User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Contents
- 01: Introduction (Overview and Basic Operation)
- 02: Sound Generator, Section 1 (Playing Sounds)
- Playing in Single Mode
- About the Single Play Screen
- Selecting a Patch
- Selecting the Tones That Will Sound (Tone On/Off)
- Playing Single Notes (Monophonic)
- Part Settings (Part View)
- Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Sett...
- Playing Percussion Instruments (Rhythm Set)
- Playing a Sample Set
- Creating a List of Frequently Used Sounds (Favorite)
- Registering a Sound (Regist)
- Recalling a Sound
- Specifying the Volume for Each Step (Favorite Level)
- Changing the Step in Which You Registered a Sound
- Removing a Sound You Registered (Remove)
- Removing All Sound Registrations from a Bank (Remove Bank)
- Registering a Song (Set Song)
- Importing a Text File (Import Text)
- Removing a Text File (Remove Text)
- Switching the Display Font (Font)
- Playing in Live Mode
- Displaying Live Play (Layer/ Split) Screen
- Functions in the Live Play (Layer/Split) Screen
- Selecting a Live Set
- Using the Live Play (Layer/ Split) Screen
- Using the Live Set Part Mixer Screen
- Using the Layer Edit Screen
- Performing with the Arpeggio
- Performing with the Realtime Controllers and D Beam Controller
- Setting Effects
- Adjusting the Master Level
- Making Detailed Settings for a Live Set
- Playing in Studio Mode
- Playing in Single Mode
- 03: Sound Generator, Section 2 (Controlling Sounds)
- 04: Sound Generator, Section 3 (Creating Sounds)
- Creating a Patch
- How to Make Patch Settings
- Saving Patches You’ve Created (Write)
- Functions of Patch Parameters
- Settings Common to the Entire Patch (General)
- Modifying Waveforms (Wave)
- Changing How a Tone Is Sounded (TMT)
- Modifying Pitch (Pitch/Pitch Env)
- Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)
- Adjusting the Volume (TVA/TVA Env)
- Output
- Modulating Sounds (LFO1/2/Step LFO)
- Apply Portamento or Legato to the Sound (Solo/Porta)
- Miscellaneous Settings (Misc)
- Matrix Control Settings (Control 1–4)
- Setting Effects for a Patch (PFX)
- Creating a Rhythm Set
- How to Make Rhythm Set Settings
- Saving Rhythm Sets You’ve Created (Write)
- Functions of Rhythm Set Parameters
- Making Settings Common to the Entire Rhythm Set (General)
- Modifying Waveforms (Wave)
- Changing How a Rhythm Tone Is Sounded (WMT)
- Modifying Pitch (Pitch/Pitch Env)
- Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)
- Adjusting the Volume (TVA/TVA Env)
- Output Settings (Output)
- Setting Effects for a Rhythm Set (PFX)
- Creating a Sample Set
- Creating a Live/Studio Set
- Adding Effects
- Where Effect Settings are Saved
- Turning Effects On and Off
- Making Effect Settings
- Applying Effects in Single Mode
- Applying Effects in Live Mode
- Applying Effects in Studio Mode
- Making Patch Multi-Effects Settings (PFX)
- Making Multi-Effects Settings (MFX1–2)
- Making Chorus Settings (Chorus)
- Making Reverb Settings (Reverb)
- Mastering Effect
- Effects List
- Creating a Patch
- 05: Pads (Using the Pads)
- Using the Pads
- Common Operations for Pads
- 1 SAMPLE PAD (Using the Pads to Play Samples)
- 2 RHYTHM (Using the Pads to Play a Rhythm Set)
- 3 CHORD MEMORY (Using the Pads to Switch Chord Forms)
- 4 ARPEGGIO (Using the Pads to Switch Arpeggio Styles)
- 5 RPS (Using the Pads to Play Phrases)
- 6 RHYTHM PTN (Using the Pads to Play Rhythm Patterns)
- 7 TONE SEL/SW (Using the Pads to Select Tones or Switch Them On/Off)
- 8 TRACK MUTE (Using the Pads to Mute Tracks)
- 9 BOOKMARK (Using the Pads to Recall Frequently Used Screens)
- 10 MIDI TX SW (Using the Pads to Turn External MIDI Transmit Channels (1–16) On/Off)
- 11 EFFECT SW (Using the Pads to Switch the Effects)
