User Manual

ManualsBrandsRoland ManualsMusical InstrumentsVS700R V-Studio - AUDIO INTERFACE

6-01*

VS-700_r_e.book 1 ページ２００８年１１月２０日　木曜日　午後２時２８分

Summary of content (188 pages)

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VS-700_r_e.
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VS-700_r_e.book 2 ページ２００８年１１月２０日木曜日午後２時２８分 WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
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VS-700_r_e.book 3 ページ２００８年１１月２０日木曜日午後２時２８分 USING THE UNIT SAFELY Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. to damage or caused with and all its to domestic Connect mains plug of this model to a mains socket outlet with a protective earthing connection. The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle.
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VS-700_r_e.book 4 ページ２００８年１１月２０日木曜日午後２時２８分 USING THE UNIT SAFELY 013 • 101a In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. ...................................................................................................................... • ......................................................................................................................
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VS-700_r_e.book 5 ページ２００８年１１月２０日木曜日午後２時２８分 USING THE UNIT SAFELY 118a Should you remove screws of the ARX expansion board cover (p. 156) or the rackmount brackets (p. 163), keep them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally. Overview • ......................................................................................................................
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VS-700_r_e.book 6 ページ２００８年１１月２０日木曜日午後２時２８分 IMPORTANT NOTES Power Supply 301 • Do not connect this unit to the same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise.
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VS-700_r_e.book 7 ページ２００８年１１月２０日木曜日午後２時２８分 IMPORTANT NOTES 559a • Overview When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials. 562 • Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear.
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VS-700_r_e.book 8 ページ２００８年１１月２０日木曜日午後２時２８分 Contents USING THE UNIT SAFELY............................................................................................................3 IMPORTANT NOTES .....................................................................................................................6 Overview of the VS-700 ......................................................... 13 Main Features .........................................................................................
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VS-700_r_e.book 9 ページ２００８年１１月２０日木曜日午後２時２８分 Contents Overview LED Level Meter..........................................................................................................37 LCD Display ..................................................................................................................37 ASSIGN Button.................................................................................................................................38 How FLIP Mode Affects the [ASSIGN] Button ...
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VS-700_r_e.book 10 ページ２００８年１１月２０日木曜日午後２時２８分 Contents VS-700R I/O ................................................................................ 77 Connecting Recording Equipment ..................................................................................... 78 Connections to the Analog Jacks .............................................................................................78 Connections to the Digital Connectors.......................................................................
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VS-700_r_e.book 11 ページ２００８年１１月２０日木曜日午後２時２８分 Contents Overview Changing How a Tone Is Sounded (TMT)....................................................... 101 Modifying Waveforms (WG)................................................................................ 105 Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)......... 109 Adjusting the Volume (TVA/TVA Env) ............................................................. 113 Output Settings ...........................................
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VS-700_r_e.book 12 ページ２００８年１１月２０日木曜日午後２時２８分 Contents Appendix ..................................................................................153 VS-700R Block Diagram.........................................................................................................154 Installing the ARX Expansion Board .................................................................................155 Port settings (MIDI input and audio output)................................................................
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VS-700_r_e.book 14 ページ２００８年１１月２０日木曜日午後２時２８分 Main Features Main Features of the VS-700C Console fig.panel-vs-700.
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VS-700_r_e.book 15 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions Overview VS-700C Console Top Panel Connections fig.panel-vs-700c-top.eps A B C VS-700C Console I J D K VS-700R I/O L E F G H M N Fantom VS A. LCD Display The VS-700C features three 2-line LCD displays. The left LCD display shows information about the CHANNEL STRIP CONTROL section and the other two LCD displays show information about the channel strips. ➔ “LCD Display” (p. 37), (p. 51) Appendix B.
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VS-700_r_e.book 16 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions C. Time Display The VS-700C Console displays the project’s current Now time in the top right corner. You can switch the display between SMPTE and Bars|Beats time by pressing the [TIME CODE] button. The default view is Bars|Beats. ➔ “Time Display” (p. 48) D.
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VS-700_r_e.book 17 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions J. SURROUND Section The SURROUND section lets you control surround bus parameters on the selected channel strip. Overview ➔ “SURROUND Section” (p. 68) K. PROJECT Section The PROJECT sections provides convenient access to frequently used commands that normally require a keyboard or mouse, such as Save, Undo/Redo, OK/ENTER and Cancel. ➔ “PROJECT Section” (p. 56) Connections L.
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VS-700_r_e.book 18 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions Rear Panel fig.panel-vs-700c-rear.eps A B C D E F G A. TO I/O Connector Use the dedicated cable to connect the VS-700C Console to the VS-700R I/O unit. Do not use any cable other than the dedicated cable. ➔ “Connecting Your Computer and Sound Reinforcement Equipment” (p. 27) B.
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VS-700_r_e.book 19 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions VS-700R I/O Overview Front Panel fig.panel-vs-700r-front.eps A B G Connections C D E H I J K VS-700C Console F A. USB Indicator This will light when the console is connected via USB to your computer. ➔ “If the USB indicator of the VS-700R I/O unit isn’t lit” (p. 28) B. CONSOLE Indicator VS-700R I/O This will light when the VS-700C console is connected via the dedicated cable and has been detected.
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VS-700_r_e.book 20 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions E. SAMPLE RATE Knob This specifies the sample rate. In order for this setting to be reflected by the system, you must cycle the power to the VS-700R. If you need to synchronize with another digital device, you must first set this knob to the same sample rate as the master device. ➔ “Switching the Sampling Rate” (p. 80) F. SYNC Indicator This indicates the audio clock status. ➔ “Audio Clock Source” (p. 82) G.
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VS-700_r_e.book 21 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions Rear Panel Overview fig.panel-vs-700r-rear.eps A C D E F H I Connections B G J A. TO CONSOLE Connector VS-700C Console Use the dedicated cable to connect this to the VS-700C console. Do not use any cable other than the dedicated cable. ➔ “Connecting Your Computer and Sound Reinforcement Equipment” (p. 27) B. AC Inlet Connect the included power cord to this inlet. ➔ “Connecting the Power Cord” (p.
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VS-700_r_e.book 22 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions E. DIGITAL 2 OUT Connector This is an ADAT output connector. You can connect it to an ADAT device and output up to eight channels of audio. DIGITAL 2 IN Connector This is an ADAT input connector. It allows up to eight channels of input. The input signals are output directly to the “VS-700 IN DIGITAL2 1-2” – “VS-700 IN DIGITAL2 7-8” ports of the audio driver. ➔ “Connections to the Digital Connectors” (p. 79) F.
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VS-700_r_e.book 23 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions I. MONITOR MAIN Jacks Overview These are the main monitor output jacks. They are balanced outputs. They output the signals of the audio driver’s “VS-700 MAIN” port. MONITOR SUB Jacks These are sub-monitor output jacks. They provide balanced or unbalanced output. They output the signals of the audio driver’s “VS-700 SUB” port. INPUT 1–8 Jacks Connections J. These are eight channels of analog audio input.
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VS-700_r_e.book 24 ページ２００８年１１月２０日木曜日午後２時２８分 Panel Descriptions Side Panel fig.panel-vs-700r-side.eps A C B A A. Rackmount Brackets If you want to install the system in a 19” rack, attach the included rackmount brackets. ➔ “Attaching the Rackmount Brackets” (p. 163) B. Cooling Fan Intake Vent C. Cooling Fan Exhaust Vent The VS-700R contains a cooling fan that prevents internal overheating.
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VS-700_r_e.book 26 ページ２００８年１１月２０日木曜日午後２時２８分 Connections Before connecting the VS-700C and VS-700R to your computer, you must install the VS-700 driver in your computer as described in “Getting Started” (separate document). The VS-700C and VS-700R will not operate correctly unless the driver is installed in your computer. Connecting the Power Cord • Connect the power cord. fig.VS-700-connect04-e.
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VS-700_r_e.book 27 ページ２００８年１１月２０日木曜日午後２時２８分 Connections Connecting Your Computer and Sound Reinforcement Equipment Overview • Use the included dedicated cable to connect the VS-700R and VS-700C. • Use a USB cable to connect the VS-700R to your computer. • Connect your headphones, speakers, or other device to the VS-700. * This package does not include sound reinforcement equipment such as headphones or speakers. fig.basic-e.
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VS-700_r_e.book 28 ページ２００８年１１月２０日木曜日午後２時２８分 Turning the Power On 941 Once the connections have been completed (p. 26), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. 945 If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. Refer to “Power Supply” (p. 6). 1.
