RED DSMC OPERATION GUIDE: EPIC/SCARLET EPIC | SCARLET | V6.0 RED DRAGON | MYSTERIUM-X | MONOCHROME RED.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T TABLE OF CONTENTS Disclaimer 3 Copyright Notice 3 Trademark Disclaimer 3 Compliance Statements 4 Safety Instructions 6 Battery Storage and Handling 7 Shipping Disclaimer 7 Chapter 1: EPIC/SCARLET Introduction 8 Read Before You Shoot 8 DSMC BRAIN 9 RED Digital Sensors 10 R3D File Format and REDCODE 11 Shoot For Video and Stills 12 Post Production with REDCINE-X PRO 12 HDRx and MAGIC MOTION 13 Additional Resources 13 Chapter 2:
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DISCLAIMER RED has made every effort to provide clear and accurate information in these installation instructions, which are provided solely for the user’s information. While thought to be accurate, the information in this document is provided strictly “as is” and RED will not be held responsible for issues arising from typographical errors or user’s interpretation of the language used herein that is different from that intended by RED.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T COMPLIANCE STATEMENTS CAUTION: Regulations of the FCC and FAA prohibit airborne operation of radio-frequency wireless devices because there signals could interfere with critical aircraft instruments. INDUSTRIAL CANADA EMISSION COMPLIANCE STATEMENTS This device complies with Industry Canada license-exempt RSS standards RSS 139 and RSS 210.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T INFORMATION NORWAY Products with the CE marking comply with the EMC Directive (2004/108/EC) and the Low Voltage Directive (2006/95/EC) issued by the Commission of the European Community. Compliance with these directives implies conformity to the following European Product Family Standards.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SAFETY INSTRUCTIONS DO NOT use the camera or accessories near water. Avoid exposing your camera to moisture. The unit is not waterproof, so contact with water could cause permanent damage to the unit as well as electric shock and serious injury to the user.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T BATTERY STORAGE AND HANDLING WARNING: Failure to read, understand, and follow these instructions may result in overheating, chemical leakage, smoke emission, fire, or other potentially harmful results. Always follow proper battery handling and storage practices. Improper handling and/or failure to abide by proper storage instructions may cause permanent damage to batteries, or degrade battery charge holding capacity.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 01 EPIC/SCARLET INTRODUCTION EPIC Digital Still and Motion Cameras (DSMC) The EPIC and SCARLET cameras are part of the RED ® Digital Still and Motion Camera (DSMC ® ) system. The DSMC family includes WEAPON, EPIC, and SCARLET ® cameras.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DSMC BRAIN EPIC-M BRAIN (Left) and SCARLET-X BRAIN (Right) At the center of the RED modular system is the DSMC BRAIN ® , housing the critical image capture electronics and digital image sensor. The expansive RED arsenal of DSMC modules, monitors, lens mounts, controllers, power, media, and other accessories supports both the EPIC and SCARLET BRAINs.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T RED DIGITAL SENSORS Each EPIC or SCARLET BRAIN is equipped with one of the following sensors: RED DRAGON (6K) MYSTERIUM-X (5K) MONOCHROME (5K) RED DRAGON MONOCHROME (6K) RED DRAGON SENSOR (6K) RED DRAGON 6K Resolution The RED DRAGON (6K) sensor captures over nine (9) times more resolution than standard HD.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T The MYSTERIUM-X sensor includes high-precision analog to digital conversion, capable of delivering up to 13.5 stops of dynamic range with daytime light sources 800 ISO. With HDRx ® , dynamic range can be extended up to approximately 18 stops.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SHOOT FOR VIDEO AND STILLS High resolution video, such as the digital footage captured by the DSMC, has surpassed the detail necessary to produce professional full-sized prints. Because of the ability to record at high frame rates and resolution, the DSMC is ideally suited to capture video and still images, simultaneously. The DSMC is equipped with a Stills mode that makes it easier to capture stunning images.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T HDRX AND MAGIC MOTION HDRx HDRX HDRx extends dynamic range up to six (6) stops by simultaneously capturing two (2) images of identical resolution and frame rate. The first image is a normally exposed track (A-track), while the second is an underexposed track (X-track) with an exposure value that reflects the additional stops of highlight protection.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 02 EPIC/SCARLET SYSTEM COMPONENTS EPIC-M RED DRAGON Kit This section provides an overview of the EPIC/SCARLET system components, including: “BRAIN” on page 15 “DSMC Media Modules” on page 16 “REDMAG and RED MINI-MAG Systems” on page 18 “EPIC/SCARLET Adaptor Modules” on page 19 “RED Batteries and Chargers” on page 22 “Other DSMC Modules” on page 22 “Displays and Electronic Viewfinders” on page 25 “LEMO Adapt
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T BRAIN EPIC BRAIN (Side) The DSMC ® BRAIN ® is the image processing center of the DSMC system and supports power, media, and other modules. BRAIN CONTROL: PWR/REC BUTTON Fully press and hold the PWR/REC button for two (2) seconds to turn on/off. When the DSMC is on, fully press and then release the PWR/REC button to toggle record start/stop. BRAIN LEDS This section describes the LED functions for the EPIC/SCARLET BRAIN.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LED COLOR/FLASHING DESCRIPTION Power Status LED (PWR) Both green flashing Firmware update in progress and Record Status LED (REC) Both red flashing Firmware update error DSMC MEDIA MODULES This section describes the DSMC media modules. RED offers the following DSMC media modules: ITEM PART NUMBER DSMC 1.8" SSD Side Module DSMC 1.8" SSD Side Module (DRAGON) 720-0013 N/A 1 Carbon Fiber DSMC 1.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DSMC SIDE SSD MODULE CONTROLS # CONTROL DESCRIPTION 1 User Key 1 Programmable key User Key 1 + 2 Press: Eject Media 2 REC button Programmable key Full Press: Record Toggle Half Press: AF Start 3 User Key 2 Programmable key User Key 1 + 2 Press: Eject Media REAR SSD MODULE Rear SSD Module The Rear SSD Module secures to the back of a Module Adaptor or a +1 Adaptor Module to serve as a rear location for recording to a REDMAG 1.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T REDMAG AND RED MINI-MAG SYSTEMS RED MINI-MAG (1TB) REDMAG 1.8” SSDs and RED MINI-MAG ® SSDs deliver fast and reliable recording options for your camera. A RED STATION ® enables you to connect media to your computer for offloading and editing.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T EPIC/SCARLET ADAPTOR MODULES This section describes the EPIC/SCARLET adaptor modules. Module Adaptor (left) and +1 Adaptor Module (right) EPIC/SCARLET adaptor modules enable you to connect other DSMC modules to the EPIC/SCARLET BRAIN for expandable functionality. The +1 Adaptor Module provides an auxiliary power port for accessories and an additional EVF/LCD port for additional monitor viewing and output.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T +1 ADAPTOR MODULE CONNECTIONS 1 2 3 4 5 +1 Adaptor Module # CONNECTOR CONNECTOR TYPE CONNECTOR FUNCTION 1 Mounting 1/4-20 mounting Supports bolt-on auxiliary equipment 2 EVF/LCD 1 N/A Custom digital video and power interconnection between BRAIN and RED EVF or RED LCD; Pinout not published 3 Auxiliary power out (PWR) 4-pin 0B LEMO Supplies unregulated (+) 11.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T POWER MODULES This section describes the power modules for the camera. Pro Battery Module (Quad) DSMC power modules attach to a Module Adaptor or +1 Adaptor Module to provide the DSMC with flexible power options for REDVOLT ® , REDVOLT XL, and RED BRICK ® batteries. When used in combination with a DSMC AC Power Adaptor or DSMC Side Handle, you can hot-swap batteries without interrupting recording.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T RED BATTERIES AND CHARGERS This section describes the RED lithium-ion batteries and charger solutions. REDVOLT XL (left) and REDVOLT (right) The REDVOLT, REDVOLT XL, and RED BRICK are lightweight, rechargeable lithium-ion battery cells that provide sustained power to the BRAIN. These batteries provide long-term mobile power and attach to the BRAIN via a DSMC power module or other RED accessory, such as the DSMC Side Handle.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T PRO I/O MODULE Pro I/O Module The Pro I/O Module brings together the essential input and output (I/O) connections in one (1) module, providing a central hub for professional audio and video components. The Pro I/O Module offers the following features: Centralized ports that make it easy to manage connections and cables. LCD/EVF port that allows you to connect an additional RED LCD or EVF.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T REDCAST MODULE REDCAST Module The REDCAST™ Module allows for live 4K streaming, enabling you to capture and view action in real-time. Compatible with both EPIC DRAGON and SCARLET DRAGON cameras, the REDCAST Module uses four (4) 3G-SDI output connections to broadcast 4K video at up to 60 frames per second. Five (5) 1/4-20 mounting holes are built into the top of the module, allowing for various mechanical peripherals to be attached.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DISPLAYS AND ELECTRONIC VIEWFINDERS RED offers the following displays and electronic viewfinders (EVFs): ITEM RESOLUTION PART NUMBER 1920 x 1136 730-0018 WEAPON RED Touch 4.7" LCD 1 1280 x 720 730-0019 RED Touch 5.0" LCD 2 800 x 400 730-0008 RED Touch 7.0" LCD 1920 x 1136 730-0007 RED Touch 9.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T RED LCDS RED Touch 7.0" LCD RED displays provide important camera parameters on the graphical user interface (GUI) and offer a variety of monitor viewing options. RED touchscreen displays enable you to use gestures to navigate menus and adjust camera parameters. RED displays feature 8-bit RGB, 4:4:4 progressive scan, providing up to 16.7 million colors and up to 70% NTSC color gamut.