User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Contents
- 01: Introduction (Overview and Basic Operation)
- 02: Sound Generator, Section 1 (Playing Sounds)
- Playing in Single Mode
- About the Single Play Screen
- Selecting a Patch
- Selecting the Tones That Will Sound (Tone On/Off)
- Playing Single Notes (Monophonic)
- Part Settings (Part View)
- Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Sett...
- Playing Percussion Instruments (Rhythm Set)
- Playing a Sample Set
- Creating a List of Frequently Used Sounds (Favorite)
- Registering a Sound (Regist)
- Recalling a Sound
- Specifying the Volume for Each Step (Favorite Level)
- Changing the Step in Which You Registered a Sound
- Removing a Sound You Registered (Remove)
- Removing All Sound Registrations from a Bank (Remove Bank)
- Registering a Song (Set Song)
- Importing a Text File (Import Text)
- Removing a Text File (Remove Text)
- Switching the Display Font (Font)
- Playing in Live Mode
- Displaying Live Play (Layer/ Split) Screen
- Functions in the Live Play (Layer/Split) Screen
- Selecting a Live Set
- Using the Live Play (Layer/ Split) Screen
- Using the Live Set Part Mixer Screen
- Using the Layer Edit Screen
- Performing with the Arpeggio
- Performing with the Realtime Controllers and D Beam Controller
- Setting Effects
- Adjusting the Master Level
- Making Detailed Settings for a Live Set
- Playing in Studio Mode
- Playing in Single Mode
- 03: Sound Generator, Section 2 (Controlling Sounds)
- 04: Sound Generator, Section 3 (Creating Sounds)
- Creating a Patch
- How to Make Patch Settings
- Saving Patches You’ve Created (Write)
- Functions of Patch Parameters
- Settings Common to the Entire Patch (General)
- Modifying Waveforms (Wave)
- Changing How a Tone Is Sounded (TMT)
- Modifying Pitch (Pitch/Pitch Env)
- Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)
- Adjusting the Volume (TVA/TVA Env)
- Output
- Modulating Sounds (LFO1/2/Step LFO)
- Apply Portamento or Legato to the Sound (Solo/Porta)
- Miscellaneous Settings (Misc)
- Matrix Control Settings (Control 1–4)
- Setting Effects for a Patch (PFX)
- Creating a Rhythm Set
- How to Make Rhythm Set Settings
- Saving Rhythm Sets You’ve Created (Write)
- Functions of Rhythm Set Parameters
- Making Settings Common to the Entire Rhythm Set (General)
- Modifying Waveforms (Wave)
- Changing How a Rhythm Tone Is Sounded (WMT)
- Modifying Pitch (Pitch/Pitch Env)
- Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)
- Adjusting the Volume (TVA/TVA Env)
- Output Settings (Output)
- Setting Effects for a Rhythm Set (PFX)
- Creating a Sample Set
- Creating a Live/Studio Set
- Adding Effects
- Where Effect Settings are Saved
- Turning Effects On and Off
- Making Effect Settings
- Applying Effects in Single Mode
- Applying Effects in Live Mode
- Applying Effects in Studio Mode
- Making Patch Multi-Effects Settings (PFX)
- Making Multi-Effects Settings (MFX1–2)
- Making Chorus Settings (Chorus)
- Making Reverb Settings (Reverb)
- Mastering Effect
- Effects List
- Creating a Patch
- 05: Pads (Using the Pads)
- Using the Pads
- Common Operations for Pads
- 1 SAMPLE PAD (Using the Pads to Play Samples)
- 2 RHYTHM (Using the Pads to Play a Rhythm Set)
- 3 CHORD MEMORY (Using the Pads to Switch Chord Forms)
- 4 ARPEGGIO (Using the Pads to Switch Arpeggio Styles)
- 5 RPS (Using the Pads to Play Phrases)
- 6 RHYTHM PTN (Using the Pads to Play Rhythm Patterns)
- 7 TONE SEL/SW (Using the Pads to Select Tones or Switch Them On/Off)
- 8 TRACK MUTE (Using the Pads to Mute Tracks)
- 9 BOOKMARK (Using the Pads to Recall Frequently Used Screens)
- 10 MIDI TX SW (Using the Pads to Turn External MIDI Transmit Channels (1–16) On/Off)
- 11 EFFECT SW (Using the Pads to Switch the Effects)
- 12 PATCH MFX SW (Using the Pads to Switch Patch Multi-effects)
- 13 PART SELECT (Using the Pads to Select Parts)
- 14 PART MUTE (Using the Pads to Mute Parts)
- 15 USER GROUP (Using the Pads to Register/Recall User Groups)
- 16 FAVORITE (Using the Pads to Register/Recall Favorite Settings)
- Using the Pads
- 06: Sequencer (Creating a Song)
- Playing Back a Song
- Three Ways to Play Back
- Playing a Song (Song Play)
- Loading a Song (Song List)
- Playing a Song (Song Play)
- Operations in the Song Play Screen
- Fast-forwarding or Rewinding during Playback
- Muting the Playback of a Track (MUTE)
- Accessing the Mixer Screen
- Changing the Playback Tempo of the Song
- Playing a Song Repeatedly (Loop)
- Placing Markers in a Song (Marker)
- Changing the Track Display Zoom and Display Order (Zoom/Track Order)
- Naming a Track (Track Name)
- Specifying a Track’s Output Destination (Output Assign)
- Deleting a Song File (Song Delete)
- Song Automatically Loaded at Power-on (When Loading a Project)
- Erasing the Currently-open Song (Song Clear)
- Playing a Standard MIDI File (SMF)
- Playing Phrases (MIDI Phrase)
- Recording MIDI
- Recording Audio
- Editing Songs
- Three Ways to Edit