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VS-700_r_e.book 30 ページ２００８年１１月２０日木曜日午後２時２８分 Overview of the VS-700C Console The VS-700C Console consist of different sections that are used to control SONAR, including: • Nine touch sensitive motorized faders • User definable buttons to map via ACT • Dedicated section for controlling plug-ins and track/bus parameters • Jog/Shuttle wheel • Transport controls • Surround joystick panner fig.panel-VS-700c-top.eps A B C I J D K L E F A. LCD display (p. 37, p. 51) B. T-bar (p. 69) C.
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VS-700_r_e.book 31 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Overview The Channel Strip section provides eight touch sensitive motorized fader strips with identical controls. You use the channel strips to control up to eight tracks or buses at a time and you can easily switch between different banks of tracks or buses (refer to “FADER BANK Buttons” (p. 42)).
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VS-700_r_e.book 32 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Channel Fader Use the touch sensitive motorized faders to control levels of audio tracks, MIDI tracks and buses. When tracks/buses are armed for automation recording, the faders allow you to record automation data by touching/releasing the faders. For more information about automation recording, refer to “Rude MUTE/Rude SOLO/Rude ARM Buttons” (p. 40). During playback, the motorized faders move in response to existing automation data.
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VS-700_r_e.book 33 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Overview Adjusting the Touch Sensitivity of the Faders Depending on the conditions in which you use the VS-700, the touch sensitivity of the faders may not work as you expect, or the motor may operate incorrectly when you’re operating the fader. If this occurs, adjust the touch sensitivity as follows. 1. Close SONAR. Connections 2.
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VS-700_r_e.book 34 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Rotary Encoder (Knob) The rotary encoders work in conjunction with the [ASSIGN] button to allow tactile control over various track, bus and main parameters. All eight rotary encoders always control the same parameter type across different tracks/buses. The rotary encoders control pan by default, but can be configured to control other channel parameters by pressing the [ASSIGN] button.
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VS-700_r_e.book 35 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Track Solo (SOLO) Overview Use the [SOLO] button to solo/unsolo the assigned track or bus. When the channel is soloed, the [SOLO] button is lit. When one or more channels are soloed, the [Rude SOLO] button is lit as a convenient reminder. You can press the [Rude SOLO] button to quickly unsolo all channels. For more information about Rude SOLO, refer to “Rude MUTE/ Rude SOLO/Rude ARM Buttons” (p. 40). The modifier buttons (p.
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VS-700_r_e.book 36 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Strip Select (SEL) Use the [SEL] button to activate the CHANNEL STRIP CONTROL section for the selected channel, which allows you to control EQ and Send parameters for that channel. The eight [SEL] buttons are mutually exclusive, so only one channel at a time can be selected. When enabled, the [SEL] button stays lit. The modifier buttons (p. 67) can be used to extend the functions as follows. The [SEL] button is not bi-directional.
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VS-700_r_e.book 37 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section LED Level Meter Overview The LED level meter displays the channel’s current peak volume level. The indicated levels are 0 dB (peak), -3 dB, -12 dB, -24 dB and -48 dB. fig.6.eps Connections LCD Display VS-700C Console Each channel strip (including the master fader) has a two-line LCD display that displays track information based on which ASSIGN function is selected. fig.7.
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VS-700_r_e.book 38 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section ASSIGN Button Use the [ASSIGN] button to change the parameter that’s assigned to the rotary encoders of the channel strips. The available functions vary depending on which [FADER VIEW] button (TRACK, BUS, MAIN or I/O CONTROL) is selected. fig.8.eps A C B A. [ASSIGN] button B. [FADER VIEW] buttons C. [I/O CONTROL] button The following table shows which parameter types are available for each FADER VIEW.
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VS-700_r_e.book 39 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section The illustration below shows how the parameter will be switched if FADER VIEW is set to TRACK. fig.9.eps Bass1 0dB Guitar1 0.5dB Drum01 -9.0dB Encoder Send Vol Bass1 -7001-2 Guitar1 -7003-4 Drum01 -7005-6 Encoder In Bass1 Master Guitar1 Master Drum01 Bus1 Encoder Out 1 2 3 4 VS-700R I/O Encoder Pan VS-700C Console Drum01 C Connections Guitar1 25% L Overview Bass1 30% R 1. Pan (default display) Fantom VS 2.
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VS-700_r_e.book 40 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Rude MUTE/Rude SOLO/Rude ARM Buttons The [Rude MUTE], [Rude SOLO] and [Rude ARM] buttons let you mute or unmute, solo or unsolo, arm or disarm all channels simultaneously. When one or more channels are muted, soloed or armed for recording, the corresponding [Rude] button is lit as a convenient reminder.
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VS-700_r_e.book 41 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section AUTOMATION Buttons Overview The [AUTOMATION] buttons let you enable/disable automation recording and playback for all channels. fig.11.eps A Connections B A. [WRITE/OFF] button VS-700C Console B. [OFFSET] button The modifier buttons (p. 67) can be used to extend the functions as follows.
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VS-700_r_e.book 42 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section FADER BANK Buttons The VS-700C Console has eight physical channel strips that can be used to control up to eight tracks, buses or mains at a time. You use the [FADER BANK] buttons to switch between different banks of tracks/buses/mains, which allows the channel strips to control a different set of tracks/buses/mains. fig.12.eps A B A. [+8] button B. [-8] button The modifier buttons (p.
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VS-700_r_e.book 43 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section FADER VIEW Buttons (TRACK, BUS, MAIN, I/O CONTROL) Overview You use the [FADER VIEW] buttons to specify what channel type (tracks, buses or mains) is assigned to the channel strips. fig.13.eps Connections VS-700C Console The modifier buttons (p. 67) can be used to extend the functions as follows.
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VS-700_r_e.book 44 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section I/O Control When I/O CONTROL mode is enabled, you can use the channel strip rotary encoders to control the Mic Pre Gain, Threshold, Attack and Release parameters on the VS-700R I/O. Additional I/O parameters can be controlled from the VS-700 property page, plus the stereo digital input mode and digital sync mode. From the VS-700C console: 1. Press the VS-700C’s [I/O CONTROL] button. 2.
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VS-700_r_e.book 45 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Overview Specifying the tracks and buses that can be controlled from the VS-700 console The tracks and buses that can be controlled from the VS-700 console will match the tracks and buses that can be controlled from SONAR’s track view or console view. If desired, you can also control all tracks and buses in the project. 1. On SONAR’s “Options” menu, click “Controllers/Surfaces” to open the “Controllers/Surfaces” Connections dialog.
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VS-700_r_e.book 46 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Locking a Channel Strip Channel strip locking allows you to: • Control tracks/buses that are not within the same channel bank (range of eight consecutive tracks or buses). For example, you can control tracks 1 through 7 along with track 20. • Control both tracks and buses simultaneously. For example, channel strips 1 through 4 can control tracks 1 through 4 and channel strips 5 through 8 can control buses 1 through 4.
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VS-700_r_e.book 47 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP Section Locked Strip WAI Indication Overview SONAR’s Track view and Console view show a color-coded WAI (short for Where Am I) display to indicate which tracks and buses are currently being controlled by a control surface. With strip locking, you can effectively create multiple WAI regions. In the main WAI range (eight consecutive tracks or buses), locked strips are shown grayed out.
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VS-700_r_e.book 48 ページ２００８年１１月２０日木曜日午後２時２８分 Time Display The VS-700C Console displays the project’s current Now time in the top right corner. You can switch the display between SMPTE and Bars|Beats time by pressing the [TIME CODE] button. The default view is Bars|Beats. fig.22.eps A A.
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VS-700_r_e.book 49 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP CONTROL Section (EQ, SEND and ACT) Overview The CHANNEL STRIP CONTROL section lets you control EQ and SEND parameters for the selected channel strip, as well as ACT parameters for the track, bus, effect plug-in or soft synth that has focus in SONAR. There are 12 rotary encoders and 4 buttons to control EQ, SEND and ACT parameters.
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VS-700_r_e.book 50 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP CONTROL Section (EQ, SEND and ACT) A. Parameter name B. Parameter value C. Selected encoder row D. Encoder with push button E. Button F. Selects which row displays parameters on the LCD Display G. View EQ settings H. View SEND settings I. View ACT settings J. PAGE switch (shift the control parameter) The modifier buttons (p. 67) can be used to extend the functions as follows.
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VS-700_r_e.book 51 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP CONTROL Section (EQ, SEND and ACT) LCD Display Overview The LCD display above the CHANNEL STRIP CONTROL section shows EQ, SEND and ACT information for the selected channel strip, depending on which mode is selected. The CHANNEL STRIP CONTROL section contains four rows of controls; three rows of knobs and one row of buttons. Only one row at a time can be shown on the LCD display.
