RED DSMC O P E R AT I O N G U I D E EPIC | SCARLET | V5.3 RED DRAGON | MYSTERIUM-X | MONOCHROME RED.
R E D D S M C O P E R AT I O N G U I D E TABLE OF CONTENTS Disclaimer 3 Copyright Notice 3 Trademark Disclaimer 3 Compliance Statements 4 Safety Instructions 6 Battery Storage and Handling 7 Shipping Disclaimer 7 Chapter 1: DSMC System Introduction 8 Read Before You Shoot 8 DSMC BRAIN 9 RED Digital Sensors 10 R3D File Format and REDCODE 11 Shoot For Video and Stills 12 Post-Production with REDCINE-X PRO 12 HDRx and MAGIC MOTION 13 Additional Resources 13 Chapter 2: DSMC System Components 14
R E D D S M C O P E R AT I O N G U I D E Lenses 198 Appendix D: Default Key Functions 205 Appendix E: Menu Map 208 DISCLAIMER RED has made every effort to provide clear and accurate information in these installation instructions, which are provided solely for the user’s information.
R E D D S M C O P E R AT I O N G U I D E COMPLIANCE STATEMENTS CAUTION: Regulations of the FCC and FAA prohibit airborne operation of radio-frequency wireless devices because there signals could interfere with critical aircraft instruments. INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS This device complies with Industry Canada license-exempt RSS standards RSS 139 and RSS 210.
R E D D S M C O P E R AT I O N G U I D E INFORMATION NORWAY Products with the CE marking comply with the EMC Directive (2004/108/EC) and the Low Voltage Directive (2006/95/EC) issued by the Commission of the European Community. Compliance with these directives implies conformity to the following European Product Family Standards.
R E D D S M C O P E R AT I O N G U I D E SAFETY INSTRUCTIONS DO NOT use the camera or accessories near water. Avoid exposing your camera to moisture. The unit is not waterproof, so contact with water could cause permanent damage to the unit as well as electric shock and serious injury to the user. DO NOT use the camera in the rain or under other conditions with high moisture without appropriate protection, and immediately remove power source if camera or accessories are exposed to moisture.
R E D D S M C O P E R AT I O N G U I D E BATTERY STORAGE AND HANDLING WARNING: Failure to read, understand, and follow these instructions may result in overheating, chemical leakage, smoke emission, fire, or other potentially harmful results. Always follow proper battery handling and storage practices. Improper handling and/or failure to abide by proper storage instructions may cause permanent damage to batteries, or degrade battery charge holding capacity.
R E D D S M C O P E R AT I O N G U I D E 01 DSMC SYSTEM INTRODUCTION EPIC Digital Still and Motion Cameras (DSMC) The RED ® Digital Still and Motion Camera (DSMC ® ) system delivers high performance digital imaging over a wide range of frame rates and optical formats. This section introduces the imaging capabilities and advanced features of the DSMC system.
R E D D S M C O P E R AT I O N G U I D E DSMC BRAIN EPIC-M BRAIN (Left) and SCARLET-X BRAIN (Right) The RED Digital Still and Motion Camera (DSMC) system is a model for image innovation, ushering digital cinema and photography technology into the next generation. At the center of RED modular system is the DSMC BRAIN ® , housing the critical image capture electronics and digital image sensor.
R E D D S M C O P E R AT I O N G U I D E RED DIGITAL SENSORS Each EPIC or SCARLET BRAIN is equipped with one of the following sensors: RED DRAGON (6K) MYSTERIUM-X (5K) MONOCHROME (5K) RED DRAGON MONOCHROME (6K) RED DRAGON SENSOR RED DRAGON 6K Resolution The RED DRAGON sensor captures over nine (9) times more resolution than standard HD. The result is unrivaled detail and impressive native exposure that exceeds 35mm film in both latitude and image density.
R E D D S M C O P E R AT I O N G U I D E The MYSTERIUM-X sensor includes high-precision analog to digital conversion, capable of delivering up to 13.5 stops of dynamic range with daytime light sources 800 ISO. With HDRx ® , dynamic range can be extended up to approximately 18 stops. MONOCHROME AND RED DRAGON MONOCHROME SENSORS MONOCHROME Sensor Still The MONOCHROME (5K) and RED DRAGON MONOCHROME (6K) are the black and white (B&W) equivalent of the MYSTERIUM-X and RED DRAGON sensors, respectively.
R E D D S M C O P E R AT I O N G U I D E SHOOT FOR VIDEO AND STILLS High resolution video, such as the digital footage captured by the RED DSMC, has surpassed the detail necessary to produce professional full-sized prints. Because of the ability to record at high frame rates and resolution, the DSMC is ideally suited to capture video and still images, simultaneously. Using REDCINE-X PRO, or other editing applications supporting the RED SDK, you can pull full resolution still images from R3D files.
R E D D S M C O P E R AT I O N G U I D E HDRX AND MAGIC MOTION HDRx HDRX HDRx extends dynamic range up to six (6) stops by simultaneously capturing two (2) images of identical resolution and frame rate. The first image is a normally exposed track (A-track), while the second is an underexposed track (X-track) with an exposure value that reflects the additional stops of highlight protection. These tracks are “motion-conjoined” during recording, leaving no time gap between the two (2) exposures.
R E D D S M C O P E R AT I O N G U I D E 02 DSMC SYSTEM COMPONENTS EPIC-M RED DRAGON Kit This section provides an overview of the RED DSMC system components, including: “BRAIN” on page 15 “DSMC Media Modules” on page 16 “REDMAG and RED MINI-MAG Systems” on page 18 “DSMC Adaptor Modules” on page 19 “DSMC Power Modules” on page 21 “RED Batteries and Chargers” on page 22 “Other DSMC Modules” on page 23 “Displays and Electronic Viewfinders” on page 25 “DSMC Remotes and Con
R E D D S M C O P E R AT I O N G U I D E BRAIN EPIC BRAIN (Side) The BRAIN is the image processing center of the DSMC system and supports power, media, and other modules. BRAIN CONTROL: PWR/REC BUTTON Fully press and hold the PWR/REC button for two (2) seconds to turn on/off. When the DSMC is on, fully press and then release the PWR/REC button to toggle record start/stop. BRAIN LEDS This section describes the LED functions for all BRAINs.
R E D D S M C O P E R AT I O N G U I D E DSMC MEDIA MODULES This section describes the DSMC media modules. RED offers the following DSMC media modules: ITEM PART NUMBER DSMC 1.8" SSD Side Module 720-0013 N/A DSMC 1.8" SSD Side Module (DRAGON) 1 Carbon Fiber DSMC 1.8" SSD Side Module (DRAGON) N/A 2 RED MINI-MAG Side SSD Module 720-0021 Carbon Fiber RED MINI-MAG Side SSD Module 2 N/A Rear SSD Module 720-0009 1. The DSMC 1.
R E D D S M C O P E R AT I O N G U I D E DSMC SIDE SSD MODULE CONTROLS CONTROL DESCRIPTION User Key 1 Programmable key User Key 1 + 2 Press: Eject Media User Key 2 Programmable key User Key 1 + 2 Press: Eject Media REC button Programmable key Full Press: Record Toggle Half Press: AF Start REAR SSD MODULE Rear SSD Module The Rear SSD Module secures to the back of a Module Adaptor or a +1 Adaptor Module to serve as a rear location for recording to a REDMAG 1.8" SSD.
R E D D S M C O P E R AT I O N G U I D E REDMAG AND RED MINI-MAG SYSTEMS This section describes the REDMAG and RED MINI-MAG systems. RED MINI-MAG (512GB) REDMAG 1.8" SSDs and RED MINI-MAG SSDs deliver fast and reliable recording options for your DSMC. RED STATIONs ® enable you to connect media to your computer for offloading and editing. RED offers the following REDMAG 1.
R E D D S M C O P E R AT I O N G U I D E DSMC ADAPTOR MODULES This section describes the DSMC adaptor modules. Module Adaptor (left) and +1 Adaptor Module (right) DSMC adaptor modules enable you to connect other DSMC modules to the BRAIN for expandable functionality. The +1 Adaptor Module provides an auxiliary power port for accessories and an additional EVF/LCD port for additional monitor viewing and output.
R E D D S M C O P E R AT I O N G U I D E +1 ADAPTOR MODULE CONNECTIONS 1 2 3 4 5 +1 Adaptor Module # CONNECTOR CONNECTOR TYPE CONNECTOR FUNCTION 1 Mounting 1/4-20 mounting Supports bolt-on auxiliary equipment 2 EVF/LCD 1 N/A Custom digital video and power interconnection between BRAIN and RED EVF or RED LCD; Pinout not published 3 Auxiliary power out (PWR) 4-pin 0B LEMO Supplies unregulated (+) 11.
R E D D S M C O P E R AT I O N G U I D E DSMC POWER MODULES This section describes the DSMC power modules. Pro Battery Module (Quad) DSMC power modules attach to a Module Adaptor or +1 Adaptor Module to provide the DSMC with flexible power options for REDVOLT ® , REDVOLT XL, and RED BRICK ® batteries. When used in combination with a DSMC AC Power Adaptor or DSMC Side Handle, you can hot-swap batteries without interrupting recording.
R E D D S M C O P E R AT I O N G U I D E RED BATTERIES AND CHARGERS This section describes the RED lithium-ion batteries and charger solutions. REDVOLT XL (left) and REDVOLT (right) The REDVOLT, REDVOLT XL, and RED BRICK are lightweight, rechargeable lithium-ion battery cells that provide sustained power to the BRAIN. These batteries provide long-term mobile power and attach to the BRAIN via a DSMC power module or other RED accessory, such as the DSMC Side Handle.
R E D D S M C O P E R AT I O N G U I D E OTHER DSMC MODULES This section describes other DSMC modules. RED offers the following miscellaneous DSMC modules: ITEM PART NUMBER Pro I/O Module 720-0004 RED 4K Broadcast Module 1 720-0025 1. The 4K Broadcast Module requires that your DSMC is on firmware v5.2.28 or later.
R E D D S M C O P E R AT I O N G U I D E RED 4K BROADCAST MODULE RED 4K Broadcast Module The RED 4K Broadcast Module allows for live 4K streaming, enabling you to capture and view action in realtime. Compatible with both EPIC DRAGON and SCARLET DRAGON cameras, the 4K Broadcast Module uses four (4) 3G-SDI output connections to broadcast 4K video at up to 60 frames per second. Five (5) 1/4-20 mounting holes are built into the top of the module, allowing for various mechanical peripherals to be attached.
R E D D S M C O P E R AT I O N G U I D E DISPLAYS AND ELECTRONIC VIEWFINDERS This section describes the RED displays and electronic viewfinders (EVFs). RED offers the following displays and EVFs: ITEM PART NUMBER RED Touch 5.0" LCD (800 x 400 resolution) 730-0008 RED Touch 7.0" LCD 1 (1920 x 1136 resolution) 730-0007 RED Touch 9.0" LCD (1280 x 784 resolution) 730-0011 RED PRO LCD 7" (1024 x 600 resolution) 730-0009 BOMB EVF ® (LCOS) 730-0004 BOMB EVF (OLED) 730-0010 1. The RED Touch 7.