- 12 PATCH MFX SW (Using the Pads to Switch Patch Multi-effects)
- 13 PART SELECT (Using the Pads to Select Parts)
- 14 PART MUTE (Using the Pads to Mute Parts)
- 15 USER GROUP (Using the Pads to Register/Recall User Groups)
- 16 FAVORITE (Using the Pads to Register/Recall Favorite Settings)
- Using the Pads
- 06: Sequencer (Creating a Song)
- Playing Back a Song
- Three Ways to Play Back
- Playing a Song (Song Play)
- Loading a Song (Song List)
- Playing a Song (Song Play)
- Operations in the Song Play Screen
- Fast-forwarding or Rewinding during Playback
- Muting the Playback of a Track (MUTE)
- Accessing the Mixer Screen
- Changing the Playback Tempo of the Song
- Playing a Song Repeatedly (Loop)
- Placing Markers in a Song (Marker)
- Changing the Track Display Zoom and Display Order (Zoom/Track Order)
- Naming a Track (Track Name)
- Specifying a Track’s Output Destination (Output Assign)
- Deleting a Song File (Song Delete)
- Song Automatically Loaded at Power-on (When Loading a Project)
- Erasing the Currently-open Song (Song Clear)
- Playing a Standard MIDI File (SMF)
- Playing Phrases (MIDI Phrase)
- Recording MIDI
- Recording Audio
- Editing Songs
- Three Ways to Edit
- Editing a Song (Song Edit)
- Song Utility (Song Util)
- Editing a Phrase (Phrase Edit)
- Phrase Modify Menu
- Aligning a Phrase’s Timing (Quantize)
- Erasing Unwanted Performance Data (Erase)
- Deleting Unwanted Measures (Delete)
- Copying Phrases (Copy)
- Inserting a Blank Measure (Insert)
- Transpose the Key (Transpose)
- Changing the Velocity (Change Velocity)
- Changing the MIDI Channel (Change Channel)
- Modifying the Length of Notes (Change Duration)
- Shifting Performance Data Forward and Back (Shift Clock)
- Thinning Out the Sequencer Data (Data Thin)
- Deleting Blank Measures (Truncate)
- Editing Individual Items of Sequencer Data (Microscope)
- Saving a Song (Song Save)
- Playing Back a Song
- 07: Sampler
- Sampling
- Editing a Sample
- Selecting a Sample (Sample List)
- Displaying Sample Edit Screen (Sample Edit)
- Setting the Start/End Points of the Sample
- Making Settings for Sample (Sample Parameters)
- Removing Unwanted Portions of a Sample (Truncate)
- Boosting or Limiting the High-frequency Range of the Sample (Emphasis)
- Maximizing the Volume of a Sample (Normalize)
- Amp
- Stretching or Shrinking a Sample (Time Stretch)
- Dividing a Sample into Notes (Chop)
- Saving a Sample (Save)
- Saving all samples (Save All)
- 08: Various Settings (Menu and System)
- Menu Reference
- System Settings (Settings Common to All Modes)
- About V-LINK
- 09: Appendix
329
Index
Phrase Number ..................................................................................
194
Phrase Preview .....................................................................................
49
Phrases ............................................................................................
36
–
37
Pitch ...........................................................................
96
,
121
,
130
,
137
Pitch Bend ..............................................................................................
23
Pitch Bend Range Down .....................................................................
96
Pitch Bend Range Up ...........................................................................
96
Pitch Depth
(LFO1/LFO2 Pitch Depth) ...........................................................
104
Pitch Env
(Pitch Envelope) .....................................................................
97
,
121
Pitch Env Depth ....................................................................................
97
Pitch Env Level 0–4 ....................................................................
97
,
122
Pitch Env Time 1 Velocity Sens ................................................