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T BOMB EVFS The BOMB EVF (LCOS) and BOMB EVF (OLED) deliver specialized viewing solutions for the DSMC. The BOMB EVF (LCOS) is a high-definition, lightweight, and low-profile viewfinder. The BOMB EVF (OLED) uses OLED technology, providing deeper blacks and more color accurate images. ITEM BOMB EVF (LCOS) 1 BOMB EVF (OLED) 1 CONTRAST RATIO DIOPTER RANGE 1000:1 typical 2.0 to –5.0.1 >10,000:1 typical 2.0 to –5.0.1 1.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T WEAPON RED EVF The WEAPON RED EVF (OLED) is a high definition electronic viewfinder designed as the ideal single-viewer monitoring solution. Featuring the latest OLED technology, this EVF provides an unmatched personal viewing experience with a 1080p OLED micro-display, and improved color accuracy with 30-bit RGB color represenation.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LEMO ADAPTORS This section describes the WEAPON LEMO Adaptor A and the WEAPON LEMO Adaptor B. These adaptors enable you to use EPIC/SCARLET displays with your WEAPON camera and use WEAPON displays with your EPIC/SCARLET camera. For more information on available displays, go to “Displays and Electronic Viewfinders” on page 25.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CAMERA CONTROL MODULES This section describes the camera control modules. These devices provide a wide array of programmable buttons, controls, and other features to interact with the camera. RED offers the following remotes and controls: ITEM PART NUMBER DSMC Side Handle 720-0012 RED Switchblade-M 1 720-0026 REDMOTE 770-0006 REDLINK Bridge (REDLINK Development Kit) 720-0028 ® 1.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T RED SWITCHBLADE-M RED Switchblade-M The RED Switchblade-M is a low-profile and lightweight interface solution that mounts to the side of the DSMC BRAIN. With a 1.7” OLED display and full navigation controls, the RED Switchblade-M grants full access to DSMC menus while optimizing the size and weight of y our camera configuration. For a full list of RED Switchblade-M user keys and default actions, go to “Default Key Functions” on page 219.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T REDLINK BRIDGE REDLINK Bridge The REDLINK Bridge is a wireless module that provides communication support for third-party app development. The REDLINK Bridge attaches to the rear of the BRAIN or other compatible DSMC rear module. The REDLINK Bridge is part of the REDLINK Development Kit and uses the REDLINK Command Protocol (RCP) to communicate information between the DSMC and your application.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LENS MOUNTS DSMC Mg PL Mount 2.0 RED offers the following DSMC lens mounts: ITEM PART NUMBER DSMC Mg PL Mount 2.0 725-0024 DSMC Ti PL Mount 725-0003 DSMC Al Canon Mount 725-0004 DSMC Ti Canon Mount 725-0005 DSMC Al Nikon Mount 725-0006 DSMC Ti Nikon Mount 725-0007 DSMC Al Leica-M Mount 725-0008 725-0012 DSMC MOTION MOUNT Ti PL 1 DSMC MOTION MOUNT Ti Canon 1 725-0014 1.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T INTERCHANGEABLE OLPFS This section describes the interchangeable optical low pass filter (OLPF) system and modular OLPFs. DSMC Interchangeable OLPF System NOTE: The DSMC interchangeable OLPF system is only compatible with the DRAGON sensor. The DSMC interchangeable OLPF system is an upgrade to the optical low-pass filter (OLPF) in your EPIC DRAGON or SCARLET DRAGON.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 03 EPIC/SCARLET BASIC OPERATIONS POWER OPERATIONS This section describes the basic power operations of the DSMC ® system. For more information, see the DSMC Power Operation Guide, available at www.red.com/downloads. WARNING: Modules, displays, and accessories are NOT HOT SWAPPABLE, meaning that you cannot remove or install the item while the camera is turned on.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T POWER PRIORITY When multiple power sources are connected to the BRAIN, power consumption is prioritized in this sequence: 1. DC power supply (DC IN connector) 2. Attached RED BRICK ® (Lowest state of charge first) 3. Battery module batteries (SEARAY connector; lowest state of charge first) 4.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T INSTALL THE DSMC SIDE HANDLE WARNING: Before installing or removing the DSMC Side Handle, you MUST turn off the BRAIN. REQUIRED TOOL: T10 TORX ® driver 1. Turn off the BRAIN. 2. Use a T10 TORX driver to remove the single screw located at the bottom of the BRAIN side plate (if the side plate is installed). Remove the BRAIN side plate 3.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T INSTALL THE RED SWITCHBLADE-M WARNING: Before installing or removing the RED Switchblade-M, you MUST turn off the BRAIN. REQUIRED TOOL: T10 TORX driver 1. Turn off the BRAIN. 2. Use a T10 TORX driver to remove the single screw located at the bottom of the BRAIN side plate (if the side plate is installed). 3.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T INSTALL THE MODULE ADAPTOR You must install an adaptor module on the back of the BRAIN before you install a DSMC module. REQUIRED TOOL: T20 TORX driver 1. Turn off the BRAIN. 2. Remove the REDMOTE, if attached. 3. Position the Module Adaptor over the V-mount on the rear of the BRAIN. Install Module Adaptor 4.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T REMOVE THE MODULE ADAPTOR REQUIRED TOOL: T20 TORX driver 1. Turn off the BRAIN. 2. Use a T20 TORX driver to loosen the screws attaching the Module Adaptor to the BRAIN. 3. Remove the Module Adaptor from the BRAIN. INSTALL THE +1 ADAPTOR MODULE REQUIRED TOOL: T20 TORX driver 1. Turn off the BRAIN. 2. Remove the REDMOTE, if attached. 3. Position the +1 Adaptor Module over the V-mount on the rear of the BRAIN.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 4. Insert the HDMI connector into the HDMI port on the BRAIN. Insert the HDMI connector to the BRAIN 5. Apply pressure and tighten the four (4) captive screws in a cross pattern (“X” pattern) approximately two (2) turns each using a T20 TORX driver. DO NOT FULLY TIGHTEN. Tighten screws 6. Fully tighten the four (4) screws in a cross pattern (“X” pattern) using a T20 TORX driver. WARNING: DO NOT OVERTIGHTEN.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T ATTACH A DSMC MODULE REQUIRED TOOL: T20 TORX driver 1. Turn off the BRAIN. 2. Insert the lip at the top of the module into the recess at the top of the adaptor module. Insert module lip 3. Rotate the module down flush with the rear of the adaptor module. Press module flush 4. Apply pressure and use a T20 TORX driver to turn the lock on the bottom of the adaptor module clockwise into the Lock position.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T REPLACE THE HOOD SCOOP REQUIRED TOOL: T8 TORX driver The hood scoop on some EPIC-X and EPIC-M models extends beyond the rear plane of the BRAIN. RED offers shorter hood scoops so that you can attach an LCD or other accessory to the mounting locations on the top of the +1 Adaptor Module. Replace the hood scoop To replace DSMC fan hood scoop, follow the instructions below: 1. Turn off the BRAIN. 2. Remove the four (4) M3x0.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T INTERCHANGEABLE OLPF SYSTEM This section describes the process for swapping an interchangeable OLPF. WARNING: Read these instructions carefully and in their entirety before removing or installing an interchangeable OLPF. Damage caused to the OLPF module, camera, or sensor due to improper handling or use is not covered under warranty. WARNING: Once an interchangeable OLPF is removed from the BRAIN, the sensor is exposed.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 6. Remove the four (4) M2x0.4 x 4 mm OLPF module screws (P/N 600-0224) in a cross pattern (“X” pattern) using a T6 TORX driver. Remove OLPF module screws 7. Remove the OLPF module and place it in its protective case. Remove the OLPF module COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 8. Use an LED light to ensure that the optical cavity is clean and free from dust or debris. Ensure optical cavity is clean and free of debris 9. Ensure the desired OLPF module is clean and free of debris. 10. Insert the OLPF module. 11. Replace and loosely tighten the four (4) M2x0.4 x 4 mm OLPF module screws (P/N 600-0224) in a cross pattern (“X” pattern) using a T6 TORX driver. DO NOT FULLY TIGHTEN.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 14. Replace and loosely tighten the four (4) M4x0.7 x 8 mm lens mount screws in a cross pattern (“X” pattern) using a T20 TORX driver. DO NOT FULLY TIGHTEN. NOTE: The DSMC Mg PL Mount 2.0 has captive screws that are not removable from the mount. 15. Fully tighten the four (4) lens mount screws in a cross pattern (“X” pattern) using a T20 TORX driver. DO NOT exceed 350 in-oz, or damage may occur. NOTE: DO NOT OVERTIGHTEN.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T VERIFY INSTALLED OLPF You can see which DSMC Interchangeable OLPF is installed even when a DSMC lens mount is attached. The OLPF type is labeled in two (2) locations on each DSMC Interchangeable OLPF.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T VIDEO MONITOR OUTPUTS The monitoring path converts RAW sensor data to a white balanced 12-bit depth 1920 x 1080 pixel RGB 4:4:4 video signal. The signal may be modified using ISO, White Balance, or other RGB color space adjustments. The signal is then scaled and gamma-corrected to provide monitor outputs at 10-bit depth in 4:2:2 YCC or 8-bit depth in 4:4:4 RGB.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T RECORD VIA HD-SDI OR HDMI This section describes how to record via HD-SDI or HDMI through simultaneous record (recording to an SSD and an external recorder at the same time) or external record only. For more information on how to enable default menus for a external recorder, go to “Cannot Use Touchscreen or DSMC Side Handle” on page 179. SIMULTANEOUS RECORD You can record simultaneously to an external recorder and a RED SSD.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 04 BASIC MENUS AND CONTROLS This chapter describes the DSMC ® Basic Menu, controls, including: “Upper Status Row (Basic Menu)” on page 52 “Live Action Area” on page 56 “Lower Status Row” on page 57 “Navigation Controls” on page 62 DSMC GUI MENU INTRODUCTION 1 2 3 DSMC GUI Control Menu This section describes the structure and layout of the DSMC graphical user interface (GUI) that overlays the video monitor signal.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T UPPER STATUS ROW (BASIC MENU) The Upper Status Row displays basic project parameters. The currently selected parameter in the Upper Status Row is underlined with a red bar. The Upper Status Row is also known as the Basic Menu. 9 1 2 3 4 5 6 7 8 Upper Status Row The Upper Status Row includes the following GUI elements: # ITEM DESCRIPTION FOR MORE INFORMATION, GO TO...
