 • Open Color Temp List • Toggle Zebra 1 Mode • HALF press request • Zoom In Speed 2 • Open AF AE • Toggle Zebra 2 Mode • Menu Left • Zoom In Speed 3 • Record Start • Menu Right • Zoom In Speed 4 • Record Stop • Toggle Mode • Menu Toggle • Zoom Out Speed 1 • Toggle SH backlight • No Action • Zoom Out Speed 2 • Menu Up • Shutter Sync • Zoom Out Speed 3 • Menu Down • False Color • Zoom Out Speed 4 • Rotary Next Value • Next Value • Brain LCD Br.
Version 3.0 122 ©2011-2012 RED.COM INC. 955-0002_v3.
NAME Allows you to manually designate a unique camera NAME. Each device in the network needs to have a unique NAME (Like "CAM_A_L" or CTRL_PAD"). The name is limited to 8 characters. This is also required if only two devices are connected. The device name can be used to uniquely address a command to a specific device. When selected a keyboard will appear. GROUP A device can also be part of a GROUP of devices.
TARGET Commands can either be sent to ALL devices, to NONE of the devices (So this device will only listen) or to a specific TARGET (Which can either be the NAME of a specific device or a whole GROUP). This allows for a lot of flexibility in bigger setups. For example on a 3D shoot with multiple rigs one can either send commands to individual cameras (Set CAM_A_L to 1/64th exposure), to a group of cameras (Set "RIG_A" to 48 FPS), or to all cameras (Start Recording on all cameras).
practice). For simple camera-to-camera communication via UDP, all devices need to be in the same sub-net. (Need the same NETMASK and GATEWAY and the first 3 parts of the IP address need to be the same. DHCP If a DHCP-server is available in the network the DHCP option can be checked and the camera will obtain the IP address, Netmask and gateway automatically from the DHCP -server.
REDMOTE This function is used to pair the camera to a REDmote for wireless operation. For paring procedures, go to APPENDIX E: REDMOTE OPERATION > OPERATION > WIRELESS CONNECTION. SCAN FOR REDMOTES When selected, the camera will look for REDmotes that are turned on with wireless enabled. Searching will display. Version 3.0 126 ©2011-2012 RED.COM INC. 955-0002_v3.
After scanning, the recognized REDmote MAC address will be listed in the drop down menu. PAIR REDMOTE Select the REDmote from the drop-down and select PAIR REDMOTE to pair the REDmote to the camera. You can also pair the attached REDmote by selecting ATTACHED REDMOTE. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
CURRENTLY PAIRED Displays the ID of the REDmote currently paired with the camera. UNPAIR REDMOTE When selected will un-pair the paired REDmote from the camera. MANUAL CHANNEL SELECT The Manual Channel Select option is for the wireless connection to the REDmote. You may choose the manually select the desired channel (checked) or leave as automatic (unchecked). Auto (unchecked) will pick the "cleanest" channel automatically on each camera boot. Default is channel 0.
General Purpose In Accepts an Input Trigger signal to act as a General Purpose Input. CAMERA OUTPUT Permits the function of the SYNC OUT / GPO pin in the CNTL connector to be defined as: Sync Out Provides an Output Sync signal to act as a Shutter Start tally. General Purpose Out Provides an Output Tally to act as a General Purpose Output tally signal. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
SYNC MODE Allows the shutter timing (scan start) to be synced to an external signal. Available options are OFF, GENLOCK, SHUTTER, INTERNAL, PROXY, and SLAVE. Default is Off. OFF – Shutter start time is defined by internal camera timing. GENLOCK – Shutter start time is slaved to an external RS170A tri-level sync signal .a.k.a “Genlock”. SHUTTER – Shutter start time is slaved to an external Shutter Sync signal. INTERNAL – Not implemented at this time. PROXY – Not implemented at this time.
SYSTEM Available options are FAN CONTROL, RECORD SPEED and STANDBY SPEED as well as BEEP SPEAKER and EVF TALLY LIGHT. FAN CONTROL Specifies cooling fan operation. Available options are AUTO and MANUAL. Manual will run the fan at the speeds specified in RECORD SPEED and STANDBY SPEED. Default setting is AUTO. Auto This setting selects VARIABLE speed fan operation in standby based on the camera core temperature.
INDICATORS Beep Speaker Available options are OFF and RECORD/STOP. When RECORD/STOP is selected, an audible beep will be heard when record is started and another when record is stopped. EVF Tally Light When checked, enables the Record Tally Red LED on the front of the EVF.
SYSTEM STATUS When selected the Viewfinder output(s) will display the System Status screen. This screen provides a summary of all operational settings currently applied to the camera. SYSTEM INFO When selected the Viewfinder output(s) will display the camera Model, current firmware Version, installed and camera P.I.N. SAVE LOG Select to write camera’s .LOG file to the REDMAG 1.8” SSD. The .LOG file is a diagnostic tool that can assist RED with camera troubleshooting. After capture, upload the .
After successfully writing the log file to media, viewfinder output(s) will display LOG SAVE COMPLETED. REDmote will also display this message. If media is not attached to the camera when attempting to perform a write log request, external monitors will display NO MEDIA ATTACHED. NOTE: Log files will be stored as *.txt files in the 1.8” SSD root directory. SW UPDATE NOTE: Firmware upgrade currently uses a force upgrade procedure as outlined in APPENDIX A: UPGRADING CAMERA FIRMWARE.
• If possible, use a dark room. • Just closing the Iris is NOT sufficient. Additionally a SSD needs to be inserted in the camera to store the raw images during calibration. Calibration is required: • If the temperature deviates significantly from the currently used calibration, it is recommended to recalibrate the sensor. • If very long exposure (~longer then 1/24 Sec) is used it is recommended to recalibrate.
BLACK SHADING (CURRENT FPS/EXPOSURE SETTINGS) This option generates a calibration with the currently set frame rate/exposure. This can be used to generate a calibration for long exposures. After calibration (Which takes about 10 min), the new map is automatically selected. BLACK SHADING PROCEDURE The calibration procedures are the same for both BLACK SHADING options. The calibration procedures are the same for both Black Shading (24 FPS @ 1/48 SEC) and Black Shading (Current FPS/Exposure) options.