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VS-700_r_e.book 52 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP CONTROL Section (EQ, SEND and ACT) SEND Mode In SEND mode, there are different parameters of control for stereo and surround buses. SEND mode lets you control AUX SEND parameters for the selected channel strip. To Enable SEND Mode Press the [SEND] button. The [SEND] button is lit when enabled. You can specify four SEND levels for an audio track. For a MIDI track, you can specify the reverb and chorus sends. fig.26.
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VS-700_r_e.book 53 ページ２００８年１１月２０日木曜日午後２時２８分 CHANNEL STRIP CONTROL Section (EQ, SEND and ACT) ACT Mode Overview ACT mode lets you control any automatable parameter for the track, bus, effect plug-in or soft synth that has focus. Some plug-ins do not support automation and can therefore not be controlled via ACT. Unlike EQ mode or SEND mode, ACT mode lets you control the plug-in that has focus. The selected channel strip will not be controlled. Connections To Enable ACT Mode Press the [ACT] button.
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VS-700_r_e.book 54 ページ２００８年１１月２０日木曜日午後２時２８分 Transport Section The transport section provides standard control of RTZ (return to zero), Rewind, Fast Forward, Go to end, Stop, Play and Record. fig.28.eps A B E C F D G A. Return to zero (RTZ) B. Rewind C. Fast forward D. Go to end (GTE) E. Stop F. Play G. Record The modifier buttons (p. 67) can be used to extend the functions as follows. Default function SHIFT+ ALT+ (RTZ) Move Now marker to beginning of project; Go to Time 0.
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VS-700_r_e.book 55 ページ２００８年１１月２０日木曜日午後２時２８分 Transport Section Starting/Stopping Playback With a Foot Switch Overview On the back of the VS-700C Console are two foot switch connections. The default functions are as follows: FOOT SW 1.Controls PLAY FOOT SW 2.Controls RECORD The functions that are assigned to the foot switches can be configured in the VS-700 property page.
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VS-700_r_e.book 56 ページ２００８年１１月２０日木曜日午後２時２８分 PROJECT Section The PROJECT sections provides convenient access to frequently used commands that normally require a keyboard or mouse, such as Save, Undo/Redo, OK/ENTER and Cancel. fig.29.eps A B C D A. [SAVE/SAVE AS] button B. [UNDO/REDO] button C. [OK/ENTER] button D. [CANCEL] button The modifier buttons (p. 67) can be used to extend the functions as follows.
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VS-700_r_e.book 57 ページ２００８年１１月２０日木曜日午後２時２８分 JOG/SHUTTLE/CURSOR Section Overview The VS-700C Console jog/shuttle is a combo wheel with cursor buttons, which lets you perform edit, zoom, scroll and select operations. The Jog and Shuttle wheels can be turned both clockwise and counterclockwise. fig.30.eps A. Cursor buttons D B. [SCROLL/ZOOM] button (blinks in Zoom mode) C. [SELECT] button (Select mode) E. Jog wheel A F.
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VS-700_r_e.book 58 ページ２００８年１１月２０日木曜日午後２時２８分 JOG/SHUTTLE/CURSOR Section Transport Mode (Default) Transport mode lets you use the Jog/Shuttle wheel to navigate the Now time. The Jog wheel can navigate by either SMPTE or Bars|Beats time depending on the current Time Display mode (refer to “Time Display” (p. 48)). To Enable Navigation with the Jog/Shuttle Wheel The Jog/Shuttle wheel is in Transport mode by default.
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VS-700_r_e.book 59 ページ２００８年１１月２０日木曜日午後２時２８分 JOG/SHUTTLE/CURSOR Section Scroll Mode Overview Scroll mode lets you use the Jog/Shuttle wheel to scroll SONAR’s Track view and zoom and scroll the Free Edit Cursor. To Enable Scrolling with the Jog/Shuttle Wheel Press the [SCROLL/ZOOM] button. The [SCROLL/ZOOM] button is lit when Scroll mode is enabled. The modifier buttons (p. 67) can be used to extend the functions as follows.
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VS-700_r_e.book 60 ページ２００８年１１月２０日木曜日午後２時２８分 JOG/SHUTTLE/CURSOR Section Zoom Mode Zoom mode lets you use the Jog/Shuttle wheel to zoom SONAR’s Track view. To Enable Zooming with the Jog/Shuttle Wheel Press [SHIFT]+[SCROLL/ZOOM] buttons. The [SCROLL/ZOOM] button blinks when Zoom mode is enabled. Zoom Flyover mode In ZOOM Flyover mode you can scroll and zoom simultaneously to the screen center independent of the Now Time or the Free Edit cursor. The modifier buttons (p.
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VS-700_r_e.book 61 ページ２００８年１１月２０日木曜日午後２時２８分 JOG/SHUTTLE/CURSOR Section Select Mode Overview Select mode lets you use the Jog/Shuttle wheel to select clips or arbitrary sections of time within a clip or across multiple clips. The selection can then be edited in Edit mode. There are two different selection modes: Explanation Select by Time mode This mode lets you use the Free Edit Tool to select by time. In this mode, the [SELECT] button is lit.
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VS-700_r_e.book 62 ページ２００８年１１月２０日木曜日午後２時２８分 JOG/SHUTTLE/CURSOR Section Edit Mode Edit mode lets you use the Jog/Shuttle wheel and cursor buttons to nudge the selected data, apply clip fades and crop clip edges. To Enable Editing with the Jog/Shuttle Wheel 1. Make a selection (see “To enable Select by Time mode (default)” (p. 61)). 2. Press the [EDIT] button. To Crop the Selected Clip(s) 1. Select a clip by using the Free Edit Tool (see “Select Mode” (p. 61)). 2. Press the [EDIT] button. 3.
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VS-700_r_e.book 63 ページ２００８年１１月２０日木曜日午後２時２８分 JOG/SHUTTLE/CURSOR Section 4. Turn the Jog or Shuttle wheel. Overview 5. When you are finished editing, press the [EDIT] button again to exit Edit mode. To Move the Selected Clip(s) 1. Select a clip by using the Free Edit Tool (see “Select Mode” (p. 61)). Connections 2. Press the [EDIT] button. 3. Turn the Jog/Shuttle or press the arrow keys to move the clip to the desired location. • Left/right arrows = Nudge 1 resolution.
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VS-700_r_e.book 64 ページ２００８年１１月２０日木曜日午後２時２８分 ACCESS PANEL Section (Assignable Buttons) The ACCESS PANEL section provides 16 assignable buttons that you can configure to control different functions in SONAR. There are also 4 modifier buttons that are used to extend the functionality of other VS-700 hardware controls. The modifier buttons are not assignable. fig.31.eps A B C A. [VIEW] buttons (assignable) B. [UTILITY] buttons (assignable) C.
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VS-700_r_e.book 66 ページ２００８年１１月２０日木曜日午後２時２８分 ACCESS PANEL Section (Assignable Buttons) Mapping Assignable ACCESS PANEL Buttons To map assignable ACCESS PANEL buttons: 1. Do one of the following to open the VS-700 property page: • On SONAR’s “Tools” menu, click “VS-700.” • On the “Controllers/Surfaces” toolbar (Views > Toolbars > Controllers/Surfaces), make sure “VS-700” is selected in the dropdown menu and then click the “Properties” button .
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VS-700_r_e.book 67 ページ２００８年１１月２０日木曜日午後２時２８分 ACCESS PANEL Section (Assignable Buttons) 5. Use the dropdown list to select the desired command or keystroke. If you select a keystroke, you can also select one or more optional modifier keys. Overview 6. Click “OK” to close the “Button Properties” dialog. You can now press the (ACCESS PANEL) button to trigger the assigned command or keystroke. Keystrokes will not work with floating windows.
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VS-700_r_e.book 68 ページ２００８年１１月２０日木曜日午後２時２８分 SURROUND Section The SURROUND section lets you control surround bus parameters on the selected channel strip. fig.34.eps A B C D A. Surround joystick panner (Angle and Focus) B. [LFE SEND] Level knob (or FR-Balance when [SHIFT] button is pressed) C. [VIEW] button (open surround panner in SONAR) D. [V-LINK] button The SURROUND section contains the following controls.
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VS-700_r_e.book 69 ページ２００８年１１月２０日木曜日午後２時２８分 T-Bar Section Overview The T-Bar lets you control the Front-Rear Balance parameter in the surround panner, an ACT parameter or the X-Ray opacity. fig.35.eps A. T-Bar B. LEDs C. [FR BAL] button Connections D. [ACT] button A E. [X-RAY] button F. [VIDEO CTRL] button The joystick surround panner can control both Width and Front/ Rear Balance simultaneously (refer to “SURROUND Section” (p. 68)).