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T ACCESS ADVANCED MENUS For every Upper Status Row item, (except for REDCODE) you can select the Advanced... button to access the related menu in the Advanced Menus. For example, select Advanced... in the Frame Rate menu to open Menu > Settings > Project > Frame Rate. For more information about Advanced Menus, go to “Advanced Menus” on page 69. Select “Advanced...” Button “Advanced...” Menu COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T FEATURE: EDIT LIST Select the Edit List... button in the Upper Status Row menus to change the values that display for each setting. For example, if you open the Frame Rate menu and select Edit List..., the camera lets you add or remove values to available frame rates. Select “Edit List...” Button “Edit List...” Menu COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T APERTURE The aperture (also known as the T stop or F stop) parameter displays when a compatible mount and lens are installed. The aperture controls the depth of field of the image and, in combination with the shutter speed/angle setting, controls the amount of light that reaches the sensor (exposure). Increasing the aperture to a higher number increases the depth of field, but reduces the exposure (brightness).
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LIVE ACTION AREA The Live Action Area contains the recorded image area plus Surround View look around area, plus overlays for Frame Guides, Safe Action/Safe Title, Clip Name, and Timecode values. The color of each overlay can be customized to maximize the contrast between the guide(s) and scene being captured.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LOWER STATUS ROW The Lower Status Row provides access to key system information and camera values. 1 2 3 4 5 6 Lower Status Row: Motion The Lower Status Row in Motion mode provides key system information and camera values, including: # LOWER STATUS ROW ITEM SUB-ITEM/DESCRIPTION FOR MORE INFORMATION, GO TO...
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CAMERA MODE The Camera Mode allows you to seamlessly toggle between Motion mode, Stills mode, and Playback. To select a camera mode, select the Camera Mode icon in the Lower Status Bar, swipe up, and select a camera mode. NOTE: Setting adjustments made in Stills mode do not affect the settings in Motion mode, and vice versa.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T HISTOGRAM This section describes the elements that comprise the Histogram section in the Lower Status Row. This section of the GUI helps ensure that recorded footage is properly exposed. Tap the Histogram in the Lower Status Row to access the Tools menu. For more information, go to “Tools” on page 70. 1 2 4 3 Histogram (Exposure) # ITEM DESCRIPTION 1 RAW Level Bar (left) 1 Also known as a “goal post”.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T TC INDICATOR The TC indicator shows the current timecode status. Gray: No analog timecode is detected. Red: Analog timecode is detected but not enabled. Green: Analog timecode is used to jam the time of day timecode. For more information, go to “Timecode, Genlock, Multi-Camera Setup” on page 158. GEN INDICATOR The GEN indicator shows the current genlock status.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T BATTERY TIME REMAINING When using a REDVOLT or REDVOLT XL battery, the power status displays the location of the power source(example: SH: DSMC Side Handle; RM: Rear Module) and the remaining battery capacity. When using a RED BRICK battery connected to DC IN, the power status displays BRICK and the remaining battery capacity.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T NAVIGATION CONTROLS This section describes basic controls for navigating the DSMC menus. TOUCHSCREEN NAVIGATION RED Touch displays offer intuitive menu control and four (4) programmable buttons. 1 2 3 4 RED Touch 7.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SWIPE-UP MENU The Swipe-Up Menu is available in the Lower Status Row on RED Touch displays and provides Swipe-Up Shortcuts for Motion mode, Stills mode, and Playback. NOTE: Swipe-Up shortcuts are available on v6.0 firmware or later. For example, select the Camera Mode icon in the Lower Status Bar, swipe up, and select a Camera Mode.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T NAVIGATION GROUP The Navigation Group is the primary control interface on the DSMC Side Handle, RED Switchblade-M, and REDMOTE.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DSMC SIDE HANDLE This section describes the controls and display of the DSMC Side Handle.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DSMC SIDE HANDLE DISPLAY The DSMC Side Handle displays Basic Menu parameters and other system status information.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T RED SWITCHBLADE-M This section describes the controls and display of the RED Switchblade-M.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T RED SWITCHBLADE-M DISPLAY The RED Switchblade-M OLED display provides basic camera parameters during operation.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 05 ADVANCED MENUS DSMC ADVANCED MENUS DSMC Advanced Menu b nvvb The Advanced Menus include: ADVANCED MENU DESCRIPTION FOR MORE INFORMATION, GO TO...
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SETTINGS MENU Settings Menu The Settings menu includes: Display, Look, Project, Audio, Recording, Setup, and Maintenance. DISPLAY The Display menu includes: Tools, Zebra, Monitor Control, Modes, Guides, Test Signals, and REDCAST™ (the REDCAST menu is only accessible when a REDCAST Module is installed). TOOLS The Tools menu provides access to false color and display modes.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T VIDEO Displays a color overlay that indicates the video level of the RGB monitor path (calibrated to the SMPTE test signal). When enabled, the “V√” indicator displays in the Lower Status Row. Colors are based on the RGB levels of the video out signal (that is, the “cooked” look, and not RAW data). The RGB settings (settings in the Look menu) affect the Video indicators.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DISPLAY MODES Display mode options include: Magnify, RAW, and Horizon. MAGNIFY Displays the central region of the sensor in 1:1 pixel resolution. When enabled, the 1:1 text in the Lower Status Row turns green, and the AF Window and the magnified region display. The AF Window determines the center point of the magnified region. If the lens or lens mount is not capable of autofocus with the DSMC, use Confirm mode to turn on the AF Window.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T ZEBRA Use Zebra mode to enable and adjust the upper and lower values for two (2) independent zebra indicators. Use Zebra 1 for highlight exposure, and use Zebra 2 for mid-tones or shadows. Zebras are visible in Magnify mode and are disabled by default. As with other IRE-based modes, zebra mode is applicable to the current ISO and Look settings, and not the RAW image.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T FREQUENCY Determines the monitor frequency. Available frequencies depend on the selected monitor. The LCD resolution defaults to 60.00 Hz, which is the optimal refresh rate for the RED LCDs. For HD-SDI monitors, the frequency depends on the project time base. For more information, go to “3G-SDI (HD-SDI) Out” on page 202 and “HDMI Out” on page 203.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T OVERLAYS Create custom overlays that include specific items. Overlays can be stored on the camera or transferred to SSD to be shared with other cameras. Camera: Overlays saved internally on the camera display in the Overlay drop-down menu on the Monitor Control > Monitor tab. Media: Overlays saved to an SSD can be found at On Media: \overlays:.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 5. Select a button on the matrix to add a user interface element to that position on the matrix. By default, the Magnify indicator (MI) is on the top left, the Record indicator (REC) is on the top right, the Clip Name (CLIP) is on the bottom left, and the Timecode (TC) is on the bottom right. Selecting one (1) of the buttons opens a new dialog that lets you choose a user interface element. 6. Select the Item that you want to add. 7.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T If you remove an LCD when an EVF is attached, then the EVF becomes the control monitor. If you then remove the EVF when an HDMI monitor is attached, the HDMI monitor becomes the control monitor. If you then reattach the LCD, then the LCD is the control monitor again. BRIGHTNESS Control the brightness of each LCD and EVF. Move to the right for a brighter display; move to the left for a dimmer display.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T MODES Use the Modes menu to determine how the following settings display: Camera Lens CAMERA TAB Display Mode: Camera EXPOSURE Time (Absolute): Displays the exposure time in seconds (1/xx sec). When you change the frame rate in this mode, the shutter time stays the same, but the shutter angle changes. Time (Absolute) is the default. Angle (Relative): Displays the exposure as an angle (1–360°).
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LENS TAB Display Mode: Lens APERTURE 1/4 F#: Aperture increments in 1/4 stops. 1/3 F#: Aperture increments in 1/3 stops. (Default) FOCUS DISTANCE Metric: Displays lens focus distances in meters. Imperial: Displays lens focus distances in feet and inches. (Default) MOTION MOUNT ND AND MOTION MOUNT ISO PULL Only applicable when using a DSMC RED MOTION MOUNT ® .
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T WIDTH/HEIGHT The Width/Height fields replace the Scale field when you select Absolute from the Mode drop-down menu. Select the values for the width and height of the guide in pixels. OFFSET X/Y Percentage to offset guide from its default centered position. Available range is 0–100%. 100%: Right-aligned (for X offset) and bottom-aligned (for Y offset). -100%: Left-aligned (for X offset) and top-aligned (for Y offset).