5. Once Capturing is complete, a status screen will show progress of the Analyzing step. 6. Once Analyzing is complete, a status screen will show progress of the Erasing step. 7. Once Erasing is complete, a status screen will show progress of the Programming step. 8. The camera will perform this procedure twice. 9. After Programming, CALIBRATION SUCCESSFUL will be displayed. Select OK to complete Black Shading calibration.
ENABLE / DISABLE SENSOR TEST PATTERN When selected enables / disables the sensor test pattern (White Screen). To turn on, select ENABLE SENSOR TEST PATTERN. To turn off, select DISABLE SENSOR TEST PATTERN. TOUCHSCREEN When selected allows you to perform a touchscreen self-test. Version 3.0 138 ©2011-2012 RED.COM INC. 955-0002_v3.
When the touchscreen self-test is on, you can verify all areas of the touch screen respond to touch. Simply touch each box using your finger. The touchscreen responds to the touch and the Green box turns Blue. To exit the Touchscreen Self-Test: • Place your finger on the touchscreen and hold it there until the main screen appears. • Press the Enter or Menu button on the Side Handle or REDmote.
REDISCOVER Rediscovers all hardware and caches the data for future boot cycles. When selected, you will be asked to confirm if you want to reset all hardware discovery settings. After settings are reset, “RESET HARDWARE DISCOVERY SUCCESSFUL, INITIALIZING RESTART…” Camera will automatically power down and will require you to manually power it up. PLAYBACK Playback allows you to view clips on media currently attached to the camera.
Exit Playback ICON (Touchscreen) Select the O on the Left to exit Playback mode. NOTE: The Menu ICON on the Right does not respond to commands when in Playback mode. ISO Allows you to change the ISO in the clip during playback. WHITE BALANCE Allows you to change the White Balance in the clip during playback. Advanced Menu Opens the advanced White Balance settings without the ability to Calculate. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
VIEW Allows you to select the items to be displayed in the playback window. Available options are Center, File Name, Time Code, Frame Guide, Action Guide, and Title Guide. PRESETS Allows you to apply presets to the clip during playback. MEDIA When selected will list all available clips on the attached media. Version 3.0 142 ©2011-2012 RED.COM INC. 955-0002_v3.
Touchscreen 1. Double-Tap the desired clip to open in the playback window. 2. Load will also highlight. You can also select LOAD to load the clip in the player and allow playback. Side Handle / REDmote 1. Select the desired clip to playback and press the ENTER button. 2. Load will highlight. Select LOAD to load the clip in the player and allow playback. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
SETTINGS Available options are DISPLAY, LOOK and RECORD. Display Available options under Display are TOOLS and ZEBRA. Tools Allows you to toggle ON/OFF Exposure, Focus, Video, Edge, and RAW. Refer to SETTINGS MENU > DISPLAY > TOOLS for complete details about these options. Zebra Allows you to toggle ON/OFF Zebras. Refer to SETTINGS MENU > DISPLAY > ZEBRA for complete details about these options. Version 3.0 144 ©2011-2012 RED.COM INC. 955-0002_v3.
Look Allows you to adjust the Color, Gain, FUT, and Curve of the image during playback. Refer to SETTTINGS MENU > DISPLAY > LOOK for complete details about these options. Record (Exit) When selected will exit playback to the main menu. META Displays current clip META information. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
CLIP PLAYBACK STATUS BAR Displays the progress of the clip during playback. Touchscreen When using the touchscreen you can swipe your finger Left or Right to open and allow playback of the previous or next clip on the media. Side Handle / REDmote When using the Side Handle or REDmote you can use the navigation group to highlight the clip playback status bar.
LOWER CONTROLS From Left to Right, PLAYBACK SPEED, IN POINT MARKER, FRAME-BY-FRAME REVERSE, PLAY/PAUSE, FRAME-BY-FRAME FORWARD, OUT POINT MARKER, PLAY ONCE/LOOP, and PLAYBACK DIRECTION RESOLUTION / PROJECT FRAMERATE / QUALITY Display clip Resolution, Framerate and Quality (REDcode). When using the touchscreen, touch the Resolution, Framerate and Quality (REDcode) to display the METADATA for the clip. HISTOGRAM Displays the clip histogram.
IN / OUT POINT MARKER Allows you to set In and Out Points during clip playback. This allows you to playback only a certain portion of the clip as desired. Helps when the clip is rather long and you want to focus on a particular segment. The In (Red) and Out (Green) points will be displayed in the Clip Playback Status Bar. You can use the navigation group to select the exact location of the In and Out Points if desired.
PLAYBACK DIRECTION Allows you to play the clip forward or backwards. Reverse playback is shown. ADDITIONAL CLIP/CAMERA INFORMATION Will indicate if clip was recorded in HDRx and current camera power status as well as audio input signals. POWER The power menu displays the current power status of all attached power sources as well as allows you to shutdown the camera. POWER STATUS The power status is displayed for the BRAIN, SIDE HANDLE, REAR 1, REAR 2, REAR 3, and REAR 4.
SHUTDOWN Power OFF controls are interlocked to prevent accidental powering down of the camera. For details on the different ways to power down your RED EPIC, refer to BASIC OPERATION > POWER DOWN. 1. Enter the Secondary Menu using the touch screen, REDmote or Side Handle. 2. Select POWER. 3. Select SHUTDOWN. 4. The camera will immediately power down displaying SHUTTING DOWN…. If a REDmote is connected, the same message will display. Version 3.0 150 ©2011-2012 RED.COM INC. 955-0002_v3.
APPENDIX A: UPGRADING CAMERA FIRMWARE RED EPIC camera functionality may be upgraded by installing the latest firmware. Camera firmware is identified by Version and SVN number, which will be displayed by the camera on the LCD display when SYSTEM INFO is selected. A higher number reflects a later release. Make a habit of frequently visiting www.RED.com/support to check for later versions of camera firmware, Operations Guide updates, and postproduction software. Your REDmote also requires a firmware upgrade.
to enter RED Watchdog settings and change to mount the drive as “READ-WRITE” to allow you to save the firmware to the SSD. Refer to REDCINE-X PRO OPERATION GUIDE for complete RED Watchdog instructions and details. 4. Eject or unmount the SSD, then remove the SSD from RED STATION. 5. Ensure camera is powered down. 6. Remove Side Handle and/or REDmote if installed on the camera. 7. Connect an AC power adapter to the camera. IMPORTANT: DO NOT USE BATTERIES TO POWER CAMERA DURING THIS PROCEDURE. 8.