- Editing a Song (Song Edit)
- Song Utility (Song Util)
- Editing a Phrase (Phrase Edit)
- Phrase Modify Menu
- Aligning a Phrase’s Timing (Quantize)
- Erasing Unwanted Performance Data (Erase)
- Deleting Unwanted Measures (Delete)
- Copying Phrases (Copy)
- Inserting a Blank Measure (Insert)
- Transpose the Key (Transpose)
- Changing the Velocity (Change Velocity)
- Changing the MIDI Channel (Change Channel)
- Modifying the Length of Notes (Change Duration)
- Shifting Performance Data Forward and Back (Shift Clock)
- Thinning Out the Sequencer Data (Data Thin)
- Deleting Blank Measures (Truncate)
- Editing Individual Items of Sequencer Data (Microscope)
- Saving a Song (Song Save)
- Playing Back a Song
- 07: Sampler
- Sampling
- Editing a Sample
- Selecting a Sample (Sample List)
- Displaying Sample Edit Screen (Sample Edit)
- Setting the Start/End Points of the Sample
- Making Settings for Sample (Sample Parameters)
- Removing Unwanted Portions of a Sample (Truncate)
- Boosting or Limiting the High-frequency Range of the Sample (Emphasis)
- Maximizing the Volume of a Sample (Normalize)
- Amp
- Stretching or Shrinking a Sample (Time Stretch)
- Dividing a Sample into Notes (Chop)
- Saving a Sample (Save)
- Saving all samples (Save All)
- 08: Various Settings (Menu and System)
- Menu Reference
- System Settings (Settings Common to All Modes)
- About V-LINK
- 09: Appendix
188
Using the Pads
You can strike the Fantom-G’s pads to play samples, rhythms, or
phrases, or you can use the pads as sixteen switches to turn various
parameters on/off. The pads can operate in one of sixteen modes.
Press [PAD MODE] to switch the pad mode.
1.
Press [PAD MODE].
The pad mode window will
appear in the screen.
[PAD MODE] will blink, and
the currently selected pad
mode (pad [1]–[16]) will blink.
If you decide not to switch the
pad mode, press [PAD
MODE] once again. [PAD MODE] will go dark, and you’ll
return to the previous state.
2.
Press a pad [1]–[16].
The pad mode will be switched. For details about operation in
each pad mode, refer to the table below and the corresponding
reference pages.
If you press the pad [NUMERIC]
button to make it light, the pads
will act as numeric keys.
→
“Using the pad for numeric
input”
(p. 41)
By using the Hold function, you can make the sound continue even
after you take your finger off the pad. This is convenient when you
want a sound to continue, such as a phrase that you want to loop
(play repeatedly).
The Hold function is available only if the pad mode is
1 SAMPLE PAD or 2 RHYTHM.
Sustaining a sound while you play
other sounds
1.
While holding down a pad,
press [HOLD].
[HOLD] and the pad will
blink.
That pad will be held, and
will continue sounding even
after you release your finger
from it. If you press another
pad in this state, it will
sound only as long as you
continue holding it.
2.
The pad that was being held will stop sounding when you
press the blinking pad or [HOLD] once again.
Sustaining multiple sounds
1.
Press [HOLD] to make the
pad light.
2.
Press a pad.
The pad will blink, and will
continue sounding. If you
press other pads in this
state, they will also continue
sounding.
3.
The sound will stop when
you once again press a blinking pad. If you press [HOLD],
all pads will stop sounding.
The Hold function won’t work in the following situations.
• For a rhythm set in which
“Tone Env Mode”
(p. 108) is set to
“NO-SUS”
• For a sample set in which
“One Shot Mode”
(p. 118) is turned on
• For a sample set in which
“Trigger Mode”
(p. 129) is set to “DRUM”
Common Operations for Pads
Switching the Pad Mode (PAD MODE)
Pad
number
Pad mode
Explanation Page
1
SAMPLE PAD The pads play a sample set p. 191
2 RHYTHM The pads play a rhythm set p. 192
3 CHORD MEMORY The pads switch chord form for
the Chord Memory function (p.
80)
p. 193
4 ARPEGGIO The pads switch styles for the
Arpeggio function (p. 78)
p. 193
5 RPS The pads play phrases p. 194
6 RHYTHM PTN The pads play rhythm patterns p. 196
7 TONE SEL/SW The pads act as tone select and
on/off switches
p. 197
8 TRACK MUTE The pads switch muting on/off
for sequencer tracks
p. 197
9 BOOKMARK The pads recall frequency-used
screens that you’ve registered
p. 198
10 MIDI TX SW The pads act as on/off switches
for external MIDI transmit chan-
nels (1–16)
p. 198
11 EFFECT SW The pads switch the effects (oth-
er than the patch multi-effects)
p. 199
12 PATCH MFX SW The pads switch the patch multi-
effect for each part
p. 199
13 PART SELECT The pads select parts (1–16) and
banks (INT/EXP1/EXP2/EXT)
p. 200
14 PART MUTE The pads switch muting on/off
for parts (1–16) and banks (INT/
EXP1/EXP2)
p. 200
15 USER GROUP The pads register/recall patch-
es, live sets, or studio sets from
the user group
p. 201
16 FAVORITE The pads register/recall Favor-
ite settings
p. 202
Using the Pads as Numeric Keys
(NUMERIC)
Using the Hold Function to Sustain
the Sounds (HOLD)
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