User Manual

ManualsBrandsRoland ManualsMusical InstrumentsFantom G7 - WORKSTATION

Table Of Contents

04905090 08-02-1N

* 0 4 9 0 5 0 9 0 - 0 1 *

Summary of content (336 pages)

PAGE 1
* 0 4 9 0 5 0 9 0 04905090 - 0 1 * 08-02-1N
PAGE 2
Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: (022)-418-5531 WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
PAGE 3
Fantom-G_r_e.book 3 ページ２００８年１月３１日木曜日午後１２時１５分 Fantom-G6/G7/G8 Owner’s Manual 201b Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 4), and “IMPORTANT NOTES” (p. 7). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety.
PAGE 4
Fantom-G_r_e.book 4 ページ２００８年１月３１日木曜日午後１２時１５分 USING THE UNIT SAFELY The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
PAGE 5
Fantom-G_r_e.book 5 ページ２００８年１月３１日木曜日午後１２時１５分 012a 101a • Immediately turn the power off, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when: • The unit should be located so that its location or position does not interfere with its proper ventilation. ..........................................................................................................
PAGE 6
Fantom-G_r_e.book 6 ページ２００８年１月３１日木曜日午後１２時１５分 118a • Should you remove screws from the bottom cover of the unit (p. 304, p. 308), keep them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally. .......................................................................................................... 120 • Always turn the phantom power off when connecting any device other than condenser microphones that require phantom power.
PAGE 7
Fantom-G_r_e.book 7 ページ２００８年１月３１日木曜日午後１２時１５分 IMPORTANT NOTES Power Supply 301 • Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise.
PAGE 8
Fantom-G_r_e.book 8 ページ２００８年１月３１日木曜日午後１２時１５分 IMPORTANT NOTES 558a • To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night). 559a • When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
PAGE 9
Fantom-G_r_e.book 9 ページ２００８年１月３１日木曜日午後１２時１５分 Contents USING THE UNIT SAFELY ......................................................................................... 4 IMPORTANT NOTES .................................................................................................. 7 Contents...................................................................................................................... 9 01: Introduction (Overview and Basic Operation) ... 19 Main Features ......................
PAGE 10
Fantom-G_r_e.book 10 ページ２００８年１月３１日木曜日午後１２時１５分 Contents 02: Sound Generator, Section 1 (Playing Sounds) ... 45 Playing in Single Mode ............................................................................................ 46 About the Single Play Screen .............................................................................................................................................. 46 Displaying Single Play Screen .......................................................................
PAGE 11
Fantom-G_r_e.book 11 ページ２００８年１月３１日木曜日午後１２時１５分 Contents 03: Sound Generator, Section 2 (Controlling Sounds)... 71 Modifying the Sound in Real Time ......................................................................... 72 Waving Your Hand Over the D Beam to Modify the Sound (D Beam Controller) .................................................... 72 Making Settings for the D Beam Controller .......................................................................................................
PAGE 12
Fantom-G_r_e.book 12 ページ２００８年１月３１日木曜日午後１２時１５分 Contents Adjusting the Volume (TVA/TVA Env)........................................................................................................... 124 Output Settings (Output) .................................................................................................................................... 125 Setting Effects for a Rhythm Set (PFX) .......................................................................................................
PAGE 13
Fantom-G_r_e.book 13 ページ２００８年１月３１日木曜日午後１２時１５分 Contents 05: Pads (Using the Pads)..................................... 187 Using the Pads ....................................................................................................... 188 Common Operations for Pads .......................................................................................................................................... 188 Switching the Pad Mode (PAD MODE).........................................................
PAGE 14
Fantom-G_r_e.book 14 ページ２００８年１月３１日木曜日午後１２時１５分 Contents 06: Sequencer (Creating a Song) .......................... 203 Playing Back a Song.............................................................................................. 204 Three Ways to Play Back ..................................................................................................................................... 204 Playing a Song (Song Play).................................................................................
PAGE 15
Fantom-G_r_e.book 15 ページ２００８年１月３１日木曜日午後１２時１５分 Contents Editing Songs ......................................................................................................... 232 Three Ways to Edit ............................................................................................................................................... 232 Editing a Song (Song Edit) ....................................................................................................................................
PAGE 16
Fantom-G_r_e.book 16 ページ２００８年１月３１日木曜日午後１２時１５分 Contents 07: Sampler ......................................................... 257 Sampling ................................................................................................................. 258 Switching External Input On/Off .................................................................................................................................... 258 Making Input Source Settings (Input Setting)....................................
PAGE 17
Fantom-G_r_e.book 17 ページ２００８年１月３１日木曜日午後１２時１５分 Contents 08: Various Settings (Menu and System)............... 275 Menu Reference ..................................................................................................... 276 Menus ................................................................................................................................................................................... 276 Project-related Settings (Project)...............................................
PAGE 18
Fantom-G_r_e.book 18 ページ２００８年１月３１日木曜日午後１２時１５分 Contents 09: Appendix....................................................... 303 Installing the Expansion Board ............................................................................ 304 Cautions When Installing an Expansion Board ............................................................................................................. 304 How to Install an Expansion Board ..........................................................................
PAGE 19
Fantom-G_r_e.book 19 ページ２００８年１月３１日木曜日午後１２時１５分 01: Introduction (Overview and Basic Operation) This chapter explains the Fantom-G’s panels, provides an overview of the instrument, and explains basic operation. • Main Features ............................................................ p. 20 • Panel Descriptions....................................................... p. 22 • Making Connections ................................................... p. 25 • Overview of the Fantom-G ..........................
PAGE 20
Fantom-G_r_e.book 20 ページ２００８年１月３１日木曜日午後１２時１５分 Main Features Sound quality that’s a class above The Fantom-G features a new sound engine that provides a patch multi-effect (PFX) for each sound (patch) at all times, allowing you to create lavish sounds in a way not possible until now. In addition, there are two multi-effects (MFX) processors that can be used flexibly. Up to twenty-two types of effects, such as chorus and reverb, can be used simultaneously.
PAGE 21
Fantom-G_r_e.book 21 ページ２００８年１月３１日木曜日午後１２時１５分 Main Features Skip Back Sampling function By constantly recording your performance on the Fantom-G, this function ensures that you can retroactively record an inspired improvisation at any time. Never again will you lose a great idea just because the recorder wasn’t running. This function gives you one-touch call-up of settings for the songs in your live performance.
PAGE 22
Fantom-G_r_e.book 22 ページ２００８年１月３１日木曜日午後１２時１５分 Panel Descriptions Front Panel 1 8 2 3 5 6 4 7 9 12 10 15 11 13 14 16 17 1 D BEAM Here you can switch the D Beam function on/off. This lets you apply various effects to the sound by moving your hand above the sensor. → (p. 72) [PAD TRIGGER] [FAVORITE] This lets you register favorite sounds for immediate call-up — a convenient capability for live performances. → (p.
PAGE 23
Fantom-G_r_e.book 23 ページ２００８年１月３１日木曜日午後１２時１５分 Panel Descriptions VALUE Dial Modifies a value. By holding down [SHIFT] and turning the VALUE dial, you can modify the value in larger steps. [CURSOR] Buttons This stops playback. These move the cursor up/down/left/right. [REC] [EXIT] This accesses the Recording Standby screen. → (p. 222) Pressing this during recording will activate the Rehearsal function. → (p. 225) This returns you to the previous screen or closes an opened window.
PAGE 24
Fantom-G_r_e.book 24 ページ２００８年１月３１日木曜日午後１２時１５分 Panel Descriptions Rear Panel 1 2 3 4 1 POWER ON Switch Press to turn the power on/off. → (p. 28) 2 AC Inlet Connect the included power cord to this inlet. 3 USB USB MEMORY Slot A USB memory (sold separately) can be inserted here. * Never insert or remove a USB memory while this unit’s power is on. Doing so may corrupt the unit’s data or the data on the USB memory. * Carefully insert the USB memory all the way in—until it is firmly in place.
PAGE 25
Fantom-G_r_e.book 25 ページ２００８年１月３１日木曜日午後１２時１５分 Making Connections Since the Fantom-G contains no amplifier or speakers, you’ll need to connect it to audio equipment such as a keyboard amplifier, monitor speaker system or home stereo, or use headphones to hear its sound. Before hooking anything up, make sure that the power on all of your gear is turned OFF. 2. Connect one end of the supplied power cable to the Fantom-G, and the other end to a power outlet. 3.
PAGE 26
Fantom-G_r_e.book 26 ページ２００８年１月３１日木曜日午後１２時１５分 Making Connections Connecting a USB Mouse (sold separately) If you connect a commercially available USB mouse to the Fantom-G’s rear panel USB MOUSE connector, a mouse cursor will be shown in the display, and you’ll be able to use the mouse.
PAGE 27
Fantom-G_r_e.book 27 ページ２００８年１月３１日木曜日午後１２時１５分 Making Connections Placing the Fantom-G on a Stand Overview * Be careful not to pinch your fingers when setting up the stand. For Fantom-G6/G7 user If you want to place the Fantom-G6/G7 on a stand, use the Roland KS-18Z. Place the instrument on the stand as follows. fig.02-001.
PAGE 28
Fantom-G_r_e.book 28 ページ２００８年１月３１日木曜日午後１２時１５分 Turning On the Power Once the connections have been completed (p. 25), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. fig.bender.e 1.
PAGE 29
Fantom-G_r_e.book 29 ページ２００８年１月３１日木曜日午後１２時１５分 Listening to the Demo Songs 1. Press [PLAY]. The demo song will play. All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws. Sound 1 Sound 2 2. 981a Overview The Fantom-G has a demo song that will be loaded at start-up. Here’s how to play the demo. Press [STOP] to stop demo song playback. .
PAGE 30
Fantom-G_r_e.book 30 ページ２００８年１月３１日木曜日午後１２時１５分 Various Performance Features Velocity/Aftertouch The force with which you play the keyboard, or the “velocity” with which you play, can affect the volume or timbre of a sound. Aftertouch—downward pressure you apply to a key after playing a note—can also affect the sound. For details on the setting, refer to p. 288. fig.
PAGE 31
Fantom-G_r_e.book 31 ページ２００８年１月３１日木曜日午後１２時１５分 Various Performance Features Hold Pedal For details on the setting, refer to p. 287. Overview If an optional pedal switch (DP series) is connected to the rear panel PEDAL HOLD jack, you can press the pedal switch to cause notes to sustain or “hold” even after their keys have been released. fig.02-010 Sound 1 Sound 2 Control Pedal If an optional expression pedal or pedal switch (EV-5, DP series.
PAGE 32
Fantom-G_r_e.book 32 ページ２００８年１月３１日木曜日午後１２時１５分 Overview of the Fantom-G How the Fantom-G is Organized When using the Fantom-G, you’ll encounter various units of sound. Here we’ll provide a simple explanation of these units. Basic Structure Broadly speaking, the Fantom-G consists of a controller section, sound generator section, sequencer section, and sampler section. fig.04-001.
PAGE 33
Fantom-G_r_e.book 33 ページ２００８年１月３１日木曜日午後１２時１５分 Overview of the Fantom-G Patch Single / Live / Studio Modes Overview Patches are the basic unit of sound on the Fantom-G; they correspond to an individual instrument such as “piano,” “organ,” or “guitar.” A patch can consist of up to four tones. The Structure 1&2 and 3&4 parameters (p. 92) determine how the four tones are combined. You can apply a “PFX (Patch MFX)” effect to each patch. The Fantom-G can operate in the following three modes.
PAGE 34
Fantom-G_r_e.book 34 ページ２００８年１月３１日木曜日午後１２時１５分 Overview of the Fantom-G fig.04-005.j About Polyphony Studio set The Fantom-G has a maximum polyphony of 128 simultaneous notes. Here we’ll explain how the polyphony is counted, and what happens when the limit of 128 notes is exceeded. Part 16 How polyphony is counted Part 1 The Fantom-G can produce up to 128 notes simultaneously.
PAGE 35
Fantom-G_r_e.book 35 ページ２００８年１月３１日木曜日午後１２時１５分 Overview of the Fantom-G Temporary area When you switch on the Fantom-G’s power or load a project, the project data is placed in an area of memory called the “temporary area.” Fantom-G USB storage Internal memory (50 MB) Computer Project When you edit a patch or song, you are modifying the data in this temporary area.
PAGE 36
Fantom-G_r_e.book 36 ページ２００８年１月３１日木曜日午後１２時１５分 Overview of the Fantom-G About the Internal Effects About the Sequencer Types of Effects Audio and MIDI The Fantom-G contains the following effects units. You can make settings independently for each one. PFX (Patch MFX) (Patch multi-effect) The Fantom-G’s sequencer can record audio and MIDI. Audio (samples) You can choose from 76 types including distortion and rotary.
PAGE 37
Fantom-G_r_e.book 37 ページ２００８年１月３１日木曜日午後１２時１５分 Overview of the Fantom-G A track is an area in which performance data can be recorded. Audio tracks 1–24 There are twenty-four tracks for recording audio. Samples also support the Sample Pad function (p. 191) which lets you play samples simply by pressing a pad. MIDI tracks 1–128 Songs and the State of the Sound Generator The Fantom-G’s sequencer is available at all times, regardless of the sound generator mode (Single, Live, or Studio).
PAGE 38
Fantom-G_r_e.book 38 ページ２００８年１月３１日木曜日午後１２時１５分 Overview of the Fantom-G About the Sampling Section The sampling section “samples” (records) audio input from an external source such as an audio device or mic. You can play these sampled sounds as a patch or rhythm set. You can also import WAV/AIFF format files and use them in the same way. Samples A “sample” refers to a waveform (wave) produced by sampling on the Fantom-G.
PAGE 39
Fantom-G_r_e.book 39 ページ２００８年１月３１日木曜日午後１２時１５分 Basic Operation of the Fantom-G The Fantom-G provides three sound generator modes: Single, Live, and Studio. You can switch to the sound generator mode that’s most appropriate for the way you’re using the Fantom-G. Live mode This mode is for combining multiple sounds (patches, rhythm sets, sample sets) so that you can play them in a live performance.
PAGE 40
Fantom-G_r_e.book 40 ページ２００８年１月３１日木曜日午後１２時１５分 Basic Operation of the Fantom-G How the Function Buttons Work The eight buttons [F1]–[F8] located below the display (the function buttons) are used to execute various functions. Their function will depend on the screen that’s currently shown. The current functions of these buttons are indicated in the bottom of the screen. Moving the Cursor A single screen or window can contain multiple items (parameters) to set or select.
PAGE 41
Fantom-G_r_e.book 41 ページ２００８年１月３１日木曜日午後１２時１５分 Basic Operation of the Fantom-G To edit a value, you can use either the VALUE dial or [INC] [DEC]. Using the pad for numeric input If you press the [NUMERIC] pad button, the pads will operate as numeric keys. Overview Editing a Value In each of the Fantom-G’s screens, move the highlighted cursor to the value you want to edit, and then edit the value.
PAGE 42
Fantom-G_r_e.book 42 ページ２００８年１月３１日木曜日午後１２時１５分 Basic Operation of the Fantom-G Assigning a Name On the Fantom-G you can assign a name to each patch, rhythm set, live set, studio set, song, phrase, or sample when you save it. Regardless of the type of object you’re naming, the procedure is the same. 1. Use [CURSOR] to move the cursor to the position at which you want to enter a character. Using a mouse to input characters If you’re using a USB mouse, you can enter characters using a virtual keyboard.
PAGE 43
Fantom-G_r_e.book 43 ページ２００８年１月３１日木曜日午後１２時１５分 Basic Operation of the Fantom-G Basic Pad Operations For details on using the pads, refer to “Using the Pads” (p. 188). The pads have sixteen modes. Press [PAD MODE] to switch the pad mode. 1. Using the Pads as Numeric Keys If you press PAD [NUMERIC], the pads will operate as numeric keys. → “Using the pad for numeric input” (p. 41) Sound 3 If you decide not to switch the pad mode, press [PAD MODE] once again.
PAGE 44
Fantom-G_r_e.book 44 ページ２００８年１月３１日木曜日午後１２時１５分 Basic Operation of the Fantom-G Shortcut Menu By pressing the [DISPLAY] button, you can jump directly to the most important screens. 1. Press [DISPLAY]. The Shortcut menu will appear. You can also open the Shortcut menu by clicking your USB mouse on the shortcut icon. 2. Press or to select the screen to which you want to jump, then press [F8 (Select)]. If you decide to cancel, press [F7 (Cancel)].
PAGE 45
Fantom-G_r_e.book 45 ページ２００８年１月３１日木曜日午後１２時１５分 02: Sound Generator, Section 1 (Playing Sounds) This chapter explains the three modes in which the Fantom-G’s sound generator can operate. • Single Mode .............................................................. p. 46 • Live Mode .................................................................. p. 58 • Studio Mode .............................................................. p.