Once the updated fan has been installed and the camera is powered up, the message will continue to appear. Press OK, then go to SECONDARY MENUS > SETTINGS > MAINTENANCE > REDISCOVER and perform the rediscover procedure to clear the message. NOTE: After the firmware upgrade, it is mandatory that you re-format the REDMAG SSDs before use. Refer to APPENDIX B: MANAGING DIGITAL MEDIA > FORMATTING MEDIA. NOTE: Once firmware is upgraded (on REDmote or camera), the REDmote must be paired to the camera again.
APPENDIX B: MANAGING DIGITAL MEDIA MEDIA REDMAG 1.8” SSD is available with capacities of 64GB, 128GB or 256GB. Record duration is dependent on resolution, quality and frame rate, but a 64GB SSD will typically provide 24 minutes of 24fps 5K RAW recording. On MAC computers with REDCINE-X PRO installed, RED Watchdog will mount the SSD as “READONLY” by default and you cannot write the firmware to the SSD. RED Watchdog is identified by the RED Coin icon located on the Right side of the Menu Bar.
- On REDmote, NONE will be displayed twice (as opposed to when no media is inserted, the GUI displays NONE with three dashes below “---“). - On the Side Handle, NA will be displayed (same as if no media is present). 3. To format the media select SECONDARY MENUS > MEDIA > FORMAT MEDIA. 4. You will be prompted to set the media and select FORMAT. - Viewfinder output(s) will display “FORMATTING”. NOTE: If when selecting FORMAT, the display indicates FORMAT FAILED, refer to MEDIA ERRORS. 5.
MEDIA CAPACITY REMAINING STATUS The Viewfinder output(s) will display the remaining media capacity in the MEDIA indicator (100% is shown). At 10%, remaining capacity the media status will turn yellow, at 5% it will turn red. At 2%, remaining the camera will cease recording. This reserves a small amount of capacity for ancillary data to be written to the media. NOTE: When media is full, the Side SSD LED will flash Red.
3. When media is ejected, Viewfinder output(s) will display “MEDIA EJECTED SUCCESSFULLY“. 4. Media can now be removed from the camera. USING SIDE HANDLE 1. By default, the lower of the three (3) SYSTEM KEYS is set to Eject Media when pressed. 2. When media is ejected, Viewfinder output(s) will display “MEDIA EJECTED SUCCESSFULLY“. 3. Media can now be removed from the camera. USING SIDE SSD 1. Press both User Keys 1 and 2 at the same time to eject REDMAG 1.8” SSD Media. 2.
ERASING MEDIA NOTE: If the media was formatted using SECURE FORMAT, you cannot erase the media using an external source. Erasing of the media must be performed by formatting on the camera. MACINTOSH OS X 1. Connect the REDMAG 1.8” SSD via RED STATION REDMAG 1.8". 2. Open the Disk Utility. 3. Carefully choose the drive from the list on the left. 4. Select the Erase tab. 5. Choose MS-DOS (FAT) as the Volume Format. You can add a Name if desired, however the camera will overwrite this.
APPENDIX C: CHARGING BATTERIES REDVOLT BATTERY LED ARRAY The REDVOLT battery LED array consists of three (3) LED’s and a button. REDvolt LED Array When button is pressed, LEDs will illuminate in relation to battery life available (in 33.3% steps). If single LED blinks or no LEDs illuminate when pressed, battery requires charging. BATTERY PERFORMANCE When fully charged to 16.4V (+/- 0.
RED TRAVELCHARGER™ The RED Travelcharger has been designed to charge REDVOLT Li-ion batteries or equivalent. A completely discharged battery can be fully charged in approximately 90 minutes. The battery can also be partially charged, to approximately 80% capacity, in approximately 60 minutes. RED Travelcharger with REDvolt Installed OPERATION INDICATOR • Red Solid = Charger ON, no battery connected. • Yellow Flashing = Charger ON, battery connected and charging.
FULL CHARGE The battery is fully charged when voltage reaches 16.4V (+/- 0.2V) in approximately 90 minutes. CHARGER TIME-OUT The charger automatically times-out after 105 minutes if battery does not reach full charge. OVERCHARGE PROTECTION Charging will automatically stop if battery voltage reaches higher than 17.0V (+/- 0.12V). CHARGING BATTERIES 1. Plug the supplied AC power cord into the charger’s AC input and then into the AC power source. 2.
APPENDIX D: INPUT / OUTPUT CONNECTORS BRAIN FRONT Shown with PL Mount installed. A A B MIC-1 3.5mm Audio Jack B MIC-2 3.5mm Audio Jack Figure18: Brain Connectors - Front Version 3.0 162 ©2011-2012 RED.COM INC. 955-0002_v3.
MIC-1, MIC-2 (MICROPHONE AUDIO) Two 3.5mm phone jacks on the front of the brain support two independent channels of balanced or unbalanced analog microphone level audio inputs.
BRAIN REAR G C A D E F B A HD-SDI B Headphone C SYNC (Video Sync) D CTRL (RS232 Control) E GIG-E (Ethernet) F DC IN (Power Input) G HDMI Figure 20: Brain Connectors - Rear Version 3.0 164 ©2011-2012 RED.COM INC. 955-0002_v3.
HD-SDI A standard size BNC connector provides a high definition video output. PIN SIGNAL DESCRIPTION DIRECTION Center HD-SDI SMPTE-292M HD-SDI Out Shield/Screen GROUND Camera ground -- HD-SDI Output The HD-SDI output provides a 720p or 1080p 10-bit 4:2:2 progressive scan video feed at 23.98, 24.00, 25.00 or 29.97 Hz when in 1.5GHz HD-SDI mode, and 50.00 or 59.94 Hz when in 3GHz HD-SDI mode.