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VS-700_r_e.book 70 ページ２００８年１１月２０日木曜日午後２時２８分 AUDIO OUTPUT Section The VS-700R I/O box provides two sets of stereo outputs (main and sub) for monitoring. The VS-700C console also provides two headphone outputs. The AUDIO OUTPUT section lets you control the volume of the MONITOR output and each headphone output. You can also mute the MONITOR output and assign each headphone to monitor the MAIN/SUB output. fig.37.eps A B C D E F A. [PHONES 1] knob B. [PHONES 2] knob C. [MONITOR] knob D.
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VS-700_r_e.book 71 ページ２００８年１１月２０日木曜日午後２時２８分 RECORD/EDIT Section Overview In the RECORD/EDIT Section you can perform punch-recording, looping, select clips or edit regions, and insert/move markers. fig.38.eps A. Punch A B D E C B. Loop C. Snap flag (Set IN Point) flag (Set OUT Point) Connections D. E. F. Set G.
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VS-700_r_e.book 72 ページ２００８年１１月２０日木曜日午後２時２８分 RECORD/EDIT Section To Specify the Punch Region 1. Select transport mode (p. 58). 2. Hold down the [SHIFT] button and press the [PUNCH] button. The [PUNCH] and [ ] buttons will blink. 3. Use the jog/shuttle and cursor to move to the punch-in point. 4. Press the [ ] button. The [PUNCH] and [ ] buttons will blink. 5. Use the jog/shuttle and cursor to move to the punch-out point. 6. Press the [PUNCH] button. To Punch-Record 1. Press the [PUNCH] button.
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VS-700_r_e.book 73 ページ２００８年１１月２０日木曜日午後２時２８分 RECORD/EDIT Section To Specify the Loop Region Overview 1. Select transport mode (p. 58). 2. Hold down the [SHIFT] button and press the [LOOP] button. The [LOOP] and [ ] buttons will blink. 4. Press the [ ] button. The [LOOP] and [ Connections 3. Use the jog/shuttle and cursor to move to the loop-start point. ] buttons will blink. 5. Use the jog/shuttle and cursor to move to the loop-end point. VS-700C Console 6. Press the [LOOP] button.
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VS-700_r_e.book 74 ページ２００８年１１月２０日木曜日午後２時２８分 Controlling Plug-ins from the VS-700C Console You can display, insert, delete and bypass track and bus plug-ins, directly from the VS-700C Console. The VS-700C Console must be put in Plug-in mode in order to edit plug-ins. To Enable Plug-in Mode Hold down the [CTRL] modifier button and press a channel strip’s [SEL] button. When Plug-in mode is enabled, the names of existing plug-ins on the selected channel strip are displayed across the LCDs.
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VS-700_r_e.book 75 ページ２００８年１１月２０日木曜日午後２時２８分 Controlling Plug-ins from the VS-700C Console To Delete a Plug-in Overview 1. Make sure Plug-in mode is enabled (refer to “To Enable Plug-in Mode” (p. 74)). 2. Press the [SOLO] button on the channel strip that corresponds to the plug-in you wish to delete. You can undo and redo any deleted plug-in. To undo, press the [UNDO] button. To redo, press [SHIFT]+[UNDO] buttons. Connections To Bypass a Plug-in 1.
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VS-700_r_e.book 76 ページ２００８年１１月２０日木曜日午後２時２８分 Controlling Plug-ins from the VS-700C Console To Control Plug-in Parameters 1. In the CHANNEL STRIP CONTROL section, press the [ACT] button to enable ACT mode. 2. As described below, place the focus on the plug-in that you want to control. To switch ACT context to the first FX in the selected channel strip’s FX bin Hold down the [SHIFT] modifier button and press the [ACT] button in the CHANNEL STRIP CONTROL section.
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VS-700_r_e.book 78 ページ２００８年１１月２０日木曜日午後２時２８分 Connecting Recording Equipment Connections to the Analog Jacks fig.VS-700-rec01-mic-e.eps Connecting a Mic The VS-700R provides a balanced (XLR) type connector that is wired as shown in the illustration. Check the wiring of your device before connecting it. VS-700R Rear Panel The eight audio inputs (INPUT 1–8) contain phantom power supplies. From SONAR’s “Tools” menu, open “VS-700” and select the “MIC PRE” tab, and click [+48] button to make settings.
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VS-700_r_e.book 79 ページ２００８年１１月２０日木曜日午後２時２８分 Connecting Recording Equipment Overview Connections to the Digital Connectors fig.VS-700-rec02-digi-e.eps Connecting a Digital Audio Source If you want to digitally connect a DAT or similar device, connect its output connector (e.g., DIGITAL OUT connector) to the VS-700R's DIGITAL IN connector. Connections VS-700R Rear Panel The DIGITAL 1 coaxial connector and AES/EBU connector are a mutually exclusive selection.
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VS-700_r_e.book 80 ページ２００８年１１月２０日木曜日午後２時２８分 Switching the Sampling Rate Use the front panel [SAMPLE RATE] knob to select the sampling rate. To make the system reflect the new setting, you’ll need to cycle the power to the system. If you need to synchronize the VS-700 to another digital device, you must first set this knob to the same sampling rate as the master device. 1. Close the software you’re using. 2. Switch off the power to the VS-700R I/O and the VS-700C console. 3.
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VS-700_r_e.book 81 ページ２００８年１１月２０日木曜日午後２時２８分 Switching the Sampling Rate Setting SONAR’s Sampling Rate Overview * In SONAR, you cannot change the sampling rate of a project that contains audio data. 1. Start up SONAR. 2. If an "Audio Driver Error" is displayed during startup, click [Use Anyway]. Connections 3. Choose “Options|Audio” to display the “Audio Options” dialog box. 4.
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VS-700_r_e.book 82 ページ２００８年１１月２０日木曜日午後２時２８分 Audio Clock Source You can choose one of four types of clock source. The current clock source is shown by the front panel SYNC indicator. In the case of an external source, the indicator will light if synchronization is locked. The indicator will blink if synchronization is not locked If you’re using SONAR, you can select the clock source parameters as described below.
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VS-700_r_e.book 83 ページ２００８年１１月２０日木曜日午後２時２８分 Phantom Power Overview Phantom power is supplied to the XLR connectors of the eight audio inputs. It can be turned on/off individually for each channel. When the system is powered up, phantom power will be off. Subsequently, when you load a project in SONAR, the settings saved in the project will be applied. If you’re using SONAR, you can turn phantom power on/off as described below.
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VS-700_r_e.book 84 ページ２００８年１１月２０日木曜日午後２時２８分 Preamp Parameters Preamps are built into the eight audio inputs (INPUT 1–8). If you’re using SONAR, you can edit the preamp parameters as described below. If you’re using software other than SONAR, use “VS-700R I/O Editor” which is included on the “SONAR VSTUDIO 700 CD-ROM.” 1. From SONAR’s “Tools” menu, open “VS-700.” 2. Select the “MIC PRE” tab. 3. Apply the desired preamp settings. These settings are not stored in the VS-700.
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VS-700_r_e.book 85 ページ２００８年１１月２０日木曜日午後２時２８分 Compressor Parameters Overview Digital compressors are built into the eight audio inputs (INPUT 1–8). If you’re using SONAR, you can edit the compressor parameters as described below. If you’re using software other than SONAR, use “VS-700R I/O Editor” which is included on the “SONAR VSTUDIO 700 CD-ROM.” Connections 1. From SONAR’s “Tools” menu, open “VS-700.” 2. Select the “MIC PRE” tab. 3. Apply the desired compressor settings.
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VS-700_r_e.book 86 ページ２００８年１１月２０日木曜日午後２時２８分 Direct Monitor Mixer By using the Direct Monitor Mixer, input signals and signals from the internal sound generator can be output directly to the monitor without being routed through the computer. The Direct Monitor Mixer is a stereo mixer that lets you adjust parameters such as volume and pan for each input and audio source. As the output destination of the mixer, you can select Main, Sub, or Digital 1 Out as desired.
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VS-700_r_e.book 88 ページ２００８年１１月２０日木曜日午後２時２８分 Inserting the Fantom VS Plug-In The Fantom VS Editor is a VSTi soft synth that is inserted just like any other plugin soft synth. 1. Start SONAR. 2. Start a new project or open an existing project (see the SONAR online Help for details). 3. Do one of the following to insert the Fantom VS Editor soft synth: • On the “Insert” menu, point to “Soft Synths” and select “Fantom VS”.