R E D D S M C O P E R AT I O N G U I D E BOMB EVF (LCOS) AND BOMB EVF (OLED) The BOMB EVF (LCOS) and BOMB EVF (OLED) deliver specialized viewing solutions for the DSMC. The BOMB EVF (LCOS) is a high-definition, lightweight, and low-profile viewfinder. The BOMB EVF (OLED) uses OLED technology, providing deeper blacks and more color accurate images. ITEM RESOLUTION CONTRAST RATIO DIOPTER RANGE BOMB EVF (LCOS) 1280 (wide) x 784 (high); full color 1000:1 typical 2.0 to –5.0.
R E D D S M C O P E R AT I O N G U I D E DSMC REMOTES AND CONTROLS This section describes the DSMC remotes and controls. The DSMC Side Handle, REDMOTE, and REDLINK Bridge provide a wide array of programmable buttons, controls, and other features to interact with the DSMC. RED offers the following DSMC remotes and controls: ITEM PART NUMBER DSMC Side Handle 720-0012 RED Switchblade-M 1 720-0026 REDMOTE 770-0006 REDLINK Bridge (REDLINK Development Kit) 720-0028 1.
R E D D S M C O P E R AT I O N G U I D E RED SWITCHBLADE-M RED Switchblade-M The RED Switchblade-M is a low-profile and lightweight interface solution that mounts to the side of the DSMC BRAIN. With a 1.7" OLED display and full navigation controls, the RED Switchblade-M grants full access to DSMC menus while optimizing the size and weight of y our camera configuration. For a full list of RED Switchblade-M user keys and default actions, go to “Default Key Functions” on page 205.
R E D D S M C O P E R AT I O N G U I D E REDLINK BRIDGE REDLINK Bridge The REDLINK Bridge is a wireless module that provides communication support for third-party app development. The REDLINK Bridge attaches to the rear of the BRAIN or other compatible DSMC rear module. The REDLINK Bridge is part of the REDLINK Development Kit and uses the REDLINK Command Protocol (RCP) to communicate information between the DSMC and your application.
R E D D S M C O P E R AT I O N G U I D E DSMC LENS MOUNTS This section describes the DSMC lens mounts. DSMC Ti PL Mount RED offers the following DSMC lens mounts: ITEM PART NUMBER DSMC Ti PL Mount 725-0003 DSMC Al Canon Mount 725-0004 DSMC Ti Canon Mount 725-0005 DSMC Al Nikon Mount 725-0006 DSMC Ti Nikon Mount 725-0007 DSMC Al Leica-M Mount 725-0008 725-0012 DSMC MOTION MOUNT Ti PL 1 DSMC MOTION MOUNT Ti Canon 1 725-0014 1.
R E D D S M C O P E R AT I O N G U I D E DSMC INTERCHANGEABLE OLPFS This section describes the DSMC Interchangeable OLPF system and modular OLPFs. DSMC Interchangeable OLPF System The DSMC Interchangeable OLPF system is an upgrade to the optical low-pass filter (OLPF) in your EPIC DRAGON or SCARLET DRAGON. The modular mounting system enables you to remove and replace OLPFs to achieve optimal color reproduction in any lighting and environment.
R E D D S M C O P E R AT I O N G U I D E 03 DSMC BASIC OPERATIONS POWER OPERATIONS This section describes the basic power operations of the DSMC system. For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads. WARNING: Modules, displays, and accessories are NOT HOT SWAPPABLE, meaning that you cannot remove or install the item while the camera is turned on. Before installing or removing a module, display, or accessory, you MUST turn off the camera.
R E D D S M C O P E R AT I O N G U I D E POWER PRIORITY When multiple power sources are connected to the BRAIN, power consumption is prioritized in this sequence: 1. DC power supply (DC IN connector) 2. Attached RED BRICK (Lowest state of charge first) 3. Battery module batteries (SEARAY connector; lowest state of charge first) 4. REDVOLT battery in an attached DSMC Side Handle POWER CONSUMPTION The BRAIN draws approximately 60 W when recording in 5K resolution, at 24 FPS.
R E D D S M C O P E R AT I O N G U I D E CONFIGURE YOUR DSMC This section describes common options for configuring your DSMC system. INSTALL THE DSMC SIDE HANDLE WARNING: Before installing or removing the DSMC Side Handle, you MUST turn off the BRAIN. REQUIRED TOOL: T10 Torx driver 1. Turn off the BRAIN. 2. Use a T10 Torx driver to remove the single screw located at the bottom of the BRAIN side plate (if the side plate is installed). Remove the BRAIN side plate 3.
R E D D S M C O P E R AT I O N G U I D E INSTALL THE RED SWITCHBLADE-M WARNING: Before installing or removing the RED Switchblade-M, you MUST turn off the BRAIN. REQUIRED TOOL: T10 Torx driver 1. Turn off the BRAIN. 2. Use a T10 Torx driver to remove the single screw located at the bottom of the BRAIN side plate (if the side plate is installed). 3. Rotate the BRAIN side plate upwards to disengage the lip at the top of the side plate from the BRAIN, and remove the BRAIN side plate. 4.
R E D D S M C O P E R AT I O N G U I D E INSTALL THE MODULE ADAPTOR You must install an adaptor module on the back of the BRAIN before you install a DSMC module. REQUIRED TOOL: T20 Torx driver 1. Turn off the BRAIN. 2. Remove the REDMOTE, if attached. 3. Position the Module Adaptor over the V-mount on the rear of the BRAIN. Install Module Adaptor 4. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns each using a T20 Torx driver.
R E D D S M C O P E R AT I O N G U I D E REMOVE THE MODULE ADAPTOR REQUIRED TOOL: T20 Torx driver 1. Turn off the BRAIN. 2. Use a T20 Torx driver to loosen the screws attaching the Module Adaptor to the BRAIN. 3. Remove the Module Adaptor from the BRAIN. INSTALL THE +1 ADAPTOR MODULE REQUIRED TOOL: T20 Torx driver 1. Turn off the BRAIN. 2. Remove the REDMOTE, if attached. 3. Position the +1 Adaptor Module over the V-mount on the rear of the BRAIN.
R E D D S M C O P E R AT I O N G U I D E 4. Insert the HDMI connector into the HDMI port on the BRAIN. Insert the HDMI connector to the BRAIN 5. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns each using a T20 Torx driver. DO NOT FULLY TIGHTEN. Tighten screws 6. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T20 Torx driver. WARNING: DO NOT OVERTIGHTEN.
R E D D S M C O P E R AT I O N G U I D E ATTACH A DSMC MODULE REQUIRED TOOL: T20 Torx driver 1. Turn off the BRAIN. 2. Insert the lip at the top of the module into the recess at the top of the adaptor module. Insert module lip 3. Rotate the module down flush with the rear of the adaptor module. Press module flush 4. Apply pressure and use a T20 Torx driver to turn the lock on the bottom of the adaptor module clockwise into the Lock position. REMOVE A DSMC MODULE REQUIRED TOOL: T20 Torx driver 1.
R E D D S M C O P E R AT I O N G U I D E REPLACE THE HOOD SCOOP REQUIRED TOOL: T8 Torx driver The hood scoop on some EPIC-X and EPIC-M models extends beyond the rear plane of the BRAIN. RED offers shorter hood scoops so that you can attach an LCD or other accessory to the mounting locations on the top of the +1 Adaptor Module. Replace the hood scoop To replace DSMC fan hood scoop, follow the instructions below: 1. Turn off the BRAIN. 2. Remove the four (4) M3x0.
R E D D S M C O P E R AT I O N G U I D E DSMC INTERCHANGEABLE OLPF SYSTEM This section describes the process for swapping a DSMC Interchangeable OLPF. WARNING: Read these instructions carefully and in their entirety before removing or installing a DSMC Interchangeable OLPF. Damage caused to the OLPF module, camera, or sensor due to improper handling or use is not covered under warranty. WARNING: Once an interchangeable OLPF is removed from the BRAIN, the sensor is exposed.
R E D D S M C O P E R AT I O N G U I D E 6. Remove the four (4) M2x0.4 x 4 mm OLPF module screws (P/N 600-0224) in a cross pattern (“X” pattern) using a T6 Torx driver. Remove OLPF module screws 7. Remove the OLPF module and place it in the protective case. Remove the OLPF module COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E 8. Use an LED light to ensure that the optical cavity is clean and free from dust or debris. Ensure optical cavity is clean and free of debris 9. Ensure the desired OLPF module is clean and free of debris. 10. Insert the OLPF module. 11. Replace and loosely tighten the four (4) M2x0.4 x 4 mm OLPF module screws (P/N 600-0224) in a cross pattern (“X” pattern) using a T6 Torx driver. DO NOT FULLY TIGHTEN. Replace the OLPF module and screws 12.
R E D D S M C O P E R AT I O N G U I D E 14. Replace and loosely tighten the four (4) M4x0.7 x 8 mm lens mount screws in a cross pattern (“X” pattern) using a T20 Torx driver. DO NOT FULLY TIGHTEN. 15. Fully tighten the four (4) lens mount screws in a cross pattern (“X” pattern) using a T20 Torx driver. DO NOT exceed 350 in-oz, or damage may occur. NOTE: DO NOT OVERTIGHTEN. Replace Lens Mount 16. Turn on the BRAIN. 17. Go to Menu > Settings > Maintenance > OLPF. 18.
R E D D S M C O P E R AT I O N G U I D E VERIFY INSTALLED OLPF You can see which DSMC Interchangeable OLPF is installed even when a DSMC lens mount is attached. The OLPF type is labeled in two (2) locations on each DSMC Interchangeable OLPF.
R E D D S M C O P E R AT I O N G U I D E VIDEO MONITOR OUTPUTS The monitoring path converts RAW sensor data to a white balanced 12-bit depth 1920 x 1080 pixel RGB 4:4:4 video signal. The signal may be modified using ISO, White Balance, or other RGB color space adjustments. The signal is then scaled and gamma-corrected to provide monitor outputs at 10-bit depth in 4:2:2 YCC or 8-bit depth in 4:4:4 RGB. The DSMC offers the following monitor outputs: EVF/LCD: Supports a RED EVF or LCD display.
R E D D S M C O P E R AT I O N G U I D E RECORD VIA HD-SDI OR HDMI This section describes how to record via HD-SDI or HDMI through simultaneous record (recording to an SSD and an external recorder at the same time) or external record only. For more information on how to enable default menus for a external recorder, go to “Cannot Use Touchsreen or DSMC Side Handle” on page 171. SIMULTANEOUS RECORD You can record simultaneously to an external recorder and RED media.
R E D D S M C O P E R AT I O N G U I D E 04 BASIC MENUS AND CONTROLS This chapter describes the DSMC Basic Menu, controls, including: “Upper Status Row (Basic Menu)” on page 49 “Live Action Area” on page 53 “Lower Status Row” on page 54 “Navigation Controls” on page 57 For more information, go to “Navigation Controls” on page 57 or “Default Key Functions” on page 205.