HEADPHONE A 3.5mm stereo jack provides two channels of adjustable level analog audio for monitor headphones. A C B Figure 21: Headphone Output Connector PIN SIGNAL DESCRIPTION DIRECTION A (TIP) LEFT Left channel audio Out B (RING) RIGHT Right channel audio Out C (SLEEVE) GND Camera ground -- The camera’s four audio channels may be monitored in pairs: either 1L - 2R or 3L - 4 R or as a quad mix of 1+3L – 2+4R based on the MIX parameter. Default is 1L-2R.
SYNC (VIDEO SYNC) A 4-pin LEMO connector supports shutter synchronization input, GPI, timecode and genlock signals. The shutter Sync Input signal acts as an immediate response hardware trigger to commence a scan. This is useful for motion control and other applications where the camera is driven by a master timing device. When using SYNC as the camera shutter timing reference, fine shutter start time timing (SHUTTER PHASE) is disabled, make any timing adjustments at the external SYNC generator itself.
For example, when GPI trigger is used as a Record Start / Stop. • Start Record: Ground - 3.3V Transition • During Record: Hold at 3.3V • Stop Record: 3.3V - Ground Transition • During Stop: Hold at Ground NOTE: A pre-fabricated SYNC interface cable is available from RED Digital Cinema. • P/N 790-0154 – Video Sync – Camera to 3 BNC – 3 ft. (1m) • White BNC: Shutter Sync / GPI • Yellow BNC: SMPTE Timecode • Green BNC: RS170A Genlock Version 3.0 168 ©2011-2012 RED.COM INC.
CTRL (RS232 CONTROL) A 4-pin LEMO connector supports RS232 remote control for stereoscopic camera image capture, and third party metadata ingest applications. The shutter Sync Output signal acts as an immediate response hardware tally of a scan. This is useful for 3D or motion control applications where a slave camera or lighting device needs to be synchronized to a master camera.
GIG-E (ETHERNET) A 9-pin LEMO connector supports a Gigabit Ethernet port for remote camera setup, master / slave camera-to-camera control and external metadata ingest. Figure 24: View into Ethernet Interface connector Mating connector: FGG.0B.309.
DC IN (POWER INPUT) The 6-pin LEMO connector accepts a DC voltage between +11.5V and +17V DC. Power conditioning circuits provide protection against reverse-polarity connection, ESD, under voltage, and over current. Figure 25: View into camera DC IN Power Input connector Mating Connector: PIN 1 2 3 4 5 6 LEMO FGJ.1B.306.CWLD72Z SIGNAL DESCRIPTION +VBATT Power input, +11.
HDMI OUT The HDMI output supports an HDTV compatible 10-bit 4:2:2 progressive scan video signals (with embedded audio) at 720p and 1080p resolution. The HDMI output may be specified as a PROGRAM output (clean feed video) or as a PREVIEW output (with SurroundView™ look around, Clip Name, Timecode and Safe Action / Safe Title frame guides). In addition to video data, the HDMI output also provides 4 channels of embedded audio. NOTE: Default setting is PREVIEW.
SIDE SSD MODULE B REAR FRONT A A SSD Slot B VIEWFINDER (LCD/EVF) Figure 26: Side SSD Module An optional Side SSD Module may be mounted on the left side of the camera Brain. On the rear face of this module is a slot for inserting REDMAG 1.8”SSD media. Do not attempt to insert any other media type, or any foreign objects into this slot, or damage to the Side SSD Module and / or the camera Brain may occur.
REDMOTE This section describes the physical connectors on the REDmote. B A A Mini USB B Camera Interface Figure 27: REDmote Connections The Mini USB connector (A) may be used to charge the REDmote from a 3rd party USB power source. The REDmote interface connector (B) allows communication between the REDmote and EPIC Brain or any expansion module when installed. Make sure these contacts are kept clean and free of any grease that may interfere with electrical contact. Version 3.0 174 ©2011-2012 RED.
APPENDIX E: REDMOTE OPERATION CONTROL, CONNECTORS AND DISPLAY This section describes powering of the REDmote, physical controls, connectors and displays. CONTROLS This section describes the physical controls on the REDmote.
the camera settings and defaults become movie specific. When the toggle switch is set to the STILLS position, the camera settings and defaults become still photography specific. LEDS UPPER The upper LED is used to signal power and record status. • Red - Startup / Recording. LOWER The lower LED is used to signal connection status. • Green - Connected. • Blinking Green - Searching.
NAVIGATION GROUP The Navigation Group (I) allows navigation through allowing navigation of camera menus and adjustment of selected parameters. C A B Figure 29: Side Handle Navigation Group A Scroll Wheel B Directional Pad C Enter Button The Navigation Group has three (3) separate operational capabilities. SCROLL WHEEL The Scroll Wheel (A) allows the operator to select and adjust the values of selected camera parameters.
SOFT MENU BUTTONS 4-8 To the right of the LCD are five (5) Soft Menu buttons 4-8 (H). These are pages displaying camera settings. For complete information refer to OPERATION > REDMOTE MENUS > SOFT MENU BUTTONS 4-8. POWER / LOCK SWITCH Below the ambient light sensor is the Power / Lock switch (T). Sliding and holding in the switch in the POWER direction for longer than 2 seconds will Power UP or Power DOWN the REDmote.
When the RESCAN is displayed, press the ENTER button to search for paired cameras. If previously connected you will get a list of paired cameras. The REDmote will ping for cameras it has been paired to. When a paired camera or cameras is/are found, the available cameras will be displayed on the screen (DEFAULT in this case). Select the desired camera to connect to for wireless operation and press the Enter button. The REDmote will connect to the selected paired camera. Version 3.0 955-0002_V3.
Select CANCEL to cancel out of the menu if you choose not to connect. Disconnect To stop communicating wirelessly with the camera, select Soft Menu Button 1 Connect, the select DISCONNECT. 2 REMOTE When selected will toggle between REMOTE and LOCAL (in Red text). Remote Allows you to control the camera settings, however to see these settings you must be able to see the LCD or external monitors. Version 3.0 180 ©2011-2012 RED.COM INC. 955-0002_v3.
Local Allows you to control the camera setting directly on the REDmote as opposed to having to see the setting on the LCD or external monitors to adjust. As the settings are changed, they will be reflected on the camera LCD and external monitors, however the menus will not open on the camera as changes are made. NOTE: You can also enter local mode while in the REDmote is IDLE.