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T COLOR Saturation: Adjusts color saturation. Range is 0.0 (monochrome) to 4.0 (super color). Default is 1.0. Contrast: Adjusts the overall contrast of the image. Range is –1.0 (flat) to 1.0 (max contrast). Default is 0.0. Brightness: Adjusts brightness without crushing highlights. Available range is –10.0 to 10.0. Default is 0.0. Exp Comp: Adjusts exposure compensation. Available range is –7.0 to 7.0. Default is 0.0.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T COLOR/GAMMA Adjust the monitor output Color Space and Graded Gamma curves. These settings affect metadata only, and can be changed in REDCINE-X PRO. COLOR SPACE AND GRADED GAMMA SPACE RED recommends using the most recently released Color Space and Graded Gamma settings. Use legacy settings (such as REDcolor2) only if you need to record footage to match footage that you recorded with that legacy setting.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 3. If you plan on outputting ACES, select the ACES Proxy check box. The camera calculates the neutral gamma space based on if the ACES Proxy check box is selected. ‒ ‒ ACES Proxy deselected: Neutral Gamma Space is REDLogFilm. ‒ ‒ ACES Proxy selected: Neutral Gamma Space is ACES (ACES Proxy). For more information, go to “ACES Proxy” on page 84. 4. Select the Monitor Control button at the bottom of the menu. The Monitor Control menu opens.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T ACES PROXY Select the ACES Proxy check box to generate an ACES-compliant solution. When this option is enabled, all monitors output an ACES proxy that corresponds to ACESproxy10 (10-bit encoding). The firmware adjusts the proxy output for each camera and sensor type to ensure that the raw image data is properly transformed into the ACES color space.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T PRESETS Each preset has 0.000 Tint. Available preset options are: Incandescent: 2800 K Tungsten: 3200 K Fluorescent: 4500 K Flash: 5500 K Daylight: 5600 K Cloudy: 7500 K Shade: 9000 K AUTO WHITE BALANCE Auto white balance analyzes the central 25% of the image visible in the monitor to calculate a color temperature that will render a white object as white.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T VARISPEED When a recording frame rate other than the current project time base is selected, the FPS text turns yellow and the word Varispeed replaces the Audio Meter in the lower right corner of the display. Audio is not recorded in Varispeed mode. EPIC DRAGON FRAME RATES The table below describes the maximum frame rate for each resolution of the EPIC DRAGON. The minimum frame rate is always 1 FPS.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T FORMAT MAX FRAME RATE (FPS) FORMAT MAX FRAME RATE (FPS) 4.5K 8:1 400.00 2.5K 8:1 400.00 4K FF 120.83 2K FF 240.55 4K 2:1 127.38 2K 2:1 252.55 4K WS 150.72 2K WS 301.10 4K HD 120.83 2K HD 240.55 4K 6:5 120.83 2K 6:5 240.55 4K 3:2 102.08 2K 3:2 202.74 4K 4:3 90.81 2K 4:3 180.49 4K 5:4 85.16 2K 5:4 169.34 4K 4:1 252.55 2K 4:1 400.00 4K 8:1 400.00 2K 8:1 400.00 COPYRIGHT © 2015 RED.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SCARLET DRAGON FRAME RATES The table below describes the maximum frame rate for each resolution of the SCARLET DRAGON. The minimum frame rate is always 1 FPS. NOTE: Frame rates below are based on a 23.98 time base, 8:1 compression, with Lookaround disabled. FORMAT MAX FRAME RATE (FPS) 6K FF 12.08 (in Burst mode) 5K FF 24.62 5K 2:1 25.95 5K WS 30.71 5K HD 26.24 5K 6:5 38.63 4K FF 38.61 4K 2:1 40.87 4K WS 48.22 4K HD 41.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T EPIC MYSTERIUM-X AND SCARLET MYSTERIUM-X FRAME RATES The table below describes the maximum frame rate for each resolution of the EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X. The minimum frame rate is always 1 FPS. The table below omits rows for the anamorphic formats, since the maximum frame rate for each anamorphic format and the corresponding non-anamorphic format is the same. NOTE: Frame rates below are based on a 23.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T EXPOSURE Select the exposure (shutter speed) of each frame. You can change exposure while recording. Decreasing shutter speed increases the amount of time that light hits the sensor, which increases exposure and motion blur of moving objects. Increasing shutter speed decreases the amount of time that light hits the sensor, which decreases exposure and motion blur of moving objects.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T TIMECODE For more information about timecode, go to “Timecode, Genlock, Multi-Camera Setup” on page 158. TIMECODE SOURCE MODE DESCRIPTION User Provided (Internal) Use Real Time Clock (RTC) Uses the internal Real Time Clock as the timecode counter source. You can set the hours, minutes, and seconds in the numerical boxes on the screen. Set Manually Define a custom value as the timecode counter seed.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T EPIC DRAGON FORMATS The table below describes the formats that are available for EPIC DRAGON. Default for EPIC DRAGON is 6K 2:1. The table below omits rows for the anamorphic formats, since the pixel dimensions for each anamorphic format and the corresponding non-anamorphic format are the same. For more information, go to “Anamorphic” on page 97. EPIC DRAGON offers a 6:5 aspect ratio for each resolution.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T RESOLUTION DESCRIPTION DIMENSIONS (PIXELS) WIDTH HEIGHT 4K 2:1 4K RAW 2:1 4096 2048 4K WS 4K RAW Wide Screen—2.4:1 4096 1728 4K HD 4K RAW HD—16:9 3840 2160 4K 6:5 4K RAW 6:5 2592 2160 4K 3:2 4K RAW 3:2 3840 2560 4K 4:3 4K RAW 4:3 3840 2880 4K 5:4 4K RAW 5:4 3840 3072 4K 4:1 4K RAW 4:1 4096 1024 4K 8:1 4K RAW 8:1 4096 512 3.5K FF 3.5K RAW Full Frame 3584 1876 3.5K 2:1 3.5K RAW 2:1 3584 1792 3.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T RESOLUTION DESCRIPTION DIMENSIONS (PIXELS) WIDTH HEIGHT 2.5K 8:1 2.5K RAW 8:1 2560 320 2K FF 2K RAW Full Frame 2048 1080 2K 2:1 2K RAW 2:1 2048 1024 2K WS 2K RAW Wide Screen—2.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SCARLET DRAGON FORMATS The table below describes the formats that are available for SCARLET DRAGON. SCARLET DRAGON offers a 6:5 aspect ratio for each resolution. Using a 6:5 aspect ratio at 2x anamorphic gives you a 2:40:1 aspect ratio.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T EPIC MYSTERIUM-X AND SCARLET MYSTERIUM-X FORMATS The table below describes the formats that are available for EPIC MYSTERIUM-X and SCARLET MYSTERIUM-X. EPIC MYSTERIUM-X: Default is 5K 2:1. SCARLET MYSTERIUM-X: Default is 4K. The table below omits rows for the anamorphic formats, since the pixel dimensions for each anamorphic format and the corresponding non-anamorphic format are the same.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T ANAMORPHIC Select an Anamorphic setting, if applicable. The anamorphic setting de-squeezes the image on the monitor and marks the footage as anamorphic in the clip metadata. When you open the clip in REDCINE-X PRO, the program automatically de-squeezes the image. The available anamorphic settings depend on your camera type. EPIC DRAGON: Supports anamorphic 1.3x and 2x with each format.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SHORT-CUT TO INDUSTRY-STANDARD ANAMORPHIC FORMATS To quickly access industry-standard anamorphic formats, go to Menu > Settings > Project > Format > Anamorphic. The Anamorphic tab is a short-cut to all of the industry-standard anamorphic formats, so that you can easily select the most common anamorphic formats.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T MODE You can select the following recording modes: Continuous Record, Internal Timelapse Timer, Frame Trigger, REDCODE Burst, Speed Ramp Mode, Multi-Shot, and Motion + Stills. STORAGE You can select the following storage locations: Local: Stores footage directly to an SSD Network: Stores footage to a network NOTE: The Network option is only available on an EPIC DRAGON or SCARLET DRAGON.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 6. Start recording. The overlay displays the number of frames recorded out of the total amount of frames. NOTE: There may be a delay between receiving the external trigger and capturing the next frame(s). The delay may be as long one (1) frame period at the current recording frame rate. To completely synchronize frames to an external trigger, set Sensor Sync Mode to MoCo. For more information, go to “Sync” on page 107.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T PRE COUNT AND POST COUNT When Frame Trigger or Burst mode is enabled, select the number of frames for the Pre Count and Post Count: Pre Count: The camera captures the frame cache from the time preceding the marker. Post Count: The camera captures the remaining frame cache after the marker. The maximum frame counts are listed in the Available column, and are based on format and REDCODE.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T ADVANCED MULTI-SHOT MODE In this mode, the camera is continuously recording, but is not saving frames. This eliminates the delay you get in Basic Multi-Shot mode. Since the camera is continuously recording, the camera requires the same amount of power it does during Continuous Record (as opposed to Preview mode). Unlike Basic mode, all frames are added to one (1) clip, instead of to separate clips.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T FRAME PROCESSING NOTE: Frame processing is not supported in Speed Ramp Mode. For more information, go to “Speed Ramp Mode” on page 100. Frame processing allows for the combination of multiple captured frames into one recorded frame. The combination occurs before the resulting frame is encoded. You can select the following frame processing settings: No Frame Processing, Frame Summing, Frame Averaging.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T INDICATOR Enable Sounds: Select this check box to enable sounds. Then select sounds for the following actions: ‒ ‒ Record Start ‒ ‒ Record Stop ‒ ‒ Mark Still Frame EVF Tally Light: Select this check box to enable the EVF Record Tally LED on the EVF to illuminate red when recording. SETUP The Setup menu includes: Keys, Date/Time, Communication, REDmote, GPIO/Sync, Fan Control, Lens, and Motor Control.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T ADVANCED Use the Advanced tab to map any key, even if the key is not currently accessible. For example, you can map the REDMOTE keys even if a REDMOTE is not present. WARNING: It is possible to remap the navigation keys using this tab. However, if you do not have a touchscreen attached, it is possible to lock out control. Be careful when remapping navigation keys. DATE/TIME Use the Date/Time menu to reset the internal clock of the camera.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CAMERA NAME Use the Camera menu to set up a unique identifier for your camera (or a group of cameras). All command filtering happens on the receiver side of the communication link. Use camera names and group names to address commands to a specific camera or group of networked cameras. Camera ID: Enter a unique camera name to use in network communications. The field is limited to eight (8) characters.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T ETHERNET Use the settings on the Ethernet tab to configure the GIG-E port. Each camera or device requires a unique IP address. For camera-to-camera communication via Ethernet, both cameras need to be in the same sub-net (have the same netmask address) and have the same gateway address. Enable DHCP: Enables DHCP.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T GENLOCK SOURCE Select a genlock input: BRAIN (Default) Rear Module (Pro I/O Module or REDCAST Module) BRAIN GPIO GPI Function (Camera Input): Select one (1) of the following options to configure the input for devices connected to the SYNC connector on the BRAIN: ‒ ‒ Sync In: The camera input is used as a sync-in signal for MoCo. ‒ ‒ General Purpose In: Use the BRAIN GPI In High/Low drop-down menus to map inputs to actions.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T FAN CONTROL MODES Select a fan control mode for the bottom fan. If a top fan is installed, it runs at a constant speed when necessary. NOTE: After selecting a new fan setting, run the DSMC until the core temperature stabilizes, and then perform a black shading calibration. NOTE: If using a top fan, the top fan may not run immediately after turning on the DSMC, as the top fan runs when the DSMC requires additional cooling power.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LENS LENS TAB The options displayed on the Lens tab change based on the attached lens mount. PL MOUNT Enable Power to Lens: Ensures that the BRAIN powers the lens via the lens mount. This feature is enabled by default, but the camera saves the last selected setting. Deselect when using a Fujinon ® T2.9 Cabrio Premier PL lens. If you disable this feature for the Fujinon Cabrio, re-enable it when using other lenses.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T UPGRADE You can check for upgrades for the following items: Camera: Go to “Upgrade DSMC Firmware” on page 172. REDMOTE: Go to “Upgrade REDMOTE Firmware” on page 155. Media: For more information on the media upgrade procedure, see the DSMC Media Operation Guide, available at www.red.com/downloads. CALIBRATE The Calibrate menu includes: Sensor, Gyro/Acc, and Lens.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CALIBRATION CAPTURE (BLACK SHADING) Not including preparation time, the calibration procedure takes several minutes. To perform black shading, follow the instructions below: 1. Ensure that the camera reaches the temperature you want to use for your shoot. 2. Set the exposure to the exposure you want to use for your shoot. 3. Ensure that the sensor is as dark as possible. ‒ ‒ Preferably, take off the lens, and install the front body cap.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CALIBRATION MAP NAMING CONVENTIONS Each calibration map has a unique name that uses the format described in the table below: NAME DESCRIPTION EXAMPLE Exposure Current exposure; to set exposure, go to Menu > Setting > Projects > Exposure 48 Sensor Temperature Sensor temperature (Celsius); in the Lower Status Row, this is the number to the left of the forward slash (Temp: 34/35) 32C Year Year that the calibration map is created (yyyy
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T GYROSCOPE AND ACCELEROMETER CALIBRATION The internal three-axis gyroscope and three-axis accelerometer need to be calibrated for the Horizon overlay to function properly. The Gyro/Acc calibration file is stored in the flash memory of the BRAIN, so you DO NOT need to recalibrate after restoring the camera or upgrading firmware. For more information, go to “Horizon” on page 72.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 4. There are two (2) ways to start the lens calibration process: ‒ ‒ When you attach a lens that the camera does not recognize, the “Unsupported Lens Found” dialog box displays and asks if you want to calibrate the lens. Select Create Custom Lens Config. ‒ ‒ Go to Menu > Settings > Maintenance > Calibrate > Lens and select Create.... COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T The lens calibration process for the current focal length starts and a progress bar displays. Once the calibration process starts, DO NOT touch the lens, as doing so may cause the lens to calibrate incorrectly. 5. Select OK after the calibration file is created. 6. To calibrate the next focal length, follow the instructions below: A. Go to Menu > Settings > Maintenance > Calibrate > Lens. B.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T C. Manually set the next focal length. D. Select Add Cal @ xx..., where “xx” is the current focal length. NOTE: If you calibrate a focal length that has already been calibrated, the new files overrides the previous file. The lens calibration process for the current focal length starts and a progress bar displays. Once the calibration process starts, DO NOT touch the lens, since that may cause incorrect calibration. 7.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T VIEW AND MODIFY LENS CALIBRATION INFORMATION 1. Go to Menu > Settings > Maintenance > Calibrate > Lens. 2. Select the calibration file name in the Camera list and select Edit.... The following information displays: ‒ ‒ Mount Type ‒ ‒ Focal Length ‒ ‒ F Stop Range: Overall aperture range of lens. ‒ ‒ Lens Status ‒ ‒ Calibrated Focal Lengths 3. You can perform any of the following actions: ‒ ‒ Add Cal @ xx...