R E D D S M C O P E R AT I O N G U I D E UPPER STATUS ROW (BASIC MENU) The Upper Status Row displays basic project parameters. The currently selected parameter in the Upper Status Row is underlined with a red bar. The Upper Status Row is also known as the Basic Menu. 9 1 2 3 4 5 6 7 8 Upper Status Row The Upper Status Row includes the following GUI elements: # UPPER STATUS ROW ITEM DESCRIPTION FOR MORE INFORMATION, GO TO...
R E D D S M C O P E R AT I O N G U I D E ACCESS ADVANCED MENUS In the menu for every Upper Status Row item (except for REDCODE) you can select the Advanced... button to access the related menu in the Advanced Menus. For example, select Advanced... in the Frame Rate menu to open Menu > Settings > Project > Frame Rate. For more information about Advanced Menus, go to “Advanced Menus” on page 63. Select “Advanced...” Button “Advanced...” Menu COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E FEATURE: EDIT LIST Select the Edit List... button in the Upper Status Row menus to change the values that display for each setting. For example, if you open the Frame Rate menu and select Edit List..., the camera lets you add or remove values to available frame rates. Select “Edit List...” Button “Edit List...” Menu COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E F STOP (T STOP) The F stop (also known as the T stop or aperture) parameter displays when a compatible mount and lens are installed. The aperture controls the depth of field of the image and, in combination with the shutter speed/angle setting, controls the amount of light that reaches the sensor (exposure). Increasing the F stop to a higher number increases the depth of field, but reduces the exposure (brightness).
R E D D S M C O P E R AT I O N G U I D E LIVE ACTION AREA The Live Action Area contains the recorded image area plus Surround View look around area, plus overlays for Frame Guides, Safe Action/Safe Title, Clip Name, and Timecode values. The color of each overlay can be customized to maximize the contrast between the guide(s) and scene being captured.
R E D D S M C O P E R AT I O N G U I D E LOWER STATUS ROW The Lower Status Row provides accss to key system information and camera values. 1 2 3 4 5 6 Lower Status Row The Lower Status Row provides key system information and camera values, including: # LOWER STATUS ROW ITEM SUB-ITEM/DESCRIPTION FOR MORE INFORMATION, GO TO...
R E D D S M C O P E R AT I O N G U I D E HISTOGRAM This section describes the elements that comprise the Histogram section in the Lower Status Row. This section of the GUI helps ensure that recorded footage is properly exposed. Tap the Histogram in the Lower Status Row to access the Tools menu. For more information, go to “Tools” on page 64.
R E D D S M C O P E R AT I O N G U I D E Green: Analog timecode is used to jam the time of day time code. For more information, go to “Timecode, Genlock, Multi-Camera Setup” on page 150. GEN INDICATOR Then GEN indicator shows the current genlock status. Gray: No genlock signal is detected, or the signal cannot cross-lock to project (24.00 FPS vs. 23.98 FPS). Red: During process of sync, or genlock is lost while recording.
R E D D S M C O P E R AT I O N G U I D E Yellow: 5 to 10 minutes Red: <5 minutes NAVIGATION CONTROLS This section describes basic controls for navigating the DSMC menus. TOUCHSCREEN NAVIGATION RED Touch displays offer intuitive menu control and four (4) programmable buttons. 1 2 3 4 RED Touch 7.
R E D D S M C O P E R AT I O N G U I D E NAVIGATION GROUP The Navigation Group is the primary control interface on the DSMC Side Handle, RED Switchblade-M, and REDMOTE.
R E D D S M C O P E R AT I O N G U I D E DSMC SIDE HANDLE This section describes the controls and display of the DSMC Side Handle.
R E D D S M C O P E R AT I O N G U I D E DSMC SIDE HANDLE DISPLAY The DSMC Side Handle displays Basic Menu parameters and other system status information.
R E D D S M C O P E R AT I O N G U I D E RED SWITCHBLADE-M This section describes the controls and display of the RED Switchblade-M.
R E D D S M C O P E R AT I O N G U I D E RED SWITCHBLADE-M DISPLAY The RED Switchblade-M OLED display provides basic camera parameters during operation.
R E D D S M C O P E R AT I O N G U I D E 05 ADVANCED MENUS DSMC ADVANCED MENUS DSMC Advanced Menu The Advanced Menus include: ADVANCED MENU DESCRIPTION FOR MORE INFORMATION, GO TO...
R E D D S M C O P E R AT I O N G U I D E SETTINGS MENU The Settings menu includes: Display, Look, Project, Audio, Recording, Setup, and Maintenance. Settings Menu DISPLAY The Display menu includes: Tools, Zebra, Monitor Control, Modes, Guides, Test Signals, and 4K Broadcast (the 4K Broadcast menu is only accessible when a RED 4K Broadcast Module is installed). TOOLS The Tools menu provides access to false color and display modes.
R E D D S M C O P E R AT I O N G U I D E VIDEO Displays a color overlay that indicates the video level of the RGB monitor path (calibrated to the SMPTE test signal). When enabled, the “V√” indicator displays in the Lower Status Row. Colors are based on the RGB levels of the video out signal (that is, the “cooked” look, and not RAW data). The RGB settings (settings in the Look menu) affect the Video indicators.
R E D D S M C O P E R AT I O N G U I D E DISPLAY MODES Display mode options include: Magnify, RAW, and Horizon. MAGNIFY Displays the central region of the sensor in 1:1 pixel resolution. When enabled, the 1:1 text in the Lower Status Row turns green, and the AF Window and the magnified region display. The AF Window determines the center point of the magnified region. If the lens or lens mount is not capable of autofocus with the DSMC, use Confirm mode to turn on the AF Window.
R E D D S M C O P E R AT I O N G U I D E ZEBRA Use Zebra mode to enable and adjust the upper and lower values for two (2) independent zebra indicators. Use Zebra 1 for highlight exposure, and use Zebra 2 for mid-tones or shadows. Zebras are visible in Magnify mode and are disabled by default. As with other IRE-based modes, zebra mode is applicable to the current ISO and Look settings, and not the RAW image.
R E D D S M C O P E R AT I O N G U I D E FREQUENCY Determines the monitor frequency. Available frequencies depend on the selected monitor. For HD-SDI monitors, the frequency depends on the project time base. For more information, go to “HD-SDI Out” on page 188 and “HDMI Out” on page 189. CURVE Determines which curve the camera applies to the monitor when using the Independent Display LUT feature. For more information, go to “Independent Display LUT” on page 76.
R E D D S M C O P E R AT I O N G U I D E OVERLAY Create custom overlays that include specific items. Overlays can be stored on the camera or transferred to SSD to be shared with other cameras. Camera: Overlays saved internally on the camera display in the Overlay drop-down menu on the Monitor Control > Monitor tab. Media: Overlays saved to an SSD can be found at S-SSD\Overlays. NOTE: Overlays that end with (RED) are provided by default and cannot be edited, deleted, or exported.
R E D D S M C O P E R AT I O N G U I D E 5. Select a button on the matrix to add a user interface element to that position on the matrix. By default, the Magnify indicator (MI) is on the top left, the Record indicator (REC) is on the top right, the Clip Name (CLIP) is on the bottom left, and the Timecode (TC) is on the bottom right. Selecting one (1) of the buttons opens a new dialog that lets you choose a user interface element. 6. Select the Item that you want to add. 7. Select the Size of the item.
R E D D S M C O P E R AT I O N G U I D E BRIGHTNESS Control the brightness of each LCD and EVF. Move to the right for a brighter display; move to the left for a dimmer display. Side UI LCD controls the brightness of the Switchblade-M LCD. NOTE: A rear LCD/EVF is an LCD/EVF that is plugged into any rear RED module, such as the +1 Adaptor Module or the Pro I/O Module. ADVANCED Provides access to additional gestures, settings, and themes.
R E D D S M C O P E R AT I O N G U I D E DISPLAY MODES Use the Modes menu to determine how the following settings display: Camera Lens CAMERA TAB Display Mode: Camera EXPOSURE Time (Absolute): Displays the exposure time in seconds (1/xx sec). When you change the frame rate in this mode, the shutter time stays the same, but the shutter angle changes. Time (Absolute) is the default. Angle (Relative): Displays the exposure as an angle (1–360°).
R E D D S M C O P E R AT I O N G U I D E LENS TAB Display Mode: Lens APERTURE (F STOP) 1/4 F#: F stop (aperture) increments in 1/4 stops. 1/3 F#: F stop (aperture) increments in 1/3 stops. (Default) FOCUS DISTANCE Metric: Displays lens focus distances in meters. Imperial: Displays lens focus distances in feet and inches. (Default) MOTION MOUNT ND AND MOTION MOUNT ISO PULL Only applicable when using a DSMC RED MOTION MOUNT.
R E D D S M C O P E R AT I O N G U I D E WIDTH/HEIGHT The Width/Height fields replace the Scale field when you select Absolute from the Mode drop-down menu. Select the values for the width and height of the guide in pixels. OFFSET X/Y Percentage to offset guide from its default centered position. Available range is 0–100%. 100%: Right-aligned (for X offset) and bottom-aligned (for Y offset). -100%: Left-aligned (for X offset) and top-aligned (for Y offset).
R E D D S M C O P E R AT I O N G U I D E COLOR Saturation: Adjusts color saturation. Range is 0.0 (monochrome) to 4.0 (super color). Default is 1.0. Contrast: Adjusts the overall contrast of the image. Range is –1.0 (flat) to 1.0 (max contrast). Default is 0.0. Brightness: Adjusts brightness without crushing highlights. Available range is –10.0 to 10.0. Default is 0.0. Exposure: Adjusts exposure compensation. Available range is –7.0 to 7.0. Default is 0.0.
R E D D S M C O P E R AT I O N G U I D E COLOR/GAMMA Adjust the monitor output Color Space and Graded Gamma curves. These settings affect metadata only, and can be changed in REDCINE-X PRO. COLOR SPACE AND GRADED GAMMA SPACE RED recommends using the most recently released Color Space and Graded Gamma settings. Use legacy settings (such as REDcolor2) only if you need to record footage to match footage that you recorded with that legacy setting.
R E D D S M C O P E R AT I O N G U I D E 6. Select the curve that you want to apply to the output for the selected monitor from the Curve drop-down menu: ‒ ‒ Neutral: The Neutral Gamma Space displayed on the Color/Gamma menu is applied to the output. ‒ ‒ Graded: The Graded Gamma Space selected on the Color/Gamma menu is applied to the output. 7. Repeat Step 5 and Step 6 for each monitor you are using. 8. To return to the Color/Gamma menu, select Close.
R E D D S M C O P E R AT I O N G U I D E COLOR TEMPERATURE Select a color temperature. The range is 1700 to 10,000 KELVIN, and the default is 5600 KELVIN. NOTE: The Color Temperature settings are not accessible on BRAINs with MONOCHROME or RED DRAGON MONOCHROME sensors. TINT Color temperature calculations assume a pure light source that may not be true in the specific scene the camera is imaging.
R E D D S M C O P E R AT I O N G U I D E PROJECT TIME BASE Select the project time base, which is the rate at which the footage will be played back. The project time base displays in the lower left corner of the display. The following project time bases are available: 23.98 FPS (Default) 24.00 FPS 25.00 FPS 29.97 FPS 47.95 FPS 48.00 FPS 50.00 FPS 59.