6. Select “Setup Slot”. 7. A new Setup window will appear displaying available parameters to display. 8. Select the desired parameter and press the Enter button. 9. You may now control this parameter directly from the REDmote. 3 SETUP When selected will give you the option to turn the WIreless connection ON or OFF or open the Setup System menu screen. Available options are REDmote LCD screen brightness, REDmote confirmation tone volume and Auto Shutdown time.
SOFT MENU BUTTONS 4-8 To the right of the LCD are five (5) Soft Menu buttons 4-8 (H). These are pages of information showing camera settings and parameters. The available parameters can be customized. Refer to SOFT MENU BUTTONS 1-3 > 2 REMOTE. Page 1 (button 4) Page 2 (button 5) Page 3 (button 6) Page 4 and 5 (button 7 & 8) CHARGING / BATTERY LIFE INDICATORS CHARGE STATUS Charge status is shown by a “Battery” indicator at the lower Right corner of the screen.
BATTERY LIFE When using the REDmote in wireless configuration, the battery will last approximately 8 hours before charging is necessary. NOTE: When not using the REDmote, for maximum battery storage life, use the Power / Lock Switch to power down the REDmote completely by pressing down in the power off position and using the displayed menu to shut down the REDmote and/or the REDmote and camera. Refer to POWER UP / DOWN > POWER DOWN.
CONNECTING / REMOVING This section describes how to physically connect / remove the REDmote to / from an EPIC or EPIC Brain or to / from the back on an expansion module. On the lower left and right sides of the REDmote are Vlock release buttons (B, M) that must be depressed to release the REDmote from the camera or module. PHYSICAL CONNECTING (DOCKING) 1. Place the female V-Mount of the REDmote over the male V-Mount of the camera/module. 2.
REMOVING (UNDOCKING) 1. Depress the two (2) release buttons located on the sides of the REDmote. 2. Slide the REDmote upward to release from the V-Mount of the camera/module. 3. Remove the REDmote. 4. If the REDmote is on when undocked, “Reconnecting” will be displayed and the Green LED will flash. The REDmote will connect with the camera wirelessly (if the REDmote has been paired with the camera previously).
3. On REDmote, press Soft Menu Button 3 under SETUP. 4. Ensure Wireless is On (REDmote will display the option “Turn Wireless Off”). If “Turn Wireless On” is displayed, select it and press the Enter button. In addition, if Wireless is Off, REDLINK OFF will be displayed. NOTE: If wireless needed to be turned on you, will need to press Soft Menu Button 3 again to get back into Setup options. 5. Select “Setup System” to display the Setup System screen. Note the 16-digit number near the bottom of the screen.
7. Under “SCAN FOR REDMOTES” there is a drop down menu. Locate the device with the same 16digit number as displayed on the REDmote Setup System screen. 8. You can also pair the attached REDmote by selecting ATTACHED REDMOTE. 9. Select “PAIR REDMOTE” on the camera. CONNECT REDMOTE TO A PAIRED CAMERA The REDmote is not aware of which cameras are paired with it (when you search for cameras to connect to it will ask the camera if it is paired or not so it only displays paired cameras in the connection list).
2. REDmote will display the name (DEFAULT in this case) and MAC address (in parenthesis) of the camera. This can take 20-30 seconds if RESCAN is selected, otherwise a cached list of cameras found during the last search will be displayed. NOTE: The MAC address after the name will ONLY be displayed if multiple cameras have the same name. NOTE: If more than one camera has been PAIRED with a REDmote, multiple cameras will be listed.
4. The REDmote will connect to the camera and display the cameras current settings and status. The wireless connection will be shown in the lower Right corner of the REDmote screen. 5. The camera LCD or external monitors will confirm the REDmote is connected by displaying RM in Green with a signal symbol next to it. RECONNECT WHEN SIGNAL IS LOST The REDmote keeps track of which camera it was last paired with for quick re-connect on next startup, undocking, or loss of wireless signal.
If no camera is found, REDmote will go into IDLE mode and display “Camera: RESCAN…” When the camera is turned back on, the REDmote will not automatically pair (if the REDmote is left powered up or is powered up before the camera). 1. To reconnect REDmote to the camera (assuming the camera and REDmote have been paired before): a. If the “Camera: RESCAN…” is NOT displayed, press Soft Menu Button 1 under CONNECT. The REDmote will display “Searching”. b.
3. Select the desired camera and press the Enter button. The REDmote will display “Connecting”. 4. The REDmote will connect to the camera and display the cameras current settings and status. The wireless connection will be shown in the lower Right corner of the REDmote screen. POWER UP / DOWN Located on the upper right side of the REDmote is the Power / Lock Switch (refer to CONTROLS).
POWER DOWN USING CAMERA When the REDmote is connected to the camera and the camera is powered down, the REDmote will also power down. When disconnected from the camera, the REDmote will not power down with the camera. USING REDMOTE 1. To power DOWN the REDmote, depress and hold the Power / Lock Switch in the Down direction momentarily, then release. 2. A screen will display with options to power down the REDmote, the camera or both the REDmote AND the camera together.
greatly as there will be a slight power draw on the REDmote when shut down using this procedure. ACCESSING CAMERA CONTROLS / SETTINGS The Navigation Group is used to navigate through the camera’s menus. Refer to CAMERA OPERATIONAL CONTROLS > REDMOTE > NAVIGATION GROUP. The camera settings and status are displayed on the REDmote Color LED display. Refer to BASIC OPERATION > GRAPHICAL USER INTERFACE AND NAVIGATION > REDMOTE.
USING REDMOTE LCD STAND-ALONE The LOCAL function of the REDmote allows you to control the camera settings directly on the REDmote LCD as opposed to having to see the settings on the camera LCD or external monitors. For complete details refer to REDMOTE MENUS > SOFT MENU BUTTONS 1-3 > 2 REMOTE > LOCAL.
RECORDING IMPORTANT: Before recording from a REDmote ensure the camera is properly powered, set up and media is connected. Refer to BASIC OPERATION. To record, press the Red REC (record) button on the REDmote (or any of the other available record buttons). • If media is connected and properly formatted, the upper LED will illuminate Red and the Timecode text will change to Red. • If media is NOT connected, the REDmote and camera LCD will indicate “NO MEDIA ATTACHED”.