PAGE 46
Fantom-G_r_e.book 46 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Single Mode In Single mode, the keyboard and the pads are each used to play a single sound (patch/rhythm set/sample set). Functions in the Single Play screen fig.05-005.e 1 About the Single Play Screen 2 3 6 5 Displaying Single Play Screen 4 7 8 To access the Single Play screen, use the following procedure. 9 1. Press [SINGLE]. 10 Number You will enter Single mode, and the Single Play screen appears.
PAGE 47
Fantom-G_r_e.book 47 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Single Mode Press [SINGLE] to access the Single Play screen. fig.05-001.e Patch type Patch bank Overview Selecting a Patch 1. Patch category The Fantom-G has four patch banks, including the User, Preset, User Sample and GM. USER Sound 1 This is the bank inside the Fantom-G which can be rewritten. Patches you create can be stored in this bank. You can store 512 patches.
PAGE 48
Fantom-G_r_e.book 48 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Single Mode Selecting Patches by Category (Patch Finder) The Fantom-G provides a “Patch Search function” (Patch Finder) which allows you to specify a type (category) of patch so that you can quickly find the desired patch. There are a total of 38 categories. 1. Press [SINGLE] to access the Single Play screen. fig.05-001.e Patch type Patch bank Patch category Patch number / Patch name * Make sure that the patch type is set to “Patch.
PAGE 49
Fantom-G_r_e.book 49 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Single Mode You can display a list of patches and select a patch from that list. 1. The Fantom-G allows you to preview patches by hearing a phrase appropriate for each type of patch. Press [SINGLE] to access the Single Play screen. 1. Press [SINGLE] to access the Single Play screen. 2. Press [F1 (Patch List)] to access the Patch List screen. Sound 1 2. Auditioning Patches (Phrase Preview) Press [F1 (Patch List)].
PAGE 50
Fantom-G_r_e.book 50 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Single Mode Selecting the Tones That Will Sound (Tone On/Off) Since a patch is a combination of up to four tones, you can switch unwanted (tones out of the four) off and get just the sound of a specific tone. 1. Press [SINGLE] to access the Single Play screen. 2. Press [F8 (Tone Sw/Sel)]. The Tone Switch/Select window appears.
PAGE 51
Fantom-G_r_e.book 51 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Single Mode Single mode has the following three parts. Part 1 Keyboard Sample Pad 8 Rhythm Pad The Fantom-G lets you assign the parameters that will be affected when you operate the 1–4 knobs, 1–8 sliders, S1/S2 switches, D Beam, pitch bend, or modulation lever. This lets you modify the sound in a variety of ways by operating the controllers. 1. Press [SINGLE] to access the Single Play screen. 2. Press [F4 (Control)].
PAGE 52
Fantom-G_r_e.book 52 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Single Mode Playing Percussion Instruments (Rhythm Set) 1. Press [SINGLE] to access the Single Play screen. In Single mode, you can play percussion instruments from the keyboard by selecting a rhythm set. fig.05-023.efig.05-023.e Patch Type Rhythm set bank You can also use the pads to play a rhythm set. → p. 192 Pad Mode (Rhythm) Rhythm set number Rhythm set bank * Make sure that the Patch Type is set to “Rhythm.
PAGE 53
Fantom-G_r_e.book 53 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Single Mode Overview Playing a Sample Set In Single mode you can select a sample set and play the samples from the keyboard. You can also use the pads to play a sample set. → p. 191 Sound 1 Pad Mode (Sample Pad) Sound 2 Sample set number Sound 3 Selecting a Sample Set 1. Press [SINGLE] to access the Single Play screen. Pad fig.05-023.
PAGE 54
Fantom-G_r_e.book 54 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a List of Frequently Used Sounds (Favorite) You can make a list of sounds that you frequently use in live performance, and recall these sounds instantly. You are free to register any type of sound — patches, rhythm sets, sample sets, live sets, studio sets, or songs — so you’ll be able to instantly recall any sound you need for your performance. You can register sixteen sounds (steps) in a bank, and you can create sixteen of these banks.
PAGE 55
Fantom-G_r_e.book 55 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a List of Frequently Used Sounds (Favorite) Using the pads to recall sounds 1. In the Favorite screen, press [F5 (Dynamic Pad)]. The pads will be set to Favorite mode. Here’s how to specify the volume (Favorite Level) for each step. Use this to adjust the volume of each sound in your live performance. 1. In the Favorite screen, press or to move the cursor to the step whose volume you want to adjust. 2.
PAGE 56
Fantom-G_r_e.book 56 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a List of Frequently Used Sounds (Favorite) Registering a Song (Set Song) Importing a Text File (Import Text) Here’s how to register a song instead of a sound. 1. In the Favorite screen, press [F1 Bank ] or [F2 Bank to select the bank in which you want to register a song. You can create a text file on your computer, and import it into the Fantom-G so that it can be displayed in the Favorite screen. ] 1.
PAGE 57
Fantom-G_r_e.book 57 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a List of Frequently Used Sounds (Favorite) Overview Removing a Text File (Remove Text) Here’s how to remove a text file that you imported. Access the Favorite screen, and press [F1 Bank ] or [F2 Bank ] to select the bank whose text you want to remove. 2. Press [F6 (Util Menu)]. The Favorite Utility Menu window will appear. 3. Press or [F8 (Select)]. Sound 1 1.
PAGE 58
Fantom-G_r_e.book 58 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Live Mode Live mode is designed for live performances; it lets you play up to eight patches (or rhythm sets or sample sets) at the same time. For example you can layer (p. 62) a piano sound with strings, or split (p. 62) sounds across the keyboard so that your right hand plays a piano sound while your left hand plays a bass sound.
PAGE 59
Fantom-G_r_e.book 59 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Live Mode Overview Functions in the Live Play (Layer/Split) Screen fig.08-002.j 1 2 3 4 6 5 8 9 14 10 11 Indicates the current sound generator mode. 13 Page p. 39 p. 150 3 Indicates the on/off status of each effect. PFX Patch multi-effect MFX1 Multi-effect 1 MFX2 Multi-effect 2 IFX Input effect CHO Chorus REV Reverb MAS Mastering effect Indicates the current location of the song, and the status of the sequencer.
PAGE 60
Fantom-G_r_e.book 60 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Live Mode Selecting a Live Set The Fantom-G has two live set banks, including the User bank and Preset banks. USER This is the bank inside the Fantom-G which can be rewritten. Live Sets you create can be stored in this bank. You can store 512 live sets. Selecting Live Sets from the List You can display a list of live sets and select a live set from that list. 1. Press [LIVE]. 2. Press [F5 (LiveSet List)]. The Live Set List screen appears.
PAGE 61
Fantom-G_r_e.book 61 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Live Mode Use the pad switch to select the part whose rhythm set or sample set will be played by the pads. 1. As described in the procedure for “Switching the Pad Mode (PAD MODE)” (p. 188), set the pad mode to either “1 SAMPLE PAD” or “2 RHYTHM.” 2. In the Live Play (Layer/Split) screen, use [CURSOR] to move the cursor to the “SAM” or “RHY” field, and press [INC] to turn on the pad switch for the part that you want to play from the pads.
PAGE 62
Fantom-G_r_e.book 62 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Live Mode Combining and Playing Sounds Together (Layer) In live mode you can play the sounds of all parts whose Keyboard Switch is on. Combining the parts will produce, thicker, fatter sounds. Playing Different Sounds in Different Areas of the Keyboard (Split) In Live mode you can play (split) as many as 56 different patches across the keyboard. You can create layers in the Live Play (Layer/Split) screen. fig.08-009.e Part 1 (Rx ch.
PAGE 63
Fantom-G_r_e.book 63 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Live Mode Using the Live Set Part Mixer Screen The Live Set Part Mixer screen lets you adjust the level and effect settings of each part just as if you were using a mixer. In the Live Set Part Mixer screen you can set the following parameters for each part. Use [F6 Here’s how to access the Live Set Part Mixer screen. Press [LIVE]. 2. 1. Use [CURSOR] to move the cursor to the parameter you want to edit. 2.
PAGE 64
Fantom-G_r_e.book 64 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Live Mode Using the Layer Edit Screen In general, the Layer Edit screen operates in the same way as the Live Play (Layer/Split) screen, but you can use the F3–F6 keys to instantly switch between the displayed part groups.
PAGE 65
Fantom-G_r_e.book 65 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Live Mode Overview Performing with the Arpeggio For details on using the Arpeggio, refer to “Playing Arpeggios” (p. 78). Sound 1 Performing with the Realtime Controllers and D Beam Controller Sound 2 For details on the setting, refer to “Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting)” (p. 142).
PAGE 66
Fantom-G_r_e.book 66 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Studio Mode Studio mode is what you’ll use when recording a song. It provides sixteen parts, and allows you to assign a patch (or rhythm set or sample set) to each of these parts, thus allowing you to use sixteen different sounds simultaneously. You can use the mixer screen to adjust the level and pan for each of the sixteen parts.
PAGE 67
Fantom-G_r_e.book 67 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Studio Mode fig.08-002.j 1 2 4 USER 8 6 The Fantom-G has two studio set banks, including the User bank and Preset banks. This is the bank inside the Fantom-G which can be rewritten. Studio Sets you create can be stored in this bank. You can store 128 studio sets. PRST (Preset) 7 Page Indicates the current sound generator mode. p. 39 p. 150 3 Indicates the on/off status of each effect.
PAGE 68
Fantom-G_r_e.book 68 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Studio Mode Selecting Studio Sets from the List Using the Studio Play Screen You can display a list of studio sets and select a studio set from that list. 1. Press [STUDIO]. 2. Press [F5 (Studio List)]. The Studio Set List screen appears. When you modify the settings of a Studio Set, the Studio Play screen will indicate “ .
PAGE 69
Fantom-G_r_e.book 69 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Studio Mode ] to switch between Mixer 1/2. Mixer1/2 Internal Mixer1 Mixer2 Press [STUDIO]. 2. Press [F6 3. Use [CURSOR] to move the cursor to the “Keyboard Sw” field, and press [INC] to turn the keyboard switch on. When you play the keyboard, you’ll hear the parts whose keyboard switch is on. If the keyboard switch is turned off for all parts, you’ll hear the current part. ]. fig.
PAGE 70
Fantom-G_r_e.book 70 ページ２００８年１月３１日木曜日午後１２時１５分 Playing in Studio Mode Performing with the Arpeggio For details on using the Arpeggio, refer to “Playing Arpeggios” (p. 78). Performing with the Realtime Controllers and D Beam Controller For details on the setting, refer to “Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting)” (p. 142). Setting Effects For details regarding effect settings, refer to the pages shown below. • “Making Effect Settings” (p.
PAGE 71
Fantom-G_r_e.book 71 ページ２００８年１月３１日木曜日午後１２時１５分 03: Sound Generator, Section 2 (Controlling Sounds) This chapter explains the realtime controllers, the arpeggiator, and the chord memory function. • Real Time Controller .................................................... p. 72 • Arpeggios.................................................................. p. 78 • Chord Memory ........................................................... p.
PAGE 72
Fantom-G_r_e.book 72 ページ２００８年１月３１日木曜日午後１２時１５分 Modifying the Sound in Real Time You can use the D Beam controller, realtime controllers, assignable switches or a pedal to modify the sound while you perform. The usable range of the D Beam controller Here we will explain the procedures and settings for using these functions in Single mode. The operations are the same in Live Mode/Studio Mode. The following diagram shows the usable range of the D Beam controller.
PAGE 73
Fantom-G_r_e.book 73 ページ２００８年１月３１日木曜日午後１２時１５分 Modifying the Sound in Real Time Solo Synth On the Fantom-G you can play a monophonic synthesizer whose pitch is controlled by the D Beam. 1. Hold down [SHIFT] and press D BEAM [SOLO SYNTH]. You can use the D Beam controller to control the pads as an alternative to striking the pads themselves. 2. Move the cursor to the parameter that you want to set, and turn the VALUE dial or press [INC] [DEC] to make the setting. 3.
PAGE 74
Fantom-G_r_e.book 74 ページ２００８年１月３１日木曜日午後１２時１５分 Modifying the Sound in Real Time LFO Osc 1 Pitch Depth Cutoff Specifies the depth to which the LFO will modulate the OSC1 pitch. Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components. Value: -63– +63 LFO Osc 2 Pitch Depth Specifies the depth to which the LFO will modulate the OSC2 pitch.
PAGE 75
Fantom-G_r_e.book 75 ページ２００８年１月３１日木曜日午後１２時１５分 Modifying the Sound in Real Time Assignable Hold down [SHIFT] and press D BEAM [ASSIGNABLE]. 2. Move the cursor to the parameter that you want to set, and turn the VALUE dial or press [INC] [DEC] to make the setting. 3. Press [EXIT] to close the window. Type (Assignable Type) You can use the knobs, sliders and [S1] [S2] buttons to modify the sound in real time. 1. Access the Single Play screen (p. 46).
PAGE 76
Fantom-G_r_e.book 76 ページ２００８年１月３１日木曜日午後１２時１５分 Modifying the Sound in Real Time Changing Realtime Controller Settings Slider 1–8 Settings 1. Hold down [SHIFT] and move one of the sliders. The Slider screen appears. 2. Move the cursor to the parameter that you want to set, and turn the VALUE dial or press [INC] [DEC] to set it. 3. If you want to save your settings, press [F7 (Sys Write)]. Press [Exit] to return to the previous screen. Knob 1–4 Settings 1.
PAGE 77
Fantom-G_r_e.book 77 ページ２００８年１月３１日木曜日午後１２時１５分 Modifying the Sound in Real Time S1/S2 Switch Settings Hold down [SHIFT] and press [S1] [S2]. The Switch screen appears. 2. Move the cursor to the parameter that you want to set, and turn the VALUE dial or press [INC] [DEC] to make the setting. If you want to save your settings, press [F7 (Sys Write)]. Press [Exit] to return to the previous screen. Switch S1/S2 Assign Specify the functions that will be controlled by the [S1] [S2] switches.
PAGE 78
Fantom-G_r_e.book 78 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Arpeggios About Arpeggio The Fantom-G’s Arpeggio function lets you produce arpeggios automatically; simply hold down some keys, and a corresponding arpeggio will be played automatically. Playing Arpeggios Use “Arpeggio Part Number” (p. 146) to specify the parts that will use the Arpeggio function. The Chord Memory function (p. 80) will also apply to the parts selected by the Arpeggio Part setting.
PAGE 79
Fantom-G_r_e.book 79 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Arpeggios Keyboard Velocity (Arpeggio Keyboard Velocity) Sets the order in which notes of the chord will sound. Specifies the loudness of the notes that you play. Value If you want the velocity value of each note to depend on how strongly you play the keyboard, set this parameter to “REAL.” If you want each note to have a fixed velocity regardless of how strongly you play the keyboard, set this parameter to the desired value (1– 127).
PAGE 80
Fantom-G_r_e.book 80 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Chord Memory Function (Chord Memory) About the Chord Memory Function Performing with the Chord Memory Function Chord Memory is a function that allows you to play chords based on pre-programmed Chord Forms, just by pressing a single key on the keyboard. The Fantom-G can store 128 user chord forms. When you use the Chord Memory function with a tone for which the Mono/Poly Parameters (p. 105) is Mono, only one sound in the chord is played.
PAGE 81
Fantom-G_r_e.book 81 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Chord Memory Function (Chord Memory) This causes the notes within a chord to be sounded consecutively, rather than simultaneously. Since the playback speed will change according to the force with which you play the keyboard, you can vary your playing dynamics to create a realistic simulation of playing a guitar. Hold down [SHIFT] and press [CHORD MEMORY]. The Chord Memory screen appears. 2. Press [F1 (Rolled Chord)] to turn on.
PAGE 82
Fantom-G_r_e.book 82 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Chord Memory Function (Chord Memory) Saving the Chord Forms You Have Created The Chord Form you create are temporary; they are deleted as soon as you turn off the power or select some other Style. If you want to keep a Chord Form you have made, save it to the Fantom-G’s user memory. 1. Hold down [SHIFT] and press [CHORD MEMORY]. Confirm that the chord form is selected that you want to save. 2. Press [F7 (Write)].
PAGE 83
Fantom-G_r_e.book 83 ページ２００８年１月３１日木曜日午後１２時１５分 04: Sound Generator, Section 3 (Creating Sounds) This chapter explains how to create sounds such as patches, live sets, and effects. • Patch ......................................................................... p. 84 • Rhythm Set ............................................................... p. 112 • Sample Set............................................................... p. 126 • Live Set/Studio Set ..................................................