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T EXPORT AND IMPORT LENS CALIBRATION FILES Lens calibration files can be stored on the camera or transferred to SSD to be shared with other cameras. When exporting lens calibration files from camera to SSD, the files are saved to a folder on the SSD called “lens_cal”. DO NOT change the file name of the calibration file after you save it to an SSD. All : Export selected file from camera to SSD. : Export all files from camera to SSD.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LENS CALIBRATION ACTIONS Edit...: View and edit the selected file. Delete: Delete the selected file. Create...: Create a new file. This option is disabled if you already have a calibration file for the attached lens. Prompt for calibration of unsupported lenses: Select this check box to ensure that the “Unsupported Lens Found” dialog box displays every time the camera detects an unsupported electronic lens at boot-up.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SELF-TEST The Self-Test menu includes: Enable Sensor Test Pattern and Touchscreen. ENABLE/DISABLE SENSOR TEST PATTERN The Sensor Test Pattern feature is only used during manufacturing. The sensor test pattern is a white screen. TOUCHSCREEN To perform a touchscreen self-test, follow the instructions below: 1. Go to Menu > Settings > Maintenance > Self Test. 2. Select Touchscreen. A grid of green squares displays on the touchscreen.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T REDISCOVER (HARDWARE REDISCOVER) Rediscovers all hardware and caches the data for future boot cycles. Perform a Hardware Rediscover if a module or lens mount is not functioning correctly. To perform a Hardware Rediscover, follow the instructions below: 1. Go to Menu > Settings > Maintenance. 2. Select Rediscover. 3. Select Yes on the screen that asks you to confirm the Hardware Rediscover. The BRAIN turns off. 4. Turn on the BRAIN.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CHECK INSTALLED OLPF (IF YOU HAVE A FIXED OLPF) If your DSMC has a fixed OLPF (if you do not have the DSMC Interchangeable OLPF system), then your camera automatically detects which OLPF is installed. To see which OLPF is installed when you have a fixed OLPF, follow the instructions below: 1. Go to Menu > Settings > Maintenance > OLPF. The OLPF type displays: ‒ ‒ SKIN TONE-HIGHLIGHT: Also known as “OLPF, Version 2”.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SELECT OLPF TYPE (IF YOU HAVE THE DSMC INTERCHANGEABLE OLPF SYSTEM) If your DSMC has the DSMC Interchangeable OLPF system, then you must select the correct OLPF type that is installed. Select your OLPF type by following the instructions below: 1. Go to Menu > Settings > Maintenance > OLPF. 2. Select your OLPF type from the Type drop-down menu: IMPORTANT: Ensure the correct OLPF type is selected from the drop-down menu.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T MEDIA MENU The Media Menu allows you to format and eject an SSD and to view and load clips on the SSD. For more information about using media, see the DSMC Media Operation Guide, available at www.red.com/ downloads. DEVICE Format and eject (unmount) the SSD. CLIPS View and load clips on the SSD in thumbnail view. COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T PLAYBACK MENU To view clips from the SSD: Go to Menu > Playback. Press the Record/Playback toggle in the lower left corner of the touchscreen. NOTE: The camera uses RGB color space in Playback mode by default, regardless of settings in Record mode. To playback clips in RAW mode, go to Menu > Settings > Display > Tools and select RAW. PLAYBACK MENUS In Playback mode, the menu is pared-down, so you cannot access all menus.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T PLAYBACK CONTROLS 1 2 3 4 5 6 7 8 13 Playback Controls 9 10 11 12 Play Options 14 15 16 17 18 Marker Options COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T The table below describes the Playback controls. # CONTROL DESCRIPTION 1 Clips View clips as thumbnails 1 2 Load Previous Clip Loads the previous clip in the playlist. 3 Frame-by-Frame Reverse Moves through the clip frame-by-frame in reverse. 4 Reverse Play/Pause toggle Plays clip in reverse, and toggles between play and pause. 5 Play/Pause toggle Toggles between play and pause.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T POWER MENU The Power menu displays the power status of all attached power sources and allows you to turn off the camera. NOTE: For more information about powering the DSMC, see the DSMC Power Operation Guide, available at www.red.com/downloads. POWER IN The power status displays for the BRAIN DC, DSMC Side Handle, Rear 1, Rear 2, Rear 3, and Rear 4.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T HDRX MENU NOTE: HDRX mode cannot be modified when test signals are enabled. NOTE: You cannot change the exposure when HDRX is enabled. NOTE: You cannot use HDRX mode when: ‒ ‒ A MOTION MOUNT is installed. ‒ ‒ A Sensor Sync Mode (Genlock or MoCo) is enabled. ‒ ‒ Speed Ramp mode is enabled. ‒ ‒ A Frame Processing mode (Frame Summing or Frame Averaging) is enabled.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T MODE TAB The Mode Tab is used to enable and select Focus parameters, including Mode, Zone, Size, and Enhanced A/F. Focus Menu: Mode MODE Select one (1) of the following from the Mode drop-down menu: Manual: When selected, all focus operations are manual. Confirm: Enables the Center or Spot focus target. This mode provides additional focus assistance by using red, yellow, and green color changes to the focus spot window.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T AUTOFOCUS MODES (DSMC, NIKON, AND CANON MOUNTS) When any of the following conditions are met, the Modes drop-down menu has additional options: DSMC Nikon Mount and a supported lens is attached. The lens focus switch is set to “A” or “M/A”. DSMC Canon Mount and a supported lens is attached. The lens focus switch is set to “AF”. DSMC Canon MOTION MOUNT and a supported lens is attached. The lens focus switch is set to “AF”.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T ZONE Available zones are Center and Spot (default). Both the Center and Spot targets change color to indicate the focus state of the objects in the targets. TARGET COLOR DESCRIPTION Blue Camera is focusing Red Objects are out of focus Yellow Objects are almost in focus Green Objects are in focus CENTER Provides a large target square for focus that is centered in the recording area.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 60 Hz. The target does not display on the selected monitor. You cannot control the monitor until you disable the Enhanced A/F feature. 7. Select the Confirm target style from the Confirm Style drop-down menu: CONFIRM DESCRIPTION STYLE 8. OBJECTS IN TARGET ARE IN FOCUS...
