G U I T A REPLIFEX R E F F E C T S P R O C ™ E S S O R User's Manual HUSH ® licensed by ® May be covered by one or more of the following: U.S. Patents #4538297, 4647876, 4696044, 4745309, 4881047, 4893099, 5124657, 5263091, 5268527, 5319713 and 5333201. Other patents pending. Foreign patents pending.
PRECAUTIONS NOTE: IT IS VERY IMPORTANT THAT YOU READ THIS SECTION TO PROVIDE YEARS OF TROUBLE FREE USE. THIS UNIT REQUIRES CAREFUL HANDLING. All warnings on this equipment and in the operating instructions should be adhered to and all operating instructions should be followed. Do not use this equipment near water. Care should be taken so that objects do not fall and liquids are not spilled into the unit through any openings.
Contents 1. Introduction .................................................................................................................................. 1 2. Quick Setup .................................................................................................................................. 2 3. Front Panel ................................................................................................................................... 3 4. Rear Panel ...........................................
1. Introduction Congratulations on your purchase of the Rocktron Replifex guitar effects processor! The Replifex is a 24-bit DSP processor providing a host of high quality digital effects, as well as a number of practical features to enhance any guitar rig. Preset Spillover allows for reverb and delays from a current preset to carry over into the next preset and continue decaying when a new preset has been selected.
2. Quick Setup SELECTING A PRESET STEP 1 Turn the PRESET control to select the desired preset. The new preset will be recalled automatically. CHANGING PRESET PARAMETERS STEP 2 Turn the FUNCTION SELECT control to the desired effect or utility function. STEP 3 Turn the PARAMETER SELECT control to the parameter you wish to alter under the selected effect or utility function. STEP 4 Use the PARAMETER ADJUST control to select the new parameter value.
3. Front Panel 1 POWER switch 2 CONFIG button/led This button briefly displays which configuration the current preset uses. After displaying the configuration, the Replifex™ will display the current preset number and title. 3 PRESET control This control scrolls through and instantly recalls the successive presets. 4 TAP DELAY/RATE button This button is used to select a new delay time or modulation rate based on the length of time occurring between two taps.
Front Panel Desccription 7 PARAMETER ADJUST control This control is used to adjust the displayed parameter value. When the parameter is altered from its stored value, the LED above the STORE button will light until either (a) the new value is stored, (b) a new preset is selected or (c) the parameter is returned to its original value. 8 STORE button/led This button is used to store parameter values into the Replifex™ memory when altered.
Front Panel DescriptionOperating the Replifex™ Operating the Replifex™ 13 INPUT LEVEL control This control adjusts the unit’s gain to match the signal level at the input of the Replifex™. Use the INPUT LEVEL meter to determine the setting of this control. 14 OUTPUT LEVEL control and CLIP LED This control is used to adjust the overall output level of the unit. The CLIP L.E.D.
4. Rear Panel 1 Left and Right INPUT jacks These ¼" mono jacks provide inputs to the left and right channels of the Replifex™. When using only one input, the Right (R) jack should be used. 2 Left and Right OUTPUT jacks These ¼" mono jacks provide outputs from the left and right channels of the Replifex™. When using a mono input (Right channel INPUT jack) and a mono output (either OUTPUT jack), the left and right effected signals will be summed at the single output.
Rear Panel Description 6 MIDI IN/REMOTE jack This 7-pin DIN connector must be connected to the MIDI OUT jack of the transmitting MIDI device via a standard MIDI cable, or to the MIDI THRU jack of the preceding MIDI device (if the Replifex™ is within a chain of MIDI devices). Pins 6 and 7 of this connector carry phantom power to power a Rocktron MIDI foot controller when a 7-pin MIDI cable is used.
5.
Using the Replifex in a preamp effects loop 9
Connections Using the Replifex with a mixing console 10
6. Operating Format The Replifex provides 128 stored sounds called presets. Any of the 128 presets can be called up at any time via the front panel PRESET control (used to both select and recall a preset). The root of each presets sound is its configuration. The Replifex provides two main effect configurations - the Classic configuration and the Rotary configuration. Each configuration provides a different selection of available effects.