PAGE 84
Fantom-G_r_e.book 84 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch With the Fantom-G, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing. This chapter explains the procedures used in creating patches, and the functions of the patch parameters. How to Make Patch Settings Start with an existing patch and edit it to create a new patch.
PAGE 85
Fantom-G_r_e.book 85 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch 3. For details on each parameter, refer to the following pages. Page p. 97 p. 98 p. 100 p. 101 Parameter name Structure Type LFO1/2 Step LFO Page p. 92 p. 103 p. 104 • To change the part that you want to edit If you wish to save the changes you’ve made, press [WRITE] to perform the Save operation (p. 88). If you do not wish to save changes, press [EXIT] to return to the Single Play screen.
PAGE 86
Fantom-G_r_e.book 86 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Editing All Parameters of a Patch (Patch Pro Edit) 3. The Patch Pro Edit screen allows you to edit all parameters of a patch. 1. The parameters are organized into several editing groups. Press [F1 (Up)] or [F2 (Down)] to select the tab for the editing group that contains the parameter you wish to edit. See “Functions of Patch Parameters” (p. 89) for each parameter’s functions. Select the patch whose settings you want to edit (p. 47).
PAGE 87
Fantom-G_r_e.book 87 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch “Initialize” means to return the settings of the currently selected sound to a standard set of values. Patch Initialize will initialize the settings of the currently selected patch. 1. Select the patch that you want to initialize (p. 47). 2. Press [PATCH]. 1. Select that you want to edit and the copy-destination patch (p. 47). 2. Press [PATCH]. 3. Press [F4 (Util Menu)]. The Patch Utility Menu window appears. 4.
PAGE 88
Fantom-G_r_e.book 88 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Cautions When Selecting a Waveform The sounds of the Fantom-G are based on complex PCM waveforms, and if you attempt to make settings that are contrary to the type of the original waveform, the results will not be as you expect. The internal waveforms of the Fantom-G fall into the following two banks. One-shot: These waveforms contain sounds that have short decays. A one-shot waveform records the initial rise and fall of the sound.
PAGE 89
Fantom-G_r_e.book 89 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch 6. By pressing [F6 (Compare)] you can check the save-destination patch (Compare function). 7. Press [F8 (Write)]. A message will ask you for confirmation. 8. Press [F7 (OK)] to execute the save operation. To cancel the operation, press [F8 (EXIT)]. 1. Follow the procedure in “Saving Patches You’ve Created (Write)” through step 6 to select the save destination. 2. Press [F6 (Compare)] to turn on.
PAGE 90
Fantom-G_r_e.book 90 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Patch Priority Stretch Tune Depth This determines how notes will be managed when the maximum polyphony is exceeded (128 voices). This setting allows you to apply “stretched tuning” to the patch. (Stretched tuning is a system by which acoustic pianos are normally tuned, causing the lower range to be lower and the higher range to be higher than the mathematical tuning ratios would otherwise dictate.
PAGE 91
Fantom-G_r_e.book 91 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Resonance Offset Range: -63– +63 * Resonance: emphasizes the overtones in the region of the cutoff frequency, adding character to the sound. Attack Time Offset Selects the group for the waveform that is to be the basis of the tone. Value INT: Waveforms stored in internal SAMP: Sample waveforms Wave Number L (Mono) Wave Number R Selects the basic waveform for a tone.
PAGE 92
Fantom-G_r_e.book 92 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Wave Gain FXM Color Sets the gain (amplification) of the waveform. The value changes in 6 dB (decibel) steps—an increase of 6 dB doubles the waveform’s gain. If you intend to use the Booster to distort the waveform’s sound, set this parameter to its maximum value (p. 94). Specifies how FXM will perform frequency modulation. Higher settings result in a grainier sound, while lower settings result in a more metallic sound.
PAGE 93
Fantom-G_r_e.book 93 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch fig.06-021 fig.06-017 TONE 1 (3) WG TVA TYPE 8 TONE 1 (3) TVF R: Ring Modulator WG TVF TVA R B TONE 2 (4) Overview B: Booster TYPE 4 WG TVF TONE 2 (4) TVA WG TVF TVA This type sends the filtered tone 1 (3) and tone 2 (4) through a ring modulator, and then mixes in the sound of tone 2 (4) and applies a filter to the result. fig.06-018 fig.
PAGE 94
Fantom-G_r_e.book 94 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Booster 1&2, 3&4 (Booster Gain 1&2, 3&4) When a Structure Type of TYPE 3 or TYPE 4 is selected, you can adjust the depth of the booster. The booster increases the input signal in order to distort the sound. This creates the distortion effect frequently used with electric guitars. Higher settings will produce more distortion.
PAGE 95
Fantom-G_r_e.book 95 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Velocity Range Upper This determines what will happen to the tone’s level when a note that’s higher than the tone’s specified keyboard range is played. Higher settings produce a more gradual change in volume. If you don’t want the tone to sound at all when a note above the keyboard range is played, set this parameter to “0.” This sets the highest velocity at which the tone will sound.
PAGE 96
Fantom-G_r_e.book 96 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Modifying Pitch (Pitch/Pitch Env) Pitch Wave Pitch Key Follow This specifies the amount of pitch change that will occur when you play a key one octave higher (i.e., 12 keys upward on the keyboard). Adjusts the pitch of the tone’s sound up or down in semitone steps (+/-4 octaves). If you want the pitch to rise one octave as on a conventional keyboard, set this to “+100.” If you want the pitch to rise two octaves, set this to “+200.
PAGE 97
Fantom-G_r_e.book 97 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Bend Mode Control Use this parameter when you want key release speed to affect the Time 4 value of the pitch envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value. If you want it to be slowed down, set this to a negative (-) value.
PAGE 98
Fantom-G_r_e.book 98 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Modifying the Brightness of a Sound with a Filter (TVF/TVF Env) Selects the type of filter. A filter cuts or boosts a specific frequency region to change a sound’s brightness, thickness, or other qualities. Value OFF: No filter is used. LPF: Low Pass Filter. This reduces the volume of all frequencies above the cutoff frequency (Cutoff Freq) in order to round off, or un-brighten the sound.
PAGE 99
Fantom-G_r_e.book 99 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Resonance Velocity Sens Use this parameter if you want the cutoff frequency to change according to the key that is pressed. Relative to the cutoff frequency at the C4 key (center C), positive (+) settings will cause the cutoff frequency to rise for notes higher than C4, and negative (-) settings will cause the cutoff frequency to fall for notes higher than C4. Larger settings will produce greater change.
PAGE 100
Fantom-G_r_e.book 100 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch TVF ENV (TVF Envelope) Adjusting the Volume (TVA/TVA Env) TVF Env Depth Specifies the depth of the TVF envelope. Higher settings will cause the TVF envelope to produce greater change. Negative (-) settings will invert the shape of the envelope. TVA Value: -63– +63 Sets the volume of the tone. This setting is useful primarily for adjusting the volume balance between tones.
PAGE 101
Fantom-G_r_e.book 101 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Tone Pan Key Follow Bias causes the volume to be affected by the keyboard position. This is useful for changing volume through keyboard position (pitch) when playing acoustic instruments. Use this parameter if you want key position to affect panning.
PAGE 102
Fantom-G_r_e.book 102 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch TVA Env Time 4 Velocity Sens The parameter to use when you want key release speed to control the Time 4 value of the TVA envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value. If you want it to be slowed down, set this to a negative (-) value. Output Tone Output Assign Specifies how the direct sound of each tone will be output. Value: Output through patch multi-effects.
PAGE 103
Fantom-G_r_e.book 103 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch LFO1/2 Offset (LFO1/LFO2 Offset) Triangle wave Value: -100, -50, 0, +50, +100 SAW-U: Sawtooth wave SAW-D: Sawtooth wave (negative polarity) SQR: Square wave Value Random wave BND-U: Once the attack of the waveform output by the LFO is allowed to develop in standard fashion, the waveform then continues without further change.
PAGE 104
Fantom-G_r_e.book 104 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Fade Mode (LFO1/LFO2 Fade Mode) Pan Depth (LFO1/LFO2 Pan Depth) ★ Specifies how the LFO will be applied. Specifies how deeply the LFO will affect the pan. Value: ON <, ON >, OFF <, OFF > Value: -63– +63 After referring to “How to Apply the LFO” (p. 104), change the setting until the desired effect is achieved. Fade Time (LFO1/LFO2 Fade Time) Specifies the time over which the LFO amplitude will reach the maximum (minimum).
PAGE 105
Fantom-G_r_e.book 105 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Apply Portamento or Legato to the Sound (Solo/Porta) fig.06-044.e high (more) Delay Time Mono/Poly Fade Time Depth Value low (less) MONO: Only the last-played note will sound. ON > Delay Time: The time that the LFO will continue after the keyboard is played. Fade Time: The time over which the LFO amplitude will reach the minimum after the Delay Time has elapsed. ● Apply the LFO gradually after the key is released fig.
PAGE 106
Fantom-G_r_e.book 106 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Portamento Switch Portamento Start Specifies whether the portamento effect will be applied (ON) or not (OFF). When another key is pressed during a pitch change produced by portamento, a new pitch change will begin. This setting specifies the pitch at which the change will begin. Value: OFF, ON Value Starts a new portamento when another key is pressed while the pitch is changing. PITCH: Portamento fig.06-048.
PAGE 107
Fantom-G_r_e.book 107 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch OFF-N: Tone Delay Mode Selects the type of tone delay. Value Rather than being played while the key is pressed, the tone begins to play once the period of time specified in the Delay Time parameter has elapsed after release of the key. This is effective in situations such as when simulating noises from guitars and other instruments. Overview Miscellaneous Settings (Misc) fig.06-053.
PAGE 108
Fantom-G_r_e.book 108 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Tone Delay Time Tone Receive Pan Mode Specifies the time from when the key is pressed (or if the Delay Mode parameter is set to “OFF-N” or “OFF-D,” the time from when the key is released) until when the tone will sound. For each tone, specify how pan messages will be received. Value CONT: Whenever Pan messages are received, the stereo position of the tone will be changed.
PAGE 109
Fantom-G_r_e.book 109 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Velocity and Key follow correspond to Note messages. Although there are no MIDI messages for LFO 1 through TVA Envelope, they can be used as Matrix Control. In this case, you can change the tone settings in realtime by playing patches. Matrix Control There are parameters that determine whether or not Pitch Bend, Controller Number 11 (Expression) and Controller Number 64 (Hold 1) are received (p. 108).
PAGE 110
Fantom-G_r_e.book 110 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch ● Changing How the Effects Are Applied ● OUTPUT LEVEL: Changes the amount of original sound. TVF ENV A-TIME: Changes the Env Time 1 parameter of the TVF envelope. CHORUS SEND: Changes the amount of chorus. TVF ENV D-TIME: Changes the Env Time 2 and Env Time 3 parameters of the TVF envelope. REVERB SEND: Changes the amount of reverb. ● Applying LFO to Modulate Sounds LFO1/LFO2 PITCH DEPTH: Changes the vibrato depth.
PAGE 111
Fantom-G_r_e.book 111 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Patch Control Sens 1–4 (Matrix Control Sens 1–4) Setting Effects for a Patch (PFX) Press the [F5 (PFX)] button to access the PFX (Patch Multi-effect) editing screen (p. 157). • “Making Effect Settings” (p. 151) • “Making Patch Multi-Effects Settings (PFX)” (p. 157) Value: -63– +63 Sound 1 For details regarding effect settings, refer to the pages shown below. Overview Sets the amount of the Matrix Control’s effect that is applied.
PAGE 112
Fantom-G_r_e.book 112 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set With the Fantom-G, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing. This chapter explains the procedures used in creating rhythm sets, and the functions of the rhythm set parameters.
PAGE 113
Fantom-G_r_e.book 113 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set 3. For details on each parameter, refer to the following pages. Page p. 121 p. 122 p. 124 p. 125 • To change the part that you want to edit If you wish to save the changes you’ve made, press [WRITE] to perform the Save operation (p. 116). If you do not wish to save changes, press [EXIT] to return to the Single Play screen.
PAGE 114
Fantom-G_r_e.book 114 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set Editing All Parameters (Patch Pro Edit) 3. The Patch Pro Edit screen allows you to edit all parameters of a patch. 1. The parameters are organized into several editing groups. Press [F1 (Up)] or [F2 (Down)] to select the tab for the editing group that contains the parameter you wish to edit. See “Functions of Rhythm Set Parameters” (p. 117) for each parameter’s functions.
PAGE 115
Fantom-G_r_e.book 115 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set “Initialize” means to return the settings of the currently selected sound to a standard set of values or to the factory settings. Select the rhythm set that you want to initialize (p. 52). 2. Press [PATCH]. 1. Select the copy-destination Rhythm set (p. 52). 2. Press [PATCH]. 3. Press [F4 (Util Menu)]. The Rhythm Utility Menu window appears. 4. Press or to choose “Rhythm Tone Copy,” and then press [F8 (Select)].
PAGE 116
Fantom-G_r_e.book 116 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set Cautions When Selecting a Waveform The sounds of the Fantom-G are based on complex PCM waveforms, and if you attempt to make settings that are contrary to the type of the original waveform, the results will not be as you expect. The internal waveforms of the Fantom-G fall into the following two groups. One-shot: Looped: These waveforms contain sounds that have short decays.
PAGE 117
Fantom-G_r_e.book 117 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set 6. By pressing [F6 (Compare)] you can check the save-destination Rhythm set (Compare function). 7. Press [F8 (Write)]. A message will ask you for confirmation. This section explains the functions the different rhythm set parameters have, as well as the composition of these parameters.
PAGE 118
Fantom-G_r_e.book 118 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set Rhythm Tone Name You can assign a name of up to 12 characters to the rhythm tone. By pressing [ENTER], you can assign a name to the rhythm tone. Value: space, A-Z, a-z, 0-9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ? @[\]^_`{|} For details on assigning names, refer to “Assigning a Name” (p. 42) Assign Type Assign Type sets the way sounds are played when the same key is pressed a number of times.
PAGE 119
Fantom-G_r_e.book 119 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set With rhythm tones, sounds are created by combining up to four Waves (eight for stereo). This selects the Waves comprising the rhythm tone. Along with the Wave number, the Wave name appears at the lower part of the display. When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is also specified. Value: OFF, 1– (The upper limit will depend on the wave group.
PAGE 120
Fantom-G_r_e.book 120 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set Wave Pan FXM FXM (Frequency Cross Modulation) uses a specified waveform to apply frequency modulation to the currently selected waveform, creating complex overtones. This is useful for creating dramatic sounds or sound effects. This specifies the pan of the waveform. “L64” is far left, “0” is center, and “63R” is far right.
PAGE 121
Fantom-G_r_e.book 121 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set Pitch Env (Pitch Envelope) Velocity Fade Width Upper Adjusts the effect of the Pitch Envelope. Higher settings will cause the pitch envelope to produce greater change. Negative (-) settings will invert the shape of the envelope.
PAGE 122
Fantom-G_r_e.book 122 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set Pitch Env Level 0–4 Specify the pitch envelope levels (Level 0–Level 4). It determines how much the pitch changes from the reference pitch (the value set with Coarse Tune or Fine Tune on the Pitch screen) at each point. Positive (+) settings will cause the pitch to be higher than the standard pitch, and negative (-) settings will cause it to be lower. Value: -63– +63 T2 T3 TVF Filter Type Selects the type of filter.
PAGE 123
Fantom-G_r_e.book 123 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set Cutoff Velocity Sens Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components. Use this parameter when changing the cutoff frequency to be applied as a result of changes in playing velocity. If you want strongly played notes to raise the cutoff frequency, set this parameter to positive (+) settings.
PAGE 124
Fantom-G_r_e.book 124 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set TVF Env Adjusting the Volume (TVA/TVA Env) TVF Env Depth Specifies the depth of the TVF envelope. Higher settings will cause the TVF envelope to produce greater change. Negative (-) settings will invert the shape of the envelope. Value: -63– +63 TVA Tone Level (Rhythm Tone level) Sets the volume of the rhythm tone. Use this parameter to adjust the volume balance between rhythm tones.
PAGE 125
Fantom-G_r_e.book 125 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Rhythm Set TVA Env Level 1–3 This setting causes panning to be alternated between left and right each time a key is pressed. Higher settings will produce a greater amount of change. “L” or “R” settings will reverse the order in which the pan will alternate between left and right. For example if two rhythm tones are set to “L” and “R” respectively, the panning of the two rhythm tones will alternate each time they are played.
PAGE 126
Fantom-G_r_e.book 126 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Sample Set With the Fantom-G, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing. This chapter explains the procedures used in creating sample sets, and the functions of the sample set parameters. 3. Press [CURSOR] button to move the cursor to the parameter you wish to modify.