R E D D S M C O P E R AT I O N G U I D E EPIC DRAGON FRAME RATES The table below describes the maximum frame rate for each resolution of the EPIC DRAGON. The minimum frame rate is always 1 FPS. The table below omits rows for the anamorphic formats, since the maximum frame rate for each anamorphic format and the corresponding non-anamorphic format is the same. NOTE: Frame rates below are based on a 23.98 time base, 8:1 compression, and Lookaround disabled.
R E D D S M C O P E R AT I O N G U I D E FORMAT MAX FRAME RATE (FPS) FORMAT MAX FRAME RATE (FPS) 4K HD 120.83 2K HD 240.55 4K 6:5 120.83 2K 6:5 240.55 4K 3:2 102.08 2K 3:2 202.74 4K 4:3 90.807 2K 4:3 180.49 4K 5:4 85.164 2K 5:4 169.34 4K 4:1 252.55 2K 4:1 400.00 4K 8:1 400.00 2K 8:1 400.00 COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E SCARLET DRAGON FRAME RATES The table below describes the maximum frame rate for each resolution of the SCARLET DRAGON. The minimum frame rate is always 1 FPS. NOTE: Frame rates below are based on a 23.98 time base, 8:1 compression, with Lookaround disabled. FORMAT MAX FRAME RATE (FPS) 6K FF 12.08 (in Burst mode) 5K FF 24.62 5K 2:1 25.95 5K WS 30.71 5K HD 26.24 5K 6:5 38.63 4K FF 38.61 4K 2:1 40.87 4K WS 48.22 4K HD 41.16 4K 6:5 60.
R E D D S M C O P E R AT I O N G U I D E EPIC MYSTERIUM-X AND SCARLET MYSTERIUM-X FRAME RATES The table below describes the maximum frame rate for each resolution of the EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X. The minimum frame rate is always 1 FPS. The table below omits rows for the anamorphic formats, since the maximum frame rate for each anamorphic format and the corresponding non-anamorphic format is the same. NOTE: Frame rates below are based on a 23.
R E D D S M C O P E R AT I O N G U I D E EXPOSURE Select the exposure (shutter speed) of each frame. You can change exposure while recording. Decreasing shutter speed increases the amount of time that light hits the sensor, which increases exposure and motion blur of moving objects. Increasing shutter speed decreases the amount of time that light hits the sensor, which decreases exposure and motion blur of moving objects. The Upper Status Row displays the exposure as either shutter speed or shutter angle.
R E D D S M C O P E R AT I O N G U I D E TIMECODE For more information about timecode, go to “Timecode, Genlock, Multi-Camera Setup” on page 150. TIMECODE SOURCE MODE DESCRIPTION User Provided (Internal) Use Real Time Clock (RTC) Uses the internal Real Time Clock as the timecode counter source. You can set the hours, minutes, and seconds in the numerical boxes on the screen. Set Manually Define a custom value as the timecode counter seed.
R E D D S M C O P E R AT I O N G U I D E FORMAT Use the Format menu to select the resolution, aspect ratio, anamorphic setting, and lookaround setting. After selecting format settings, select Set Format. EPIC DRAGON FORMATS The table below describes the formats that are available for EPIC DRAGON. Default for EPIC DRAGON is 6K 2:1. The table below omits rows for the anamorphic formats, since the pixel dimensions for each anamorphic format and the corresponding non-anamorphic format are the same.
R E D D S M C O P E R AT I O N G U I D E RESOLUTION DESCRIPTION DIMENSIONS (PIXELS) WIDTH HEIGHT 4.5K 3:2 4.5K RAW 3:2 4320 2880 4.5K 4:1 4.5K RAW 4:1 4608 1152 4.5K 8:1 4.5K RAW 8:1 4608 576 4K FF 4K RAW Full Frame 4096 2160 4K 2:1 4K RAW 2:1 4096 2048 4K WS 4K RAW Wide Screen—2.
R E D D S M C O P E R AT I O N G U I D E RESOLUTION DESCRIPTION DIMENSIONS (PIXELS) WIDTH HEIGHT 2.5K 3:2 2.5K RAW 3:2 2400 1600 2.5K 4:3 2.5K RAW 4:3 2400 1800 2.5K 5:4 2.5K RAW 5:4 2400 1920 2.5K 4:1 2.5K RAW 4:1 2560 640 2.5K 8:1 2.5K RAW 8:1 2560 320 2K FF 2K RAW Full Frame 2048 1080 2K 2:1 2K RAW 2:1 2048 1024 2K WS 2K RAW Wide Screen—2.
R E D D S M C O P E R AT I O N G U I D E SCARLET DRAGON FORMATS The table below describes the formats that are available for SCARLET DRAGON. SCARLET DRAGON offers a 6:5 aspect ratio for each resolution. Using a 6:5 aspect ratio at 2x anamorphic gives you a 2:40:1 aspect ratio. RESOLUTION DESCRIPTION DIMENSIONS (PIXELS) WIDTH HEIGHT 6K 6K RAW Full Frame 6144 3160 6K 6:5 6K RAW 6:5 3792 3160 5K 5K RAW Full Frame 5120 2700 5K 2:1 5K RAW 2:1 5120 2560 5K WS 5K RAW Wide Screen—2.
R E D D S M C O P E R AT I O N G U I D E EPIC MYSTERIUM-X AND SCARLET MYSTERIUM-X FORMATS The table below describes the formats that are available for EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X. EPIC MYSTERIUM-X: Default is 5K 2:1. SCARLET MYSTERIUM-X: Default is 4K. The table below omits rows for the anamorphic formats, since the pixel dimensions for each anamorphic format and the corresponding non-anamorphic format are the same. For more information, go to “Anamorphic” on page 91.
R E D D S M C O P E R AT I O N G U I D E ANAMORPHIC Select an Anamorphic setting, if applicable. The anamorphic setting de-squeezes the image on the monitor and marks the footage as anamorphic in the clip metadata. When you open the clip in REDCINE-X PRO, the program automatically de-squeezes the image. The available anamorphic settings depend on your camera type. EPIC DRAGON: Supports anamorphic 1.3x and 2x with each format. SCARLET DRAGON: Supports anamorphic 2x for 5K 6:5.
R E D D S M C O P E R AT I O N G U I D E SHORT-CUT TO INDUSTRY-STANDARD ANAMORPHIC FORMATS To quickly access industry-standard anamorphic formats, go to Menu > Settings > Project > Format > Anamorphic. The Anamorphic tab is a short-cut to all of the industry-standard anamorphic formats, so that you can easily select the most common anamorphic formats. The Anamorphic tab lists the following anamorphic formats: EPIC DRAGON: Every format with a 5:4 or 4:3 aspect ratio and a 1.3x or 2x anamorphic setting.
R E D D S M C O P E R AT I O N G U I D E MODE You can select the following recording modes: Continuous Record, Internal Timelapse Timer, Frame Trigger, Speed Ramp Mode, and External Record Only. CONTINUOUS RECORD Continuous Record is the “normal” recording mode. The camera continuously records frames at the current sensor frame rate. You can limit each recording to a specific amount of frames using the Limit Recording to setting.
R E D D S M C O P E R AT I O N G U I D E 1. Go to Menu > Settings > Recording > Mode. 2. Select Burst from the Recording Mode drop-down menu. 3. Use the Limit Recording to fields to set the recording to end at a predefined frame limit (optional). 4. Select a Pre Count and Post Count. For more information, go to “Pre Count and Post Count” on page 94. 5. Close the menu. 6. Start recording.
R E D D S M C O P E R AT I O N G U I D E NOTE: If using speed ramp mode, select an exposure that is valid for each ramp target frame rate. If the camera ramps to a frame rate that is incompatible with the current exposure, the exposure changes to the longest exposure possible for the frame rate. EXTERNAL RECORD ONLY External Record Only mode allows for external recording only. That is, the recording is NOT saved to the SSD, and external recording is blocked if an SSD is mounted to the camera.
R E D D S M C O P E R AT I O N G U I D E PRE-RECORD When enabled, the Pre-Record setting continuously captures a cache of footage before recording starts. Select to have 4–30 seconds (incremented at two second intervals) of pre-record time added to the actual footage. When Pre-Record is enabled, you won’t miss the start of a shot by being a little slow on the trigger. Pre-Record Duration: Select the pre-record time.
R E D D S M C O P E R AT I O N G U I D E OPTIONS MENU key returns to settings menu: Pressing the Menu key on a side module or REDMOTE moves you up one level in the menu tree.
R E D D S M C O P E R AT I O N G U I D E CAMERA NAME Use the Camera menu to set up a unique identifier for your camera (or a group of cameras). All command filtering happens on the receiver side of the communication link. Use camera names and group names to address commands to a specific camera or group of networked cameras. Name: Enter a unique camera name to use in network communications. The field is limited to eight (8) characters.
R E D D S M C O P E R AT I O N G U I D E ETHERNET Use the settings on the Ethernet tab to configure the GIG-E port. Each camera or device requires a unique IP address. For camera-to-camera communication via Ethernet, both cameras need to be in the same sub-net (have the same netmask address) and have the same gateway address. Enable DHCP: Enables DHCP.
R E D D S M C O P E R AT I O N G U I D E BRAIN GPIO Camera Input: Select one (1) of the following options to configure the input for devices connected to the SYNC connector on the BRAIN: ‒ ‒ Sync In: The camera input is used as a sync-in signal for MoCo. ‒ ‒ General Purpose In: Use the Brain GPI In High/Low drop-down menus to map inputs to actions.
R E D D S M C O P E R AT I O N G U I D E GPIO CONNECTOR This table describes the I/O options for the GPIO connector on the Pro I/O Module: I/O OPTION DEFAULT ACTION PIN 1 4 GPI A High Key Disabled 2 GPI A Low Record: Toggle 2 2 3 AUX CONNECTOR This table describes the I/O options for the AUX connector on the Pro I/O Module: I/O OPTION DEFAULT ACTION PIN GPI B High Key Disabled 6 GPI B Low Record: Toggle 6 SW 1 High Key Disabled 7 SW 1 Low Go to: Playback 7 SW 2 High Key Disabled
R E D D S M C O P E R AT I O N G U I D E FAN CONTROL MODES Select a fan control mode for the bottom fan. If a top fan is installed, it runs at a constant speed when necessary. NOTE: After selecting a new fan setting, run the DSMC until the core temperature stabilizes, and then perform a black shading calibration. NOTE: If using a top fan, the top fan may not run immediately after turning on the DSMC, as the top fan runs when the DSMC requires additional cooling power.
R E D D S M C O P E R AT I O N G U I D E LENS LENS TAB The options displayed on the Lens tab change based on the attached lens mount. PL MOUNT Enable Power to Lens: Ensures that the BRAIN powers the lens via the lens mount. This feature is enabled by default, but the camera saves the last selected setting. Deselect when using the Fujinon 19-90mm T2.9 Cabrio Premier PL lens. If you disable this feature for the Fujinon Cabrio, re-enable it when using other lenses.