Block Diagrams Classic Configuration Block Diagram 12
Block Diagrams Rotary Configuration Block Diagram 13
Functions and Parameter Descriptions Replifex™ Functions and Parameter Descriptions Each Replifex preset is divided into individual blocks called functions (such as "Mixer", "Reverb", etc.). Within each function is a set of controls which allow you to manipulate various aspects of that function. These controls are called parameters. The setting of each of the parameters determines the overall sound of each Replifex preset.
Functions and Parameter Descriptions GLOBAL Function The first function displayed when turning the FUNCTION SELECT control is the Global function. The parameters provided in this function affect all presets (i.e. the settings stored for these parameters are the same for all presets).
Functions and Parameter Descriptions MIXER Function The next function displayed when turning the FUNCTION SELECT control is the Mixer function. The Mixer function parameters are included in all presets regardless of which effects are active for the current preset - although the parameter values stored in this function are only for the currently recalled preset. This digital mixer allows you to control the signal levels pertaining to each presets configuration and stores those levels for each preset.
Functions and Parameter Descriptions HUSH Function The HUSH® function is accessible in all presets - regardless of the configuration currently recalled. HUSH® is Hush Systems patented single-ended noise reduction system. The HUSH system contained in the Replifex is a fully digital implementation of HUSH achieved through Digital Signal Processing (DSP), and is modeled after the latest HUSH design. The low level expander of the HUSH system operates like an electronic volume control.
Functions and Parameter Descriptions COMPRESSOR Function 18 Compression is often used to maintain an even level when using clean tones, and is also used to increase sustain when using high gain distortion. The PARAMETER SELECT control will allow you to access each of the following Compressor parameters: COMPRESR I/O The COMPRESSOR I/O parameter determines whether the compression circuit is active or bypassed for the current preset.
Functions and Parameter Descriptions EQ Function The EQ function provides full parametric control and allows you shape the tone of the input signal before it reaches each of the effect blocks. The PARAMETER SELECT control will allow you to access each of the following EQ parameters: EQ I/O The EQ I/O parameter determines whether the EQ circuit is active or bypassed for the current preset. BASS LVL The BASS LEVEL parameter allows you to cut or boost the low frequencies by up to 15dB.
Functions and Parameter Descriptions DELAY Function Delay provides a reproduction of the input signal, occurring at a prescribed time (usually expressed in milliseconds) following the input signal. The Replifex provides two discrete delays (Delay 1 and Delay 2), each of which has its own set of parameters to determine its particular characteristics.
Functions and Parameter Descriptions SOURCE 2 This parameter is used to select whether the Source 2 input will be the VOICE 2 output from the previous effect in the signal chain or the direct signal. In configurations where there is no effect immediately preceding the delay, both Source 1 and Source 2 will be the direct signal. DLY HF DAMP The DELAY HIGH FREQUENCY DAMPING parameter controls the amount of high frequency content in the delayed and regenerated signals.
Functions and Parameter Descriptions REVERB Function ! Reverb is a multitude of echos spaced so close together that, to the human ear, seem as a single continuous sound. These echos gradually decrease in intensity until they are ultimately absorbed by the boundaries and obstacles within a room.
Functions and Parameter Descriptions TREMOLO Function The Tremolo effect continuously varies the volume of the signal. The PARAMETER SELECT control will allow you to access each of the following Tremolo parameters: TREMOLO I/O The TREMOLO I/O parameter determines whether the tremolo circuit is active or bypassed for the current preset. LOCATION The LOCATION parameter determines whether the Tremolo is located Pre-Reverb or Post-Reverb.
Functions and Parameter Descriptions PHASER Function Phase shifting involves splitting the input signal into two signals, then shifting the phase of different frequencies of one signal before mixing it back with the original signal. The PARAMETER SELECT control will allow you to access each of the following Phaser parameters: 24 PHASER I/O The PHASER I/O parameter determines whether the phase shift circuit is active or bypassed for the current preset.
Functions and Parameter Descriptions FLANGER Function Flanging splits the input signal into two individual delayed signals (Voice 1 and Voice 2), then modulating the delayed signals so that, when summed back with the direct signal, phase cancellations will occur at some frequencies while peaks in the response will occur at others.
