User Manual

Table Of Contents
314
Troubleshooting
Effects not applied.
Check the following points.
The “PFX,”“MFX1,”“MFX2,” “CHO,” “REV” or “MASTER”
effect switches located in the upper part of the PLAY screen
may have been turned off.
Press [EFFECTS (ROUTING)] to turn them on.
Are the various effect settings correct? (p. 150)
If the send level of each effect is set to 0, the effect will not be
applied. Check the settings.
Even with send levels to each effect set at 0, effects are not
applied if the Multi-effects Output Level, the Chorus Level, or
the Reverb Level is set to 0. Check each setting.
If Output Assign is set to other than “MFX,” the Multi-effects
sound will not be output.
Could the system parameter Master Reverb Level be set to 0?
The Modulation or other controller is always on.
Check the Matrix Controller settings. (p. 109)
The Fantom-G allows you to use the Matrix Control to control
Patches in real time. The Matrix Control functions as the control
source for the Control Change and other MIDI messages
received by the Fantom-G, and makes changes to the various
Patch parameters based on these messages.
Depending on these settings, the Fantom-G may be responding
to MIDI messages sent from external MIDI devices, and may
result the Patches sounding different than intended.
Raising the chorus or reverb send level for each part of a Live/
Studio Set still does not cause the effect to be applied
sufficiently.
Although you can make Send level settings to the Chorus and
Reverb for each individual Part in a Live/Studio Set, these
values only set the upper limit of the Chorus and Reverb Send
levels for the Patch used. Accordingly, even when the value is
set to the maximum of 127, if the Send level is lowered in the
Patch being used, there will be no effect. If you want to apply
the effect deeply, edit the settings of the patch.
Using the Matrix Control or other such means to control the
LFO results in noise when the Pan is changed suddenly.
Lower the change in speed (LFO Rate).
Due to the specialized processing used for the Pan, which alters
the volume level in each of the left and right sides, sudden Pan
movements causing rapid changes in these levels creates large
changes in volume, and noise from this may be audible as a
result.
Multi-effect 43: TAP DELAY or other delay time value is set to
the note, and then the tempo is slowed down, does the delay
time not change beyond a fixed length?
Such Delay time settings have an upper limit, so if the upper
limit of a value set to the note is exceeded when the tempo is
retarded, that upper value cannot rise any further. The upper
time limit for each is the maximum value that can be set other
than the numerical value for the beat.
The Live/Studio Set sounds different than when it was written.
Check the following points.
If you have modified the settings of a patch used by a Live/
Studio Set, or if the temporary patch of the Live/Studio Set has
been modified by an external MIDI device, these patches must
also be saved.
If patches used by a Live/Studio Set have been edited when
you write that Live/Studio Set, the Fantom-G will display a
message asking whether you want to discard these patches. In
such cases, first save the patch (p. 88) or rhythm set (p. 116), and
then save the Live/Studio Set (p. 148) again.
The Mastering Effect settings may have changed. (These
settings are not stored as part of a Live set.)
The MFX settings may have changed. (These settings are not
stored as part of a Live set.)
An expansion board sound seems different from when I saved
(wrote) it.
If the expansion board is inserted in a different slot than when
you saved the live set or studio set, it will not sound with the
settings of when it was saved. You must insert the expansion
board in the same slot as when you saved the live set or studio
set.
Patches sound different than when written.
Check the following points.
If you used control changes from an external MIDI device to
modify the sound, writing the sound will not save it in its
modified state.
The Mastering Effect settings may have changed. (These
settings are not stored as part of a patch.)
The Arpeggio and D Beam controller settings in the Live/
Studio Mode are different than those for the Live/Studio Set.
Since the Fantom-G stores arpeggio and D Beam controller
settings for each Live/Studio Set, it will operate according to
the arpeggio and D Beam controller settings that were specified
for each Live/Studio Set.
Issues Related to Effects
Issues Related to Saving Data
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