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 8. To reset the focus distance to the value calculated by the autofocus algorithm, select Re-Autofocus. 9. To set a rack point location, follow the instructions below: A. Select the rack point: A, B, C, or D. B. Select Close to return to the main screen. C. Tap and hold the touchscreen where you want the rack point to be, or press and drag the rack point. When you move a rack point, the camera autofocuses.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T MAP KEYS TO CYCLE RACK FOCUS You can map user keys to rack focus to different rack points. For more information, go to “Keys” on page 104. You can map the following actions: AF: Start AF: Rack to A AF: Rack to B AF: Rack to C AF: Rack to D EXPOSURE ASSIST The Exposure Assist menu provides access to settings for the Auto Exposure (AE) feature.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T Av (Aperture Value): You set the aperture, and then the camera sets the shutter to meet the selected exposure. Tv (Time Value): You set the shutter, and then the camera sets the aperture to meet the selected exposure. EXP COMP AND EV SHIFT Use the Exp Comp (Exposure Compensation) slider and the EV Shift setting to adjust the brightness of the image.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T PRESETS MENU The DSMC has three (3) types of presets: Camera Presets: These store and recall camera setup information, such as in-camera Looks, key mappings, I/O configurations, and more. The DSMC has a number of factory-installed presets. Looks: These allow you to save the specific color, image, white balance, and detail settings to be used for other projects. Looks that are generated in-camera display on the Camera Presets tab.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T EXPORT AND IMPORT PRESETS Presets can be stored on the camera or transferred to SSD to be shared with other cameras. When exporting presets from camera to an SSD, the presets are saved to a folder on the SSD called “Presets”. When importing presets from an SSD to camera, the presets must be stored on the SSD in a folder called “Presets”. : Export selected preset from camera to SSD. All : Export all presets from camera to SSD.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T MANAGE IMPORTED LOOKS Manage Looks imported from REDCINE-X PRO in the Presets > Looks tab. When exporting Looks from camera to SSD, the Looks are saved to a folder on the SSD called “Looks”. You can perform the following actions with imported Looks: All : Export selected Looks from camera to SSD. : Export all Looks from camera to SSD. Apply: Apply the selected Look. Delete: Delete the selected Look.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 06 RECORD AND MONITOR AUDIO OVERVIEW The DSMC ® can record up to two (2) discrete stereo channels of uncompressed 24-bit, 48 KHz audio. A Pro I/O Module provides two (2) channels of microphone level or line level audio inputs, and up to four (4) digital AES audio inputs. In total, the DSMC supports eight (8) incoming audio channels, and can record up to four (4) audio channels.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SET UP AUDIO To set up audio, go to Menu > Settings > Audio, and adjust the input, pre-amplifier, headphone, and mix settings.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LINK Gain Sliders: Ensures that each pre-amplifier (Pre-Amp) slider has the same value. If you select the check box while the sliders have different values, you must change one (1) slider for all sliders to sync up. Volume Sliders: Ensures that each headphone (Headphone) slider has the same value, so that you can control the master volume for headphones.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T PRE-AMP The pre-amplifier range is 30 dB to 60 dB. The default is 32 dB. To adjust amplification levels, follow the instructions below: 1. Go to Menu > Settings > Audio > Pre-Amp. 2. Move the Pre-Amp (pre-amplifier) sliders up and down to adjust the amplification levels. NOTE: To link the amplification for each channel, go to Menu > Settings > Audio > Channel and select the Gain Sliders check box.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T AUDIO OUTPUT OPTIONS DSMC BRAIN: One (1) 2-channel headphone output. For maximum quality, use high impedance headphones. Pro I/O Module: One (1) XLR connector that supports 2-channel line level analog output. The signal strength of the line out cannot be controlled, and is fixed at –15 dB gain. HDMI and HD-SDI monitor: Both output two (2) channels of 24-bit 48 KHz uncompressed, embedded digital audio.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CONTROL AUDIO MIX (CAM MIX, REAR MIX, AND MONITOR MIX) The DSMC features a digital audio mixer that controls the volume and stereo settings for each input channel. The mixer affects audio monitoring (such as headphones) and audio recorded to external devices. The mixer DOES NOT affect audio embedded in the R3D file. The range for each channel is 0% to 100%. The default for each active channel is 100%.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T OUTGOING AUDIO When you select Output as the VU Meter Source, the Audio Meter displays the Cam Mix, Rear Mix, and Monitor Mix levels. For more information, go to “VU Meter” on page 78. When recording to an external device, use the Output levels to help accurately monitor recorded audio. AUDIO METER LEVELS The DSMC updates the Audio Meter 12 times per second with the maximum signal from the last 1/12 of a second period.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 07 REDMOTE OPERATION OVERVIEW REDMOTE The REDMOTE ® is a remote camera control unit for the DSMC ® that attaches to the rear of the DSMC BRAIN ® or other expansion module. When detached from the DSMC, the REDMOTE provides wireless camera control using the proprietary REDLINK™ protocol.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CONTROLS, CONNECTORS, AND LEDS This section describes the REDMOTE controls, connectors, and color LCD display. 3 8 4 1 9 5 2 10 6 11 7 12 2 13 REDMOTE The following table describes default REDMOTE control actions. Each control is also programmable. # REDMOTE CONTROL DESCRIPTION 1 Stills/Motion Switch Toggles between Stills/Motion Mode, enabled in v6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T REDMOTE LEDS There are two (2) status LED indicators located above the rocker switch on the left side of the LCD display.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T POWER/KEY LOCK SWITCH Turn on: Press and hold the switch in the down position for two (2) seconds. Turn off: Press and hold the switch in the down position for five (5) seconds. Or, press the switch down into the down position and release to access the Shutdown menu. Lock keys: Move the switch to the up position to prevent unintentional operation. “KEYS LOCKED” display above the Primary Soft Menu Buttons when lock is enabled.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T PAIR THE REDMOTE There are two (2) ways to pair the REDMOTE to a DSMC: Dock to pair Pair wirelessly When a REDMOTE and DSMC are paired: The REDMOTE displays the DSMC settings. VIEWFINDER ouputs display green RM status and signal strength indicators in the Lower Status Row. NOTE: You can pair the REDMOTE to multiple BRAINs. However, you can only control one BRAIN at a time. DOCK TO PAIR 1. Turn on the BRAIN. 2.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DISCONNECT THE REDMOTE FROM A PAIRED DSMC 1. Press Button 1. 2. Select DISCONNECT. 3. Press ENTER. CHARGE THE REDMOTE A fully discharged REDMOTE battery requires approximately six (6) hours to fully charge. You can use the REDMOTE while it charges. Charge the REDMOTE using either of the following methods: Dock the REDMOTE to a camera or rear module.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T REDMOTE LCD DISPLAY MENU The REDMOTE LCD displays key camera settings of a paired and connected DSMC. There are five (5) available REDMOTE Setting menus, accessible with the Soft Menu Buttons (4-8). NOTE: Soft Menu Buttons 7 and 8 are not defined.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T UPGRADE REDMOTE FIRMWARE This section describes the REDMOTE firmware upgrade process using Mac ® , Windows ® , and the DSMC. UPGRADE REDMOTE WITH DSMC When you dock a REDMOTE, the DSMC checks to see if the REDMOTE is running the latest firmware. If the REDMOTE firmware is slightly outdated, you have the option to update the REDMOTE firmware through the DSMC.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T UPGRADE REDMOTE FIRMWARE (MAC) 1. Download the REDMOTE Firmware, available at www.red.com/downloads. NOTE: Review the read_me_redmote_vX.X.XX instructions contained in the REDMOTE_vX.X.XX.zip file. 2. Uncompress the zip file. 3. Open the REDMOTE_vX.X.XX folder. 4. Click Select File in REDMOTE Upgrade Utility. 5. Open the redmote.1.bin file in the REDMOTE_Firmware_vX.X.XX folder. “Selected File: redmote.1.bin” displays. 6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CONFIGURE REDMOTE CONNECTION WITH COMPUTER (WINDOWS) Next, you must establish a connection between the Windows and the REDMOTE. 1. Disable WiFi and disconnect the Ethernet cable connected to your computer. NOTE: An internet connection interferes with the computer’s attempt to recognize the REDMOTE. 2. Connect a USB to mini-USB cable between the computer and the USB connector on the REDMOTE.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 08 TIMECODE, GENLOCK, MULTI-CAMERA SETUP This chapter describes timecode, genlock, and multi-camera operations such as 3D and array setup. TIMECODE Timecode is a numeric sequence based on SMPTE 12M that aids in the management and synchronization of footage and audio. Timecode is embedded in recorded RAW files as metadata and in HANC metadata provided by the HD-SDI monitor output.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SET UP INTERNAL TIMECODE To set up and adjust timecode generated by the camera, follow the instructions below: 1. Go to Menu > Settings > Project > Timecode. 2. Select the desired Timecode Display mode. 3. Set Source to User Provided. 4. Select the LTC Out check box to perform Linear Timecode Out, if applicable. Source: User Provided 5. Use the additional controls to sync TOD timecode with the RTC or set manually.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 4. Set Source to External: BRAIN. The TC indicator in the Lower Status Row turns green when an external timecode source is locked. Source: External: BRAIN NOTE: When an external source is selected but not present, timecode displays User Provided settings. REQUIRED CABLE 790-0154: 3BNC-to-00 LEMO Sync Cable COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T GENLOCK Generator locking (genlock) is a tri-level signal used to synchronize video and audio systems. Genlock is based on SMPTE 296M and 274M. There are two (2) important genlock sync modes: Monitor Sync Sensor Sync NOTE: For genlock to function correctly, the cameras must be on the same firmware version, and must be using the same project time base and recording frame rate.