Functions and Parameter Descriptions CHORUS Function The Chorus effect in the Replifex is produced by detuning two delayed signals (Voice 1 and Voice 2), then modulating the detune effect so that the amount of pitch detune is constantly varying. Using different detune amounts, modulation rates, modulation depths and pan settings for each delayed signal will produce a greater perceived spaciousness.
Functions and Parameter Descriptions PITCH SHIFT Function Pitch Shifting is used to change the pitch of the input signal to produce a harmony note based on the input signal. The harmony voice may be of any fixed interval - up to one octave above the input signal to two octaves below - and is selected in 20-cent increments. Fine adjustment can be made in one cent (1/100th semitone) increments.
Functions and Parameter Descriptions PITCH SHIFT INTERVALS PARAMETER CORRESPONDING VALUE INTERVAL +1200 +1100 +1000 +900 +800 +700 +600 +500 +400 +300 +200 +100 0 -100 -200 -300 -400 -500 -600 -700 -800 -900 -1000 -1100 -1200 -1300 -1400 -1500 -1600 -1700 -1800 -1900 -2000 -2100 -2200 -2300 -2400 NOTE: 28 one octave Major 7th minor 7th Major 6th minor 6th perfect 5th diminished 5th perfect 4th Major 3rd minor 3rd Major 2nd minor 2nd Unison Major 7th minor 7th Major 6th minor 6th perfect 5th diminished 5t
Functions and Parameter Descriptions AUTO PAN Function The next function displayed when turning the FUNCTION SELECT control is the Auto Pan function. The Auto Pan effect auomatically pans between left and right when operating in stereo mode. (If operating in mono, the Auto Pan effect does not operate.
Functions and Parameter Descriptions ROTARY SPEAKER Function The next function displayed when turning the FUNCTION SELECT control is the Rotary Speaker function. The Rotary Speaker effect simulates the classic rotating speaker popular with guitarists and keyboard players. It is designed to mimic the characteristics of the classic mechanical rotating speaker with added versatility afforded by DSP.
Functions and Parameter Descriptions SPEAKER SIMULATOR Function The Speaker Simulator function provides a realistic approximation of a miked speaker cabinet for applications involving connecting the Replifex directly to a mixing console, recording system or other full range system.
Functions and Parameter Ranges Master Replifex Effects Parameter List (The actual functions displayed are configuration-dependent) Function Parameter Parameter Range GLOBAL OUTPUT HUSH OFFSET MUTE DIRECT Stereo, Mono -10dB to +30dB Out, In Out, In MIXER LEFT DIR RIGHT DIR EFFECT LEVEL DIRECT PHS DIR/EFF CHR DIR/EFF FLN DIR/EFF REV DIR/EFF VOLUME -∞ to +6dB -∞ to +6dB -∞ to +6dB Pre, Post Direct<0 to 100>Effect Direct<0 to 100>Effect Direct<0 to 100>Effect Direct<0 to 100>Effect 0 to 127 HUSH HU
Functions and Parameter Ranges Function Parameter Range DLY TIME1 FINE 1 DLY RGN 1 DELAY OUT 2 DLY PAN2 DLY TIME2 FINE 2 DLY RGN 2 D>SPILLOVER 0ms to 1000ms 0ms to 9ms -∞ to 0dB -∞ to 0dB Left<0 to 100>Right 0ms to 1000ms 0ms to 9ms -∞ to 0dB Off, On REVERB REV INPUT R-MIX EFF/DLY REVERB LVL REV DECAY REV HF DAMP R>SPILLOVER Muted, Active Effect<0 to 100>Delay -∞ to 0dB 0 to 99 0 to 99 Off, On TREMOLO TREMOLO I/O LOCATION TREM DPTH TREM RATE SHAPE TIME Out, In Pre-Rev, Post-Rev 0 to 100 0 to 254
Functions and Parameter Ranges Function Parameter Range CHORUS CHORUS I/O CRS OUT 1 CRS PAN 1 CRS DPTH 1 CRS RATE 1 CRS>DLY1 TIME1 CRS OUT 2 CRS PAN 2 CRS DPTH 2 CRS RATE 2 CRS>DLY2 TIME 2 Out, In -∞ to 0dB Left<0 to 100>Right 0 to 100 0 to 254 0ms to 148ms 32nd, 16th, 8th, Triplet, ¼, ½, or None -∞ to 0dB Left<0 to 100>Right 0 to 100 0 to 254 0ms to 148ms 32nd, 16th, 8th, Triplet, ¼, ½, or None PITCH SHIFT PITCH SH I/O PSHIFT OUT PS PAN PITCH FINE PS-SPEED Out, In -∞ to 0dB Left<0 to 100>Right -24
7. Operating the Replifex Selecting a preset 1 Step 1 Turn the PRESET control to the desired preset you wish to recall. The selected preset will be recalled automatically.