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VS-700_r_e.book 89 ページ２００８年１１月２０日木曜日午後２時２８分 Fantom VS Editor (Selecting a Sound) Overview In order to edit a patch, you must first select the patch you wish to edit. 1. In the upper part of Fantom VS Editor’s main window, click the desired part number (1–16). Connections 2. In the upper part of Fantom VS Editor’s main window, click the Patch list and choose the desired patch from the menu that appears. VS-700C Console For more details, refer to the Fantom VS Editor online Help.
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VS-700_r_e.book 90 ページ２００８年１１月２０日木曜日午後２時２８分 Fantom VS Editor (Editing a Sound) Consider the following tips before editing patches: • Select a patch that is similar to the sound you wish to create. It’s hard to create a new sound that’s exactly what you want if you just select a patch and modify its parameters at random. It makes sense to start with a patch whose sound is related to what you have in mind. • Decide which tones will sound.
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VS-700_r_e.book 91 ページ２００８年１１月２０日木曜日午後２時２８分 Overview of the Fantom VS Classification of Fantom VS Sound Types Tones Specifies the PCM waveform (wave) that is the basis of the sound, and determines how the pitch of the sound will change. The Fantom VS has 1,240 different waveforms. All patches built into the Fantom VS consist of combinations of tones which are created based on these waveforms. There are four wave generators for each rhythm tone (percussion instrument sounds).
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VS-700_r_e.book 92 ページ２００８年１１月２０日木曜日午後２時２８分 Overview of the Fantom VS Patches Rhythm Sets Patches are the basic sound configurations that you play during a performance. Each patch can be configured by combining up to four tones. How the four tones are combined is determined by the Structure Type parameter (p. 101). fig.04-003.e Patch Tone 1 Tone 2 Tone 3 Tone 4 Rhythm sets are groups of a number of different percussion instrument sounds.
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VS-700_r_e.book 93 ページ２００８年１１月２０日木曜日午後２時２８分 Overview of the Fantom VS Performances About Simultaneous Polyphony Because the Fantom sound generator can control multiple sounds (instruments) it is called a Multi-timbral sound generator. The Fantom VS can play a maximum of 128 sounds simultaneously. The following paragraphs discuss what this means, and what will happen when more than 128 simultaneous voices are requested from the Fantom VS.
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VS-700_r_e.book 94 ページ２００８年１１月２０日木曜日午後２時２８分 Overview of the Fantom VS Note Priority in Performance Since Performance is usually used to play an ensemble consisting of several patches, it is important to decide which parts take priority. Priority is specified by the Voice Reserve settings (p. 140). When a note within a patch needs to be turned off to make room for a new note, the Patch Priority setting of the patch will apply (p. 97).
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VS-700_r_e.book 95 ページ２００８年１１月２０日木曜日午後２時２８分 Overview of the Fantom VS About the Onboard Effects The Fantom VS has built-in effect units, and you can independently edit each unit’s settings. The multi-effects, chorus and reverb effects can be set individually. The intensity of each effect will be set for each part. Depending on the settings, you can have effect settings for a patch or rhythm set assigned to a part applied to the entire performance.
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VS-700_r_e.book 96 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch With the Fantom VS, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating patches, and the functions of the patch parameters. How to Make Patch Settings Functions of Patch Parameters This section explains the functions the different patch parameters have, as well as the composition of these parameters.
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VS-700_r_e.book 97 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Category Contents Patch Level Specifies the volume of the patch. Orchestra Orchestra Ensemble HIT Hit&Stab Orchestra Hit, Hit WND Wind Winds (Oboe, Clarinet etc.) FLT Flute Flute, Piccolo BRS AC.Brass Acoustic Brass Specifies the pan of the patch. “L64” is far left, “0” is center, and “63R” is far right.
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VS-700_r_e.book 98 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Stretch Tune Depth Cutoff Offset This setting allows you to apply “stretched tuning” to the patch. (Stretched tuning is a system by which acoustic pianos are normally tuned, causing the lower range to be lower and the higher range to be higher than the mathematical tuning ratios would otherwise dictate.) With a setting of “OFF,” the patch’s tuning will be equal temperament.
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VS-700_r_e.book 99 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Release Time Offset Range: -63– +63 * Release Time: The time from when you take your finger off the key until the sound disappears. With the Legato Switch parameter “ON,” pressing a key while continuing to press a previous key causes the note to change pitch to the pitch of the most recently pressed key, sounding all the while.
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VS-700_r_e.book 100 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Portamento Switch Specifies whether the portamento effect will be applied (ON) or not (OFF). Value: OFF, ON Portamento Start When another key is pressed during a pitch change produced by portamento, a new pitch change will begin. This setting specifies the pitch at which the change will begin. Value Portamento Portamento is an effect which smoothly changes the pitch from the first-played key to the next-played key.
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VS-700_r_e.book 101 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch fig.06-016 Changing How a Tone Is Sounded (TMT) TYPE 3 For details on these settings, refer to How to Make Patch Settings (p. 96). WG TONE 2 (4) WG TVA TVF B TVF TVA This type mixes the sound of tone 1 (3) and tone 2 (4), applies a filter, and then applies a booster to distort the waveform. Connections fig.
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VS-700_r_e.book 102 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch • When TYPE 2–10 is selected and one tone of a pair is turned off, the other tone will be sounded as TYPE 1 regardless of the displayed setting. fig.06-020 TYPE 7 TONE 1 (3) WG TVF TVA R TONE 2 (4) WG TVF TVA This type applies a filter to tone 1 (3) and ring-modulates it with tone 2 (4) to create new overtones. fig.
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VS-700_r_e.book 103 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Booster Ring Modulator fig.06-024.e Booster level As the pitch difference between the two waveforms changes the harmonic structure, the result will be an unpitched metallic sound. This function is suitable for creating metallic sounds such as bells. fig.
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VS-700_r_e.book 104 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Key Fade Upper (Keyboard Fade Width Upper) Velo Range Lower (Velocity Range Lower) This determines what will happen to the tone’s level when a note that’s higher than the tone’s specified keyboard range is played. Higher settings produce a more gradual change in volume. If you don’t want the tone to sound at all when a note below the keyboard range is played, set this parameter to “0.
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VS-700_r_e.book 105 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch TMT Control Sw (TMT Control Switch) Value: OFF, ON Patch WG Wave No. L (Mono) (Wave Number L (Mono)) Wave No. R (Wave Number R) Selects the basic waveform for a tone. Along with the Wave number, the Wave name will appear at the lower part of the display. When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is also specified.
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VS-700_r_e.book 106 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch FXM Color OFF-N: Specifies how FXM will perform frequency modulation. Higher settings result in a grainier sound, while lower settings result in a more metallic sound. Value: 1–4 Rather than being played while the key is pressed, the tone begins to play once the period of time specified in the Delay Time parameter has elapsed after release of the key.
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VS-700_r_e.book 107 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Tone Coarse Tune ★ Tone Delay If you are not going to use Tone Delay, set the Delay Mode parameter to “NORM” and Delay Time parameter to “0.” Tone Fine Tune ★ Adjusts the pitch of the tone’s sound up or down in 1-cent steps (+/-50 cents). Value: -50– +50 One cent is 1/100th of a semitone. Random Pitch Depth This specifies the width of random pitch deviation that will occur each time a key is pressed.
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VS-700_r_e.book 108 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Pitch Keyfollow This specifies the amount of pitch change that will occur when you play a key one octave higher (i.e., 12 keys upward on the keyboard). If you want the pitch to rise one octave as on a conventional keyboard, set this to “+100.” If you want the pitch to rise two octaves, set this to “+200.” Conversely, set this to a negative value if you want the pitch to fall. With a setting of “0,” all keys will produce the same pitch.
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VS-700_r_e.book 109 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Value: -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80, +90, +100 fig.06-031.e -100 Patch TVF -50 0 Filter Type +100 C2 C3 C4 C5 C6 C7 Key Value OFF: LPF: P-Env Time 1–4 (Pitch Envelope Time 1–4) ★ Specify the pitch envelope times (Time 1–Time 4). Higher settings will result in a longer time until the next pitch is reached.
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VS-700_r_e.book 110 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Cutoff Frequency ★ Cutoff Keyfollow Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components. Value: 0–127 With “LPF/LPF2/LPF3” selected for the Filter Type parameter, lower cutoff frequency settings reduce a tone’s upper harmonics for a more rounded, warmer sound. Higher settings make it sound brighter.
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VS-700_r_e.book 111 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Cutoff V-Sens (Cutoff Velocity Sensitivity) Value: -63– +63 This allows keyboard velocity to modify the amount of Resonance. If you want strongly played notes to have a greater Resonance effect, set this parameter to positive (+) settings. If you want strongly played notes to have less Resonance, use negative (-) settings.
