User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Contents
- 01: Introduction (Overview and Basic Operation)
- 02: Sound Generator, Section 1 (Playing Sounds)
- Playing in Single Mode
- About the Single Play Screen
- Selecting a Patch
- Selecting the Tones That Will Sound (Tone On/Off)
- Playing Single Notes (Monophonic)
- Part Settings (Part View)
- Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Sett...
- Playing Percussion Instruments (Rhythm Set)
- Playing a Sample Set
- Creating a List of Frequently Used Sounds (Favorite)
- Registering a Sound (Regist)
- Recalling a Sound
- Specifying the Volume for Each Step (Favorite Level)
- Changing the Step in Which You Registered a Sound
- Removing a Sound You Registered (Remove)
- Removing All Sound Registrations from a Bank (Remove Bank)
- Registering a Song (Set Song)
- Importing a Text File (Import Text)
- Removing a Text File (Remove Text)
- Switching the Display Font (Font)
- Playing in Live Mode
- Displaying Live Play (Layer/ Split) Screen
- Functions in the Live Play (Layer/Split) Screen
- Selecting a Live Set
- Using the Live Play (Layer/ Split) Screen
- Using the Live Set Part Mixer Screen
- Using the Layer Edit Screen
- Performing with the Arpeggio
- Performing with the Realtime Controllers and D Beam Controller
- Setting Effects
- Adjusting the Master Level
- Making Detailed Settings for a Live Set
- Playing in Studio Mode
- Playing in Single Mode
- 03: Sound Generator, Section 2 (Controlling Sounds)
- 04: Sound Generator, Section 3 (Creating Sounds)
- Creating a Patch
- How to Make Patch Settings
- Saving Patches You’ve Created (Write)
- Functions of Patch Parameters
- Settings Common to the Entire Patch (General)
- Modifying Waveforms (Wave)
- Changing How a Tone Is Sounded (TMT)
- Modifying Pitch (Pitch/Pitch Env)
- Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)
- Adjusting the Volume (TVA/TVA Env)
- Output
- Modulating Sounds (LFO1/2/Step LFO)
- Apply Portamento or Legato to the Sound (Solo/Porta)
- Miscellaneous Settings (Misc)
- Matrix Control Settings (Control 1–4)
- Setting Effects for a Patch (PFX)
- Creating a Rhythm Set
- How to Make Rhythm Set Settings
- Saving Rhythm Sets You’ve Created (Write)
- Functions of Rhythm Set Parameters
- Making Settings Common to the Entire Rhythm Set (General)
- Modifying Waveforms (Wave)
- Changing How a Rhythm Tone Is Sounded (WMT)
- Modifying Pitch (Pitch/Pitch Env)
- Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)
- Adjusting the Volume (TVA/TVA Env)
- Output Settings (Output)
- Setting Effects for a Rhythm Set (PFX)
- Creating a Sample Set
- Creating a Live/Studio Set
- Adding Effects
- Where Effect Settings are Saved
- Turning Effects On and Off
- Making Effect Settings
- Applying Effects in Single Mode
- Applying Effects in Live Mode
- Applying Effects in Studio Mode
- Making Patch Multi-Effects Settings (PFX)
- Making Multi-Effects Settings (MFX1–2)
- Making Chorus Settings (Chorus)
- Making Reverb Settings (Reverb)
- Mastering Effect
- Effects List
- Creating a Patch
- 05: Pads (Using the Pads)
- Using the Pads
- Common Operations for Pads
- 1 SAMPLE PAD (Using the Pads to Play Samples)
- 2 RHYTHM (Using the Pads to Play a Rhythm Set)
- 3 CHORD MEMORY (Using the Pads to Switch Chord Forms)
- 4 ARPEGGIO (Using the Pads to Switch Arpeggio Styles)
- 5 RPS (Using the Pads to Play Phrases)
- 6 RHYTHM PTN (Using the Pads to Play Rhythm Patterns)
- 7 TONE SEL/SW (Using the Pads to Select Tones or Switch Them On/Off)