Operating the Replifex™ Changing preset parameters 4 Step 1 3 5 2 1 Turn the FUNCTION SELECT control to select the function heading which contains the parameter(s) you wish to change. SSSS REVERB SSSS Step 2 Turn the PARAMETER SELECT control to the specific parameter you wish to change. REV DECAY Step 3 Turn the PARAMETER ADJUST control to alter the parameter value. The LED above the STORE button will light, indicating that the preset has had a parameter altered from its stored value.
Operating the Replifex™ Switching Channels on Amplifiers and Preamps via the Replifex * The Replifex allows you to switch channels on an amplifier or preamp by connecting a RTS cord from the "CHANNEL SWITCH" jack on the rear of the Replifex to the "FOOTSWITCH" jack on the remote device(s). A single stereo-to-dual mono cord can also be used to connect from the Replifex to two separate units. This allows for channel switching to be programmable (i.e.
Operating the Replifex™ Step 4 Press the STORE button to save the condition of Channel Switch 1 (if changed). "STORED" will flash briefly on the display. STORED Step 5 Turn the PARAMETER SELECT control one step further clockwise to "CHAN SW 2". CHAN SW 2 Step 6 Use the PARAMETER ADJUST control to select the on/off condition of Channel Switch 2. When switched "ON", the channel which is connected to the Ring of the Replifex ™ CHANNEL SWITCH jack will be switched when the current preset is recalled.
Operating the Replifex™ Editing a preset title 3 Step 1 5 2,4 1 To begin the Title Edit function, turn the FUNCTION SELECT control clockwise until the Replifex™ displays "TITLE EDIT". SS TITLE EDIT SS Step 2 Turn the PARAMETER SELECT control clockwise to initiate the Title Edit mode. Turning this control will also select the character location to be edited. A flashing decimal will follow the character currently selected. 57 P.
Operating the Replifex™ Step 5 After all the characters have been edited as needed, press the STORE button to save the new title memory. The Replifex™ will flash "STORED" briefly. STORED Note: The STORE button must be pressed to save the new title. Exiting the Title Edit function before pressing the STORE button will erase any editing that was done in Title Edit. Also, after flashing "STORED", the Replifex™ will remain in the Title Edit mode.
Operating the Replifex™ Controller Assignments The Controller Assignment function allows for specific Replifex adjustable parameters to be mapped (or assigned)* to a MIDI controller for real-time control by an expression pedal. The Controller Assignment option also lets you store an upper and lower parameter value limit which the controller cannot exceed.
Operating the Replifex™ Step 3 Use the PARAMETER ADJUST control to select the controller number to be assigned to the PA-A parameter. Any number from 0 to 120 may be selected, as well as OFF (will not respond to MIDI control changes). Match the number selected for this parameter with the controller number on the MIDI transmitter. CTR A Step 4 7 After selecting the desired controller number, press the STORE button to save the number for the "CTR A" parameter. "STORED" will flash briefly on the display.
Operating the Replifex™ Note: Step 8 The Replifex™ allows you to select an upper and lower value limit which the parameter cannot exceed. For example, if a parameter has a value range from -∞ to 0dB, yet you would like the range of the parameter to vary from only -12dB to -2dB, you may set a lower limit of -12 and an upper limit of -2 via the Upper and Lower Limit parameters.