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VS-700_r_e.book 112 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch F-Env T4 V-Sens (TVF Envelope Time 4 Velocity Sensitivity) The parameter to use when you want key release speed to control the Time 4 value of the TVF envelope. If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value. If you want it to be slowed down, set this to a negative (-) value. Value: F-Env Time 1–4 (TVF Envelope Time 1–4) ★ Specify the TVF envelope times (Time 1–Time 4).
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VS-700_r_e.book 113 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Adjusting the Volume (TVA/TVA Env) Bias Tone Level ★ fig.06-039.e Sets the volume of the tone. This setting is useful primarily for adjusting the volume balance between tones.
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VS-700_r_e.book 114 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Bias Direction Random Pan Depth Selects the direction in which change will occur starting from the Bias Position. Value LOWER: The volume will be modified for the keyboard area below the Bias Point. UPPER: The volume will be modified for the keyboard area above the Bias Point. LO&UP: The volume will be modified symmetrically toward the left and right of the Bias Point.
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VS-700_r_e.book 115 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch A-Env Time 1–4 (TVA Envelope Time 1–4) ★ Patch TVA Env Value: -63– +63 A-Env T4 V-Sens (TVA Envelope Time 4 Velocity Sensitivity) Value: -63– +63 0–127 A-Env Level 1–3 (TVA Envelope Level 1–3) Specify the TVA envelope levels (Level 1–Level 3). These settings specify how the volume will change at each point, relative to the standard volume (the Tone Level value specified in the TVA screen). Value: 0–127 fig.06-041.
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VS-700_r_e.book 116 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Output Settings Patch Output Patch Out Assign Specifies how the direct sound of each patch will be output. Value: MFX: Output in stereo through multi-effects. You can also apply chorus or reverb to the sound that passes through multi-effects. L+R: Output in stereo without passing through multieffects. L, R: Output in mono without passing through multieffects. TONE: Outputs according to the settings for each tone.
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VS-700_r_e.book 117 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Modulating Sounds (LFO1/2/Step LFO) LFO Rate (LFO1/LFO2 Rate) ★ Adjusts the modulation rate, or speed, of the LFO. 0–127, Note LFO Rate sets the beat length for the synchronized tempo is synchronized with the tempo set in an external MIDI sequencer. (Example) For a tempo of 120 (120 quarter notes occur in 1 minute (60 seconds)) Waveform (LFO1/LFO2 Waveform) (half note) 1 second (60 / 60 = 1 (second)) (quarter note) 0.
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VS-700_r_e.book 118 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Delay Time (LFO1/LFO2 Delay Time) Fade Mode (LFO1/LFO2 Fade Mode) Delay Time (LFO Delay Time) specifies the time elapsed before the LFO effect is applied (the effect continues) after the key is pressed (or released). Value: 0–127 Specifies how the LFO will be applied. Value: ON-IN, ON-OUT, OFF-IN, OFF-OUT After referring to How to Apply the LFO (p. 119), change the setting until the desired effect is achieved.
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VS-700_r_e.book 119 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Pan Depth (LFO1/LFO2 Pan Depth) ★ How to Apply the LFO Specifies how deeply the LFO will affect the pan. -63– +63 Patch Step LFO fig.06-043.e high (more) Delay Time Fade Mode: ON-IN Delay Time: The time from when the keyboard is played until the LFO begins to be applied. Fade Time: The time over which the LFO amplitude will reach the maximum after the Delay Time has elapsed.
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VS-700_r_e.book 120 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch ● Apply the LFO gradually after the key is released Controller-related settings (CTRL) fig.06-045.e Delay Time high (more) Pitch Cutoff Frequency Level Pan Patch Ctrl Fade Time Depth Note on Tone Env Mode (Tone Envelope Mode) Note off low (less) Fade Mode: OFF-IN Delay Time: The time from when the keyboard is released until the LFO begins to be applied.
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VS-700_r_e.book 121 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Tone Rx Pan Mode (Tone Receive Pan Mode) For each tone, specify how pan messages will be received. Matrix Control Settings (Matrix Ctrl1–4) Whenever Pan messages are received, the stereo position of the tone will be changed. K-ON: The pan of the tone will be changed only when the next note is played. If a pan message is received while a note is sounding, the panning will not change until the next key is pressed.
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VS-700_r_e.book 122 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch Patch Mtrx Control 1–4 Source (Patch Matrix Control 1–4) Control 1–4 Source (Matrix Control Source 1–4) Sets the MIDI message used to change the tone parameter with the Matrix Control. Value OFF: Matrix control will not be used. CC01–31, 33–95: Controller numbers 1–31, 33–95 PITCH BEND: Pitch Bend AFTERTOUCH: Aftertouch SYS CTRL1–SYS CTRL4: MIDI messages used as common matrix controls.
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VS-700_r_e.book 123 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch ● CUTOFF: Changes the cutoff frequency. TVF ENV A-TIME: RESONANCE: Emphasizes the overtones in the region of the cutoff frequency, adding character to the sound. Changes the Env Time 1 parameter of the TVF envelope. TVF ENV D-TIME: Changes the Env Time 2 and Env Time 3 parameters of the TVF envelope. TVF ENV R-TIME: Changes the Env Time 4 parameter of the TVF envelope.
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VS-700_r_e.book 124 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Patch ● Changing the Depth of Frequency Modulation for FXM FXM DEPTH ● Changing Specific Multi-Effects Parameters MFX CTRL1–4: Change the parameter that was specified by MFX Control 1–4 Assign parameter. If you have not made the necessary settings for using the multi-effect, the multi-effect will not be applied even if you attempt to control it as a Matrix Control destination.
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VS-700_r_e.book 125 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Assign Type Assign Type sets the way sounds are played when the same key is pressed a number of times. Value SINGLE: Only one sound can be played at a time when the same key is pressed. With continuous sounds where the sound plays for an extended time, the previous sound is stopped when the following sound is played.
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VS-700_r_e.book 126 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Tone Pitch Bend Range (Rhythm Tone Pitch Bend Range) Specifies the amount of pitch change in semitones (4 octaves) that will occur when the Pitch Bend Lever is moved. The amount of change when the lever is tilted is set to the same value for both left and right sides. Value: One Shot Mode The sound will play back until the end of the waveform (or the end of the envelope, whichever comes first).
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VS-700_r_e.book 127 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Modifying Waveforms (WG) Tips on Creating a Rhythm Tone Rhythm Wave FXM Color Specifies how FXM will perform frequency modulation. Higher settings result in a grainier sound, while lower settings result in a more metallic sound. Value: 1–4 This selects the Waves comprising the rhythm tone. Along with the Wave number, the Wave name will appear at the lower part of the display.
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VS-700_r_e.book 128 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Wave Level You can set the volume of the waveform. Value: 0–127 The volume level of each rhythm tone is set with the Tone Level parameter; the volume levels of the entire rhythm set is set with the Rhythm Level parameter (p. 125). Changing How a Rhythm Tone is Sounded (WMT) The WMT (Wave Mix Table) uses key velocity to control the four waveforms assigned to the rhythm tone.
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VS-700_r_e.book 129 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Velo Range Upper (Velocity Range Upper) Value: Modifying Pitch (PCH/PCH Env) Overview This sets the highest velocity at which the waveform will sound. Make these settings when you want different waveforms to sound in response to notes played at different strengths.
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VS-700_r_e.book 130 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Rhythm Pitch Env P-Env Depth (Envelope Depth) Adjusts the effect of the Pitch Envelope. Higher settings will cause the pitch envelope to produce greater change. Negative (-) settings will invert the shape of the envelope. Value: -12– +12 P-Env Level 0–4 (Pitch Envelope Level 0–4) Specify the pitch envelope levels (Level 0–Level 4).
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VS-700_r_e.book 131 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Cutoff Frequency Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components. Value: Rhythm TVF Filter Type 0–127 With “LPF/LPF2/LPF3” selected for the Filter Type parameter, lower cutoff frequency settings reduce a tone’s upper harmonics for a more rounded, warmer sound. Higher settings make it sound brighter.
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VS-700_r_e.book 132 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Rhythm TVF Env Cutoff V-Curve (Cutoff Frequency Velocity Curve) Selects one of the following seven curves that determine how keyboard playing dynamics (velocity) influence the cutoff frequency. Set this to “FIXED” if you don’t want the Cutoff frequency to be affected by the keyboard velocity. Value: FIXED, 1–7 F-Env Depth (TVF Envelope Depth) Specifies the depth of the TVF envelope.