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SENSOR SYNC Sensor Sync is achieved when a genlock signal is provided that is compatible with the current monitor output frequency, project time base, and recording frame rate. While operating in Sensor Sync, sensor timing is locked to the genlock signal.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T MASTER/SLAVE OPERATION This section describes operation in Master/Slave configuration and clip naming conventions for clips recorded on those cameras. Master/Slave is the most common configuration for Stereo/3D productions. When cameras are operated in Master/Slave configuration, you can perform the following operations: Power: Turn off the Master camera to turn off both cameras.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T C. For Target, select None. Slave Settings D. Go to Menu > Settings > Setup > Communication and select the Ethernet tab. E. Verify the Enable Camera to Camera check box is selected. The LAN indicator in the Lower Status Row illuminates green. NOTE: Cameras can also be set up in Master/Master configuration. To set as Master/Master, set Target to All on both cameras, allowing either camera to make changes and control record start/stop.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SET REEL NUMBER, CAMERA ID, AND CAMERA POSITION To prepare media and slate settings for a Master/Slave or Stereo/3D production, follow the instructions below: 1. On both Master and Slave cameras, go to Menu > Media > Device and select Format Media.... 2. On both Master and Slave cameras, select the desired Reel No and Cam ID settings. NOTE: The Reel No and Cam ID settings on both BRAINs should match. 3.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SET UP STEREO/3D CONFIGURATION This section describes basic procedures for connecting two (2) DSMC BRAINs in a Master/Slave configuration for 3D operation. NOTE: When providing the signals to a Stereo Image Processor (SiP) for verifying 3D alignment, set the HD-SDI monitor output on both cameras to have the same overlay configuration.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SET UP A CAMERA ARRAY You can sync more than two (2) cameras for applications and productions that require a camera array. To set up a camera array, you need a 1000Base-T gigabit Ethernet router. NOTE: For genlock to function correctly, the cameras must be on the same firmware version, and must be using the same project time base and recording frame rate.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CAMERA ARRAY EXAMPLE The diagram below is an example of how to set up a camera array. REQUIRED CABLES 790-0154: 3BNC-to-00 LEMO Sync Cable (required per camera) 790-0159: LEMO-To-CAT5E Ethernet Cable (9') (required per camera) COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SET UP MOTION CONTROL (MOCO) Motion Control, or “MoCo” for short, is a form of sensor synchronization used to automate precision camera movements required for special effects and difficult shots. Motion Control uses GPIO signals transmitted using the SYNC (GPI) and CTRL (GPO) ports on the camera BRAIN or a connected Pro I/O Module or REDCAST Module. For more information on GPIO connections, go to “Input/Output Connectors” on page 201.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 5. Select Sync In from the GPI Function drop-down menu. MoCo BRAIN/GPIO Settings 6. Select Sync Out from the GPO Function drop-down menu. (Optional) Supply a pulse from the Motion Control device to sync the shutter to the rising edge of the sync input. For more information, refer to the manufacturer’s instructions for the Motion Control device.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T COMPATIBLE DEVICES The following timecode and genlock devices are compatible with the camera. Additional timecode devices may be compatible, but have not yet been tested by RED.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 09 UPGRADE DSMC FIRMWARE Your RED ® DSMC ® functionality may be upgraded by installing the latest firmware. Make a habit of frequently visiting www.red.com/downloads to check for new versions of camera firmware, updated operation guides, and post production software. Your REDMOTE ® also requires a firmware upgrade. For more information on upgrading your REDMOTE, go to “Upgrade REDMOTE Firmware” on page 155.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 7. Ensure the BRAIN is turned off and the REDMOTE is undocked. 8. Insert the SSD with the force_upgrade folder into your DSMC. 9. Turn on the BRAIN. The upgrade runs automatically. During upgrade, the fans run at high speed and the PWR and REC LEDs flash green. After approximately 15 seconds, the LEDs stop flashing and the camera turns off. Nothing displays on the external monitors during the upgrade. 10.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 10 DSMC MAINTENANCE All RED ® products are designed for rugged durability, but precision instruments demand proper care. Follow the instructions in this chapter to clean, maintain, and store RED devices. WARNING: DO NOT rinse or immerse the DSMC ® or other accessories in water. Keep dry at all times. WARNING: DO NOT use soaps, detergents, ammonia, acetone, alkaline cleaners, abrasive cleaning compounds, or solvents.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LCD AND EVF SCREENS This section explains how to clean screens on the following items: BOMB EVF ® RED PRO LCD RED Touch LCD DSMC Side Handle REDMOTE ® NOTE: This section describes only how to clean screens on specific RED devices, and not how to clean the entire device.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T 11 TROUBLESHOOT YOUR DSMC PERFORM A STRESS TEST Perform a stress test before important projects to ensure the reliability and stability of your gear. A stress test subjects your DSMC ® system and equipment to the increased stress of prolonged operation. If any components are developing issues, this test will help identify those problems before you have an equipment failure during a major shoot. 1. Configure your DSMC as desired. 2.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T “UPGRADING ATTACHED PERIPHERALS” MESSAGE SYMPTOM During an attempt to upgrade firmware, the display shows the message “Upgrade Attached Peripherals”. After turning the camera off and then on, the same message displays, and then prompts you to turn off the camera. POTENTIAL RESOLUTION Ensure that you are upgrading your camera to the newest firmware version.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CAMERA DOES NOT RECOGNIZE LENS SYMPTOM The camera does not recognize the attached lens. POTENTIAL RESOLUTIONS Ensure that the lens is compatible. For more information, go to “Lens Mounts and Lenses” on page 209. If using a PL lens, ensure that the BRAIN is providing power to the lens: go to Menu > Settings > Setup > Lens and select the Enable Power to Lens check box.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SCREEN FREEZES OR DOES NOT DISPLAY SYMPTOM The screen freezes or does not display. POTENTIAL RESOLUTION Perform a Hard Restore. For more information, go to “Perform a Hard Restore” on page 181. LCD FLICKER SYMPTOM The LCD or monitor is flickering. POTENTIAL RESOLUTIONS Go to Menu > Settings > Display > Monitor Control and adjust the Frequency to 60 Hz. Use a different cable. Ensure cables are properly attached.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T “CRITICAL FAILURE” OR “SERIOUS ERROR” MESSAGES SYMPTOM When you upgrade or turn on the camera, the display shows a message with the phrase “Critical Failure” or “Serious Error”. POTENTIAL RESOLUTIONS Update the camera firmware to the latest release build available for download at www.red.com/downloads. Submit a Technical Support request at https://support.red.com. Include the following with the request: ‒ ‒ Log file.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CAMERA DOES NOT TURN ON SYMPTOM The camera does not turn on (does not boot up), even when powered. POTENTIAL RESOLUTIONS Remove all accessories and power the BRAIN using the AC Power Adaptor. Perform a Hard Restore. For more information, go to “Perform a Hard Restore” on page 181. Update the camera firmware to the latest release build available for download at www.red.com/downloads.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T POLARIZER AFFECTS IMAGE SYMPTOM The image has a faint vertical rainbow artifact. EXPLANATION When using a polarizer with an EPIC DRAGON or SCARLET DRAGON (with either a Skin Tone-Highlight or a Low Light Optimized OLPF), a faint vertical rainbow artifact might appear on the image.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T TIMECODE OR GENLOCK DOES NOT FUNCTION SYMPTOM The SYNC, GEN, and/or TC light is red, yellow, or grayed out. POTENTIAL RESOLUTIONS Ensure your timecode or genlock device is compatible. For more information, go to “Compatible Devices” on page 171. Use a different cable. Ensure your timecode or genlock device settings match your project settings. Ensure your timecode or genlock device is set to the correct source.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T A TECHNICAL SPECIFICATIONS EPIC DRAGON EPIC DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Sensor 19 megapixel RED DRAGON ® sensor Pixel Array 6144 (h) x 3160 (v) S/N Ratio 80 dB Dynamic Range 16.5+ stops Max Image Area 6144 (h) x 3160 (v) Lens Coverage 30.7mm (h) x 15.8mm (v) x 34.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T EPIC DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Construction Aluminum Alloy Operating Temperature Range 0˚C to 40˚C (32˚F to 104˚F) Storage Temperature Range –20˚C to 50˚C (–4˚F to 122˚F) 1. 480p is available for HDMI only. COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SCARLET DRAGON SCARLET DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Sensor 19 megapixel RED DRAGON sensor Pixel Array 6144 (h) x 3160 (v) S/N Ratio 80 dB Dynamic Range 16.5+ stops Max Image Area 6144 (h) x 3160 (v) Lens Coverage 30.7mm (h) x 15.8mm (v) x 34.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SCARLET DRAGON TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Audio 2 channel, uncompressed, 24 bit, 48KHz Optional 4 channel, and AES/EBU digital audio Remote Control REDLINK Wireless, Ethernet, RS232, GPI Trigger Weight 5 lbs (body only) Construction Aluminum Alloy Operating Temperature Range 0˚C to 40˚C (32˚F to 104˚F) Storage Temperature Range –20˚C to 50˚C (–4˚F to 122˚F) 1.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T EPIC MYSTERIUM-X EPIC MYSTERIUM-X TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Sensor 14 megapixel MYSTERIUM-X ® sensor Pixel Array 5120 (h) x 2700 (v) S/N Ratio 66 dB Dynamic Range 13.5 stops, up to 18 stops with HDRx Max Image Area 5120 (h) x 2700 (v) Lens Coverage 27.7mm (h) x 14.6mm (v) x 31.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SCARLET MYSTERIUM-X SCARLET MYSTERIUM-X TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Sensor 14 megapixels MYSTERIUM-X sensor Pixel Array 5120 (h) x 2700 (v) S/N Ratio 66 dB Dynamic Range 13.5 stops, up to 18 stops with HDRx 6 FPS with 5K Full Frame and HDRx 15 FPS with 4K HD and HDRx Max Image Area 5120 (h) x 2700 (v) Lens Coverage 27.7mm (h) x 14.6mm (v) = 31.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SCARLET MYSTERIUM-X TECHNICAL SPECIFICATIONS SPECIFICATION DESCRIPTION Storage Temperature Range –20˚C to 50˚C (–4˚F to 122˚F) 1. 