96
,
121
Pitch Env Time 1–4 .....................................................................
97
,
121
Pitch Env Time 4 Velocity Sens ................................................
97
,
121
Pitch Env Time Key Follow ................................................................
97
Pitch Env Velocity Sens .............................................................
96
,
121
Pitch/Pitch Env ..........................................................................
96
,
121
PLAY ......................................................................................................
23
Play ......................................................................................................
239
Play Mode ...........................................................................................
195
Playback Tempo Range Over ..........................................................
318
Poly ......................................................................................................
140
Poly Aftertouch .................................................................................
251
Portamento .........................................................................................
106
Portamento Mode ..............................................................................
106
Portamento Start ................................................................................
106
Portamento Switch ............................................................................
106
Portamento Time ...............................................................................
106
Portamento Type ...............................................................................
106
POWER ON Switch ..............................................................................
24
Power Up Mode ................................................................................
298
Pre Sample Time ................................................................................
297
Preset .................................................................................
47
,
52
,
60
,
67
Preset data .............................................................................................
35
Preview ...............................................................................................
296
Preview 1–4 Note Number ..............................................................
297
Preview 1–4 Velocity ........................................................................
297
Preview Mode ....................................................................................
296
Program Change ................................................................................
251
Project ...........................................................................................
35
,
276
PRST ..................................................................................
47
,
52
,
60
,
67
Q
Quantize .............................................................................................
240
R
Random Pan Depth ..................................................................
101
,
124
Random Pitch Depth ...........................................................................
96
Range
(Solo synth range) ..................................................................
74
,
144
Range Max .............................................................................................
75
Range Max
(D Beam Range Upper) ................................................................
145
Range Min .............................................................................................
75
Range Min
(D Beam Range Lower) ................................................................
145
Rate
(LFO1/LFO2 Rate) ........................................................................
103
Rate Detune
(LFO1/LFO2 Rate Detune) ..........................................................
103
Ratio ....................................................................................................
160
Read Error! .........................................................................................
318
Realtime Controller .......................................................................
75
–
76
Realtime Erase ...................................................................................
224
Realtime Recording ...........................................................................
222
Realtime Time Stretch .......................................................
92
,
119
, 130
REC ......................................................................................................... 23
Rec End Point ..................................................................................... 223
Rec End Point
(Recording end point) ..................................................................
231
Rec End Switch .................................................................................. 223
Rec End Switch
(Recording end switch) ................................................................
231
Rec Length .......................................................................................... 223
Rec Length
(Recording length) ........................................................................
231
Rec Length Too Short! ...................................................................... 318
Rec Mode ............................................................................................ 222
Rec Over Flow .................................................................................... 318
Rec Start Point .................................................................................... 223
Rec Start Point
(Recording start point) .................................................................
231
Receive Bank Select
(Receive Bank Select Switch) ..............................................
141, 295
Receive Bender
(Receive Pitch Bend Switch) ........................................................
141
Receive Channel ................................................................................ 134
Receive Channel Pressure
(Receive Channel Pressure Switch) ............................................
141
Receive Exclusive
(Receive System Exclusive Switch) .............................................
295
Receive GM1 System On
(Receive GM System On Switch) ................................................
295
Receive GM2 System On
(Receive GM2 System On Switch) ..............................................
295
Receive GS Reset
(Receive GS Reset Switch) ............................................................
295
Receive Hold-1
(Receive Hold 1 Switch) ...............................................................
141
Receive Modulation
(Receive Modulation Switch) ......................................................
141
Receive Pan
(Receive Pan Switch) ....................................................................
141
Receive Polyphonic Key Pressure
(Receive Polyphonic Key Pressure Switch) ...............................
141
Receive Program Change
(Receive Program Change Switch) ....................................
141, 295
Receive Switch ................................................................................... 134
Receive Volume
(Receive Volume Switch) .............................................................
141
Recording Parameter Error .............................................................. 318
Recording Select ................................................................................ 224
Rehearsal Function ............................................................................ 225
Relative Level ..................................................................................... 125
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