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VS-700_r_e.book 133 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set F-Env T4 V-Sens (TVF Envelope Time 4 Velocity Sensitivity) Adjusting the Volume (TVA/TVA Env) Value: -63– +63 Rhythm TVA Tone Level (Rhythm Tone level) Sets the volume of the rhythm tone. Use this parameter to adjust the volume balance between rhythm tones. Value: Specify the TVF envelope times (Time 1– Time 4). Higher settings will lengthen the time until the next cutoff frequency level is reached.
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VS-700_r_e.book 134 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Random Pan Depth Use this parameter when you want the stereo location to change randomly each time you press a key. Higher settings will produce a greater amount of change. Value: 0–63 A-Env Time 1–4 (TVA Envelope Time 1–4) Specify the TVA envelope times (Time 1– Time 4). Higher settings will lengthen the time until the next volume level is reached. (For example, Time 2 is the time over which Level 1 will change to Level 2.
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VS-700_r_e.book 135 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Rhythm Set Output Settings Rhythm Out Assign Set the level of the signal that is sent to the output destination specified by Patch/Tone Output Assign. Value: Overview Rhythm Output Tone Out Level 0–127 Tone Chorus Send (Send Level (Output=MFX)) Specifies the level of the signal sent to the chorus for each tone if the tone is sent through MFX. Value: Value: MFX: L+R: Output in stereo without passing through multieffects.
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VS-700_r_e.book 136 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Performance With the Fantom VS, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating Performances, and the functions of the Performance parameters. Adjusting the Parameters of Each Part Parameter List Mute Switch Mutes (MUTE) or un-mutes (OFF) each part.
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VS-700_r_e.book 137 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Performance Fine Tune Output Assign Value: MFX: Output in stereo through multi-effects. You can also apply chorus or reverb to the sound that passes through multi-effects. L+R: Output in stereo without passing through multieffects. L, R: Output in mono without passing through multieffects. PAT: The part’s output destination is determined by the settings of the patch or rhythm set assigned to the part.
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VS-700_r_e.book 138 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Performance Reverb Send Level (Part Reverb Send Level) Sets the level of the signal sent to reverb for each part. Value: 0–127 Attack Time Offset Adjusts the TVA/TVF Envelope Attack Time for the patch or rhythm set assigned to a part. Value: Cutoff Offset Adjusts the cutoff frequency for the patch or rhythm set assigned to a part. Value: -64– +63 Patches also have a Cutoff Offset setting (p. 98).
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VS-700_r_e.book 139 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Performance Mono/Poly Portamento Time When portamento is used, this specifies the time over which the pitch will change. Higher settings will cause the pitch change to the next note to take more time. If you want to use the Portamento Time setting of the patch assigned to the part (p. 100), set this to “PAT.
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VS-700_r_e.book 140 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Performance Key Fade Lower (Part Keyboard Fade Width Lower) Key Fade Upper (Part Keyboard Fade Width Upper) Determines what will happen to the Part’s level when a note that’s lower than its specified keyboard range is played. Higher settings produce a more gradual change in volume. If you don’t want the Tone to sound at all when a note below the keyboard range is played, set this parameter to 0.
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VS-700_r_e.book 141 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Performance Part Velocity Sensitivity Offset -63– +63 The Fantom VS allows you to use temperaments other than equal temperament. Parameter List Part Scale Tune C–B Connections Value: Scale Tune settings Make scale tune settings for each part. Value: -64– +63 VS-700C Console Patches also contain a Velocity Sensitivity Offset setting (p. 99).
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VS-700_r_e.book 142 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Performance MIDI-related settings Equal Temperament This tuning divides the octave into 12 equal parts, and is the most widely used method of temperament used in Western music. The Fantom VS employs equal temperament when the Scale Tune Switch is set to “OFF.” Just Temperament (Tonic of C) Compared with equal temperament, the principle triads sound pure in this tuning.
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VS-700_r_e.book 143 ページ２００８年１１月２０日木曜日午後２時２８分 Creating a Performance Rx Volume (Receive Volume Switch) Overview For each MIDI channel, specify whether MIDI Volume messages will be received (ON), or not (OFF). Rx Pan (Receive Pan Switch) For each MIDI channel, specify whether MIDI Pan messages will be received (ON), or not (OFF). Connections Rx Expression (Receive Expression Switch) For each MIDI channel, specify whether MIDI Expression messages will be received (ON), or not (OFF).
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VS-700_r_e.book 144 ページ２００８年１１月２０日木曜日午後２時２８分 Adding Effects This section explains the procedures and settings for applying effects in each mode. For details of the Fantom VS’s onboard effects, refer to About the Onboard Effects (p. 95). Turning Effects On and Off The Fantom VS’s onboard effects can be turned on/off as a whole.
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VS-700_r_e.book 145 ページ２００８年１１月２０日木曜日午後２時２８分 Adding Effects Applying Effects Overview In Performance you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one reverb. For each of the three multi-effects, the chorus, and the reverb, you can specify whether it will operate according to the effect settings of the performance, or according to the effect settings of the patch or rhythm set assigned to the part you specify.
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VS-700_r_e.book 146 ページ２００８年１１月２０日木曜日午後２時２８分 Adding Effects Functions of Effect Parameters Part Output 5 Part Output MFX Select (Part Output Multi-Effects Select) Of the three systems of multi-effects that can be used simultaneously, specify which multi-effects will be used. Value: 1–3(MFX-1–MFX-3) Here you can make output settings for the Performance. * These parameters are the same as the corresponding Performance settings. For details, refer to Output Level (Part Output Level) (p. 137).
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VS-700_r_e.book 147 ページ２００８年１１月２０日木曜日午後２時２８分 Adding Effects MFX1–3 Output (Multi-Effects 1–3 Output) Chorus Output (Multi-Effects Output Level) Adjusts the volume of the sound that has passed through the multi-effects. Value: 0–127 Adjusts the volume of the sound that has passed through chorus. Value: 0–127 12 Chorus Output Select Specifies how the sound routed through chorus will be output. Value Adjusts the amount of chorus for the sound that passes through multi-effects.
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VS-700_r_e.book 148 ページ２００８年１１月２０日木曜日午後２時２８分 Adding Effects Reverb Output 14 Reverb Output Level Adjusts the volume of the sound that has passed through reverb. Value: 0–127 If you want to use common controllers for the entire Fantom VS, select “SYS CTRL 1”–”SYS CTRL 4.” MIDI messages used as System Control 1–4 are set with the Sys Ctrl 1–4 Source parameters (p. 152).
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VS-700_r_e.book 149 ページ２００８年１１月２０日木曜日午後２時２８分 Adding Effects Multi-Effects Control Value: PRF, P1–P16 When Patch or Rhythm Set Settings Are Selected When the patch or rhythm set’s multi-effects settings are selected, those settings are shown in each of the performance’s multi-effects setting screens, and the settings can be then be changed as well. Changes to patch or rhythm set multi-effects parameter settings are lost when another patch or rhythm set is selected.
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VS-700_r_e.book 150 ページ２００８年１１月２０日木曜日午後２時２８分 Adding Effects Chorus Source Selects the chorus parameter settings that will be used by the performance. If you wish to use the performance settings, select “PRF.” If you wish to use the settings of the patch/ rhythm set assigned to one of the parts, select the part number. Value: PRF, P1–P16 Specifying the multi-effect structure (MFX Structure) Here’s how to specify how MFX 1–3 will be connected.
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VS-700_r_e.book 151 ページ２００８年１１月２０日木曜日午後２時２８分 System Settings Overview Settings that affect the entire operating environment of the Fantom VS, such as tuning and MIDI message reception, are referred to as system functions. This section explains how to make settings for the System functions and describes the functions of the different System parameters.
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VS-700_r_e.book 152 ページ２００８年１１月２０日木曜日午後２時２８分 System Settings System Control Parameter Value Description Source 1–4 OFF, CC01–31, 33–95, PITCH BEND AFTERTOUCH System Control Assign selects the MIDI message used as the System Control. OFF: The system control knob will not be used.
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VS-700_r_e.book 154 ページ２００８年１１月２０日木曜日午後２時２８分 VS-700R Block Diagram fig.VS-700R-block.
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VS-700_r_e.book 155 ページ２００８年１１月２０日木曜日午後２時２８分 Installing the ARX Expansion Board Overview Up to one optional Expansion Board (ARX series; sold separately) can be installed in the VS-700R. For details on ARX expansion boards, refer to the owner’s manual of your ARX expansion board. For details on the ARX expansion editor (plug-in), refer to the online manual for the editor (plug-in). Connections Port settings (MIDI input and audio output) The ARX expansion board’s ports have the following names.