PAGE 127
Fantom-G_r_e.book 127 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Sample Set 6. Repeat steps 3–5 to set each parameter you want to edit. 7. If you wish to save the changes you’ve made, press [WRITE] to perform the Save operation (p. 128). If you do not wish to save changes, press [EXIT] to return to the Single Play screen. The Patch Pro Edit screen allows you to edit all parameters. 1. Select the sample set whose settings you want to edit (p. 53).
PAGE 128
Fantom-G_r_e.book 128 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Sample Set Saving Sample Sets You’ve Created (Write) 6. Turn the VALUE dial or use [INC] [DEC] to select the sample set number. 7. Press [F8 (Write)]. A message will ask you for confirmation. Changes you make to sound settings are temporary, and will be lost if you turn off the power or select another sound. If you want to keep the modified sound, you must save it in the user bank.
PAGE 129
Fantom-G_r_e.book 129 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Sample Set This section explains the functions the different sample set parameters have, as well as the composition of these parameters. fig.06-010 Sample Set Name Specifies the name of the sample set. Value: space, A–Z, a–z, 0–9, ! ” # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } Play backward. Trigger Mode Specifies how the sample will play when you press a pad (or key).
PAGE 130
Fantom-G_r_e.book 130 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Sample Set Modifying Waveforms (Wave) Modifying Pitch (Pitch) Sample Number L (Mono) Sample Number R Tone Coarse Tune (Sample Tone Coarse Tune) Selects the pitch at which a sample tone sounds. This selects the Samples comprising the sample tone. Along with the Sample number, the Sample name appears at the lower part of the display. Value: -48– +48 When in monaural mode, only the left side (L) is specified.
PAGE 131
Fantom-G_r_e.book 131 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Sample Set Tone Level (Sample Tone level) Sets the volume of the sample tone. Use this parameter to adjust the volume balance between sample tones. Value: 0–127 Tone Output Level Specifies the signal level for each tone. Value: 0–127 Tone Chorus Send Level Specifies the level of the signal sent to the chorus for each tone.
PAGE 132
Fantom-G_r_e.book 132 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set With the Fantom-G, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. When you change the values of parameters, you are doing what is referred to as Editing. This chapter explains the procedures used in creating Live/Studio Sets, and the functions of the Live/Studio Set parameters. NAME Live Set Name Studio Set Name Specifies the name of the live/studio set.
PAGE 133
Fantom-G_r_e.book 133 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set 4. You can view the part settings as a list. This is called the “Part View” screen. In this screen you can view a list that shows settings for all parts at once, such as the patch assigned to each part, and its volume and pan settings. You can also edit these settings here. In this screen, the name of the parameter selected by the cursor is shown in the “ ” area in the lower left of the screen.
PAGE 134
Fantom-G_r_e.book 134 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set Level/Pan (When the Part Group is Internal/EXP1/EXP2) Patch Type Sets the assignment of a patch (Patch), rhythm set (Rhythm) or sample set (Sample) to each of the parts. Value: PATCH, RHYTHM, SAMPLE * EXP 1 and EXP 2 parts will depend on the expansion board that is installed. Patch Bank Selects the group to which the desired patch or rhythm set belongs.
PAGE 135
Fantom-G_r_e.book 135 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set External Bank Select MSB Value: 0–127, --- The data of the part for which the Keyboard Switch is turned off will not be transmitted. If you want a Bank Select number LSB (controller number 32) to also be transmitted when you switch Live/Studio Sets, specify the value that you want to transmit (0–127) for each part.
PAGE 136
Fantom-G_r_e.book 136 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set Part Velocity Sens Offset This changes the volume and cutoff frequency for each part according to the velocity with which the keys are pressed. If you want strongly played notes to raise the volume/cutoff frequency, set this parameter to positive (+) settings. If you want strongly played notes to lower the volume/cutoff frequency, use negative (-) settings.
PAGE 137
Fantom-G_r_e.book 137 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set Part Reverb Send Level Value: 0–127 * External parts do not have this item. Part EFX1 Send Level (Expansion part effect 1: Send Level) Value: 0–127 * Internal and External parts do not have this item. Part EFX2 Send Level (Expansion part effect 2: Send Level) Sets the level of the signal sent to “EFX 1 (Effect) 1” for each part of the expansion board. Value: 0–127 “EFX2 (Effect 2)” is an effect on the expansion board.
PAGE 138
Fantom-G_r_e.book 138 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set Part Pitch Bend Range Specifies the amount of pitch change in semitones (2 octaves) that will occur when the Pitch Bend Lever is moved. The amount of change when the lever is tilted is set to the same value for both left and right sides. If you want to use the Pitch Bend Range setting of the patch assigned to the part (p. 96), set this to “PATCH.” Scale Tune Part Scale Tune C–B Make scale tune settings for each part.
PAGE 139
Fantom-G_r_e.book 139 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set Offset Part Vibrato Rate Part Cutoff Offset For each part, adjust the vibrato speed (the rate at which the pitch is modulated). The pitch will be modulated more rapidly for higher settings, and more slowly with lower settings. Adjusts the cutoff frequency for the patch, rhythm set or sample set assigned to a part. Value: -64– +63 EXP 1, EXP 2, and External parts do not have this item.
PAGE 140
Fantom-G_r_e.book 140 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set Part Release Time Offset Adjusts the TVA/TVF Envelope Release Time for the patch, rhythm set or sample set assigned to a part. Value: -64– +63 Patches also contain a Release Time Offset setting (p. 91). The final TVA Envelope release time value is therefore the sum of the tone’s TVA Envelope Time 4 setting, the patch’s Release Time Offset, and the part’s Release Time Offset.
PAGE 141
Fantom-G_r_e.book 141 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set MIDI Rx Filter Part Voice Reserve Receive Program Change (Receive Program Change Switch) This setting specifies the number of voices that will be reserved for each part when more than 128 voices are played simultaneously. Value: 0–63, FULL (Number of Sounds Being Played) x (Number of Tones Used by Patches Being Played) x (Number of Waves Used in the Tones) Realtime Stretch requires twice the normal polyphony.
PAGE 142
Fantom-G_r_e.book 142 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set Phase Lock (Phase Lock Switch) Set Phase Lock to “ON” when you want to suppress discrepancies in timing of parts played on the same MIDI channel. When the Phase Lock parameter is set to “ON,” parts on the same MIDI channel are put in a condition in which their timing is matched, enabling them to be played at the same time.
PAGE 143
Fantom-G_r_e.book 143 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set D Beam: SOLO SYNTH D Beam Switch You can use the D Beam controller to perform in a way similar to on a mono synth. Specifies the operating mode of the D Beam controller. Settings for the Solo Synth are saved for system settings. Press [F7 (Sys Write)] to execute the write operation. Value: OFF: The D Beam will not be used.
PAGE 144
Fantom-G_r_e.book 144 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set OSC 1/2 Coarse Tune Cutoff Adjusts the pitch of the tone’s sound up or down in semitone steps (+/-4 octaves). Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components. Value: -48– +48 Value: 0–127 OSC 1/2 Fine Tune Resonance Adjusts the pitch of the tone’s sound up or down in 1-cent steps (+/50 cents).
PAGE 145
Fantom-G_r_e.book 145 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set D Beam: ASSIGNABLE Knob Overview By assigning a variety of functions to the D Beam controller you can apply different effects to the sound in real time. Knob Assign 1–4 Specify the functions that will be controlled by the knobs. Type (Assignable Type) Specifies the function controlled by the D Beam controller.
PAGE 146
Fantom-G_r_e.book 146 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set Switch S1/S2 Chord Memory Switch S1/S2 Assign Chord Switch Specify the functions that will be controlled by the [S1] [S2] switches. Turns the Chord Memory function (p. 80) on/off.
PAGE 147
Fantom-G_r_e.book 147 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set You can change controller switch on/off settings for each part. You can use the F-keys to switch the part group that is displayed. Explanation Internal (internal sound generator) Expansion board 1 Expansion board 2 External MIDI output is shown in the “ * Here we explain how to change the setting of a patch assigned to a part. The procedure for changing the settings of rhythm sets or sample sets is the same.
PAGE 148
Fantom-G_r_e.book 148 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set Initializing Live/Studio Set Settings (Init) “Initialize” means to return the settings of the currently selected sound to a standard set of values. The Initialize operation will affect only the currently selected sound; the sounds that are stored in user memory will not be affected. If you wish to restore all of the Fantom-G’s settings to their factory values, perform a Factory Reset (p. 280). 1.
PAGE 149
Fantom-G_r_e.book 149 ページ２００８年１月３１日木曜日午後１２時１５分 Creating a Live/Studio Set 6. Turn the VALUE dial or use [INC] [DEC] to select the live/ studio set number. 7. Press [F8 (Write)]. A message will ask you for confirmation. Sound 1 When you have finished inputting the name, press [F8 (OK)]. A screen will appear, allowing you to select the writedestination live/studio set. Overview 5. Never switch off the Fantom-G while data is being saved. 8. Press [F7 (OK)] to execute the save operation.
PAGE 150
Fantom-G_r_e.book 150 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects This section explains the procedures and settings for applying effects in each mode. For details of the Fantom-G’s onboard effects, refer to “About the Internal Effects” (p. 36). Where Effect Settings are Saved Turning Effects On and Off The Fantom-G’s onboard effects can be turned on/off.
PAGE 151
Fantom-G_r_e.book 151 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects Using the pads to switch effects on/off “11 EFFECT SW (Using the Pads to Switch the Effects)” (p. 199) Making Effect Settings In the appropriate mode, select the sound to which you want to apply effects. 2. Press [EFFECTS (ROUTING)] to access the Effects screen. 3. Press one of the [F1 (Routing)]–[F7 (Mastering)] tabs to select the effect that you want to edit.
PAGE 152
Fantom-G_r_e.book 152 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects Signal Flow Diagram and Parameters fig.22-005 7 PFX Type (Patch Multi-Effects Type) Use this parameter to select from among the 76 available patch multi-effects. For details on patch multi-effects parameters, refer to “MFX/PFX Parameter” (p. 161).
PAGE 153
Fantom-G_r_e.book 153 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects Specifies for each part how the direct sound will be output. Value: 21 Chorus Output Assign Selects the pair of OUTPUT jacks to which the chorus sound is routed when Chorus Output Select is set to “MAIN” or “M+R.” A, B: Output to the OUTPUT A (MIX) jack or OUTPUT B jack in stereo without passing through multi-effects. Value 1–4: Output to the INDIVIDUAL 1–4 jacks in mono without passing through multi-effects.
PAGE 154
Fantom-G_r_e.book 154 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects Applying Effects in Studio Mode Signal Flow Diagram and Parameters fig.22-007 Studio mode allows you to use two multi-effects (MFX1, MFX2), one chorus, and one reverb. These effects will operate according to the effect settings of the studio set.
PAGE 155
Fantom-G_r_e.book 155 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects (Patch Multi-Effects Output Level) Adjusts the volume of the sound that has passed through the patch multi-effects. Value: 0–127 9 PFX Chorus Send Level Adjusts the amount of chorus for the sound that passes through patch multi-effects. If you don’t want to add the Chorus effect, set it to “0.” Value: 0–127 Value: A, B: Output to the OUTPUT A (MIX) jack or OUTPUT B jack in stereo without passing through multi-effects.
PAGE 156
Fantom-G_r_e.book 156 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects 23 9 MFX Output Assign (Multi-Effects Output Assign) Adjusts the output destination of the sound that has passed through the multi-effects. 29 Reverb Sw Switches the reverb on/off. Value: ON, OFF 30 Reverb Type Value A: Output to the OUTPUT A (MIX) jacks in stereo. B: Output to the OUTPUT B jacks in stereo. Selects the type of reverb. For details on reverb parameters, refer to “Reverb Parameters” (p. 185).
PAGE 157
Fantom-G_r_e.book 157 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects fig.22-008_50 PFX Control Source 1–4 (Multi-Effects Control Source 1–4) Sets the MIDI message used to change the multi-effects parameter with the multi-effects control. Overview Making Patch Multi-Effects Settings (PFX) Value OFF: Multi-effects control will not be used.
PAGE 158
Fantom-G_r_e.book 158 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects Sens 1–4 (Multi-Effects Control Sensitivity 1–4) Sets the amount of the multi-effects control’s effect that is applied. To make an increase in the currently selected value (to get higher values, move to the right, increase rates, and so on), select a positive value; to make a decrease in the currently selected value (to get lower values, move to the left, decrease rates, and so on), select a negative value.
PAGE 159
Fantom-G_r_e.book 159 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects fig.22-011_50 Making Reverb Settings (Reverb) Overview Making Chorus Settings (Chorus) fig.22-012_50 Sound 1 * Type (Reverb Type) Selects either chorus or delay. For details on chorus parameters, refer to “Chorus Parameters” (p. 184). Selects the type of reverb. For details on reverb parameters, refer to “Reverb Parameters” (p. 185).
PAGE 160
Fantom-G_r_e.book 160 ページ２００８年１月３１日木曜日午後１２時１５分 Adding Effects Mastering Effect This is a stereo compressor (limiter) that is applied to the final output of the Fantom-G. It has independent high, mid, and low ranges. Independently for the high-frequency, mid-frequency, and low-frequency regions, this compresses any sounds that exceed the specified level, making the volume more consistent.
PAGE 161
Fantom-G_r_e.book 161 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List The MFX (multi-effects) feature 78 different kinds of effects (the PFX: 76 types). Some of the effects consist of two or more different effects connected in series. p. 162 p. 162 p. 162 p. 162 p. 163 p. 163 p. 163 p. 164 p. 164 p. 164 p. 165 p. 165 p. 165 p. 165 p. 166 p. 166 p. 166 p. 166 p. 166 p. 167 p. 167 p. 167 p. 179 p. 179 p.
PAGE 162
Fantom-G_r_e.book 162 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 01: EQUALIZER 03: ISOLATOR This is a four-band stereo equalizer (low, mid x 2, high). This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. fig.MFX-01 L in 4-Band EQ L out fig.MFX-03 R in 4-Band EQ Parameter Value Description Low Freq Low Gain # Mid1 Freq 200, 400 Hz -15– +15 dB 200–8000 Hz Mid1 Gain Mid1 Q -15– +15 dB 0.5, 1.0, 2.0, 4.
PAGE 163
Fantom-G_r_e.book 163 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 06: STEP FILTER This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. This is a filter whose cutoff frequency can be modulated in steps. You can specify the pattern by which the cutoff frequency will change. fig.
PAGE 164
Fantom-G_r_e.book 164 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 08: AUTO WAH 10: SPEAKER SIMULATOR Cyclically controls a filter to create cyclic change in timbre. Simulates the speaker type and mic settings used to record the speaker sound. fig.MFX-08 L in R in Auto Wah L out 2-Band EQ Auto Wah fig.MFX-10 Value Description Filter Type LPF, BPF Type of filter LPF: The wah effect will be applied over a wide frequency range. BPF: The wah effect will be applied over a narrow frequency range.
PAGE 165
Fantom-G_r_e.book 165 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 11: PHASER Value Description Cross Feedback -98– +98 % Step Rate # 0.10–20.00 Hz, note Mix # Low Gain High Gain Level 0–127 -15– +15 dB -15– +15 dB 0–127 Adjusts the proportion of the phaser sound that is fed back into the effect. Negative (-) settings will invert the phase. Rate of the step-wise change in the phaser effect Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level fig.
PAGE 166
Fantom-G_r_e.book 166 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 15: RING MODULATOR This is an effect that applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. Parameter Value Description Mod Wave TRI, SQR, SIN, SAW1, SAW2 Modulation Wave TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave fig.
PAGE 167
Fantom-G_r_e.book 167 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 20: SLICER fig.MFX-20 L in R out Slicer Attack # Input Sync Sw Input Sync Threshold Mode OFF, ON 0–127 LEGATO, SLASH Shuffle # 0–127 Level 0–127 21: ROTARY fig.MFX-21 L out Rotary R in R out Value Description Speed # SLOW, FAST Simultaneously switch the rotational speed of the low frequency rotor and high frequency rotor. SLOW: Slows down the rotation to the Slow Rate. FAST: Speeds up the rotation to the Fast Rate.
PAGE 168
Fantom-G_r_e.book 168 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 23: CHORUS This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound. fig.
PAGE 169
Fantom-G_r_e.book 169 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 28: SPACE-D Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound. This is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus effect. fig.MFX-26 L in L out fig.MFX-28 Balance D Balance W Hexa Chorus Balance D L in R in R out Balance D Space D Balance W Space D Balance W R in Pre Delay 0.