- 8 TRACK MUTE (Using the Pads to Mute Tracks)
- 9 BOOKMARK (Using the Pads to Recall Frequently Used Screens)
- 10 MIDI TX SW (Using the Pads to Turn External MIDI Transmit Channels (1–16) On/Off)
- 11 EFFECT SW (Using the Pads to Switch the Effects)
- 12 PATCH MFX SW (Using the Pads to Switch Patch Multi-effects)
- 13 PART SELECT (Using the Pads to Select Parts)
- 14 PART MUTE (Using the Pads to Mute Parts)
- 15 USER GROUP (Using the Pads to Register/Recall User Groups)
- 16 FAVORITE (Using the Pads to Register/Recall Favorite Settings)
- Using the Pads
- 06: Sequencer (Creating a Song)
- Playing Back a Song
- Three Ways to Play Back
- Playing a Song (Song Play)
- Loading a Song (Song List)
- Playing a Song (Song Play)
- Operations in the Song Play Screen
- Fast-forwarding or Rewinding during Playback
- Muting the Playback of a Track (MUTE)
- Accessing the Mixer Screen
- Changing the Playback Tempo of the Song
- Playing a Song Repeatedly (Loop)
- Placing Markers in a Song (Marker)
- Changing the Track Display Zoom and Display Order (Zoom/Track Order)
- Naming a Track (Track Name)
- Specifying a Track’s Output Destination (Output Assign)
- Deleting a Song File (Song Delete)
- Song Automatically Loaded at Power-on (When Loading a Project)
- Erasing the Currently-open Song (Song Clear)
- Playing a Standard MIDI File (SMF)
- Playing Phrases (MIDI Phrase)
- Recording MIDI
- Recording Audio
- Editing Songs
- Three Ways to Edit
- Editing a Song (Song Edit)
- Song Utility (Song Util)
- Editing a Phrase (Phrase Edit)
- Phrase Modify Menu
- Aligning a Phrase’s Timing (Quantize)
- Erasing Unwanted Performance Data (Erase)
- Deleting Unwanted Measures (Delete)
- Copying Phrases (Copy)
- Inserting a Blank Measure (Insert)
- Transpose the Key (Transpose)
- Changing the Velocity (Change Velocity)
- Changing the MIDI Channel (Change Channel)
- Modifying the Length of Notes (Change Duration)
- Shifting Performance Data Forward and Back (Shift Clock)
- Thinning Out the Sequencer Data (Data Thin)
- Deleting Blank Measures (Truncate)
- Editing Individual Items of Sequencer Data (Microscope)
- Saving a Song (Song Save)
- Playing Back a Song
- 07: Sampler
- Sampling
- Editing a Sample
- Selecting a Sample (Sample List)
- Displaying Sample Edit Screen (Sample Edit)
- Setting the Start/End Points of the Sample
- Making Settings for Sample (Sample Parameters)
- Removing Unwanted Portions of a Sample (Truncate)
- Boosting or Limiting the High-frequency Range of the Sample (Emphasis)
- Maximizing the Volume of a Sample (Normalize)
- Amp
- Stretching or Shrinking a Sample (Time Stretch)
- Dividing a Sample into Notes (Chop)
- Saving a Sample (Save)
- Saving all samples (Save All)
- 08: Various Settings (Menu and System)
- Menu Reference
- System Settings (Settings Common to All Modes)
- About V-LINK
- 09: Appendix
161
Overview Sound 1 Sound 2 Sound 3 Pad Sampler
Menu/System
AppendixSequencer
Effects List
The MFX (multi-effects) feature 78 different kinds of effects (the PFX:
76 types). Some of the effects consist of two or more different effects
connected in series.
Parameters marked with a sharp “#” can be controlled using a
specified controller (Two setting items will change simultaneously
for “#1” and “#2”).
About Note
Some effect parameters (such as Rate or Delay Time) can be set in
terms of a note value.
Such parameters have a num/note switch that lets you specify
whether you will set the value as a note value or as a numerical
value.