Operating the Replifex™ Step 12 Use the PARAMETER ADJUST control to select the lowest value which the parameter is not to fall below through MIDI control changes. LLIM A Step 13 -12 After selecting a value for the lower limit, press the STORE button to save it. "STORED" will flash briefly on the display. STORED Selecting a lower limit value that is greater than the upper limit value will invert the response of the controller - i.e.
Operating the Replifex™ Copying Replifex Presets, Titles and Controller Assignments The Copy function allows you to copy any preset, preset title or controller assignment into any other preset location instantly. 3 4 5 2 1 Copying presets: Step 1 Turn the FUNCTION SELECT control to "COPY". SSSS COPY SSSS Step 2 Turn the PARAMETER SELECT control one step clockwise to access the "PR> XX to >PR XX" parameter, as shown below.
Operating the Replifex™ Step 6 After flashing "STORED", the Replifex™ will display "COPY TITLE TOO?". This allows you to copy the title from the copied preset into the new location as well. To copy the title, press the STORE button a second time. "STORED" will flash briefly before the Replifex™ displays the new preset number and title. STORED Turning the PARAMETER ADJUST control instead of pressing the STORE button allows you copy the title from the preset being copied to any other location.
Operating the Replifex™ Step 5 Press the STORE button to copy the selected title into the selected preset location. "STORED" will flash briefly before displaying the preset title at its new location. STORED Copying controller assignments: Step 1 Turn the FUNCTION SELECT control to "COPY". SSSS COPY SSSS Step 2 Turn the PARAMETER SELECT control three steps clockwise to access the "CA> XX to >CA XX" parameter, as shown below.
Operating the Replifex™ Tap Delay The Replifex allows you to change the delay times and/or modulation rates for any given preset while you are playing two different ways: 1. By tapping the TAP DELAY/RATE button on the front panel of the Replifex, or 2. By tapping a momentary footswitch connected to the rear panel TAP DELAY/ RATE FOOTSWITCH jack. 3. By using a Rocktron All Access in Remote mode with the Replifex and tapping switch #15.
Operating the Replifex™ Program Changes Program Changes allow for different MIDI program numbers to be assigned to Replifex preset numbers. For example, MIDI program #58 can be mapped to Replifex preset #34. Then, when program #58 is selected from a MIDI transmitting device (such as a Rocktron All Access foot controller), preset #34 will be recalled on the Replifex. The Program Changes Map table is shipped from Rocktron at a one-to-one correspondance (i.e.
Operating the Replifex™ Step 5 If "MAP" has been selected, turn the PARAMETER SELECT control one step clockwise to display the current Program Changes mapping assignments. XXX Step 6 MAP TO XXX The number on the left of the display is the MIDI program number (or the number sent via a MIDI footswitch or other MIDI transmitter). Turn the PARAMETER SELECT control to select the MIDI program number to map to a preset.
Operating the Replifex™ MIDI Channels The Replifex can receive MIDI commands from other MIDI transmitting devices, as well as transmit MIDI program changes to other MIDI-based equipment when a preset is recalled on the Replifex. The MIDI Channels function allows you to select the MIDI channels that the Replifex will receive and transmit MIDI information on. 3,6 Step 1 4,7 2,5 1 Turn the FUNCTION SELECT control clockwise until the Replifex™ displays "MIDI CHANNELS".
Operating the Replifex™ Step 6 Turn the PARAMETER ADJUST control to select the channel that the Replifex™ will transmit a MIDI program change on. You may select channels 1-16 or OFF (will not transmit a MIDI program change). TRANS CHANL Step 6 1 Press the STORE button to save the new MIDI Transmit channel. "STORED" will flash briefly on the display. STORED After the desired MIDI channels have been selected, turn the FUNCTION SELECT control to exit the MIDI Channels function.
Operating the Replifex™ MIDI Dump/Load Any or all of the Replifex presets may be dumped to a sequencer or another Replifex via system exclusive messages. The information exchanged when performing a MIDI Dump consists of parameter values, title characters and controller assignment information. When dumping a single preset into another Replifex, the dumped preset may be loaded into any preset location on the receiving Replifex.