PAGE 170
Fantom-G_r_e.book 170 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 30: 3D FLANGER Parameter Value Description Feedback # -98– +98 % Step Rate # Output Mode 0.10–20.00 Hz, note SPEAKER, PHONES Low Gain High Gain Balance # -15– +15 dB -15– +15 dB D100:0W–D0:100W Level 0–127 Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.
PAGE 171
Fantom-G_r_e.book 171 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 34: 2BAND STEP FLANGER A flanger that lets you apply an effect independently to the lowfrequency and high-frequency ranges. A step flanger that lets you apply an effect independently to the lowfrequency and high-frequency ranges. fig.MFX-33 fig.
PAGE 172
Fantom-G_r_e.book 172 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 35: OVERDRIVE 39: GUITAR AMP SIMULATOR Creates a soft distortion similar to that produced by vacuum tube amplifiers. This is an effect that simulates the sound of a guitar amplifier. fig.MFX-39 L in L out fig.
PAGE 173
Fantom-G_r_e.book 173 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 40: COMPRESSOR fig.MFX-40 L in Compressor 2-Band EQ L out Value Description Hold 0–127 Release 0–127 Balance # D100:0W– D0:100W 0–127 Adjusts the time it takes for the gate to start closing after the source sound falls beneath the Threshold. Adjusts the time it takes the gate to fully close after the hold time.
PAGE 174
Fantom-G_r_e.book 174 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 44: LONG DELAY A delay that provides a long delay time.
PAGE 175
Fantom-G_r_e.book 175 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 49: MULTI TAP DELAY Produces three delay sounds; center, left and right. This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound. fig.MFX-47 Balance D L in 2-Band EQ L out fig.
PAGE 176
Fantom-G_r_e.
PAGE 177
Fantom-G_r_e.book 177 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 54: LONG TIME CTRL DELAY fig.
PAGE 178
Fantom-G_r_e.book 178 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 57: LOFI COMPRESS 59: TELEPHONE This is an effect that intentionally degrades the sound quality for creative purposes. fig.MFX-59 L in Telephone L out R in Telephone R out fig.
PAGE 179
Fantom-G_r_e.book 179 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List Parameter Value Description High Gain Level Balance -15– +15 dB A100:0B-A0:100B Balance D100:0W-D0:100W Level 0-127 Gain of the high range Volume balance between the Pitch Shift 1 and Pitch Shift 2 sounds Volume balance between the direct sound (D) and the pitch shifted sound (W) Output Level A stereo pitch shifter. fig.
PAGE 180
Fantom-G_r_e.book 180 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List Parameter Value Description Parameter Value Description Chorus Balance # D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).
PAGE 181
Fantom-G_r_e.book 181 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List Description 0–127 Delay Time 0–2600 ms, note Delay Feedback # -98– +98 % Delay HF Damp 200–8000 Hz, BYPASS Delay Balance # D100:0W–D0:100W Level 0–127 Level of the overtones generated by the enhancer Adjusts the delay time from the direct sound until the delay sound is heard. Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.
PAGE 182
Fantom-G_r_e.book 182 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 74: FLANGER → DELAY * MFX only fig.MFX-76 Balance D L in Value Description Flanger Depth 0–127 Flanger Feedback # -98– +98 % Flanger Balance # D100:0W–D0:100W Level 0–127 Modulation depth of the flanger effect Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.
PAGE 183
Fantom-G_r_e.book 183 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List 77: REVERB Value Description Gate Time 5–500 ms Low Gain High Gain Balance # -15– +15 dB -15– +15 dB D100:0W–D0:100W Level # 0–127 Adjusts the time from when the reverb is heard until it disappears. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the reverb sound (W) Output Level Adds reverberation to the sound, simulating an acoustic space. fig.
PAGE 184
Fantom-G_r_e.book 184 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List Chorus Parameters About the STEP RESET function 06: STEP FILTER The Fantom-G’s Chorus effect unit can also be used as a stereo delay unit. 16: STEP RING MODULATOR 19: STEP PAN These settings allow you to select chorus or delay, and the characteristics of the selected effect type. 20: SLICER 63: STEP PITCH SHIFTER The above five types contain a sixteen-step sequencer.
PAGE 185
Fantom-G_r_e.book 185 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List These settings allow you to select the desired type of reverb, and its characteristics.
PAGE 186
Fantom-G_r_e.book 186 ページ２００８年１月３１日木曜日午後１２時１５分 Effects List Input Effect Parameters 05: NOISE SUPPRESSOR Suppresses noise during periods of silence. Selects the type of effect that will be applied to the external input source. Parameter Range Explanation Threshold 0–127 01: EQUALIZER Release 0–127 Volume at which noise suppression will begin Time from when noise suppression begins until the volume reaches zero. Adjusts the tone of the low-frequency and high-frequency ranges.
PAGE 187
Fantom-G_r_e.book 187 ページ２００８年１月３１日木曜日午後１２時１５分 05: Pads (Using the Pads) This chapter explains how to use the pads.
PAGE 188
Fantom-G_r_e.book 188 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads Common Operations for Pads Switching the Pad Mode (PAD MODE) You can strike the Fantom-G’s pads to play samples, rhythms, or phrases, or you can use the pads as sixteen switches to turn various parameters on/off. The pads can operate in one of sixteen modes. Press [PAD MODE] to switch the pad mode. 1. Press [PAD MODE]. The pad mode window will appear in the screen. If you decide not to switch the pad mode, press [PAD MODE] once again.
PAGE 189
Fantom-G_r_e.book 189 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads The Roll function lets you play the sound repeatedly (as if you are playing a drum roll) as long as you continue holding down the pad. 1. * Hold down [ROLL] and press a pad (1–16). If you press only [ROLL], the Roll function will be enabled for all sixteen pads. You can use the pad [ROLL] (BANK) button to switch banks in the following pad modes. Pad number 9 13 14 15 16 1. Press the bank (a blinking number pad) for the desired bank.
PAGE 190
Fantom-G_r_e.book 190 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads Editing the Pad Settings (PAD SETTING) Press [PAD SETTING] to access the pad settings/information screen. 1. 2. 3. 4. Press [PAD SETTING]. The Pad Setting screen will appear. The content shown in the screen will depend on the pad mode. In the Pad Setting screen, press [F1 System] to access the system setting screen where you can edit settings that are common to all pads. Here you can edit the following parameters.
PAGE 191
Fantom-G_r_e.book 191 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads Level (Sample tone level) Sets the volume of the sample. You’ll use this mainly to adjust the volume balance between samples. Value: 0–127 This pad mode allows you to play samples by striking the pads. You can assign a sample to each of the sixteen pads. (The sixteen samples assigned to the pads are collectively called a “sample set.”) Press [PAD MODE], and then press pad [1] (SAMPLE PAD). Sets the panning of the sample tone.
PAGE 192
Fantom-G_r_e.book 192 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads 2 RHYTHM (Using the Pads to Play a Rhythm Set) This pad mode allows you to play a rhythm set by striking the pads. You can use the sixteen pads to play rhythm tones. (A set of rhythm tones is called a “rhythm set.”) 1. Quick Setup When the pad mode is “2 RHYTHM,” you can use this function to make basic settings.
PAGE 193
Fantom-G_r_e.book 193 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads 4 ARPEGGIO (Using the Pads to Switch Arpeggio Styles) This pad mode allows you to use the pads to switch styles for the Arpeggio function (p. 78). 1. 1. Press [PAD MODE], and then press pad [4] (ARPEGGIO). 2. Use the Arpeggio function as described in “Playing Arpeggios” (p. 78). Press [PAD MODE], and then press pad [3] (CHORD MEMORY). 2. Press pads [1]–[16] to switch between different chord forms for the Chord Memory function (p.
PAGE 194
Fantom-G_r_e.book 194 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads 5 RPS (Using the Pads to Play Phrases) This pad mode allows you to use the pads to trigger phrases generated by the RPS (Realtime Phrase Sequence) function. For example, complex phrases that would be difficult to play manually in a live performance can be assigned to the pads, and then triggered by a single finger at the appropriate moment.
PAGE 195
Fantom-G_r_e.book 195 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads Play Mode Overview Specifies how the phrase will be played. Value The phrase will play repeatedly while you hold down the key. LOOP2: The phrase will play repeatedly. To stop playback, press the stop trigger key, or press the same key once again. ONCE: The phrase will play only once. Sound 1 LOOP1: Mute Group Sound 2 This function prevents phrases of the same mute group from playing simultaneously.
PAGE 196
Fantom-G_r_e.book 196 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads 6 RHYTHM PTN (Using the Pads to Play Rhythm Patterns) This pad mode allows you to use the pads to play phrases (Phrase0001–Phrase2000) generated by the Rhythm Pattern function. With the factory settings, sixteen phrases (rhythm patterns) are assigned to the pads. You can create your own rhythm patterns and assign them to the pads, and use the pads as a rhythm machine. A set of these sixteen phrases is called a “rhythm pattern set.” 1.
PAGE 197
Fantom-G_r_e.book 197 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads This pad mode allows you to use the pads to switch the four tones on/off, or to select the current tone. Press [PAD MODE], and then press pad [7] (TONE SEL/SW). 2. Press pads [1]–[4] to turn tones 1–4 on/off. 3. Press pads [5]–[8] to select tones 1–4. • Pressing a pad [1]–[16] will switch the corresponding track between muted/play status. • Each pad will be lit to indicate play status, or blinking to indicate muted.
PAGE 198
Fantom-G_r_e.book 198 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads 9 BOOKMARK (Using the Pads to Recall Frequently Used Screens) This pad mode lets you use the pads to register and recall frequently used screens. For example if you frequently move between the patch edit screen and effect screen, you can use this function to make the switch easier. 1. Press [PAD MODE], and then press pad [9] (BOOKMARK). Registering a Screen 1. Access the screen that you want to register. 2.
PAGE 199
Fantom-G_r_e.book 199 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads This pad mode allows you to use the pads to switch the effects (other than the patch multi-effect) on/off. * Effect Input Effect Chorus Reverb Mastering MFX 1 MFX 2 (Studio mode only) If you want to turn PFX on/off, use pad mode “12 PATCH MFX SW.” Checking the Pad Status By pressing [PAD SETTING] you can check the current pad status. Press [PAD MODE], and then press pad [12] (PATCH MFX SW).
PAGE 200
Fantom-G_r_e.book 200 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads 13 PART SELECT (Using the Pads to Select Parts) 14 PART MUTE (Using the Pads to Mute Parts) This pad mode allows you to use the pads to select parts (1–16) and banks (INT/EXP1/EXP2/EXT). This pad mode lets you use the pads to mute (silence) parts (1–16) and banks (INT/EXP1/EXP2). 1. 1. Press [PAD MODE], and then press pad [14] (PART MUTE). • You can press [ROLL] (BANK) to switch banks (1–3). → p.
PAGE 201
Fantom-G_r_e.book 201 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads Registering a Sound in a User Group Press [PAD SETTING]. 2. The User Group screen will appear. Proceed to step 4 of “Registering a sound in the User Group screen,” below. You can register frequently-used sounds as a user group. This pad mode lets you instantly select these sounds by pressing a pad. You can register sixteen sounds (corresponding to the sixteen pads) in each of four banks, giving you a total of 64 sounds for quick recall.
PAGE 202
Fantom-G_r_e.book 202 ページ２００８年１月３１日木曜日午後１２時１５分 Using the Pads 16 FAVORITE (Using the Pads to Register/Recall Favorite Settings) Registering a Favorite Sound (Setting) 1. Press [PAD SETTING]. The Favorite screen (p. 54) will appear. You can create a list of sounds (settings) that you frequently use in live performance, and recall them instantly.
PAGE 203
Fantom-G_r_e.book 203 ページ２００８年１月３１日木曜日午後１２時１５分 06: Sequencer (Creating a Song) This chapter explains how to use the sequencer to play, record, and edit songs. • Playing Back a Song ................................................. p. 204 • Recording MIDI......................................................... p. 217 • Recording Audio....................................................... p. 228 • Editing Songs ........................................................... p. 232 • Saving a Song.........
PAGE 204
Fantom-G_r_e.book 204 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song This section explains how to use the Fantom-G’s sequencer to play back a song. We recommend that you put the sound generator in Studio mode when creating or playing a song. Playing a Song (Song Play) Here’s how to play a Fantom-G song. Loading a Song (Song List) Here’s how to access the Song List and load a song from the project. When you load a song, the temporary area (p.
PAGE 205
Fantom-G_r_e.book 205 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Operations in the Song Play Screen Here’s how to play the song you loaded in the Song Play screen (p. 204). 1. fig.08-002.j 1 Press [SONG]. 2 3 6 7 5 4 Sound 1 8 The Song Play screen will appear. fig.17-001 Number 3 Indicates the number and name of the currently selected song, the current location, and the status of the sequencer. 4 Track zoom button (for a USB mouse). p. 208 p. 208 p. 209 5 6 7 p. 211 p. 235 p.
PAGE 206
Fantom-G_r_e.book 206 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Fast-forwarding or Rewinding during Playback Muting the Playback of a Track (MUTE) You can fast-forward, rewind, or jump within a song not only while the song is stopped, but also during playback. Perform the following actions. Fast-forward: Press [ ] Continue fast-forwarding: Hold down [ Fast-forward rapidly: Press [ ] and then press [ Rewind: Press [ ] Continue rewinding: Hold down [ Rewind rapidly: Press [ 1.
PAGE 207
Fantom-G_r_e.book 207 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song For a song you’ve created in Studio mode, you can use the Studio mode Studio Play screen to adjust the volume of each internal sound generator part and audio track. Changing the Playback Tempo of the Song When a song plays back, its tempo is determined by the data in the tempo track, but you can also adjust the tempo of the overall song during playback. This adjustment is called the “playback tempo.” 1. Sound 2 Press [TEMPO].
PAGE 208
Fantom-G_r_e.book 208 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Playing a Song Repeatedly (Loop) Placing Markers in a Song (Marker) You can make the song play repeatedly according to the loop points you specify. You can place up to sixteen markers in a song at units of one measure. This will make song editing easier, since it will be easier for you to see the structure of your song, or to move quickly to the location of a marker. You can’t specify loop points for a phrase. 1. Press [SONG].
PAGE 209
Fantom-G_r_e.book 209 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Naming a Track (Track Name) Overview Changing the Track Display Zoom and Display Order (Zoom/Track Order) Here’s how to assign a name of a track. 1. Press [SONG]. Here’s how to change the zoom ratio of the track display, and change the order in which tracks are displayed. Press [SONG]. The Song Play screen will appear. 2. Press [F7 (Song Util)]. The Song Utility Menu window will appear.
PAGE 210
Fantom-G_r_e.book 210 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Specifying a Track’s Output Destination (Output Assign) Here’s how to specify the output destination of each track. 1. Deleting a Song File (Song Delete) Here’s how to delete a song file from the project. 1. Press [SONG]. Press [SONG]. The Song Play screen will appear. The Song Play screen will appear. 2. Turn the VALUE dial or use / to select the track whose output destination you want to assign. 3.
PAGE 211
Fantom-G_r_e.book 211 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Overview Erasing the Currently-open Song (Song Clear) Here’s how to erase the song that’s currently opened in the Song Play screen. Use this function when you want to record a new song. This will not delete the actual song file that’s saved in the project. Sound 1 If a song you’re editing is open, save the song before you continue (p. 254). 1. Press [SONG]. Sound 2 The Song Play screen will appear. Press [F7 (Song Util)].
PAGE 212
Fantom-G_r_e.book 212 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Playing a Standard MIDI File (SMF) Playing a Standard MIDI File (SMF) (SMF List) Standard MIDI File (SMF) data from your computer can be copied to the Fantom-G for listening, or imported into a song or phrase. You can access the SMF List and listen to a standard MIDI file (SMF) that you copied as described in “Copying a Standard MIDI File (SMF) from Your Computer to the Fantom-G” (p. 212).
PAGE 213
Fantom-G_r_e.book 213 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Importing an SMF into a Song (Import Song) You can access the SMF List and import a standard MIDI file (SMF) from the project into a phrase. You can then use the imported SMF as a phrase. You can access the SMF List and import a standard MIDI file (SMF) from the project into a song. You can then use the imported SMF as a Fantom-G song. 1. 1. The Song Play screen will appear. 2. Press [F2 (SMF List)].
PAGE 214
Fantom-G_r_e.book 214 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Playing Phrases (MIDI Phrase) Phrases from within the Fantom-G project can be auditioned from a list. Loading a Phrase (Load) Here’s how to load a phrase from the project into memory. 1. Press [SONG]. Auditioning a Phrase (MIDI Phrase List) Here’s how to access the Phrase List and audition a phrase from the project. 1. Press [SONG]. The Song Play screen will appear. 2. Press [F3 (Phrase List)].