SETUP CONFIGURING REDMOTE CONNECTION WITH COMPUTER (MAC) The first step in upgrading REDmote firmware is to establish communication between the MAC and the REDmote. 1. Connect a USB to mini-USB cable between the computer and the USB connector on the REDmote. 2. Go to System Preferences and choose Network. This may open automatically when the REDmote is connected. 3. Look for a device called RNDIS/ ...Gadget. 4. Change Configure IPv4 setting to “Manually” (as shown). 5. In the IP Address field, enter 192.
NOTE: After entering the IP address as shown above you may not connect during the upgrade procedure. When you go back and check the IP address you see that it is 0.0.0.0 HOWEVER the status of the device is shown as “Connected”. If this is the case, you may need to enter the IP address a second or possibly a third time to make it stick. 7. Click “Apply’ at the bottom of the Network window. 8. Proceed to UPGRADING REDMOTE FIRMWARE.
6. Double-click the REDmoteUpgradeApp. A Terminal window will open and the REDmote Software Wizard will open. 7. Click “Connect”. When REDmote has been established, “Connection to REDMOTE has been achieved” will be displayed. NOTE: If REDmote does not connect, verify that the IP address set under CONFIGURING REDMOTE CONNECTION WITH COMPUTER (MAC) has held. If not, enter it again as outlined in the procedure. 8. Click "Select File" and navigate to the redmote.1.
9. Select "Start upgrade". 10. File transfer status will be displayed as a Blue bar. 11. “Updating Firmware” will be displayed with a Green status bar showing upgrade progress. REDmote will also display UPGRADE during this process. Version 3.0 200 ©2011-2012 RED.COM INC. 955-0002_v3.
12. Once the File Transfer Status is completed, the REDmote Software Wizard will display “Please Wait and Don’t Unplug – Firmware Upgrade is in Progress on REDmote”. 13. After a few more seconds, the REDmote Software Wizard will display “Firmware Upgrade Successfully Done”. Select OK. 14. The REDmote Software Wizard will disconnect from the REDmote. 15. REDmote will reboot. 16. REDmote upgrade is complete. REDmote will display “POWER UP”, then “SEARCHING” once the upgrade has completed.
17. Verify the current REDmote firmware version by selecting SETUP > SETUP SYSTEM on the REDmote. 18. REDmote upgrade is complete. You can now reconnect to the camera. NOTE: Pairing of the REDmote may not be necessary after upgrading the REDmote firmware, however after upgrading the camera firmware, you must pair the REDmote again. WINDOWS Install Upgrade Utility This procedure outlines installation of the REDmote Upgrade Utility for Windows computers. 1.
5. Select “I Agree” to the license agreement. 6. On the Choose Components screen, select Install REDmote Firmware. 7. Select “Next”. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
8. Choose location to install the REDmote Upgrade Utility . 9. Choose the location for the shortcut. Version 3.0 204 ©2011-2012 RED.COM INC. 955-0002_v3.
10. The program will now install. A progress bar is displayed while installing. When complete, select Close. 11. The REDmote Upgrade Utility installation is complete. Upgrading REDmote Firmware The following information will guide you through proper upgrading of your REDmote firmware on Windows computers using the REDmote Upgrade Utility. 1. Connect a USB to mini-USB cable between the computer and the USB connector on the REDmote. 2.
NOTE: If when connecting, communication is not established quickly, close the Upgrade Utility, open it again and select Connect again. This may have to be repeated a few times until communication is established. 6. When connected, ”Connection is Established with REDmote” is displayed. 7. To begin upgrade, click on “Select File”. 8. Navigate to the *.bin file for updating the REDmote firmware. NOTE: If you choose an incorrect file, click on “Select File” again to locate the correct file.
9. The selected file is shown in the window. In this case the selected file is: redmote.1.bin. 10. After selecting and verifying the correct file for upgrading the REDmote, select “Start Upgrade”. 11. During the upgrade, the REDmote Software Wizard will display “Please Do Not Unplug” as well as a status bar showing “File transfer progress.” 12. During the upgrade, the REDmote will display “Upgrading Firmware” as well as a status bar showing upgrade progress. Version 3.0 955-0002_V3.
13. When upgrade is complete, the REDmote will automatically reboot and display “REBOOTING” on the screen. 14. The REDmote Software Wizard will display “Firmware Upgrade Successfully Done”. 15. Verify the current REDmote firmware version by selecting SETUP > SETUP SYSTEM on the REDmote. Version 3.0 208 ©2011-2012 RED.COM INC. 955-0002_v3.
16. Select “Disconnect” on the REDmote Upgrade Utility. 17. REDmote firmware upgrade is complete. OPERATING MULTIPLE CAMERAS USING A SINGLE REDMOTE To operate multiple cameras using a single REDmote, first the REDmote must be paired to multiple cameras. Refer to OPERATION > WIRELESS CONNECTION for pairing instructions. After pairing REDmote to the desired cameras, press Soft Menu Button 1 for CONNECT. Available cameras will be listed to connect with wirelessly.
APPENDIX F: 3D SETUP / OPERATION OVERVIEW The following information outlines basic procedures to connect two (2) RED EPIC cameras together in a Master / Slave configuration for 3D operation, operation of cameras in Master / Slave configuration and clip naming conventions for clips recorded on those cameras. The MASTER camera will control only the METADAT parameters of both cameras. On the SLAVE camera, any other setting outside of these will need to be manually changed before recording.
3. Give the camera a unique IP address. 4. Go to SLAVE CAMERA. SLAVE CAMERA Perform the following steps on the Slave camera: 1. Go to SECONDARY MENUS > SETTINGS > SETUP > COMMUNICATION > NAME and give the camera a unique NAME (CAM B, RIGHT, etc…). 2. Under TARGET select NONE. 3. Give the Slave camera a unique IP address different from the Master. CLIP NAMING CONVENTIONS REEL NO.
NOTE: ****** are month xx + day xx + wildcard xx When Master is set to LEFT, Slave is set to RIGHT and both Cam IDs are A, the first clip recorded is: - Master: A001_L001_******.R3D - Slave: A001_R001_******.R3D If Master and Slave are both accidentally set to CENTER and both Cam IDs are different (Master = A / Slave = B), the first clip recorded is: IMPORTANT: This position is NOT recommended when recording in Master / Slave configuration. - Master: A001_C001_******.R3D - Slave: B001_C001_******.
