User Manual

Table Of Contents
156
Adding Effects
MFX Output Assign
(Multi-Effects Output Assign)
Adjusts the output destination of the sound that has passed
through the multi-effects.
Value
A:
Output to the OUTPUT A (MIX) jacks in stereo.
B:
Output to the OUTPUT B jacks in stereo.
If the Mix/Parallel parameter is set to “MIX,” all sounds are
output from the OUTPUT A (MIX) jacks in stereo (p. 294).
Chorus Sw
Switches the chorus on/off.
Value:
ON, OFF
Chorus Type
Selects either chorus or delay. For details on chorus parameters,
refer to
“Chorus Parameters”
(p. 184).
Value:
0 (Off)–3 (GM2 Chorus)
Chorus Level
Adjusts the volume of the sound that has passed through
chorus.
Value:
0–127
Chorus Output Select
Specifies how the sound routed through chorus will be output.
Value
MAIN:
Output to the OUTPUT jacks in stereo.
REV:
Output to reverb in mono.
M+R:
Output to the OUTPUT jacks in stereo, and to reverb
in mono.
When set to “MAIN” or “M+R,” the OUTPUT jack from which
the sound is output is set in Chorus Output Assign.
Chorus Output Assign
Selects the pair of OUTPUT jacks to which the chorus sound is
routed when Chorus Output Select is set to “MAIN” or “M+R.”
Value
A:
Output to the OUTPUT A (MIX) jacks in stereo.
B:
Output to the OUTPUT B jacks in stereo.
When Chorus Output Select is set to “REV,” this setting will
have no effect.
If the Mix/Parallel parameter is set to “MIX,” all sounds are
output from the OUTPUT A (MIX) jacks in stereo (p. 294).
Reverb Sw
Switches the reverb on/off.
Value:
ON, OFF
Reverb Type
Selects the type of reverb. For details on reverb parameters,
refer to
“Reverb Parameters”
(p. 185).
Value:
0 (Off)–10 (CHURCH)
Reverb Level
Adjusts the volume of the sound that has passed through
reverb.
Value:
0–127
Reverb Output Assign
Specifies how the sound routed through reverb will be output.
Value
A:
Output to the OUTPUT A (MIX) jacks in stereo.
B:
Output to the OUTPUT B jacks in stereo.
If the Mix/Parallel parameter is set to “MIX,” all sounds are
output from the OUTPUT A (MIX) jacks in stereo (p. 294).
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