PAGE 215
Fantom-G_r_e.book 215 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song This operation will completely delete a phrase from the project along with its file. Duplicating a Phrase (Duplicate) This operation will duplicate a phrase to a vacant number in the list. You can use this to create variations by modifying an existing phrase. 1. Press [SONG]. Sound 1 If that phrase is used by a song within the project, the portion of the song occupied by that phrase will no longer sound. 1.
PAGE 216
Fantom-G_r_e.book 216 ページ２００８年１月３１日木曜日午後１２時１５分 Playing Back a Song Saving a Phrase (Save) Saving all Phrases (Save All) This operation will save the selected phrase to the project. This operation will save all phrases of the phrase list into the project. A phrase you recorded or edited is temporary, and will be lost when you turn off the power. If you want to keep the phrase, you must save it. 1. 2. 1. Press [SONG]. 2. Press [F3 (Phrase List)]. The MIDI Phrase List screen will appear.
PAGE 217
Fantom-G_r_e.book 217 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI Phrases and Songs A “phrase” is a chunk of recorded MIDI data. You can create a song simply by placing phrases in the MIDI tracks of a song. Recording into a song (p. 218) Realtime recording (p. 222) With this method, your performance on the keyboard and pads, and the controller movements you make, are recorded exactly as you perform them. Step recording (p. 226) Step recording allows you to enter notes and rests one by one.
PAGE 218
Fantom-G_r_e.book 218 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI Recording into a Song Recording work-flow When recording a new song, the work-flow is as follows. Selecting a Sound for Recording Before you record a song, select Studio mode and choose the sound you’ll use for recording. The Fantom-G’s sequencer can record your performance regardless of the sound generator mode (Single, Live, or Studio), but we recommend that you choose Studio mode when you want to record a song.
PAGE 219
Fantom-G_r_e.book 219 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI 1. Press [SONG]. 2. Press [F8 (Song Edit)]. Here’s how to select the MIDI track on which you’ll record, and specify the recording-start measure. You can record on any of the tracks 1–128 that indicates “MIDI.” You are free to simultaneously record MIDI data for multiple sound generator parts on the same MIDI track, and you are also free to use multiple MIDI tracks to record MIDI data for a single sound generator part.
PAGE 220
Fantom-G_r_e.book 220 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI Recording into a Phrase Recording work-flow When recording a new phrase, the work-flow is as follows. Selecting a Sound for Recording Before you record a phrase, select Studio mode and choose the sound you’ll use for recording. The Fantom-G’s sequencer can record your performance regardless of the sound generator mode (Single, Live, or Studio), but we recommend that you choose Studio mode when recording.
PAGE 221
Fantom-G_r_e.book 221 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI Overview Selecting the Phrase to Record Access the MIDI Phrase List, and select the phrase that you want to record. 1. Sound 1 Recording operations can also be performed in the Phrase Edit screen (p. 238). Press [SONG]. Sound 2 The Song Play screen will appear. Press [F3 (Phrase List)]. The MIDI Phrase List screen will appear. 3. Turn the [VALUE] dial or use [INC] [DEC] or select the phrase that you want to record. Sound 3 2.
PAGE 222
Fantom-G_r_e.book 222 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI To close this window, press [F8 (Close)] or [PLAY]. To open it again, press [PLAY]. Recording Your Performance Just as You Play It (Realtime Recording) Realtime recording is the recording method in which your keyboard performance and controller operations are recorded exactly as you perform them. Choose this recording method when you want to capture the nuances of your performance. In this window you can perform the following operations.
PAGE 223
Fantom-G_r_e.book 223 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI Tempo Rec Switch If you want the tempo to change during the song, you can record those tempo changes in the tempo track. If tempo changes have already been recorded, they will be overwritten by your new tempo changes. Shuffle quantize with Rate = 75% Grid Resolution Specifies whether loop recording will be on (ON) or off (OFF). The loop region is from the Rec Start Point to the Rec End Point.
PAGE 224
Fantom-G_r_e.book 224 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI Selecting the Sequencer Data that will Be Recorded (Recording Select) When you use realtime recording, all of your sequencer data will normally be recorded. If you want to avoid recording a specific type of data, you can turn its Recording Select setting “OFF.” 1. Press [REC]. 2. Press [F7 (Rec Select)]. The Recording Select window appears.
PAGE 225
Fantom-G_r_e.book 225 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI Overview Auditioning Sounds or Phrases While Recording (Rehearsal Function) The Rehearsal function lets you temporarily suspend recording during realtime recording. This is convenient when you want to practice the phrase that you will record next. Press [F7 (Rehearsal)] or [REC]. The [REC] indicator will blink, indicating that you are in rehearsal mode. In this state, nothing will be recorded when you play the keyboard. 3.
PAGE 226
Fantom-G_r_e.book 226 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI Inputting Data One Step at a Time (Step Recording) 5. Press [F8 (Start)] or [PLAY]. The [REC] indicator will light, and the Step Rec (Note) screen appears. 6. Specify the note that you want to input. Use select the desired parameter. Note Type Step recording lets you record notes and rests one at a time, just as though you were writing them onto a musical staff. You can’t step-record directly into a song.
PAGE 227
Fantom-G_r_e.book 227 ページ２００８年１月３１日木曜日午後１２時１５分 Recording MIDI Step Back • Tie Cancel the previously input note. The Relation between Note Value Length and Gate Time Extend the length of the previously input note by the current setting. • Rest • Zoom In Narrow the range of keys shown in the display. Use this when you want to view certain notes at greater magnification. • Note Gate time 30 40 Zoom Out 45 Expand the range of notes shown in the display.
PAGE 228
Fantom-G_r_e.book 228 ページ２００８年１月３１日木曜日午後１２時１５分 Recording Audio This section explains how to use the Fantom-G’s sequencer to record audio. About the audio recording time The Fantom-G has 32 MB of built-in memory, which allows you to record approximately six minutes of mono audio or approximately 3 minutes of stereo audio. If you want to record for longer than this, you’ll need to install commercially available memory (DIMM) (p. 308, p. 310).
PAGE 229
Fantom-G_r_e.book 229 ページ２００８年１月３１日木曜日午後１２時１５分 Recording Audio Overview Selecting an Audio Track and the Recording-start Measure Here’s how to select an audio track for recording, and specify the recording-start measure. You can record on any of the tracks 1–24 that are marked “AUDIO.” Press [SONG]. Sound 1 1. The Song Play screen will appear. Sound 2 2. Turn the VALUE dial or use / to select the audio track on which you want to record. Select a track that’s marked “AUDIO.
PAGE 230
Fantom-G_r_e.book 230 ページ２００８年１月３１日木曜日午後１２時１５分 Recording Audio Audio Recording * Here’s how to record audio input from an audio device, mic, or CD onto an audio track. Basic Procedure for Audio Recording 1. 2. * 5. Make sure that you’ve completed the preparations for recording as described in “Selecting an Audio Track and the Recording-start Measure” (p. 229). Press [REC].
PAGE 231
Fantom-G_r_e.book 231 ページ２００８年１月３１日木曜日午後１２時１５分 Recording Audio Input Select Overview Selects the input source. Value DIGITAL IN: DIGITAL AUDIO IN jack LINE IN L/R: INPUT jacks L/R (stereo) LINE IN L: INPUT jack L (mono) MIC/GUITAR: MIC/GUITAR jack Sound 1 USB AUDIO: USB connector Audio Rec Channel (Audio recording channel) When recording an audio track, selects whether the recorded track will be stereo or mono. Value Recording in mono. Recording in stereo.
PAGE 232
Fantom-G_r_e.book 232 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs This section explains how to edit songs. Editing a Song (Song Edit) Three Ways to Edit Editing a song (p. 232) In the Song Play screen and Song Edit screen you can edit the entire song. Here you can make settings for each track, and rearrange the phrases and samples. The tracks of a song do not contain the samples or phrases themselves, but merely hold information telling “at this point, play sample (or phrase) number so-and-so.
PAGE 233
Fantom-G_r_e.book 233 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Here’s how to move the currently selected sample/phrase to another track or location. Access the Song Edit screen (p. 232). 2. Use [CURSOR] to select the sample/phrase that you want to move. 3. Press [SHIFT]. The cursor will change to the following shape. 1. Access the Song Edit screen (p. 232). 2. Use / to select the track into which you want to insert a sample/phrase. 3.
PAGE 234
Fantom-G_r_e.book 234 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Deleting a Sample/Phrase from a Track (Delete) Here’s how to delete the selected sample/phrase from the track. 1. Access the Song Edit screen (p. 232). 2. Use [CURSOR] to select the sample/phrase that you want to delete. 3. Press [F2 (Delete)]. The selected sample/phrase will be deleted from the track. This operation simply deletes the sample/phrase from the track; the actual data will remain in the sample/phrase list.
PAGE 235
Fantom-G_r_e.book 235 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Naming a Track (Track Name) Overview Song Utility (Song Util) You can assign a name of a track. Changing the Track Display Zoom and Display Order (Zoom/Track Order) Here’s how to erase the song that’s currently open in the Song Play screen. Use this operation when you want to record a new song. The song file itself that’s saved in the project will not be deleted. 2. Use 3. Press [F7 (Song Util)].
PAGE 236
Fantom-G_r_e.book 236 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Changing the Tempo during the Song (Tempo Track) If you want the tempo to change during the song, insert new tempo change data into the tempo track. Following the location at which you insert the tempo change, the song will play at that tempo. However, if you want to create a gradual tempo change such as a ritardando or accelerando, it’s more convenient to use Tempo Recording (p. 223).
PAGE 237
Fantom-G_r_e.book 237 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs If you want the time signature to change during the song, insert new beat change data into the beat track. Following the location at which you insert the beat change, the song will play at that time signature. Data handled by the beat track Overview Changing the Time Signature during the Song (Beat Track) The beat track records time signature data. Beat Change This data specifies the time signature (Beat).
PAGE 238
Fantom-G_r_e.book 238 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Editing a Phrase (Phrase Edit) 4. Press [F4 (Edit)]. The Phrase Edit screen will appear. If a certain phrase is used by multiple songs in a project, editing that phrase will affect the content of all these songs. If you will be editing a phrase that is used by other songs, it’s a good idea to duplicate the phrase beforehand. → “Duplicating a Phrase (Duplicate)” (p.
PAGE 239
Fantom-G_r_e.book 239 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Phrase Modify Menu Here’s how to play the currently-edited phrase. 1. Access the Phrase Edit screen (p. 238). 1. Access the Phrase Edit screen (p. 238). 2. 2. Press [PLAY] or [F7 (Play)]. Press [F3 (Modify)]. The Phrase Modify Menu window will appear. Overview Playing a Phrase (Play) fig.19-008_50 Sound 1 Sound 2 Erasing the Currently-edited Phrase (Clear) Here’s how to erase the currently-edited phrase.
PAGE 240
Fantom-G_r_e.book 240 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Aligning a Phrase’s Timing (Quantize) In the chapter “Recording MIDI” (p. 217), we explained Recording Quantize, which lets you quantize during realtime recording. Alternatively, it is also possible to quantize a phrase that has already been recorded. The Quantize operation will correct only the timing at which notes were pressed (note-on) and released (note-off), and will not correct any other sequencer data.
PAGE 241
Fantom-G_r_e.book 241 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Rate (Shuffle Quantize Rate) Value: 0–100% fig.19-010.e Original performance data Rate= 50% Rate= 75% Up beat Up beat Up beat Up beat Quantize Template (Quantize Template) Specifies the template you wish to use. Here is a list of preset groove templates. The templates are designed for a 4/4 time signature. Applying them to a performance of a different time signature may not produce the desired result.
PAGE 242
Fantom-G_r_e.book 242 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Range Min, Range Max Specifies the range of note numbers to be quantized. For example, if you want to quantize the range between C3 and C4, set “Note Min” to “C3,” and set “Note Max” to “C4.” You can also specify the key range by pressing keys on the keyboard. Erasing Unwanted Performance Data (Erase) This function erases all the sequencer data inside the specified area.
PAGE 243
Fantom-G_r_e.book 243 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Copying Phrases (Copy) This function copies a specified area of sequencer data. This function deletes a specified area of sequencer data, and moves the subsequent data to fill the gap. As a result, the measure length will be shortened by the number of deleted measures. Measure, For (Edit Range) When you want to copy all the sequencer data, set this parameter to “ALL.
PAGE 244
Fantom-G_r_e.book 244 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Range Min, Range Max If you have selected “NOTE,” “P.AFT,” “C.C,” or “PROG” for the Status parameter, specify the range. Set “Range Min” to the lowest value of the range, and “Range Max” to the highest value of the range. To copy all notes or polyphonic aftertouch data, set “Range Min” to “C-1” and “Range Max” to“G9.” To copy C4, set “Range Min” and “Range Max” to “C4.” To copy C3 through C4, set “Range Min” to “C3” and “Range Max” to “C4.
PAGE 245
Fantom-G_r_e.book 245 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs This transposes the pitch of notes within a specified area, over a +/127 semitone range. Use this function to modulate from one key to another in a phrase, or to transpose the entire phrase. This function modifies the keyboard playing dynamics (velocity) of a specified note area. For details on the settings, refer to “Phrase Modify Menu” (p. 239).
PAGE 246
Fantom-G_r_e.book 246 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Changing the MIDI Channel (Change Channel) This function transfers the MIDI channel of a specified area of sequencer data into a different MIDI channel. For details on the settings, refer to “Phrase Modify Menu” (p. 239). Measure, For (Edit Range) Specifies the range of measures in which the MIDI channel will be changed. If you set “For” to “ALL,” all measures will be specified.
PAGE 247
Fantom-G_r_e.book 247 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs This function shifts the timing of sequencer data backward or forward in time within a specified area in steps of 1 tick. Slight shifts of timing can speed up or drag performance. If you set the Status parameter to “NOTE,” “P.AFT,” “C.C,” or “PROG,” specify the range of data. Set “Range Min” to the lowest value of the range, and “Range Max” to the highest value of the range.
PAGE 248
Fantom-G_r_e.book 248 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Thinning Out the Sequencer Data (Data Thin) Continuously variable controllers such as aftertouch, pitch bend, and expression tend to create unexpectedly large amounts of data when operated. Data Thin will strip out redundant data to increase the amount of memory available for the sequencer. For details on the settings, refer to “Phrase Modify Menu” (p. 239). Ch (MIDI Channel) Selects MIDI channel of the data to be thinned.
PAGE 249
Fantom-G_r_e.book 249 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Overview Deleting Blank Measures (Truncate) Copying may sometimes create blank measures at the beginning of a phrase. Truncate deletes silent portions from the beginning of the specified phrase to the first note-on.
PAGE 250
Fantom-G_r_e.book 250 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Editing Individual Items of Sequencer Data (Microscope) 4. Microscope lets you edit individual items of sequencer data recorded in a phrase, such as MIDI messages. Channel: ALL, 1–16 Part Group: ALL, INT, EXP1, EXP2, EXT In order to make efficient use of the display space in the screen, locations in which no performance data exists are normally not shown.
PAGE 251
Fantom-G_r_e.book 251 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Editing a System Exclusive Message 2. Use or to move the cursor to the location of the system exclusive message that you want to edit. Press . The System Exclusive Edit window appears. Press or want to edit. 4. Turn the VALUE dial or press [INC] [DEC] to edit the value. If you want to add data between “F0:” and “:F7,” move the cursor to that location and press [F3 (Insert)]. A value of “00” will be inserted.
PAGE 252
Fantom-G_r_e.book 252 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs Viewing Sequencer Data (View) Since a phrase contains a large amount of sequencer data, the display may be cluttered and difficult to read. For this reason, the Fantom-G lets you specify the type(s) of sequencer data that will be displayed in the screen. This is convenient when you want to check or edit only a specific type of sequencer data. 1. Access the Microscope screen (p. 250). 2. Press [F8 (View)]. The View Select window appears.
PAGE 253
Fantom-G_r_e.book 253 ページ２００８年１月３１日木曜日午後１２時１５分 Editing Songs You can move an individual item of sequencer data to a different location. Sequencer data can be copied to the desired location. This is convenient when you want to use the same sequencer data at multiple locations. Data recorded in the tempo track (p. 236) or beat track (p. 237) can also be copied in the same way. 1. Access the Microscope screen for the phrase whose sequencer data you want to copy (p. 250).
PAGE 254
Fantom-G_r_e.book 254 ページ２００８年１月３１日木曜日午後１２時１５分 Saving a Song (Song Save) A song you record is initially held in the temporary area. The song in the temporary area will be lost if you turn off the power or load a different song. If you want to keep this song, you’ll need to save it to the project. Saving a Song (Save) If you want to save phrases individually What the Saved Song Data Contains → “Saving a Phrase (Save)” (p.