R E D D S M C O P E R AT I O N G U I D E CALIBRATE The Calibrate menu includes: Sensor, Gyro/Acc, and Lens. SENSOR CALIBRATION Sensor calibration, also known as black shading, is a process during which the camera optimizes image quality by ensuring that pixel sensitivity remains consistent throughout the sensor. Black shading generates a calibration map based on system and environment settings.
R E D D S M C O P E R AT I O N G U I D E CALIBRATION CAPTURE (BLACK SHADING) Not including preparation time, the calibration procedure takes several minutes. To perform black shading, follow the instructions below: 1. Ensure that the camera reaches the temperature you want to use for your shoot. 2. Set the exposure to the exposure you want to use for your shoot. 3. Ensure that the sensor is as dark as possible. ‒ ‒ Preferably, take off the lens, and install the front body cap.
R E D D S M C O P E R AT I O N G U I D E CALIBRATION MAP NAMING CONVENTIONS Each calibration map has a unique name that uses the format described in the table below: NAME DESCRIPTION EXAMPLE Exposure Current exposure; to set exposure, go to Menu > Setting > Projects > Exposure 48 Sensor Temperature Sensor temperature (Celsius); in the Lower Status Row, this is the number to the left of the forward slash (Temp: 34/35) 32C Year Year that the calibration map is created (yyyy) 2014 Month Month that
R E D D S M C O P E R AT I O N G U I D E GYROSCOPE AND ACCELEROMETER CALIBRATION The internal three-axis gyroscope and three-axis accelerometer need to be calibrated for the Horizon overlay to function properly. The Gyro/Acc calibration file is stored in the flash memory of the BRAIN, so you DO NOT need to recalibrate after restoring the camera or upgrading firmware. For more information, go to “Horizon” on page 66. To calibrate the Horizon overlay, follow the instructions below: 1.
R E D D S M C O P E R AT I O N G U I D E CREATE LENS CALIBRATION FILES The calibration process creates a calibration file for the current focal length of the electronic lens. Calibrate the lens at each available focal length to create a full lens calibration file. 1. Attach a DSMC Canon Mount or DSMC Nikon Mount to the BRAIN. 2. Attach an electronic lens. 3. Manually set the first focal length you want to calibrate. 4.
R E D D S M C O P E R AT I O N G U I D E The lens calibration process for the current focal length starts and a progress bar displays. Once the calibration process starts, DO NOT touch the lens, as doing so may cause the lens to calibrate incorrectly. 5. Select OK after the calibration file is created. 6. To calibrate the next focal length, follow the instructions below: A. Go to Menu > Settings > Maintenance > Calibrate > Lens. B. Select the calibration file name in the Camera list and select Edit....
R E D D S M C O P E R AT I O N G U I D E C. Manually set the next focal length. D. Select Add Cal @ xx..., where “xx” is the current focal length. NOTE: If you calibrate a focal length that has already been calibrated, the new files overrides the previous file. The lens calibration process for the current focal length starts and a progress bar displays. Once the calibration process starts, DO NOT touch the lens, since that may cause incorrect calibration. 7.
R E D D S M C O P E R AT I O N G U I D E VIEW AND MODIFY LENS CALIBRATION INFORMATION 1. Go to Menu > Settings > Maintenance > Calibrate > Lens. 2. Select the calibration file name in the Camera list and select Edit.... The following information displays: ‒ ‒ Mount Type ‒ ‒ Focal Length ‒ ‒ F Stop Range: Overall F stop range of lens. ‒ ‒ Lens Status ‒ ‒ Calibrated Focal Lengths 3. You can perform any of the following actions: ‒ ‒ Add Cal @ xx...
R E D D S M C O P E R AT I O N G U I D E EXPORT AND IMPORT LENS CALIBRATION FILES Lens calibration files can be stored on the camera or transferred to SSD to be shared with other cameras. When exporting lens calibration files from camera to SSD, the files are saved to a folder on the SSD called “lens_cal”. DO NOT change the file name of the calibration file after you save it to an SSD. All : Export selected file from camera to SSD. : Export all files from camera to SSD.
R E D D S M C O P E R AT I O N G U I D E SELF TEST The Self-Test menu includes: Enable Sensor Test Pattern and Touchscreen. ENABLE/DISABLE SENSOR TEST PATTERN The Sensor Test Pattern feature is only used during manufacturing. The sensor test pattern is a white screen. TOUCHSCREEN To perform a touchscreen self-test, follow the instructions below: 1. Go to Menu > Settings > Maintenance > Self Test. 2. Select Touchscreen. A grid of green squares displays on the touchscreen. 3.
R E D D S M C O P E R AT I O N G U I D E REDISCOVER (HARDWARE REDISCOVER) Rediscovers all hardware and caches the data for future boot cycles. Perform a Hardware Rediscover if a module or lens mount is not functioning correctly. To perform a Hardware Rediscover, follow the instructions below: 1. Go to Menu > Settings > Maintenance. 2. Select Rediscover. 3. Select Yes on the screen that asks you to confirm the Hardware Rediscover. The BRAIN turns off. 4. Turn on the BRAIN.
R E D D S M C O P E R AT I O N G U I D E OLPF NOTE: The OLPF menu is only available on an EPIC DRAGON or SCARLET DRAGON. RED offers multiple optical low-pass filters (OLPFs) for EPIC DRAGON and SCARLET DRAGON. Each OLPF optimizes certain characteristics to take full advantage and control of each shooting environment. The camera checks the OLPF type, and adjusts the color scienced based on the selected OLPF.
R E D D S M C O P E R AT I O N G U I D E SELECT OLPF TYPE (IF YOU HAVE THE DSMC INTERCHANGEABLE OLPF SYSTEM) If your DSMC has the DSMC Interchangeable OLPF system, then you must select the correct OLPF type that is installed. Select your OLPF type by following the instructions below: 1. Go to Menu > Settings > Maintenance > OLPF. 2. Select your OLPF type from the Type drop-down menu: IMPORTANT: Ensure the correct OLPF type is selected from the drop-down menu.
R E D D S M C O P E R AT I O N G U I D E MEDIA MENU The Media Menu is used to format and eject (unmount) the SSD. Media Menu For more information about using media, see the RED DSMC Media Operation Guide, available at www.red. com/downloads. PLAYBACK MENU To view clips from the SSD: Go to Menu > Playback. Press the Record/Playback toggle in the lower left corner of the touchscreen. PLAYBACK MENUS In Playback mode, the menu is pared-down, so you can’t access all menus.
R E D D S M C O P E R AT I O N G U I D E PLAYBACK CONTROLS The images below show the Playback controls. 3 1 4 5 6 7 8 9 2 14 20 Playback Controls 10 11 12 13 Play Options 15 16 17 18 19 Marker Options COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E The table below describes the Playback controls. # CONTROL DESCRIPTION 1 Playback/Record toggle Toggles between Record mode and Playback mode. 2 Histogram Displays the clip histogram. The histogram changes when Look settings change. For more information, go to “Looks” on page 131. If using the touchscreen, touch the histogram to open the Tools menu. 3 Load Previous Clip Loads the previous clip in the playlist.
R E D D S M C O P E R AT I O N G U I D E POWER MENU The Power menu displays the power status of all attached power sources and allows you to turn off the camera. NOTE: For more information about powering the DSMC, see the DSMC Power Operation Guide, available at www.red.com/downloads. POWER IN The power status displays for the BRAIN DC, DSMC Side Handle, Rear 1, Rear 2, Rear 3, and Rear 4.
R E D D S M C O P E R AT I O N G U I D E HDR MENU NOTE: HDR mode cannot be modified when test signals are enabled. NOTE: You cannot use HDR mode when: ‒ ‒ A MOTION MOUNT is installed. ‒ ‒ A Sensor Sync Mode (Genlock or MoCo) is enabled. ‒ ‒ Speed Ramp mode is enabled. ‒ ‒ A Frame Processing mode (Frame Summing or Frame Averaging) is enabled. By default HDRx is disabled, and the HDR indicator in the Lower Status Row is gray. To enable HDRx, follow the instructions below: 1. Go to Menu > HDR. 2.
R E D D S M C O P E R AT I O N G U I D E FOCUS MENU The Focus menu includes: Mode and Rack. MODE TAB The Mode Tab is used to enable and select Focus parameters, including Mode, Zone, Size, and Enhanced A/F. Focus Menu: Mode MODE Select one (1) of the following from the Mode drop-down menu: Manual: When selected, all focus operations are manual. Confirm: Enables the Center or Spot focus target.
R E D D S M C O P E R AT I O N G U I D E In Single, Continuous, and Touch Track modes, a single target displays on the screen that indicates where the image will be in focus. In Rack mode, multiple targets display on the screen to indicate the different areas between which the camera will rack focus. Press the key mapped to AF Mode: Cycle (REDMOTE/DSMC Side Handle button A default) to cycle through the Focus Mode options in order.
R E D D S M C O P E R AT I O N G U I D E MOVE THE SPOT FOCUS TARGET Move Spot target with touchscreen: Tap and hold the touchscreen on the location you want to relocate the Spot target. Tap and hold the touchscreen where the Spot target currently is, and drag the Spot target. Move Spot target with DSMC Side Handle or REDMOTE: 1. Go to the main screen. 2. Press the Down Arrow in the Navigation Group. The Spot target line weight increases and the red cursor under Menu dims slightly. 3.
R E D D S M C O P E R AT I O N G U I D E 8. Close the Focus menu. The target displays on the touchscreen, and the monitor that you selected for the Enhanced A/F feature is in Clean mode. RACK FOCUS Use the Rack tab to configure up to four (4) focus points and execute rack focus between them. SET UP RACK FOCUS 1. Ensure that a DSMC Nikon Mount, DSMC Canon Mount, or DSMC Canon MOTION MOUNT is installed and that a supported lens is attached to the BRAIN. 2. Go to Menu > Focus > Mode. 3.
R E D D S M C O P E R AT I O N G U I D E 4. Select a size from the Size drop-down menu. 5. Go to the Rack tab. 6. Use the Rack Speed slider to change the speed at which the lens moves. Move the slider to the left for a slower speed, and to the right for a faster speed. 7. Select the number of rack points (1–4) from the Rack Points drop-down menu. A line for each rack point displays, indicated by the letters A, B, C, and D. The focus distance displays for each rack point. 8.
R E D D S M C O P E R AT I O N G U I D E 9. To set a rack point location, follow the instructions below: A. Select the rack point: A, B, C, or D. B. Select Close to return to the main screen. C. Tap and hold the touchscreen where you want the rack point to be, or press and drag the rack point. When you move a rack point, the camera autofocuses. NOTE: To prevent a rack point from being accidentally moved, the rack point is less sensitive to touch than the other focus targets.
R E D D S M C O P E R AT I O N G U I D E EXPOSURE ASSIST The Exposure Assist menu provides access to settings for the Auto Exposure (AE) feature. The AE feature maintains a constant image brightness, even if the actual scene brightness changes. The AE feature is different than traditional AE, in that RED AE only controls the amount of light that hits the sensor, either by adjusting F stop or exposure.