Operating the Replifex™ Step 4 Turn the PRESET control on the transmitting Replifex™ to the preset that is to be dumped into the receiving Replifex™. As the PRESET control is turned, the preset number will be displayed in the first three characters of the display. 32 PR DUMP/LOAD TRANSMITTING REPLIFEX Step 5 Use the PRESET control on the receiving Replifex™ to select the preset location to store the received preset.
Operating the Replifex™ To dump a single Replifex™ preset into a sequencer: Note: When performing data dumps to and from the Replifex™, always perform the dump in real time sequence mode. This will ensure that data loaded back into the Replifex™ is not sent faster than the Replifex™ can receive it. Also, make sure that the sequencer's MIDI filter is set to accept SYSX information.
Operating the Replifex™ Step 5 Press the STORE button on the Replifex™ to initiate the data dump. As the Replifex™ performs the dump, it will display "XXX DUMPED" - where "XXX" = the number of the data string currently transmitting (i.e. strings 1-254 are presets, titles, controller information and 2tap delay information; string 255 contains program mapping information; and string 256 contains miscellaneous information. Contact Rocktron Corporation for information on how to receive a detailed MIDI spec).
Operating the Replifex™ To reload user data from a sequencer: Step 1 Connect a standard MIDI cable from the MIDI OUT of the transmitting sequencer to the MIDI IN on the receiving Replifex™. IMPORTANT: Do not allow a looping connection from the MIDI OUT/THRU of the receiving Replifex™ back to the MIDI IN of the transmitting sequencer. Step 2 Turn the FUNCTION SELECT controls on both the receiving Replifex™ until "MIDI DUMP/ LOAD" is displayed.
Operating the Replifex™ Step 4 Play back the data stored on the sequencer. The Replifex™ will display the data strings as it is storing them. Each data string will appear with the word "LOADED". After all the user data has been loaded, the Replifex™ will display "LOAD COMPLETE". Do not play back the data from the sequencer faster than it was loaded, as errors may occur (errors may also occur if any knob is turned or any button is pressed before the message "LOAD COMPLETE" appears).
Operating the Replifex™ Factory Restore The Factory Restore function allows you to restore altered Replifex presets to their original condition as shipped from the factory. Either the entire Replifex memory can be restored, a single preset can be restored to any preset location, or the controller information alone can be restored. Restoring a single factory preset: 3 Step 1 4 5 2 1 Turn the FUNCTION SELECT control clockwise to "FACTORY RESTORE".
Operating the Replifex™ !! CAUTION !! Pressing the STORE button at this time will overwrite the current preset with the displayed factory preset. Step 5 Press the STORE button to begin restoring the selected preset into the selected location. After the process is completed, the display should read "ERRORS 0". This represents the number of bytes that the Replifex™ found did not initialize properly.
Operating the Replifex™ Restoring the Replifex™ memory (all presets): !! CAUTION !! This procedure will permanently erase all user presets (1-128) and replace them with the original factory presets. If you have altered and stored presets which you do not want to erase, do not perform the following procedure. 3 Step 1 4 2 1 Turn the FUNCTION SELECT control clockwise to "FACTORY RESTORE". FACTORY RESTORE Step 2 Turn the PARAMETER SELECT control two steps clockwise to "ALL RESTORE 0".
Operating the Replifex™ Step 4 Press the STORE button at this time to initiate the All Restore procedure and erase all current Replifex™ presets, replacing them with the original factory presets. The Replifex™ will display "INITIALIZING" as the Replifex™ memory is restored. INITIALIZING After the All Restore process is completed, the display should read "ERRORS 0". This is the number of bytes that the Replifex™ found that did not initialize properly.
Operating the Replifex™ Selecting a Power On Preset The Replifex allows you to store a Power On preset which will always be recalled when the unit is turned on. 1 Step 1 2 Turn the PRESET control to the preset number you wish to be recalled each time the unit is turned on. 34 PRESET TITLE Step 2 Press the STORE button while viewing the preset number and title to save it as the Power On preset.
Operating the Replifex™ Using the Replifex with a Rocktron All Access in REMOTE mode A Rocktron All Access MIDI footswitch can be configured as a dedicated remote control for the Replifex - allowing direct access to specific Replifex features and parameters from the footswitch at any time. Step 1 To use an All Access™ footswitch as a dedicated remote, connect the MIDI OUT of the All Access™ to the REMOTE jack of the Replifex™ using a 7-pin MIDI cable, as shown below.