PAGE 255
Fantom-G_r_e.book 255 ページ２００８年１月３１日木曜日午後１２時１５分 Saving a Song (Song Save) Here’s how you can combine the performance of all audio tracks and MIDI tracks to a single sample. A sample you created by resampling can be copied to your computer. The sample will be a WAV file, which you can use to create a CD or MP3 on your computer. 1. Verify the number of the sample you resampled. (In this example we’ll assume it’s number 0001.) 2. Use the USB Storage function (p.
PAGE 256
Fantom-G_r_e.
PAGE 257
Fantom-G_r_e.book 257 ページ２００８年１月３１日木曜日午後１２時１５分 07: Sampler This chapter explains how to sample sounds and edit samples. • Sampling ................................................................. p. 258 • Editing a Sample ...................................................... p.
PAGE 258
Fantom-G_r_e.book 258 ページ２００８年１月３１日木曜日午後１２時１５分 Sampling The Fantom-G lets you sample audio sources, such as an audio device, mic, or CD. This section explains the sampling procedure and what the parameters do. 3. Press set. 4. Turn the VALUE dial or press [INC] [DEC] to set the value. or to select the parameter that you want to Sampling time The Fantom-G contains 32 MB of memory, which allows about 6 minutes of mono or about 3 minutes of stereo sampling.
PAGE 259
Fantom-G_r_e.book 259 ページ２００８年１月３１日木曜日午後１２時１５分 Sampling • Input Effect Type Value: Equalizer, Enhancer, Compressor, Limiter, Noise Suppressor, Center Canceler • 1. Hold down [SHIFT] and press [MIX IN]. 2. Press [F7 (Input Effect)]. The Input Effect Setup screen appears. fig.14-003_50 Sound 1 When you press [F7 (Input Effect)], the parameter setting screen for the currently selected input effect will be displayed “Input Effect Setup Settings” (p. 259).
PAGE 260
Fantom-G_r_e.book 260 ページ２００８年１月３１日木曜日午後１２時１５分 Sampling Mode Solo sampling: [F5 (Solo)] Sampling Procedure 1. Explanation While playing the internal sound generator as usual, sample only the sound from the external input. Press [SAMPLING] to access the Sampling Menu screen. * Effects other than the Input Effect can’t be applied to the external input sound. fig.14-004 Solo with effects sampling: [F6 (Solo with FX)] fig.
PAGE 261
Fantom-G_r_e.book 261 ページ２００８年１月３１日木曜日午後１２時１５分 Sampling • Sampling Length 7. Value When Stop Trigger is “BEAT”: 1–20000: Number of beats to continue sampling * If you want to edit the sample, refer to p. 263. fig.14-007_50 Overview You can specify this if Stop Trigger is “BEAT” or “TIME.” If Stop Trigger is set to MANUAL, press [F7 (Stop)] to stop sampling. The Sample Edit (p. 266) screen will appear.
PAGE 262
Fantom-G_r_e.book 262 ページ２００８年１月３１日木曜日午後１２時１５分 Sampling Dividing a Sample During Sampling 1. * During sampling, press [F8 (Divide)]. The sample will be divided at the point where you pressed the button, and the subsequent material will be sampled as a sample of the next number. When sampling in mono, you can divide the material into a maximum of 256 samples. When sampling in stereo, you can divide the material into a maximum of 128 samples (L/R total 256 samples).
PAGE 263
Fantom-G_r_e.book 263 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample Editing is performed in sample memory—a memory area dedicated to samples. * You cannot execute this with more than one sample selected. Sample name Indicates the name of the sample. Sample for which this field indicates “EMPTY” have not been loaded into memory. Load them if necessary. Sound 1 Selecting a Sample (Sample List) Indicates whether the file exists in the project.
PAGE 264
Fantom-G_r_e.book 264 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample Loading a Sample (Load) Unloading a Sample (Unload) Here’s how you can load a sample from the project into sample memory. This operation erases (unloads) the sample from sample memory. The sample file itself that is saved in the project will not be deleted. 1. 1. Press [SAMPLE]. The Sample Edit screen will appear. 2. The Sample Edit screen will appear. 2. Press [F1 (Sample List)]. The Sample List display appears. fig.
PAGE 265
Fantom-G_r_e.book 265 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample This operation completes deletes the sample saved in the project, along with its file. 1. Press [SAMPLE]. Importing an Audio File (WAV/AIFF) from Your Computer Audio files (WAV/AIFF) from your computer can be imported into memory as samples. Sound 1 “Importing Audio file (Import Audio)” (p. 283) The Sample Edit screen will appear. 2. Overview Deleting a Sample (Delete) Sound 2 Press [F1 (Sample List)].
PAGE 266
Fantom-G_r_e.book 266 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample Displaying Sample Edit Screen (Sample Edit) 1. Magnifying/Shrinking the Waveform Display (Zoom) Here’s how to change the magnification of the sample display. Press [SAMPLE]. The Sample Edit screen will appear. 1. fig.14-007_50 In the Sample Edit screen, press [F6 (Zoom)]. The Zoom window will appear. 2. Use [CURSOR] to change the magnification of the display.
PAGE 267
Fantom-G_r_e.book 267 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample About the beat Samples contain beat data. Up to 100 beat locations are specified for one sample. If the sample contains more than 100 beats, fifty beat locations will be specified from the beginning and end of the sample, respectively. You can specify the portion of the sample that will actually sound. You can also specify the region that is to be looped. Select the sample you want to edit, and access the Sample Edit screen.
PAGE 268
Fantom-G_r_e.book 268 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample Making Settings for Sample (Sample Parameters) REV-ONE (Reverse One-shot): The sample will be played back only once from the End point to the Start point in the reverse direction. fig.15-008 Here you can make various settings for the sample. 1. Select the sample that you want to edit (p. 263). 2. Press [SAMPLE] to access the Sample Edit screen, and press [F2 (Param)]. fig.15-004_50 Start P. Loop Start P. End P.
PAGE 269
Fantom-G_r_e.book 269 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample This operation cuts the portions of the sample that are earlier than the Start Point and later than the Loop End Point. Press [SAMPLE] to access the Sample Edit screen. 2. Press or to select the parameter. • Start Point: Specifies the sample start point. • End Point: Specifies the sample end point. In some cases, the audio quality will be improved if you boost the high-frequency range of an imported sample.
PAGE 270
Fantom-G_r_e.book 270 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample Maximizing the Volume of a Sample (Normalize) This operation raises the level of the entire sample as much as possible without exceeding the maximum level. In some cases, the volume of a phrase you resampled (p. 260) will be lower than the volume of the original phrase. In this case, it is a good idea to boost the volume by executing the Normalize operation. 1. Press [SAMPLE] to access the Sample Edit screen. 2. Press [F3 (Modify)].
PAGE 271
Fantom-G_r_e.book 271 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample Overview Stretching or Shrinking a Sample (Time Stretch) This operation stretches or shrinks the sample to modify the length or tempo. You can stretch or shrink the sample by a factor of one half to double the original length. 2. Press [F3 (Modify)]. The Sample Modify Menu window will appear. 3. Press or to select “Time Stretch,” and then press [F8 (Select)]. To cancel, press [F7 (Cancel)]. 4. • Press or to select the parameter.
PAGE 272
Fantom-G_r_e.book 272 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample Dividing a Sample into Notes (Chop) The chop function divides a sample waveform into separate notes. * The Create Sample Set function makes it easy to create a sample set from the chopped samples. Procedure for Dividing a Sample You can freely specify the point(s) at which the sample is to be divided. 1. Press [SAMPLE] to access the Sample Edit screen. 2. Press [F3 (Modify)]. The Sample Modify Menu window will appear. 3.
PAGE 273
Fantom-G_r_e.book 273 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample 11. To execute the division, press [F8 (Execute)]. * When you execute Auto Chop, a message will ask you whether you want to execute Create Sample Set. Here’s how you can automatically specify the points at which the sample is to be divided, and then divide the sample. Press [SAMPLE] to access the Sample Edit screen. 2. Press [F3 (Modify)]. The Sample Modify Menu window will appear. 3. Press [F6 (Auto Chop)].
PAGE 274
Fantom-G_r_e.book 274 ページ２００８年１月３１日木曜日午後１２時１５分 Editing a Sample Saving all samples (Save All) Saving a Sample (Save) Here’s how to save the selected sample into the project. Here’s how to save all samples of the sample list into the project. A newly loaded sample, as well as any changes you’ve made in the settings for a sample will be lost as soon as you turn off the power. If you want to keep such data, you must save it as follows. 1. 2. 1. Press [SAMPLE]. 2. Press [F1 (Sample List)].
PAGE 275
Fantom-G_r_e.book 275 ページ２００８年１月３１日木曜日午後１２時１５分 08: Various Settings (Menu and System) This chapter explains the menus and system settings. • Menu Reference........................................................ p. 276 • System Settings ......................................................... p. 286 • V-LINK ..................................................................... p.
PAGE 276
Fantom-G_r_e.book 276 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference Menus The menus contain various functions you will find helpful when using the Fantom-G. Press [MENU] to access the menu, select the desired function, and execute it. Menu name Project System Factory Reset Format USB Memory USB Storage Import Audio Explanation Load or save a project Access the System Setting screen Reset the Fantom-G to the factory-set condition Formats (initializes) USB memory Page p. 276 p. 286 p.
PAGE 277
Fantom-G_r_e.book 277 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference Save As Project This operation will save the project from the temporary area to internal memory or USB memory under a different name. 1. Press [MENU] to access the Menu window. 1. Press [MENU] to access the Menu window. 2. Use or to choose “Project,” and then press [ENTER]. The Project Menu will appear. 2. Use or to choose “Project,” and then press [ENTER]. The Project Menu will appear. 3.
PAGE 278
Fantom-G_r_e.book 278 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference Create Project Backup Project This operation will create a new project in USB memory. This operation will back up a project from internal memory to USB memory (only one). 1. Press [MENU] to access the Menu window. 2. Use or to choose “Project,” and then press [ENTER]. The Project Menu will appear. 3. Turn the VALUE dial or use [INC] [DEC] or / choose “Create Project,” and press [F8 (Select)]. 1.
PAGE 279
Fantom-G_r_e.book 279 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference By executing this operation, a project previously backed up to USB memory using Backup Project can be restored into internal memory. System Settings (System) “System Settings (Settings Common to All Modes)” (p. 286) Press [MENU] to access the Menu window. 2. Use or to choose “Project,” and then press [ENTER]. The Project Menu will appear. 3.
PAGE 280
Fantom-G_r_e.book 280 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference Reset to Default Factory Settings (Factory Reset) This restores all data in the Fantom-G to the factory-set condition (Factory Reset). Format USB Memory This formats (initializes) the USB memory that’s connected to the rear panel USB MEMORY connector. If the format of the USB memory is other than FAT, it won’t be recognized by the Fantom-G. (Nor will the Fantom-G be able to format it.
PAGE 281
Fantom-G_r_e.book 281 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference You can use software on your computer to edit WAV/AIFF files you’ve created on the Fantom-G. Conversely, WAV/AIFF files that you’ve created on your computer can be used on the Fantom-G. When the Fantom-G is connected to your computer, you can select the area on the Fantom-G to which a connection is to be made; either the internal user area or the USB memory. 1. Press [MENU]. 2. Press or to select “USB Storage,” and then press [ENTER].
PAGE 282
Fantom-G_r_e.book 282 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference Cautions Regarding Folders and Files You must observe the following points when the Fantom-G is connected to your computer via USB. Exiting Storage Mode Windows Vista/XP Users 1. In My Computer, right-click the “removable hard disk” icon and execute “Remove.” 2. Press [EXIT]. • Don’t use your computer to move or delete folders within the Fantom-G.
PAGE 283
Fantom-G_r_e.book 283 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference Importing Audio file (Import Audio) Here’s how to import an audio file (WAV/AIFF). Copying a standard MIDI file (SMF) from your computer to the Fantom-G 1. On your computer, prepare the standard MIDI file (.MID) that you want to copy. 2. Use the USB Storage function (p. 281) to copy the standard MIDI file (.MID) to the following folder of the Fantom-G’s internal memory or the USB memory. 2.
PAGE 284
Fantom-G_r_e.book 284 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference Using a Bitmap File as a Background in the Display (Import BMP) Displaying Text Memos in the Favorite Screen (Import Text) Via USB memory (or internal memory), you can use a bitmap file (Windows BMP format, 24-bit, 800x480 pixel) as wallpaper for the Fantom-G. You can create a text file on your computer and display it in the Favorite screen (p. 54).
PAGE 285
Fantom-G_r_e.book 285 ページ２００８年１月３１日木曜日午後１２時１５分 Menu Reference Overview Import Audio “Importing Audio file (Import Audio)” (p.
PAGE 286
Fantom-G_r_e.book 286 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Settings that affect the entire operating environment of the FantomG, such as tuning and MIDI message reception, are referred to as system functions. This section explains how to make settings for the System functions and describes the functions of the different System parameters. How to Make System Function Settings 1. Press [MENU] to open the Menu window. 2.
PAGE 287
Fantom-G_r_e.book 287 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) This section explains what the different System parameters do, and also how these parameters are organized. Pedal/D Beam The favorite patch/live set/studio set of the next number or bank will be selected. FAVORITE DOWN: The favorite patch/live set/studio set of the previous number or bank will be selected.
PAGE 288
Fantom-G_r_e.book 288 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Keyboard Dynamic Pad Keyboard Velocity Pad Assign Source Specifies the velocity value that will be transmitted when you play the keyboard. If you want actual keyboard velocity to be transmitted, set this to “REAL.” If you want a fixed velocity value to be transmitted regardless of how you play, specify the desired value (1–127).
PAGE 289
Fantom-G_r_e.book 289 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Slider Assign Select Specifies whether the operation of sliders 1–8 will automatically change according to the screen (SCREEN) or will be fixed at the Slider 1–8 Assign settings (FIX). Knob Slider Mode Value: DIRECT, CATCH Depending on the parameter being controlled with the sliders or controls, you may not be able to obtain the CATCH effect, even though you've set the Knob Slider Mode to “CATCH.
PAGE 290
Fantom-G_r_e.book 290 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Magic Control Magic Control is a function that automatically switches the role of knob 4 and slider 8 according to the screen. In the Patch List screen (p. 49), knob 4 will select the category, and slider 8 will scroll the list. Switch S1/S2 Switch S1/S2 Assign Source Specifies whether the S1/S2 switches will follow the system settings (SYS) or the settings of the live set or studio set (TEMP).
PAGE 291
Fantom-G_r_e.book 291 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Sync Mode Specify the synchronization message that the Fantom-G’s sequencer will use for operation. MMC Mode When synchronizing the Fantom-G with a hard disk recorder, such as one from the Roland VS series, specify which synchronization signal the Fantom-G’s sequencer will use for operation. Value The Fantom-G will be the master.
PAGE 292
Fantom-G_r_e.book 292 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) MTC Error Level Types of MTC The types of MTC that can be selected by the Fantom-G are shown below. Select the same frame rate as that set for the external device. When not using a video device, then any frame rate may be selected as long as the rates are the same on both devices being synchronized. 30: This is 30 frames per second, non-drop format.
PAGE 293
Fantom-G_r_e.book 293 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Metronome Mode Local Switch Specifies when you want the metronome to sound. The Local Switch determines whether the internal sound generator is disconnected (OFF) from the controller section (keyboard, pad, pitch bend/modulation lever, knobs, buttons, D Beam controller, pedal, and so on); or not disconnected (ON).
PAGE 294
Fantom-G_r_e.book 294 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Output Gain How Do I Adjust the Volume? MASTER LEVEL adjusts the volume of both the OUTPUT A jacks and the DIGITAL AUDIO OUT jack. The front panel VOLUME knob adjusts only the volume of the OUTPUT A jacks. Here’s an explanation of what you need to adjust depending on the output jacks you’re using. This adjusts the output gain from the Fantom-G’s Analog Out and Digital Out.
PAGE 295
Fantom-G_r_e.book 295 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Device ID (Device ID Number) When you want to transmit or receive System Exclusive messages, set this parameter to match the Device ID number of the other MIDI device. Studio Set Control Channel Value: 1–16, OFF Live Set Control Channel Value: 1–16, OFF Set this parameter “ON” when you want to use an external MIDI keyboard instead of the Fantom-G’s keyboard.
PAGE 296
Fantom-G_r_e.book 296 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) USB USB-MIDI Thru Sw (USB-MIDI Thru Switch) This switch specifies whether MIDI messages received at the USB connector/MIDI connector will be retransmitted from the USB connector/MIDI OUT connector (ON) or not (OFF). Value: OFF, ON Scale Tune Scale Tune Switch Turn this on when you wish to use a tuning scale other than equal temperament.