R E D D S M C O P E R AT I O N G U I D E METERING Metering determines the area of the sensor that is used for brightness evaluation: Spot: Weights the measurement to the center 5% of the sensor, approximately. Center: Weights the measurement to the center 25% of the sensor, approximately. Average: Averages the entire image area of the sensor. SPEED The Speed setting determines how quickly the algorithm adapts to changing light. Slow: Settings adapt in small steps.
R E D D S M C O P E R AT I O N G U I D E PRESETS MENU The DSMC has three (3) types of presets: Camera Presets: These store and recall camera setup information, such as in-camera Looks, key mappings, I/O configurations, and more. The DSMC has a number of factory-installed presets. Looks: These allow you to save the specific color, image, white balance, and detail settings to be used for other projects. Looks that are generated in-camera display on the Camera Presets tab.
R E D D S M C O P E R AT I O N G U I D E EXPORT AND IMPORT PRESETS Presets can be stored on the camera or transferred to SSD to be shared with other cameras. When exporting presets from camera to an SSD, the presets are saved to a folder on the SSD called “Presets”. When importing presets from an SSD to camera, the presets must be stored on the SSD in a folder called “Presets”. : Export selected preset from camera to SSD. All : Export all presets from camera to SSD.
R E D D S M C O P E R AT I O N G U I D E MANAGE IMPORTED LOOKS Manage Looks imported from REDCINE-X PRO in the Presets > Looks tab. When exporting Looks from camera to SSD, the Looks are saved to a folder on the SSD called “Looks”. You can perform the following actions with imported Looks: All : Export selected Looks from camera to SSD. : Export all Looks from camera to SSD. Apply: Apply the selected Look. Delete...: Delete the selected Look.
R E D D S M C O P E R AT I O N G U I D E 06 RECORD AND MONITOR AUDIO OVERVIEW The DSMC can record up to two (2) discrete stereo channels of uncompressed 24-bit, 48 KHz audio. A Pro I/O Module provides two (2) channels of microphone level or line level audio inputs, and up to four (4) digital AES audio inputs. In total, the DSMC supports eight (8) incoming audio channels, and can record up to four (4) audio channels.
R E D D S M C O P E R AT I O N G U I D E SET UP AUDIO To set up audio, go to Menu > Settings > Audio, and adjust the input, pre-amplifier, headphone, and mix settings.
R E D D S M C O P E R AT I O N G U I D E LINK Gain Sliders: Ensures that each pre-amplifier (Pre-Amp) slider has the same value. If you select the check box while the sliders have different values, you must change one (1) slider for all sliders to sync up. Volume Sliders: Ensures that each headphone (Headphone) slider has the same value, so that you can control the master volume for headphones.
R E D D S M C O P E R AT I O N G U I D E PRE-AMP The pre-amplifier range is 30 dB to 60 dB. The default is 32 dB. To adjust amplification levels, follow the instructions below: 1. Go to Menu > Settings > Audio > Pre-Amp. 2. Move the Pre-Amp (pre-amplifier) sliders up and down to adjust the amplification levels. NOTE: To link the amplification for each channel, go to Menu > Settings > Audio > Channel and select the Gain Sliders check box. For more information, go to “Link” on page 135.
R E D D S M C O P E R AT I O N G U I D E AUDIO OUTPUT OPTIONS DSMC BRAIN: One (1) 2-channel headphone output. For maximum quality, use high impedance headphones. Pro I/O Module: One (1) XLR connector that supports 2-channel line level analog output. The signal strength of the line out cannot be controlled, and is fixed at –15 dB gain. HDMI and HD-SDI monitor: Both output two (2) channels of 24-bit 48 KHz uncompressed, embedded digital audio.
R E D D S M C O P E R AT I O N G U I D E You can control the volume and stereo for each audio monitoring option: Cam Mix (Camera Mix): Headphones plugged into the DSMC BRAIN. Rear Mix: Line out plugged into the Pro I/O Module. The input gain is fixed. Monitor Mix: External HDMI and HD-SDI monitors that support audio.
R E D D S M C O P E R AT I O N G U I D E AUDIO METER LEVELS The DSMC updates the Audio Meter 12 times per second with the maximum signal from the last 1/12 of a second period. The range of the Audio Meter is –52 dBFS to 0 dBFS.
R E D D S M C O P E R AT I O N G U I D E 07 REDMOTE OPERATION OVERVIEW REDMOTE The REDMOTE is a remote camera control unit for the DSMC that attaches to the rear of the BRAIN or other expansion module. When detached from the DSMC, the REDMOTE provides wireless camera control using the proprietary REDLINK protocol.
R E D D S M C O P E R AT I O N G U I D E CONTROLS, CONNECTORS, AND LEDS This section describes the REDMOTE controls, connectors, and color LCD display. 3 8 4 1 5 2 12 9 10 6 2 13 11 7 REDMOTE The following table describes default REDMOTE control actions. Each control is also programmable.
R E D D S M C O P E R AT I O N G U I D E SOFT MENU BUTTONS (1-3) There are three (3) Primary Soft Menu Buttons located below the left side of the REDMOTE LCD. These buttons provide quick access to REDMOTE advanced operations. Button 1: Access Connect Menu. Button 2: Toggle between Local and Remote Modes. Button 3: Access Setup Menu. REDMOTE CONTROL MODES Press Button 2 to toggle between Remote Mode and Local Mode.
R E D D S M C O P E R AT I O N G U I D E REDMOTE BASICS This section describes the common REDMOTE operations. DOCK THE REDMOTE 1. Position the REDMOTE V-Mount dock over the V-Mount on the BRAIN or rear module. 2. Slide the REDMOTE down until you hear a click, which indicates the REDMOTE is securely attached. NOTE: Docking the REDMOTE automatically pairs the REDMOTE with the camera when the DSMC is turned on and wireless settings are enabled. UNDOCK THE REDMOTE 1.
R E D D S M C O P E R AT I O N G U I D E DOCK TO PAIR 1. Turn on the BRAIN. 2. Dock the REDMOTE to the back of the BRAIN or rear module. NOTE: When the REDMOTE is removed from the DSMC, it automatically scans for the wireless signal and connects to that DSMC. PAIR WIRELESSLY 1. Turn on the BRAIN. 2. Go to Menu > Settings > Setup > REDMOTE. 3. Select Scan for REDMOTEs. 4. When the scan is complete, select the REDMOTE from the scan list. 5. Select Pair ->. 6. Select Close to exit the menu.
R E D D S M C O P E R AT I O N G U I D E CHARGE THE REDMOTE A fully discharged REDMOTE battery requires approximately six (6) hours to fully charge. You can use the REDMOTE while it charges. Charge the REDMOTE using either of the following methods: Dock the REDMOTE to a camera or rear module. Connect the REDMOTE to a computer, cell phone charger, or other sufficient power source using the RED Mini-USB-to-USB cable.
R E D D S M C O P E R AT I O N G U I D E REDMOTE LCD DISPLAY MENU The REDMOTE LCD displays key camera settings of a paired and connected DSMC. There are five (5) available REDMOTE Setting menus, accessible with the Soft Menu Buttons (4-8). NOTE: Soft Menu Buttons 7 and 8 are not defined.
R E D D S M C O P E R AT I O N G U I D E UPGRADE REDMOTE FIRMWARE This section describes the REDMOTE firmware upgrade process using Mac, PC, and the DSMC. UPGRADE REDMOTE WITH DSMC When you dock a REDMOTE, the DSMC checks to see if the REDMOTE is running the latest firmware. If the REDMOTE firmware is slightly outdated, you have the option to update the REDMOTE firmware through the DSMC. If REDMOTE firmware is severely outdated, you will be instructed to install updates via USB.
R E D D S M C O P E R AT I O N G U I D E UPGRADE REDMOTE FIRMWARE (MACINTOSH) 1. Download the REDMOTE Firmware, available at www.red.com/downloads. NOTE: Review the read_me_redmote_vX.X.XX instructions contained in the REDMOTE_vX.X.XX.zip file. 2. Uncompress the zip file. 3. Open the REDMOTE_vX.X.XX folder. 4. Click Select File in REDMOTE Upgrade Utility. 5. Open the redmote.1.bin file in the REDMOTE_Firmware_vX.X.XX folder. “Selected File: redmote.1.bin” displays. 6. Click Start Upgrade.
R E D D S M C O P E R AT I O N G U I D E CONFIGURE REDMOTE CONNECTION WITH COMPUTER (WINDOWS) Next, you must establish a connection between the PC and the REDMOTE. 1. Disable WiFi and disconnect the Ethernet cable connected to your computer. NOTE: An internet connection interferes with the computer’s attempt to recognize the REDMOTE. 2. Connect a USB to mini-USB cable between the PC and the USB connector on the REDMOTE. If connecting for the first time, a RNDIS/Gadget driver is installed on the system.
R E D D S M C O P E R AT I O N G U I D E 08 TIMECODE, GENLOCK, MULTI-CAMERA SETUP This chapter describes timecode, genlock, and multi-camera operations such as 3D and array setup. TIMECODE Timecode is a numeric sequence based on SMPTE 12M that aids in the management and synchronization of footage and audio. Timecode is embedded in recorded RAW files as metadata and in HANC metadata provided by the HD-SDI monitor output.
R E D D S M C O P E R AT I O N G U I D E SET UP INTERNAL TIMECODE To set up and adjust timecode generated by the BRAIN, follow the instructions below. 1. Go to Menu > Settings > Project > Time Code. 2. Select the desired Time Code Display mode. 3. Set Time Code Source to User Provided. Source: User Provided 4. Use the additional controls to sync TOD timecode with the RTC or set manually. Alternatively, go to Menu > Media > Format Media... to set Edge timecode manually.
R E D D S M C O P E R AT I O N G U I D E SET UP EXTERNAL TIMECODE To set up and adjust timecode generated by an external device, follow the instructions below. 1. Connect the external timecode generator to the BRAIN using a 3BNC-to-00 LEMO Sync Cable. A. Connect the yellow BNC connector to the output on the timecode generator. B. Connect the 00B LEMO connector to the SYNC port on the BRAIN. 2. Go to Menu > Settings > Project > Time Code. 3. Select the desired Time Code Display mode. 4.
R E D D S M C O P E R AT I O N G U I D E GENLOCK Generator locking (genlock) is a tri-level signal used to synchronize video and audio systems. Genlock is based on SMPTE 296M and 274M. There are two (2) important genlock sync modes: Monitor Sync Sensor Sync NOTE: For genlock to function correctly, the cameras must be on the same firmware version, and must be using the same project time base and sensor frame rate.
R E D D S M C O P E R AT I O N G U I D E SENSOR SYNC Sensor Sync is achieved when a genlock signal is provided that is compatible with the current monitor output frequency, project time base, and sensor frame rate. While operating in Sensor Sync, sensor timing is locked to the genlock signal.
R E D D S M C O P E R AT I O N G U I D E MASTER/SLAVE OPERATION This section describes operation in Master/Slave configuration and clip naming conventions for clips recorded on those cameras. Master/Slave is the most common configuration for Stereo/3D productions. When cameras are operated in Master/Slave configuration, you can perform the following operations: Power: Turn off the Master camera to turn off both cameras.