CONNECTING CAMERAS 1. While still powered up, connect both cameras together using a Master/Slave GIG-E Cable P/N 7900163 connected between the GIG-E connectors on the rear of the camera body. 2. Power down both cameras, then power back up. When properly connected, LAN will illuminate Green on the UI. 3. Connect a SYNC cable P/N 790-0154 to each camera and connect as desired to your 3rd party device. • Yellow connector is for Timecode. • Green connector is for Genlock.
Also when making changes to the Secondary menu settings, the Slave camera will not display those changes unless it effects items displayed on the main screen (example: when HDRx is enabled on the Master camera, HDR will change to HDRx on the Slave camera). RECORDING When the power/record button is pressed on the Master camera to start/stop recording, the Slave camera will also start/stop recording.
APPENDIX G: EXPOSURE – USING FALSE COLOR AND ISO NOTE: The following section uses a RED ONE camera display to illustrate exposure tools; however, the same principles apply to EPIC camera systems. RED EPIC provides several advanced exposure indication tools. In the following examples, we will show how these tools respond to a reference scene that is under-exposed, over-exposed and then correctly exposed.
ISO 800 - False Color: Exposure Select False Color – Exposure: note the√ E icon in the GUI when active. This mode allows us to visualize where in the image underexposure is taking place. These areas are indicated in purple. It is clear those areas are under the matchbox and coin, and between the bottle and cigar holder. ISO 800 - False Color: Video Version 3.0 216 ©2011-2012 RED.COM INC. 955-0002_v3.
Select False Color – Video: note the √ V icon in the GUI when active. This mode allows us to check the RGB video levels of the scene. As the peak white chips on the test chart are showing up in green and the underexpose areas are showing up in dark blue, this says the monitor path video levels are only ranging between 44 IRE and 1 IRE. Because the scene is under exposed, when the recorded .
ISO 800 - False Color: Exposure Select False Color – Exposure: note the√ E icon in the GUI when active. This mode allows us to visualize where in the image over exposure is taking place. These areas are indicated in red. It is clear those areas are on the highlight on coin, and at the top right edge of the color chip test chart. Version 3.0 218 ©2011-2012 RED.COM INC. 955-0002_v3.
ISO 800 - False Color: Video Select False Color – Video: note the √ V icon in the GUI when active. This mode allows us to check the RGB video levels of the scene. As all the white chips on the test chart are Yellow, this suggests that a significant portion of the monitor path video is at the maximum legal 100 IRE value. Because the scene is over exposed, when the recorded .
APPROPRIATE EXPOSURE ISO 800 - Monitor Output In this image, the camera is appropriately exposed for this scene. The monitor is neither very dark nor very bright and the histogram is spread evenly given that there are bright highlights on the coin we wish not to blow out. Note that there is no red bar on either the left or the right edges of the histogram and the vertical color stack to the right of the histogram is at yellow.
ISO 800 - False Color: Exposure Select False Color – Exposure: note the√ E icon in the GUI when active. This mode allows us to visualize where there is under exposure (purple) or over exposure (red) in the image. In this case, there is a very small area of purple under the cracker box, and just a suggestion of red on the highlight on the coin, which suggested that the sensor is appropriately exposed for this scene. Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
ISO 800 - False Color: Video Select False Color – Video: note the √ V icon in the GUI when active. This mode allows us to check the RGB video levels of the scene. The two green squares in the upper right corner of the color chart and green in the background indicate that the scene’s mid grey and skin tone elements, plus peak white and blacks are all at appropriate levels.
ADJUSTING THE ISO RATING In the following two examples, the image exposed at ISO 800 rating have had the ISO rating adjusted first to ISO 6400 and then to ISO 100. NOTE: Although the image and Histogram both adjust to changes in the ISO rating, the sensor RAW meters do not change – they always indicate what is happening at the sensor level and hence where the image is truly in noise or at clipping. ISO 6400 - No Exposure Adjustment Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
ISO 100 - No Exposure Adjustment In these extreme examples, it is clear that the RGB domain images are respectively very bright and very dark. The histogram data reflects that, however you can also see that the sensor RAW meters are unchanged. The exposure at the sensor at this point in time is the same. If you choose to close the iris to reduce the brightness of the first image you will be reducing exposure at the sensor – this biases exposure in favor of protecting the scene highlight.
APPENDIX H: POST PRODUCTION RED workflow is quite easy to understand, especially if you have experience with photographic RAW image processing, or shoot 16mm or 35mm film followed by a Telecine transfer to a non-linear video editor and on-line conform. RAW data has a wide dynamic range and color space, so you can freely change the white balance of the footage, adjust exposure and alter highlight and shadow tonality in post-production.
REDCINE-X® PRO REDCINE-X PRO is available for Intel based Mac OSX and Windows XP platforms. In addition to performing white balance and one light color correction, REDCINE-X PRO provides image pan/scan, crop and scaling operations. The application can export either a single clip, or a sequence of clips, as 4K or 2K resolution 10-bit DPX or 16-bit TIFF files. REDCINE-X PRO can also render clips into standalone QuickTime movies using specific HD video codecs.
APPENDIX I: MAINTENANCE WARNING: DO NOT attempt to modify, dismantle or open your camera, lens or other accessory as doing so may expose you to electric shock and serious injury. There are no user-serviceable parts inside. Alteration or repairs made to the camera, lens or other accessory, except by a RED authorized service facility, will void the Limited Warranty. CLEANING All RED products are designed for rugged durability, but precision instruments demand proper care.
DO NOT USE any other solvents, chemicals or third party cleaning kits because they have not been tested on RED TOUCH LCD displays and can possibly damage them. Not approved for use on RED TOUCH LCD displays: • Rubbing Alcohol • Isopropyl Alcohol (<90%) • Windex • Pre-packaged lens cleaner containing any additives, such as detergent, anti-static, fragrance, etc. For proper cleaning and storage, remember to protect the RED TOUCH LCD by storing it in the RED MicroFiber bag.