If you want to set Rate (Delay Time) as a numerical value, set the
num/note switch to “Hz” (“msec”). If you want to set it as a note
value, set the num/note switch to “NOTE.”
If a parameter whose num/note switch is set to “NOTE” is
specified as a destination for multi-effect control, you will not be
able to use multi-effect control to control that parameter.
MFX/PFX Parameter
FILTER
(10 types)
01
EQUALIZER p. 162
02 SPECTRUM p. 162
03 ISOLATOR p. 162
04 LOW BOOST p. 162
05 SUPER FILTER p. 163
06 STEP FILTER p. 163
07 ENHANCER p. 163
08 AUTO WAH p. 164
09 HUMANIZER p. 164
10 SPEAKER SIMULATOR p. 164
MODULATION
(12 types)
11
PHASER p. 165
12 STEP PHASER p. 165
13 MULTI STAGE PHASER p. 165
14 INFINITE PHASER p. 165
15 RING MODULATOR p. 166
16 STEP RING MODULATOR p. 166
17 TREMOLO p. 166
18 AUTO PAN p. 166
19 STEP PAN p. 166
20 SLICER p. 167
21 ROTARY p. 167
22 VK ROTARY p. 167
CHORUS
(12 types)
23
CHORUS p. 168
24 FLANGER p. 168
25 STEP FLANGER p. 168
26 HEXA-CHORUS p. 169
27 TREMOLO CHORUS p. 169
28 SPACE-D p. 169
29 3D CHORUS p. 169
30 3D FLANGER p. 170
31 3D STEP FLANGER p. 170
32 2BAND CHORUS p. 170
33 2BAND FLANGER p. 171
34 2BAND STEP FLANGER p. 171
DYNAMICS
(8 types)
35
OVERDRIVE p. 172
36 DISTORTION p. 172
37 VS OVERDRIVE p. 172
38 VS DISTORTION p. 172
39 GUITAR AMP SIMULATOR p. 172
40 COMPRESSOR p. 173
41 LIMITER p. 173
42 GATE p. 173
DELAY
(13 types)
43
DELAY p. 173
44 LONG DELAY p. 174
45 SERIAL DELAY p. 174
46 MODULATION DELAY p. 174
47 3TAP PAN DELAY p. 175
48 4TAP PAN DELAY p. 175
49 MULTI TAP DELAY p. 175
50 REVERSE DELAY p. 175
51 SHUFFLE DELAY p. 176
52 3D DELAY p. 176
53 TIME CTRL DELAY p. 176
54 LONG TIME CTRL DELAY p. 177
55 TAPE ECHO p. 177
LO-FI
(5 types)
56
LOFI NOISE p. 177
57 LOFI COMPRESS p. 178
58 LOFI RADIO p. 178
59 TELEPHONE p. 178
60 PHONOGRAPH p. 178
PITCH
(3 types)
61
PITCH SHIFTER p. 179
62 2VOICE PITCH SHIFTER p. 179
63 STEP PITCH SHIFTER p. 179
COMBINATION
(12 types)
64
OVERDRIVE
→
CHORUS p. 179
65 OVERDRIVE
→
FLANGER p. 180
66 OVERDRIVE
→
DELAY p. 180
67 DISTORTION
→
CHORUS p. 180
68 DISTORTION
→
FLANGER p. 180
69 DISTORTION
→
DELAY p. 180
70 ENHANCER
→
CHORUS p. 181
71 ENHANCER
→
FLANGER p. 181
72 ENHANCER
→
DELAY p. 181
73 CHORUS
→
DELAY p. 181
74 FLANGER
→
DELAY p. 182
75 CHORUS
→
FLANGER p. 182
PIANO
(1 type)
76
SYMPATHETIC RESONANCE p. 182
REVERB
(2 types) *MFX only
77
REVERB p. 183
78 GATED REVERB p. 183
Fantom-G_r_e.book 161 ページ 2008年1月31日 木曜日 午後12時15分