R E D D S M C O P E R AT I O N G U I D E C. For Target, select None. Slave Settings D. Go to Menu > Settings > Setup > Communication and select the Ethernet tab. E. Verify the Enable Camera to Camera check box is selected. The LAN indicator in the Lower Status Row illuminates green. NOTE: Cameras can also be set up in Master/Master configuration. To set as Master/Master, set Target to All on both cameras, allowing either camera to make changes and control record start/stop.
R E D D S M C O P E R AT I O N G U I D E MULTI-CAMERA CLIP NAMING CONVENTIONS This section describes automatic camera-generated clip naming conventions based on slate settings. Cameras use the Reel No, Cam ID, and Cam Pos settings to generate a custom clip name.
R E D D S M C O P E R AT I O N G U I D E 3D CONFIGURATION EXAMPLE The diagram below is an example of how to set up a 3D configuration. REQUIRED CABLES 790-0163: Master/Slave Gig-E Cable 790-0154: 3BNC-to-00 LEMO Sync Cable (required per camera) COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E SET UP A CAMERA ARRAY You can sync more than two (2) cameras for applications and productions that require a camera array. To set up a camera array, you need a 1000Base-T gigabit Ethernet router. NOTE: For genlock to function correctly, the cameras must be on the same firmware version, and must be using the same project time base and sensor frame rate.
R E D D S M C O P E R AT I O N G U I D E CAMERA ARRAY EXAMPLE The diagram below is an example of how to set up a camera array. REQUIRED CABLES 790-0154: 3BNC-to-00 LEMO Sync Cable (required per camera) 790-0159: LEMO-To-CAT5E Ethernet Cable (9') (required per camera) COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E SET UP MOTION CONTROL (MOCO) Motion Control, or “MoCo” for short, is a form of sensor synchronization used to automate precision camera movements required for special effects and difficult shots. Motion Control uses GPIO signals transmitted using the SYNC (GPI) and CTRL (GPO) ports on the camera BRAIN or a connected Pro I/O Module or 4K Broadcast Module. For more information GPIO connections, go to “Input/Output Connectors” on page 187.
R E D D S M C O P E R AT I O N G U I D E 5. On the Brain GPIO tab, set Camera Input to Sync In. MoCo BRAIN/GPIO Settings 6. On the Brain GPIO tab, set Camera Output to Sync Out. (Optional) Supply a pulse from the Motion Control device to sync the shutter to the rising edge of the sync input. For more information, refer to the Motion Control manufacturer’s instructions. REQUIRED CABLE 790-0154: 3BNC-to-00 LEMO Sync Cable (required per SYNC and CTRL port used) COPYRIGHT © 2015 RED.
R E D D S M C O P E R AT I O N G U I D E COMPATIBLE DEVICES The following timecode and genlock devices are compatible with the DSMC. Additional timecode devices may be compatible, but have not yet been tested by RED.
R E D D S M C O P E R AT I O N G U I D E 09 UPGRADE DSMC FIRMWARE Your RED DSMC functionality may be upgraded by installing the latest firmware. Make a habit of frequently visiting www.red.com/downloads to check for new versions of camera firmware, updated operation guides, and post-production software. Your REDMOTE also requires a firmware upgrade. For more information on upgrading your REDMOTE, go to “Upgrade REDMOTE Firmware” on page 147.
R E D D S M C O P E R AT I O N G U I D E 8. Insert the SSD with the force_upgrade folder into your DSMC. 9. Turn on the BRAIN. The upgrade runs automatically. During upgrade, the fans run at high speed and the PWR and REC LEDs flash green. After approximately 15 seconds, the LEDs stop flashing and the camera turns off. Nothing displays on the external monitors during the upgrade. 10. After the BRAIN turns off, remove the SSD and wait 10 seconds. 11. Turn on the BRAIN.
R E D D S M C O P E R AT I O N G U I D E 10 DSMC MAINTENANCE All RED products are designed for rugged durability, but precision instruments demand proper care. Follow the instructions in this chapter to clean, maintain, and store RED devices. WARNING: DO NOT rinse or immerse the DSMC or other accessories in water. Keep dry at all times. WARNING: DO NOT use soaps, detergents, ammonia, acetone, alkaline cleaners, abrasive cleaning compounds, or solvents.
R E D D S M C O P E R AT I O N G U I D E LCD AND EVF SCREENS This section explains how to clean screens on the following items: BOMB EVF RED PRO LCD RED Touch LCD DSMC Side Handle REDMOTE NOTE: This section describes only how to clean screens on specific RED devices, and not how to clean the entire device.
R E D D S M C O P E R AT I O N G U I D E 11 TROUBLESHOOT YOUR DSMC PERFORM A STRESS TEST Perform a stress test before important projects to ensure the reliability and stability of your gear. A stress test subjects your DSMC system and equipment to the increased stress of prolonged operation. If any components are developing issues, this test will help identify those problems before you have an equipment failure during a major shoot. 1. Configure your DSMC as desired. 2.
R E D D S M C O P E R AT I O N G U I D E “UPGRADING ATTACHED PERIPHERALS” MESSAGE SYMPTOM During an attempt to upgrade firmware, the display shows the message “Upgrade Attached Peripherals”. After turning the camera off and then on, the same message displays, and then prompts you to turn off the camera. POTENTIAL RESOLUTION Ensure that you are upgrading your camera to the newest firmware version. One (1) of your modules or lens mounts (collectively known as “peripherals”) may be experiencing issues.
R E D D S M C O P E R AT I O N G U I D E CAMERA DOES NOT RECOGNIZE LENS SYMPTOM The camera does not recognize the attached lens. POTENTIAL RESOLUTIONS Ensure that the lens is compatible. For more information, go to “Lens Mounts and Lenses” on page 195. If using a PL lens, ensure that the BRAIN is providing power to the lens: go to Menu > Settings > Setup > Lens and select the Enable Power to Lens check box. Detect the lens: go to Menu > Settings > Setup > Lens and select Detect Lens.
R E D D S M C O P E R AT I O N G U I D E CANNOT USE TOUCHSREEN OR DSMC SIDE HANDLE SYMPTOM Cannot control the camera via the touchscreen or the DSMC Side Handle. POTENTIAL RESOLUTIONS Perform a Hard Restore. For more information, go to “Perform a Hard Restore” on page 172. If you are using an HD-SDI or HDMI monitor, enable menus on the monitors and control the camera via the DSMC Side Handle: A. Connect an SSD (RED MINI-MAG or RED STATION REDMAG 1.8") to your computer.
R E D D S M C O P E R AT I O N G U I D E TIGHTEN DC IN CONNECTOR SYMPTOM The DC IN connector nut is loose. POTENTIAL RESOLUTIONS Tighten the loose DC IN connector nut using a pair of heavy duty strong point tweezers. WARNING: DO NOT OVERTIGHTEN. OPTIONAL: Add a small amount of Loctite 222 (low strength thread locker) to the threads of the DC IN connector nut to prevent the connector from becoming loose again. CAMERA DOES NOT TURN ON SYMPTOM The camera does not turn on (does not boot up), even when powered.
R E D D S M C O P E R AT I O N G U I D E IMAGE APPEARS GRAINY SYMPTOM Image or footage appears grainy. POTENTIAL RESOLUTIONS Perform a black shading calibration before recording additional clips. For more information, go to “Sensor Calibration” on page 104. Check the histogram to ensure proper exposure. Noise occurs if an image is overexposed or underexposed. For more information, go to “Histogram” on page 55. Use the lowest REDCODE compression possible for the settings you have selected.
R E D D S M C O P E R AT I O N G U I D E POST PRODUCTION TROUBLESHOOTING OFFLINE CLIPS AND AN EXTRA R3D FILE SYMPTOMS After mounting an SSD to your computer, REDCINE-X PRO shows that all or most clips are “Offline”. The RDC folder for a clip shows two R3D files. The first R3D file is very small (a few kilobytes). EXPLANATION A “phantom” R3D file sometimes results from either of the following: Using Pre-Record: An extra 12 KB R3D file is created when pressing the Record button too quickly.
R E D D S M C O P E R AT I O N G U I D E FOOTAGE RECORDED AT WRONG PROJECT TIME BASE SYMPTOM Footage was recorded with a specific project time base, but the final video needs to have a different time base. For example, the footage was recorded with a 23.98 FPS project time base, but the final video needs a 29.97 project time base. If you export the footage directly from 23.98 FPS to 29.97 FPS, the video and audio will be out of sync, since both will be sped up to match 29.97 FPS.
R E D D S M C O P E R AT I O N G U I D E A TECHNICAL SPECIFICATIONS EPIC DRAGON EPIC DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Sensor 19 megapixel RED DRAGON sensor Pixel Array 6144 (h) x 3160 (v) S/N Ratio 80 dB Dynamic Range 16.5+ stops Max Image Area 6144 (h) x 3160 (v) Lens Coverage 30.7mm (h) x 15.8mm (v) x 34.
R E D D S M C O P E R AT I O N G U I D E EPIC DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Operating Temperature Range 0˚C to 40˚C (32˚F to 104˚F) Storage Temperature Range –20˚C to 50˚C (–4˚F to 122˚F) 1. 480p is available for HDMI only. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E SCARLET DRAGON SCARLET DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Sensor 19 megapixel RED DRAGON sensor Pixel Array 6144 (h) x 3160 (v) S/N Ratio 80 dB Dynamic Range 16.5+ stops Max Image Area 6144 (h) x 3160 (v) Lens Coverage 30.7mm (h) x 15.8mm (v) x 34.5 mm (d) Max Depth of Field Equivalent to S35mm (Motion)/APS-H (Still) lenses Acquisition Formats 1 6K 5K 4K 3K 2K Project Frame Rates 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.
R E D D S M C O P E R AT I O N G U I D E SCARLET DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Operating Temperature Range 0˚C to 40˚C (32˚F to 104˚F) Storage Temperature Range –20˚C to 50˚C (–4˚F to 122˚F) 1. Go to “SCARLET DRAGON Formats” on page 89 for a full list. 2. 480p is available for HDMI only. 3. To see all of the maximum available REDCODE values, see the DSMC Media Operation Guide at www.red.com/downloads. COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E EPIC MYSTERIUM-X EPIC MYSTERIUM-X TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Sensor 14 megapixel MYSTERIUM-X sensor Pixel Array 5120 (h) x 2700 (v) S/N Ratio 66 dB Dynamic Range 13.5 stops, up to 18 stops with HDRx Max Image Area 5120 (h) x 2700 (v) Lens Coverage 27.7mm (h) x 14.6mm (v) x 31.
R E D D S M C O P E R AT I O N G U I D E SCARLET MYSTERIUM-X SCARLET MYSTERIUM-X TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Sensor 14 megapixels MYSTERIUM-X sensor Pixel Array 5120 (h) x 2700 (v) S/N Ratio 66 dB Dynamic Range 13.5 stops, up to 18 stops with HDRx 6 FPS with 5K Full Frame and HDRx 15 FPS with 4K HD and HDRx Max Image Area 5120 (h) x 2700 (v) Lens Coverage 27.7mm (h) x 14.6mm (v) = 31.