PAGE 297
Fantom-G_r_e.book 297 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Preview 1–4 Note Number Value: C-1–G9 Screen Saver Overview Specify the pitch of the four notes that will sound when the Preview Mode parameter is set to “SINGLE” or “CHORD.” Screen Saver Type Select the type of screen saver. Value: 1–16 If “PHRASE” is selected for the Preview Mode parameter, these settings will have no effect.
PAGE 298
Fantom-G_r_e.book 298 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Trigger Level Volume level at which sampling will begin when Auto Trig is ON A setting of 0 is the minimum. Value: 0–7 Gap Time Length of silence at which the sample will be divided. Whenever there is a silent region longer than the specified time, the sample will be divided at that point, and the next sample number will be assigned to the sound that follows.
PAGE 299
Fantom-G_r_e.book 299 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) You can change the background image of the display. Via USB memory (or internal memory), you can use your own photo or other image data as the background image. 2. Use 3. Press [F5 (Wallpaper)]. The Wallpaper screen will appear. 4. Turn the VALUE dial to select the image that you want to use as the background, and press [F8 (OK)]. The selected image will be shown as the background. / 1.
PAGE 300
Fantom-G_r_e.book 300 ページ２００８年１月３１日木曜日午後１２時１５分 System Settings (Settings Common to All Modes) Display-related Settings (Appearance) Here you can make display-related settings. On the Fantom-G you can turn window transparency on/off, and specify the degree of transparency. 1. Press [MENU] to access the menu. 2. Use 3. Press [F6 (Appearance)]. / to choose “System,” and then press [ENTER]. The Appearance screen will appear.
PAGE 301
Fantom-G_r_e.book 301 ページ２００８年１月３１日木曜日午後１２時１５分 About V-LINK 1. In the left of the panel, press [V-LINK] so the indicator is lighted. The V-LINK setting will be on. In this state, you can operate the Fantom-G to manipulate images in sync with your performance. Each mode will function as usual even if V-LINK is on. 2. Sound 2 • Play the Fantom-G’s keyboard, pads or sequencer to switch images on the motion dive .tokyo Performance Package. Press [V-LINK] again.
PAGE 302
Fantom-G_r_e.book 302 ページ２００８年１月３１日木曜日午後１２時１５分 About V-LINK V-LINK Parameters Note Tx Ch MIDI channel that will switch clips/palettes and will control dissolve time. PAD MODE Selects whether the pads will switch clips or palettes. Value: CLIP, PALETT Press [F1 (Clip)]: switches clips Press [F2 (Palett)]: switches palettes Value: 1–16 Local Sw Clip 1 Note No. Specifies whether the internal sound generator is disconnected (OFF) from the pads, or not (OFF).
PAGE 303
Fantom-G_r_e.book 303 ページ２００８年１月３１日木曜日午後１２時１５分 09: Appendix • Installing the Expansion Boar...................................... p. 304 • Expanding the DIMM Memory.................................... p. 308 • Troubleshooting ........................................................ p. 312 • Error Messages......................................................... p. 318 • About MIDI .............................................................. p. 319 • Specifications ...................................
PAGE 304
Fantom-G_r_e.book 304 ページ２００８年１月３１日木曜日午後１２時１５分 Installing the Expansion Board Up to two optional Expansion Boards (ARX series; sold separately) can be installed in the Fantom-G. Cautions When Installing an Expansion Board How to Install an Expansion Board Install the Expansion Boards after removing the panel cover. Boards can be installed in the EXP 1–EXP 2 slots.
PAGE 305
Fantom-G_r_e.book 305 ページ２００８年１月３１日木曜日午後１２時１５分 Installing the Expansion Board 5. Configuring the Newlyinstalled Expansion Board After you’ve finished installing an expansion board into the FantomG, you must perform the following procedure. Turn on the power as described in “Turning On the Power” (p. 28). 2. When the Fantom-G starts up, an install confirmation screen for the newly inserted expansion board will appear. Press [F8 (Execute)] to execute the install confirmation process.
PAGE 306
Fantom-G_r_e.book 306 ページ２００８年１月３１日木曜日午後１２時１５分 Installation de la carte d’expansion Wave (French Language for Canadian Safety Standard) Un maximum de deux cartes d’expansion optionnelles (série ARX; vendues séparément) peuvent être installées dans le Fantom-G. Précautions à prendre lors de l’installation d’une carte d’expansion Wave Installation d’une carte d’expansion Wave Retirer le panneau inférieur avant d’installer les cartes d’expansion.
PAGE 307
Fantom-G_r_e.book 307 ページ２００８年１月３１日木曜日午後１２時１５分 Installation de la carte d’expansion Wave 5. Configuration de la carte d’expansion installée Une fois l’installation de la carte d’expansion dans le Fantom-G terminée, il faut procéder comme suit. 1. Mettre l’appareil sous tension de la façon décrite à la rubrique “Turning On the Power” (p. 28). 2. Au démarrage du Fantom-G, un message s’affichera pour confirmer la présence de la carte d’expansion installée récemment.
PAGE 308
Fantom-G_r_e.book 308 ページ２００８年１月３１日木曜日午後１２時１５分 Expanding the DIMM Memory The Fantom-G comes with 32 MB of memory into which audio samples can be loaded. However, in some cases, 32 MB of memory will be insufficient for loading large amounts of data. In such a case, you will have to add separately sold memory (DIMM). Memory can be expanded up to 128/256/512 MB. Specifications of the expansion memory (DIMM) that can be used Supports PC133, CL=2/3, 128 MB, 256 MB, 512 MB (3.
PAGE 309
Fantom-G_r_e.book 309 ページ２００８年１月３１日木曜日午後１２時１５分 Expanding the DIMM Memory 4. Checking that Memory is Installed Correctly fig.31-004 fig.31-005 Press [MENU] to open the Menu window. 3. Press or [ENTER]. 4. Press [ENTER]. 5. Press [F4 (Info)]. 6. Press [F1 (Up)] or [F2 (Down)] to select “Memory Info.” Verify that the screen correctly shows the amount of memory you installed. 7. * to select “System,” and then press Press [EXIT] to exit the System screen.
PAGE 310
Fantom-G_r_e.book 310 ページ２００８年１月３１日木曜日午後１２時１５分 Ajouter de la mémoire Le Fantom-G est livré avec une mémoire de 32 Mo dans laquelle les échantillons audio peuvent être chargés. Toutefois, dans certains cas, une mémoire de 32 Mo sera insuffisante pour charger de grandes quantités de données. Il faudra alors ajouter des modules de mémoire vendus séparément (DIMM). La mémoire est extensible jusqu’à 128/256/512 Mo.
PAGE 311
Fantom-G_r_e.book 311 ページ２００８年１月３１日木曜日午後１２時１５分 Ajouter de la mémoire 3. fig.31-003 Overview Appuyez sur les clips blancs à l’extrémité de la prise qui devraient être orientés vers le bas. Retrait du module de mémoire Pour retirer le module de mémoire, procédez à l’inverse de la procédure d’installation. 1. Appuyez simultanément, vers l’extérieur, sur les clips blancs situés aux extrémités de la prise. Sound 1 fig.31-006 4.
PAGE 312
Fantom-G_r_e.book 312 ページ２００８年１月３１日木曜日午後１２時１５分 Troubleshooting If the Fantom-G does not function in the way you expect, first check the following points. If this does not resolve the problem, consult your dealer or a nearby Roland Service Station. * If any sort of message is being displayed on the screen during an operation, refer to Error Messages (p. 318). Problems Concerning the Entire Fantom-G The power does not turn on. from an external MIDI device? • Could the Favorite Level be set to 0? (p.
PAGE 313
Fantom-G_r_e.book 313 ページ２００８年１月３１日木曜日午後１２時１５分 Troubleshooting Even when I set the Pan for a Patch completely to one side, simultaneously. sound still comes from the other channel... • Reduce the number of Tones that you are using. • Increase the Voice Reserve setting for parts that must not drop out. (p. 141) The Fantom-G’s internal effects are in stereo, so if you have Is the pedal polarity of the Hold Pedal reversed? Sometimes, when playing legato, the pitch won’t rise.
PAGE 314
Fantom-G_r_e.book 314 ページ２００８年１月３１日木曜日午後１２時１５分 Troubleshooting Issues Related to Effects Effects not applied. Check the following points. • The “PFX,”“MFX1,”“MFX2,” “CHO,” “REV” or “MASTER” effect switches located in the upper part of the PLAY screen may have been turned off. Press [EFFECTS (ROUTING)] to turn them on. • Are the various effect settings correct? (p. 150) • If the send level of each effect is set to 0, the effect will not be applied. Check the settings.
PAGE 315
Fantom-G_r_e.book 315 ページ２００８年１月３１日木曜日午後１２時１５分 Troubleshooting Standard MIDI files (SMF) a does not play back correctly. After using a MIDI sequencer to play a song, sounds stopped playing, and no sound is played even when Program Changes are sent. It could be that a Bank Select in the song data that is not Check the following points. Set the Rx GM System ON/Rx GM2 System ON parameter (SYSTEM/MIDI) to “ON” (p. 295).
PAGE 316
Fantom-G_r_e.book 316 ページ２００８年１月３１日木曜日午後１２時１５分 Troubleshooting • Is there a Program Change at the point where the song performance is sluggish? Change the position of the Program Change. When Program Changes are inserted in songs, processing time for switching patches increases, which may then cause the performance to become sluggish. • Is there a System Exclusive message at the point where the song performance is sluggish? Move the location of the data.
PAGE 317
Fantom-G_r_e.book 317 ページ２００８年１月３１日木曜日午後１２時１５分 Troubleshooting • Could you have connected a condenser mic? Turn the MIC/GUITAR switch “PHANTOM ON.” (p. 24) • Could the MIC/GUITAR switch be in a position “GUITAR”? Set the INPUT gain select switch to “PHANTOM ON” or “PHANTOM OFF.” (p. 24) Check the following points. • Is there enough memory capacity? The files are not shown. Check the format of your USB memory. (p. 280) • The Fantom-G can use USB memory that has been formatted as FAT.
PAGE 318
Fantom-G_r_e.book 318 ページ２００８年１月３１日木曜日午後１２時１５分 Error Messages If an incorrect operation is performed, or if processing could not be performed as you specified, an error message will appear. Refer to the explanation for the error message that appears, and take the appropriate action. Message Meaning Action USB Memory Not Ready! Read Error! USB memory is not connected. Failed to load data from USB memory. It may be that the file is damaged. This file cannot be loaded since its format is incorrect.
PAGE 319
Fantom-G_r_e.book 319 ページ２００８年１月３１日木曜日午後１２時１５分 About MIDI However, the following MIDI-related information is provided so you can play the Fantom-G using an external MIDI device, or master other advanced techniques. The cable from the antenna carries the TV signals from many broadcast stations. Station A Station B Station C The TV is set to the channel of the station you wish to watch. MIDI uses sixteen channels; 1 through 16.
PAGE 320
Fantom-G_r_e.book 320 ページ２００８年１月３１日 (Sound Generator Section) Model Fantom-G6/G7/G8 木曜日午後１２時１５分 MIDI Implementation Chart Transmitted Function...
PAGE 321
Fantom-G_r_e.book 321 ページ２００８年１月３１日木曜日午後１２時１５分 (Sequencer Section) Date : Feb. 1, 2008 Model Fantom-G6/G7/G8 MIDI Implementation Chart Recognized Basic Channel Default Changed All channel X All channel 1–16 Mode Default Messages Altered X X X X Remarks Overview Transmitted Function... Version : 1.00 There is no specific basic channel.
PAGE 322
Fantom-G_r_e.book 322 ページ２００８年１月３１日木曜日午後１２時１５分 Specifications Fantom-G6/G7/G8: Synthesizer Keyboard (Conforms to General MIDI 2 System) Sampling Section Data Format Keyboard [G6] 61 keys (with velocity and channel aftertouch) [G7] 76 keys (with velocity and channel aftertouch) [G8] 88 keys (Progressive Hammer action II Mechanism, Ivory feel, and channel aftertouch) 16-bit linear (File Type: .WAV/.AIFF) Sampling Frequency 44.
PAGE 323
Fantom-G_r_e.book 323 ページ２００８年１月３１日木曜日午後１２時１５分 Specifications RPS Sets Power Consumption Rhythm Pattern Sets 30 W Dimensions 32 [G6] [G7] 50-3/8 (W) x 16-3/16 (D) x 5-5/8 (H) inches Chord Memory Sets 128 [G8] 1,396 (W) 502 (D) x 183 (H) mm 55 (W) x 19-13/16 (D) x 7-1/4 (H) inches Display 16 pads, Velocity and Polyphonic Aftertouch sensitive [G6] 14.5 kg / 32 lbs [G7] 16.6 kg / 36 lbs 10 oz [G8] 33.
PAGE 324
Fantom-G_r_e.book 324 ページ２００８年１月３１日木曜日午後１２時１５分 Index A AC Inlet .................................................................................................. Accent Rate (Arpeggio Accent Rate) ................................................................... Aftertouch Sens ................................................................................. Aftertouch Sens (Aftertouch Sensitivity) ................................................................
PAGE 325
Fantom-G_r_e.book 325 ページ２００８年１月３１日木曜日午後１２時１５分 Index Control Tone 1–4 (Tone Control Switch 1–4) ........................................................... 111 Copy ................................................................................. 234, 243, 253 Count In ..................................................................................... 222, 231 Create .................................................................................................. 252 Create Project ..............
PAGE 326
Fantom-G_r_e.book 326 ページ２００８年１月３１日木曜日午後１２時１５分 Index 289 289 KS-18Z .................................................................................................... 27 KS-G8 ..................................................................................................... 27 I Knob Slider Mode ............................................................................. 318 299 Import Audio .....................................................................................
PAGE 327
Fantom-G_r_e.book 327 ページ２００８年１月３１日木曜日午後１２時１５分 Index MAGIC CTRL (Magic Control) ................................................................................ 23 Marker ................................................................................................. 208 Master Key Shift ................................................................................ 294 Master Level ....................................................................................... 293 Master Reverb Level ....
PAGE 328
Fantom-G_r_e.book 328 ページ２００８年１月３１日木曜日午後１２時１５分 Index 24 210 OUTPUT B Jacks (L, R) ........................................................................ 24 Output Gain ....................................................................................... 294 Output/EFX ....................................................................................... 136 136 139 Part Vibrato Depth ............................................................................ 139 Part Vibrato Rate .............
PAGE 329
Fantom-G_r_e.book 329 ページ２００８年１月３１日木曜日午後１２時１５分 Index 194 49 Phrases ............................................................................................ 36–37 Pitch ........................................................................... 96, 121, 130, 137 Pitch Bend .............................................................................................. 23 Pitch Bend Range Down ..................................................................... 96 Pitch Bend Range Up ..............
PAGE 330
Fantom-G_r_e.book 330 ページ２００８年１月３１日木曜日午後１２時１５分 Index Release ................................................................................................ 160 Release Time Offset .............................................................................. 91 Remote Keyboard Sw (Remote Keyboard Switch) .......................................................... 295 55 Remove Bank ........................................................................................ 55 Remove Text ............
PAGE 331
Fantom-G_r_e.book 331 ページ２００８年１月３１日木曜日午後１２時１５分 Index 23, 36, 218, 228, 232 211, 218, 235 Song Delete ......................................................................................... 210 Song Edit ............................................................................................ 232 Song Edit Screen ................................................................................ 232 Song Format Error .............................................................................
PAGE 332
Fantom-G_r_e.book 332 ページ２００８年１月３１日木曜日午後１２時１５分 Index 108 125, 131, 152, 154 TONE SEL/SW .................................................................................. 197 Tone Select ................................................................................. 152, 154 Track ....................................................................................................... 37 Track Clear .........................................................................................
PAGE 333
Fantom-G_r_e.book 333 ページ２００８年１月３１日木曜日午後１２時１５分 Index 91, 119, 130 120 Wave Coarse Tune ............................................................................ 120 Wave Fine Tune ................................................................................. 120 Wave FXM Color ............................................................................... 120 Wave FXM Depth .............................................................................. 120 Wave FXM Switch .......................
PAGE 334
Fantom-G_r_e.book 334 ページ２００８年１月３１日木曜日午後１２時１５分 For the USA DECLARATION OF CONFORMITY Compliance Information Statement Model Name : Type of Equipment : Responsible Party : Address : Telephone : Fantom-G6/G7/G8 Synthesizer Keyboard Roland Corporation U.S. 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938 (323) 890-3700 For EU Countries This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
PAGE 335
Information AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: (022)-418-5531 WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
PAGE 336
* 0 4 9 0 5 0 9 0 04905090 - 0 1 * 08-02-1N