BACK FOCUS ADJUSTMENT WARNING: THERE IS A SCREW-IN METAL PLUG INSTALLED IN THE CAMERA BODY COVERING THE BACK FOCUS SCREW. THIS PLUG MUST BE REMOVED BEFORE TO PERFORMING A BACK FOCUS ADJUSTMENT. TO REMOVE THE PLUG, USE A T-10 TORX DRIVER. NOTE: To be able to perform this procedure as written, you must have a PL mount and RED Focus™. Back focus is adjusted by turning the back focus adjustment on the top of the camera’s front plate using a T-10 Torx driver.
3. Install RED Focus™ to the camera PL mount. A. Remove the camera lens or sensor cover if equipped. B. Install RED Focus onto the camera in the position shown. C. Ensure RED Focus is secured to the camera with the camera lock ring. RED Focus Properly Installed on Camera 4. Power up the camera. 5. Power up RED Focus. Refer to POWER UP / DOWN. NOTE: Remember that RED Focus will AUTOMATICALLY power down after 3 minutes. Press the Red button on the front to power back up. 6. Set the camera to Magnify.
7. Insert a T-10 Torx® screwdriver into the back focus adjustment screw. The screw is oriented at approximately 80° as shown. Performing Back Focus Adjustment 8. Carefully and slowly, rotate the back focus adjustment screw to achieve optimum focus. - Turning CLOCKWISE moves the sensor forward. - Turning COUNTER-CLOCKWISE moves the sensor rearward. NOTE: The center of the image will never be in perfect focus as the lines are less than 1/3 of a pixel in size. 9.
APPENDIX J: TROUBLESHOOTING NO MEDIA ATTACHED Displayed if media is not present or not formatted when pressing the record button. Connect media to camera if necessary. If media is already connected, format media and attempt to record again. Refer to APPENDIX B: MANAGING DIGITAL MEDIA for detailed information. RECORDING HALTED: RECORD ERROR - SHUTDOWN Displayed if media removed while recording. DO NOT remove media while camera is recording.
APPENDIX K: TECHNICAL DATA TECHNICAL SPECIFICATIONS SENSOR 14 MEGAPIXEL MYSTERIUM X PIXEL ARRAY 5120 (h) x 2700 (v) S/N RATIO 66db DYNAMIC RANGE 13.5 stops, up to 18 stops with HDRx MAX IMAGE AREA 5120 (h) x 2700 (v) LENS COVERAGE 27.7mm (h) x 14.6mm (v) x 31.4 mm (d) DEPTH OF FIELD Equivalent to S35mm (Motion) / APS-H (Still) lenses Equivalent to 16mm (Motion) lens in 2K RAW ACQUISITION FORMATS 5K RAW (Full Frame, 2:1, ANA, WS) 4K RAW (HD) 2K RAW (2.4:1) PROJECT FRAME RATES 23.
BRAIN DIMENSIONS FRONT VIEW Version 3.0 234 ©2011-2012 RED.COM INC. 955-0002_v3.
SIDE VIEW Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
TOP VIEW Version 3.0 236 ©2011-2012 RED.COM INC. 955-0002_v3.
APPENDIX L: RESOLUTION CHART Version 3.0 955-0002_V3.0, REV-A ©2011-2012 RED.COM INC.
IS 800 250 to 12800 ISO Varies WILL VARY BY ATTACHED LENS * Visible ONLY with RED EPIC Canon EOS Mount AND Canon EF / EF-S Lens 1/48 SEC 1/24 to 1/8000 SEC BASIC HDRx DISK PRESETS SELECT EXTERNAL MEDIA PRESET > IMPORT TO CAMERA CAMERA PRESETS SELECT ON-CAMERA PRESET > EXPORT TO EXTERNAL MEDIA SELECT VALUES: Image Project Output System Keys CREATE NEW PRESET CREATE SELECT RMD FROM EXTERNAL MEDIA AND SELECT APPLY RMD PRESET IMPORT/EXPORT EPIC-M & EPIC-X ® TITLE: DELET
99 108 FOCUS 75 TO 107 EXPOSURE LOW IRE 93 TO 109 Center 1.000 0.0 TO 10.0 BLUE VIDEO 47 1 TO 99 EDGE 44 0 TO 84 LOW IRE Look Around: TRANSPARANCY % / COLOR: File Name Lens Info Time Code SHOW: AF Zones Grid OVERLAY 0.000 -10.0 TO 10.0 BRIGHTNESS HIGH IRE DISABLED BY DEFAULT DISABLED BY DEFAULT HIGH IRE ZEBRA 2 ZEBRA 1 ZEBRA 0.000 -1.0 TO 1.0 1.000 CONTRAST 0.0 TO 10.0 1.000 0.0 TO 10.0 1.000 0.00 TO 4.
- 0 + 0 0 TO 59 SECONDS + USER PROVIDED External EXTERNAL USER-PROVIDED EPIC-M & EPIC-X 10dB ® LINK CAM None NONE MODE LIMITER PRO I/O LINK OUTPUT AUTO 1080p 720p FREQUENCY Auto AUTO 23.976/24Hz 25Hz 29.976Hz 47.952/48Hz 50Hz 59.94Hz ©2011-12 RED.COM, INC. 1080p A REV AUTOMATICALLY ASSIGN MENU SCREEN IF ENABLED PLAYBACK * HDMI and HD-SDI cannot be enabledat the same time. Camera MUST be restarted for changes to take effect. SHEET 3 OF 4 VERSION: 3.
LOOK FOCUS Refer to Operation Guide USER KEY Refer to Operation Guide KEY ACTION EPIC-M & EPIC-X CHECKS EXTERNAL MEDIA FOR SOFTWARE UPDATE PROMPTS FOR INSTALL SW UPDATE Off MANUAL / AUTO OFF GENLOCK SHUTTER INTERNAL PROXY SLAVE CALIBRATION Auto FAN CONTROL SYNC MODE 0 - ® √ MENU KEY RETURNS TO SETINGS MENU TITLE: ENABLES TOUCHSCREEN TEST TO EXIT, TAP AND HOLD OR PRESS ENTER BUTTON TOUCHSCREEN REDISCOVERS ALL HARDWARE REQUIRES REBOOT OF CAMERA PROMPTS TO RESTORE TO FACTORY SETTINGS RE