R E D D S M C O P E R AT I O N G U I D E BRAIN DIMENSIONS NOTE: Dimensions are shown in mm. EPIC BRAIN DIMENSIONS FRONT VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E SIDE VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E TOP VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E BOTTOM VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E BACK VIEW COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E B INPUT/OUTPUT CONNECTORS This appendix provides pinout information for the input/output connectors on the RED BRAIN. NOTE: When connecting a cable to a connector, align the key and red marker on the cable connector with the corresponding key and marker on the device connection. NOTE: Connector diagram images are for reference only. Diagrams are not to scale. 1 2 3 4 5 COPYRIGHT © 2015 RED.COM, INC 6 7 8 9 DSMC Connectors 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E # CONNECTOR CONNECTOR TYPE FOR MORE INFORMATION, GO TO... 1 REDMOTE Dock 8-point POGO “REDMOTE Operation” on page 140 2 Module Power SEARAY “Power Inputs” on page 32 3 HD-SDI BNC “HD-SDI Out” on page 188 4 HDMI HDMI “HDMI Out” on page 189 5 Headphone Jack 3.
R E D D S M C O P E R AT I O N G U I D E HDMI OUT A standard HDMI connector provides the following output: High-definition video output (default mode is Overlay) Two (2) channels of embedded audio The HDMI output provides the formats described in the table below: HDMI OUTPUT FORMATS 1 VIDEO FEED 2 FREQUENCY (HZ) 480p 50.00, 60.00 720p 24.00, 25.00, 30.00, 50.00, 60.00 1080p 24.00, 25.00, 30.00, 50.00, 60.00 1. Ensure you select a frequency supported by your monitor. 2.
R E D D S M C O P E R AT I O N G U I D E SYNC (VIDEO SYNC IN) The 4-pin 00B LEMO SYNC connector accepts timecode, genlock, and General Purpose Input (GPI) signals.
R E D D S M C O P E R AT I O N G U I D E COMPATIBLE CABLES 790-0154: 3BNC-to-00 LEMO Sync Cable 790-0187: 4-Pin 00 LEMO-to-Flying Lead 790-0415: RED Start/Stop Cable (14-Pin LEMO to SYNC, CTRL, BNC) 790-0428: RED Start/Stop Cable (14-Pin to 00B SYNC) CTRL (RS232 CONTROL) The 4-pin 00B LEMO CTRL connector supports RS232 remote control for 3D camera communication and thirdparty metadata ingest applications. For more information, go to “BRAIN GPIO” on page 100.
R E D D S M C O P E R AT I O N G U I D E GIG-E (ETHERNET) The GIG-E 9-pin 0B LEMO connector provides a 1000BASE-T (IEEE 802.3ab) gigabit Ethernet connection for remote camera setup, master/slave camera communication, and external metadata ingest. Since the GIG-E connector does not support slower speeds (10BASE-T and 100BASE-T), ensure that any device you connect to supports 1000BASE-T.
R E D D S M C O P E R AT I O N G U I D E DC IN (POWER INPUT) The 6-pin 1B LEMO connector accepts DC input power from 11.5 V DC to 17 V DC. A built-in power conditioner protects against reverse-polarity connections, electrostatic discharge (ESD), undervoltage, overvoltage, and overcurrent. WARNING: Both pairs of +VBATT and GROUND pins must be wired. Using a third-party power cable that wires only one (1) pair of +VBATT and GROUND pins may damage the power supply or the DSMC.
R E D D S M C O P E R AT I O N G U I D E MIC-1, MIC-2 (MICROPHONE AUDIO) The two (2) 3.5mm microphone jacks are microphone level analog audio inputs. Each jack has 2.4K ohm of nominal impedance. For more information, go to “Record and Monitor Audio” on page 133.
R E D D S M C O P E R AT I O N G U I D E C LENS MOUNTS AND LENSES LENS MOUNTS This section describes DSMC lens mounts. DSMC mounts may be configured with 19mm rods to accommodate most cinematography lenses, matte boxes, and follow focus systems. DSMC MOTION MOUNTS The DSMC RED MOTION MOUNT is a revolutionary and adjustable lens mount system for your DSMC.
R E D D S M C O P E R AT I O N G U I D E REMOVE A LENS MOUNT NOTE: You can change lens mounts in the field. However, RED recommends that you change lens mounts only in dust-free environment. REQUIRED TOOL: T20 Torx driver 1. Turn off the DSMC. 2. Attach the DSMC to a stable platform or position the DSMC on a clean and level work surface so that the lens mount screws are accessible. 3. Remove the lens and any DSMC modules, cables, or other accessories that might interfere with removing the lens mount.
R E D D S M C O P E R AT I O N G U I D E INSTALL A LENS MOUNT NOTE: You can change lens mounts in the field. However, RED recommends that you change lens mounts only in dust-free environment. REQUIRED TOOL: T20 Torx driver 1. Ensure that the DSMC is turned off and remove any accessories or cables that may interfere with installation. 2.
R E D D S M C O P E R AT I O N G U I D E LENSES This section describes lenses and lens operations for the DSMC system. WARNING: All lenses are hot swappable. However, lens mounts are NOT HOT SWAPPABLE, meaning you cannot remove or install lens mounts while the camera is turned on. Before installing or removing lens mounts, you MUST turn off the camera. Failure to do so may result in damage to the lens mounts or DSMC that will not be covered under warranty.
R E D D S M C O P E R AT I O N G U I D E POSITIVE LOCK (PL) LENSES This section describes the appropriate method for attaching and detaching PL lenses. For more information, refer to the original manufacturer’s instructions. WARNING: ALWAYS protect your equipment, when it is not in use, by replacing lens caps and mount caps. ATTACH PL LENSES 1. Rotate the lens mount frame counter-clockwise to release the DSMC mount cap. 2. Remove the rear lens cap and the DSMC mount cap. 3.
R E D D S M C O P E R AT I O N G U I D E NIKON F-MOUNT LENSES This section describes the appropriate method for attaching and detaching Nikon F-Mount lenses. For more information, refer to the original manufacturer’s instructions. WARNING: ALWAYS protect your equipment, when it is not in use, by replacing lens caps and mount caps. ATTACH NIKON F-MOUNT LENSES 1. Rotate the secondary locking clamp counter-clockwise to disengage. 2.
R E D D S M C O P E R AT I O N G U I D E DSMC CANON MOUNT SUPPORTED LENSES The DSMC Canon Mount and DSMC Canon MOTION MOUNT electronically support the following lenses: COMPATIBLE LENS TYPE FOCAL LENGTH Canon EF Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon C
R E D D S M C O P E R AT I O N G U I D E COMPATIBLE LENS TYPE FOCAL LENGTH Canon EF Canon Canon Canon Canon Canon Canon Canon Canon Canon Canon EF EF EF EF EF EF EF EF EF EF Canon EF-S Canon Canon Canon Canon Canon EF-S EF-S EF-S EF-S EF-S Sigma Sigma Sigma Sigma Sigma Sigma Sigma Sigma Sigma Sigma Sigma 10-20mm f/3.5 EX DC HSM 15mm f/2.8 EX DG Diagonal Fisheye 17-70mm f/2.8-4 DC Macro OS HSM 18-35mm DC HSM 20mm f/1.8 EX DG ASP RF 24mm f/1.8 EX DG ASP Macro AF 24-70mm f/2.8 IF EX DG HSM 28mm f/1.
R E D D S M C O P E R AT I O N G U I D E DSMC NIKON MOUNT SUPPORTED LENSES The DSMC Nikon Mount electronically supports the following lenses: COMPATIBLE LENS TYPE FOCAL LENGTH Nikkor AF AF AF AF AF Nikkor AF-S AF-S AF-S AF-S AF-S AF-S AF-S AF-S AF-S AF-S AF-S AF-S AF-S AF-S AF-S AF-S Sigma Sigma Sigma Sigma Sigma Sigma APO Sigma APO 120-300mm f/2.8 EX DG OS HSM Tamron Tamron SP 24-70mm f2.8 Di VC USD 1 Tokina Tokina AT-X 107 DX, 10-17mm f/3.5-4.
R E D D S M C O P E R AT I O N G U I D E DSMC LEICA-M MOUNT LENSES The RED DSMC Leica-M Mount is compatible with most Leica M-series lenses with focal lengths of 50mm and greater, EXCEPT for the 50mm f2.0 Dual-Range Summicron. The 50mm f2.0 Dual-Range Summicron has a protruding lug on the exterior of the lens body for mounting a supplementary finder. This lug interferes with the locking ring on the DSMC Leica-M Mount.
R E D D S M C O P E R AT I O N G U I D E D DEFAULT KEY FUNCTIONS DEFAULT KEY FUNCTIONS ITEM KEY FUNCTION Camera BRAIN Record Full Press Record: Toggle GPI In High Record: Start GPI In Low Record: Stop Record Full Press Record: Toggle Record Half Press AF: Start User 1+2 Press Eject Media Up Press Br. Up (Increase Brightness) Down Press Br.
R E D D S M C O P E R AT I O N G U I D E DEFAULT KEY FUNCTIONS ITEM KEY FUNCTION DSMC Side Handle User A Press AF Mode: Cycle User B Press WB: Auto Calc User C Press Magnify: Toggle User D Press Exposure Check: Toggle User 1 Press Slot: Set FPS User 2 Press Slot: Set ISO User 3 Press Slot: Set Aperture User 4 Press Slot: Set Shutter User 5 Press Exposure Check: Toggle User 6 Press Key Disabled User 7 Press Eject Media User 1+4 Press SM: Toggle Key Lock Nav Menu Press Navigation:
R E D D S M C O P E R AT I O N G U I D E DEFAULT KEY FUNCTIONS ITEM KEY FUNCTION RED Switchblade-M User A Press AF Mode: Cycle User B Press WB: Auto Calc User C Press Magnify: Toggle User D Press Exposure Check: Toggle User A+D Press SM: Toggle Key Lock Nav Menu Press Navigation: Menu Nav North Press Navigation: Up Nav South Press Navigation: Down Nav East Press Navigation: Right Nav West Press Navigation: Left Nav Enter Press Navigation: Select Rotary Front CW Navigation: CW Rot
R E D D S M C O P E R AT I O N G U I D E E MENU MAP See the menu map on the following page. The menu map is applicable to the following cameras, except as noted in the this guide: EPIC-M RED DRAGON (CARBON FIBER) EPIC-M RED DRAGON EPIC-X RED DRAGON SCARLET DRAGON EPIC-M MYSTERIUM-X EPIC-X MYSTERIUM-X SCARLET-X MYSTERIUM-X EPIC-M MONOCHROME EPIC-X MONOCHROME EPIC-M RED DRAGON MONOCHROME COPYRIGHT © 2015 RED.COM, INC 955-0020_V5.
R E D D S M C O P E R AT I O N G U I D E MENU SETTINGS MEDIA } Eject Media PLAYBACK } Playback Screen } Format Media POWER HDR FOCUS } Power In } HDRx Toggle } Mode } Power Save } Stops } Rack } Utils...
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