480p is available for HDMI only. COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T BRAIN DIMENSIONS NOTE: Dimensions are shown in mm. EPIC BRAIN DIMENSIONS FRONT VIEW 98.00 147.00 137.00 COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SIDE VIEW 27.81 89.90 112.00 115.85 COPYRIGHT © 2015 RED.COM, INC 7.40 32.14 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T TOP VIEW 4X 9.00 27.00 102.00 147.99 112.00 144.14 5X 1/4-20 THREAD COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T BOTTOM VIEW 44.80 55.50 2X 3/8-16 THREAD 80.50 93.00 1/4-20 THREAD COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T BACK VIEW 77.50 20.50 4X M4 THREAD 122.00 49.00 COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SCARLET BRAIN DIMENSIONS FRONT VIEW 93.36 140.00 137.00 COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SIDE VIEW 27.81 89.90 112.00 115.90 COPYRIGHT © 2015 RED.COM, INC 7.40 32.14 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T TOP VIEW 4X 9.00 28.65 102.00 112.00 144.14 148.04 5X 1/4-20 THREAD COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T BOTTOM VIEW 46.65 2X 3/8-16 THREAD 55.50 80.50 93.00 1/4-20 THREAD COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T BACK VIEW 75.15 18.15 4X M4 THREAD 122.00 49.00 COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T B INPUT/OUTPUT CONNECTORS This appendix provides pinout information for the input/output connectors on the RED ® BRAIN ® . NOTE: When connecting a cable to a connector, align the key and red marker on the cable connector with the corresponding key and marker on the device connection. NOTE: Connector diagram images are for reference only. Diagrams are not to scale. 1 2 3 4 5 COPYRIGHT © 2015 RED.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T # CONNECTOR CONNECTOR TYPE FOR MORE INFORMATION, GO TO... 1 REDMOTE Dock 8-point POGO “REDMOTE Operation” on page 148 2 Module Power SEARAY “Power Inputs” on page 35 3 HD-SDI BNC “3G-SDI (HD-SDI) Out” on page 202 4 HDMI HDMI “HDMI Out” on page 203 5 Headphone Jack 3.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T COMPATIBLE CABLE 790-0341: RED ® HD-SDI Cable (6') HDMI OUT A standard HDMI connector provides the following output: High-definition video output (default mode is Overlay) Two (2) channels of embedded audio The HDMI output provides the formats described in the table below: HDMI OUTPUT FORMATS 1 VIDEO FEED 2 FREQUENCY (HZ) 480p 50.00, 60.00 720p 24.00, 25.00, 30.00, 50.00, 60.00 1080p 24.00, 25.00, 30.00, 50.00, 60.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T SYNC TRIGGER BUTTON CIRCUIT The SYNC connector has a 3.3 V Schmitt trigger (5 V tolerant). The trigger is not a switch closure circuit, so it requires that the trigger source supplies current. Both edges of the input signal may be used as a trigger. For example, this is the behavior of the circuit when the GPI trigger is used for record start/stop: Start Record: On ground to 3.3 V transition During Record: Hold at 3.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T CTRL (RS232 CONTROL) The 4-pin 00B LEMO CTRL connector supports RS232 remote control for 3D camera communication and thirdparty metadata ingest applications. For more information, go to “BRAIN GPIO” on page 108. The General Purpose Out (GPO) tally presents 3.3 V at a maximum of 0.04 A between pins 1 and 3. When used as a record tally, the rising edge of the pulse indicates start of record, falling edge represents end of record.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T GIG-E (ETHERNET) The GIG-E 9-pin 0B LEMO connector provides a 1000BASE-T (IEEE 802.3ab) gigabit Ethernet connection for remote camera setup, master/slave camera communication, and external metadata ingest. Since the GIG-E connector does not support slower speeds (10BASE-T and 100BASE-T), ensure that any device you connect to supports 1000BASE-T.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T AUDIO PORTS MIC-1, MIC-2 (MICROPHONE AUDIO) The two (2) 3.5mm microphone jacks are microphone level analog audio inputs. Each jack has 2.4K ohm of nominal impedance. For more information, go to “Record and Monitor Audio” on page 141.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T POWER PORTS DC IN (POWER INPUT) The 6-pin 1B LEMO connector accepts DC input power from 11.5 V DC to 17 V DC. A built-in power conditioner protects against reverse-polarity connections, electrostatic discharge (ESD), undervoltage, overvoltage, and overcurrent. WARNING: Both pairs of +VBATT and GROUND pins must be wired.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T C LENS MOUNTS AND LENSES LENS MOUNTS This section describes DSMC ® lens mounts. DSMC mounts may be configured with 19mm rods to accommodate most cinematography lenses, matte boxes, and follow focus systems. DSMC MOTION MOUNTS The RED MOTION MOUNT ® is a revolutionary and adjustable lens mount system for your DSMC.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T REMOVE A LENS MOUNT NOTE: You can change lens mounts in the field. However, RED ® recommends that you change lens mounts only in a dust-free environment. REQUIRED TOOL: T20 TORX ® driver 1. Turn off the DSMC. 2. Attach the DSMC to a stable platform or position the DSMC on a clean and level work surface so that the lens mount screws are accessible. 3.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T INSTALL A LENS MOUNT NOTE: You can change lens mounts in the field. However, RED recommends that you change lens mounts only in a dust-free environment. REQUIRED TOOL: T20 TORX driver 1. Ensure that the DSMC is turned off and remove any accessories or cables that may interfere with installation. 2.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T LENSES This section describes lenses and lens operations for the DSMC system. WARNING: All lenses are hot swappable. However, lens mounts are NOT HOT SWAPPABLE, meaning you cannot remove or install lens mounts while the camera is turned on. Before installing or removing lens mounts, you MUST turn off the camera. Failure to do so may result in damage to the lens mounts or DSMC that will not be covered under warranty.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T FUJINON T2.9 CABRIO PREMIER PL LENSES NOTE: The VTR switch on the lens is mapped to Record: Toggle by default. The VTR switch can be mapped to another key. The following Fujinon ® T2.9 Cabrio Premier PL lenses are compatible with all DSMC PL mounts, but must be powered externally and configured a specific way: Fujinon 14-35mm T2.9 Cabrio Premier PL Fujinon 19-90mm T2.9 Cabrio Premier PL To set up the Fujinon T2.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DSMC CANON MOUNT SUPPORTED LENSES The DSMC Canon Mount and DSMC Canon MOTION MOUNT electronically support the following lenses: COMPATIBLE LENS TYPE FOCAL LENGTH Canon EF Canon EF 14mm f/2.8L II USM Canon EF 15mm f/2.8 Fisheye Canon EF 16-35mm f/2.8L II Canon EF 17-40mm f/4L Canon EF 20mm f/2.8 USM Canon EF 24mm f/1.4L II Canon EF 24mm f/2.8 Canon EF 24mm f/2.8 IS USM Canon EF 24-70mm f/2.8L Canon EF 24-70mm f/2.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T COMPATIBLE LENS TYPE FOCAL LENGTH Canon EF Canon EF 200mm f/2.8L II Canon EF 200-400mm f/4L IS USM Extender 1.4x Canon EF 300mm f/2.8L IS Canon EF 300mm f/2.8L IS II USM Canon EF 300mm f/2.8L IS II USM with 1.4x III Extender Canon EF 300mm f/2.8L IS II USM with 2x III Extender Canon EF 300mm f/4L IS Canon EF 400mm f/2.8 IS II USM Canon EF 400mm f/2.8L IS Canon EF 400mm f/2.8L IS with 1.4x Extender Canon EF 400mm f/2.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T COMPATIBLE LENS TYPE FOCAL LENGTH Tokina Tokina AT-X 116 Pro DX, 11-16mm f/2.8 SD IF DX Tokina AT-X 116 Pro DX-II, 11-16mm f/2.8 SD IF DX Zeiss Otus ® Zeiss Otus 55mm f/1.4 NIKON F-MOUNT LENSES This section describes the appropriate method for attaching and detaching Nikon ® F-Mount lenses. For more information, refer to the original manufacturer’s instructions. This section also lists lenses supported by the DSMC Nikon F-Mount.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DSMC NIKON MOUNT SUPPORTED LENSES The DSMC Nikon Mount electronically supports the following lenses: COMPATIBLE LENS TYPE FOCAL LENGTH Nikkor AF AF Nikkor 28mm f/2.8D AF Nikkor 50mm f/1.8D AF DX Fisheye-Nikkor 10.5mm f/2.8G ED AF Fisheye-Nikkor 16mm f/2.8D 1 Nikkor AF-S AF-S NIkkor 10-24mm f/3.5-4.5G ED IF DX AF-S Nikkor 14-24mm f/2.8 G ED AF-S Nikkor 17-35mm f/2.8D ED IF AF-S Nikkor 17-55mm f/2.8G ED DX AF-S Nikkor 24mm f/1.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T AL LEICA-M MOUNT LENSES This section describes the appropriate method for attaching and detaching Leica-M ® lenses. For more information, refer to the original manufacturer’s instructions. This section also lists lenses supported by the DSMC AL Leica-M Mount. WARNING: ALWAYS protect your equipment, when it is not in use, by replacing lens caps and mount caps. ATTACH LEICA-M LENSES 1.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T D DEFAULT KEY FUNCTIONS DEFAULT KEY FUNCTIONS ITEM KEY FUNCTION Camera BRAIN ® Record Full Press Record: Toggle GPI In High Record: Start GPI In Low Record: Stop Record Full Press Record: Toggle/Multi-Shot Start Record Full Release Record: Multi-Shot Stop Record Half Press AF: Start User 1+2 Press Eject Media Up Press Br. Up (Increase Brightness) Down Press Br.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DEFAULT KEY FUNCTIONS ITEM DSMC Side Handle ® COPYRIGHT © 2015 RED.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T DEFAULT KEY FUNCTIONS ITEM KEY FUNCTION RED Switchblade-M User A Press AF Mode: Cycle User B Press WB: Auto Calc User C Press Magnify: Toggle User D Press Exposure Check: Toggle User A+D Press SM: Toggle Key Lock Nav Menu Press Navigation: Menu Nav North Press Navigation: Up Nav South Press Navigation: Down Nav East Press Navigation: Right Nav West Press Navigation: Left Nav Enter Press Navigation: Select Rotary Fro
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T PRESET DEFAULT KEY FUNCTIONS The following table describes default key functions for the Default Stills and Motion presets. NOTE: You cannot update factory-installed presets, which end with “(RED)”.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T E MENU MAP See the menu map on the following page. The menu map is applicable to the following cameras, except as noted throughout this guide: EPIC-M RED DRAGON™ (CARBON FIBER) EPIC-M RED DRAGON EPIC-X RED DRAGON SCARLET DRAGON EPIC-M MYSTERIUM-X EPIC-X MYSTERIUM-X SCARLET-X MYSTERIUM-X EPIC-M MONOCHROME EPIC-X MONOCHROME EPIC-M RED DRAGON MONOCHROME COPYRIGHT © 2015 RED.COM, INC 955-0020_V6.
R E D D S M C O P E R AT I O N G U I D E : E P I C / S C A R L E T MENU SETTINGS MEDIA } Device PLAYBACK } Playback Screen } Clips POWER HDRX FOCUS } Power In } Mode } Mode } Power Save } Factor } Rack } Shutdown } Monitor Track EXPOSURE ASSIST } Mode } Exposure Priority } Exp Comp PRESETS } Camera Presets } Looks } Auto Presets } Metering Mode } Speed } Selection DISPLAY Tools } False Color LOOK Color } Saturation } Magnify } Contrast } RAW } Brightness } Horizon } Exposure Zeb
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