Operating the Replifex™ Step 3 Turn the FUNCTION SELECT control clockwise to "REMOTE CONTROL". REMOTE CONTROL Step 4 Turn the PARAMETER SELECT control one step clockwise to display "REMOTE". REMOTE Step 5 OFF Turn the PARAMETER ADJUST control to select "ON". REMOTE Step 6 ON Press the STORE button to save the Remote on/off status. "STORED" will flash briefly. REMOTE Step 7 ON If the Replifex™ titles are to be displayed on the All Access™, turn the PARAMETER SELECT control to "TITLE XFER".
Operating the Replifex™ To set up the All Access™ for remote operation, perform these steps from the All Access™ SETUP program: (See the All Access™ user's manual for detailed information on editing the All Access™) Step 8 Set the Operating Mode to "REMOTE". Step 9 Set the Bank Size to "5". Step 10 Reinitialize only the controller information for the instant access switches and pedals using the All Access™ Controller Restore code number "231".
Operating the Replifex™ Remote mode functions in "Classic" configuration Upon proper setup and connection of the Replifex ™ and All Access™ units, the All Access™ will provide the functions shown above when a "Classic" configuration preset is recalled.
Operating the Replifex™ Remote mode functions in "Rotary" configuration Upon proper setup and connection of the Replifex ™ and All Access™ units, the All Access™ will provide the functions shown above when a "Rotary" configuration preset is recalled.
Operating the Replifex™ Selecting a Configuration The Replifex allows you to select which configuration - Classic or Rotary - is active for the current preset. 3 Step 1 4 2 1 Turn the FUNCTION SELECT control fully clockwise to "CONFIG SELECT". CONFIG SELECT Step 2 Turn the PARAMETER SELECT control to access the "XXXXXXX SELECTED" parameter. CLASSIC SELECTED Step 3 Turn the PARAMETER ADJUST control to select the desired configuration.
Error Messages 8. Appendix ERROR MESSAGES Message Possible Reason Corrective Action MEMORY ERROR CODE BYTE IS NOT CORRECT IN EEPROM MEMORY. MAKE SURE EEPROM IS TIGHT IN SOCKET. MAKE SURE WITHIN CORRECT OPERATING TEMPERATURE. DUMP ERROR RECEIVE ERROR MIDI INFORMATION IS BEING RECEIVED AT THE MIDI IN AT THE SAME INFORMATION IS BEING DUMPED. DISCONNECT MIDI CORD AT MIDI IN OF TRANSMlTTING REPLIFEX. MIDI SYSTEM EXCLUSIVE INFORMATION WAS NOT RECEIVED CORRECTLY. BULK LOAD WAS TRANSMITTED TOO FAST.
MIDI Implementation MIDI IMPLEMENTATION Replifex™ Date: March 1, 1994 Version: 1.
Technical Data TECHNICAL DATA MEASUREMENT CONDITIONS Maximum Input: +20dBu Input Level pot minimum Maximum Output: +20dBu Output Level pot maximum Nominal Input Range: (16dB Headroom) +4dBu to -21dBu Input Level pot minimum Input Level pot maximum Input Impedance: 470K ohms Output Impedance: 120 ohms Dynamic Range: 104dB (HUSH IN) 94dB (HUSH OUT) Peak Signal/A Weighted Noise Floor, Direct Level = +6dB, Direct Post HUSH, Effects Level = -∞ THD+N .
Factory Presets REPLIFEX FACTORY PRESETS 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 REAL ROTARY ETHERIAN RETRO PAN CONE TONE TELSTAR PONG/PLEX BIG PLATE DYNA/VERB DIMENSION C BOX FLANGE PHASE 100 SMALL STONE BLUE CHORUS TREMOLUX EARTH TREM ECHO SPILL BLANKETAIL DYNA COMP CLEAN VERB l\a wash vaiable add 9 chorus*phase sweet spot flangecho phasecho t-phasecho psychomania stereo echo slap echo happy third oc-2 seasick aggrav