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VS-700_r_e.book 156 ページ２００８年１１月２０日木曜日午後２時２８分 Installing the ARX Expansion Board How to Install an Expansion Board Install the Expansion Board after removing the panel cover. 1. Before installing the Expansion Board, turn off the power of the VS-700R and all connected devices, and disconnect all cables, including the Power cable, from the VS-700R. 2. From the VS-700R, remove only the screws shown in the following diagram, and detach the cover. VS-700R Top Panel fig.exp02.eps 3.
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VS-700_r_e.book 157 ページ２００８年１１月２０日木曜日午後２時２８分 Installing the ARX Expansion Board 4. Insert the board into the VS-700R’s non-latched board holders until you hear a click. fig.attach02.eps Overview Board Connector of board Align board’s holes with holders Connector of the VS-700R Connections Non-latched holders 5. Gently lower the board into place. fig.attach04.eps VS-700C Console latched board holders lock into place. fig.attach06.eps VS-700R I/O 6.
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VS-700_r_e.book 158 ページ２００８年１１月２０日木曜日午後２時２８分 Installing the ARX Expansion Board Removing an Expansion Board To remove an expansion board, reverse the process by which you inserted it. 1. Unlatch the latched board holders. fig.attach08.eps 2. Verify that the two latched board holders are unlocked, then gently pull up the board and disconnect the connector. fig.attach09.eps 3. Disengage the board from the non-latched board holders, and remove the board. 4.
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VS-700_r_e.book 159 ページ２００８年１１月２０日木曜日午後２時２８分 Installation de la carte d’expansion Un maximum de un carte d’expansion optionnelles (serie ARX; vendues separement) peuvent etre installees dans le VS-700R.
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VS-700_r_e.book 160 ページ２００８年１１月２０日木曜日午後２時２８分 Installation de la carte d’expansion Installation d’une carte d’expansion Retirer le panneau inferieur avant d’installer les cartes d’expansion. 1. Avant d’installer la carte d’expansion Wave, coupez l’alimentation du VS-700R et de tous les appareils branches, et debranchez tous les cables du VS-700R, y compris le cable d’alimentation. 2. Sur les modeles VS-700R, retirer uniquement les vis illustrees dans le schema ci-dessous et retirer le couvercle.
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VS-700_r_e.book 161 ページ２００８年１１月２０日木曜日午後２時２８分 Installation de la carte d’expansion 4. Inserer la carte dans les supports non bloques jusqu’a ce qu’un clic se fasse entendre. fig.attach02f.eps Overview Carte Connecteur de la carte Aligner les trous de la carte et les supports Connecteur de le VS-700R Connections Supports non bloqués 5. Abaisser la carte delicatement. fig.attach04.eps VS-700C Console 6.
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VS-700_r_e.book 162 ページ２００８年１１月２０日木曜日午後２時２８分 Installation de la carte d’expansion Retrait d’une carte d’expansion Pour retirer une carte d’expansion, suivre le processus inverse du processus d’insertion. 1. Suivre les instructions donnees dans le guide d’utilisation de le VS-700R pour degager la fente ou la carte d’expansion a ete installee. fig.attach08.eps 2. Debloquer les supports de carte. fig.attach09.eps 3.
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VS-700_r_e.book 163 ページ２００８年１１月２０日木曜日午後２時２８分 Attaching the Rackmount Brackets Overview If you want to install the VS-700R I/O in a 19” rack, attach the included rackmount brackets. 1. Disconnect all connection cables from the VS-700R, including the power cord. 2. As shown in the illustration below, remove three screws each from the left and right sides of the Connections VS-700R. fig.rack01.eps VS-700C Console VS-700R I/O 3. Attach the rackmount brackets using the screws you removed in step 2.
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VS-700_r_e.book 164 ページ２００８年１１月２０日木曜日午後２時２８分 Using only the VS-700C Console (Standalone Mode) You can connect the VS-700C console via its USB connector directly to your computer and use it as a control surface. About the Driver If you are connecting the VS-700C console via its USB connector directly to your computer, you’ll need to install the dedicated VS-700C driver.
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VS-700_r_e.book 165 ページ２００８年１１月２０日木曜日午後２時２８分 Using only the VS-700R I/O Overview The VS-700R I/O unit can be used as an audio interface and synthesizer sound module even when the VS-700C console is not connected.
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VS-700_r_e.book 166 ページ２００８年１１月２０日木曜日午後２時２８分 Connecting Two VS-700R I/O Units The Advantages of Connecting VS-700R I/O Units By connecting two VS-700R I/O units, you'll be able to take advantage of the audio input/output of the two units, have access to two synthesizers (Fantom VS), and be able to use two ARX expansion boards. You will need a faster system if you connect two VS-700R I/O units.
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VS-700_r_e.book 167 ページ２００８年１１月２０日木曜日午後２時２８分 Connecting Two VS-700R I/O Units 3. Connect the WORDCLOCK. Set the audio clock source of the second unit to “Wordclock” (p. 82). Now the audio clock of the second unit will be synchronized. Overview Use a BNC cable to connect the WORDCLOCK OUT connector of the first unit to the WORDCLOCK IN connector of the second unit. 4. Start up SONAR.
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VS-700_r_e.book 168 ページ２００８年１１月２０日木曜日午後２時２８分 Connecting an EDIROL DV-7DL (Video Control) The VS-700C’s following controllers can be linked with an EDIROL video editing system such as the EDIROL DV-7DL. • Audio channels 5–8 and the master fader • Transport • Jog/shuttle wheel • T-bar • Record/Edit tool section fig.38.eps Connecting the EDIROL DV-7DL and VS-700C Use a USB cable to connect the EDIROL DV-7DL’s rear panel USB connector to the VS-700C’s rear panel USB connector.
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VS-700_r_e.book 169 ページ２００８年１１月２０日木曜日午後２時２８分 About V-LINK V-LINK ( ) is a function that allows music and images to be performed together. By using MIDI to connect two or more V-LINK compatible devices, you can easily enjoy performing a wide range of visual effects that are linked to the expressive elements of a music performance. In order to use V-LINK between the VS-700 and the EDIROL P-10, you’ll need to make connections using a MIDI cable (sold separately).
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VS-700_r_e.book 170 ページ２００８年１１月２０日木曜日午後２時２８分 About V-LINK Settings for SONAR Insert a MIDI track somewhere other than in the project, and make the following driver settings for the input and output. Next, turn on the [Input Echo] button of the MIDI track. Once set up this way, you’ll be able to record and play back V-LINK data in SONAR. Port Driver MIDI Input V-LINK (VS-700) MIDI Output IO MIDI (VS-700) Turning the V-LINK ON/OFF 1.
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VS-700_r_e.book 171 ページ２００８年１１月２０日木曜日午後２時２８分 Troubleshooting Overview This chapter lists problems that you might experience while using the VS-700, and how to solve them. For more about the following problems, which might occur during installation or setup, refer to the “Troubleshooting” chapter in “Getting Started” (separate document).
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VS-700_r_e.book 172 ページ２００８年１１月２０日木曜日午後２時２８分 Specifications VS-700C, VS-700R: USB Audio Interface and Controller Number of Audio Record/ Playback Channels Sampling Frequency = 44.1 kHz, 48 kHz Record: 19 channels Playback: 24 channels Sampling Frequency = 88.
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VS-700_r_e.book 173 ページ２００８年１１月２０日木曜日午後２時２８分 Specifications INPUT1 1–8➔MAIN OUT: AUX IN➔MAIN OUT: Residual Noise Level INPUT 1–8➔MAIN OUT: -81 dBu typ.(PAD: ON, GAIN: min., 400 ohms terminated, IHF-A) AUX IN➔MAIN OUT: -83 dBu typ. (PAD: ON, GAIN: min., 400 ohms terminated, IHF-A) * Internal Direct Monitor Mixer setting Stereo Link: ON, Input channel fader: Unity only one channel * All sampling frequency Overview Total Harmonic Distortion + Noise 0.01 % typ. (PAD: ON, GAIN: min., -1dB) 0.
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VS-700_r_e.book 174 ページ２００８年１１月２０日木曜日午後２時２８分 Specifications VS-700C Console: Dimensions VS-700R I/O: VS-700C Console: Weight VS-700R I/O: 730 (W) x 430.9 (D) x 126.5 (H) mm 28–3/4 (W) x 17 (D) x 5 (H) inches 433.9 (W) x 348.4 (D) x 87.3 (H) mm 17–1/8 (W) x 13–3/4 (D) x 3–7/16 (H) inches 10.2 kg 22 lbs 8 oz 5.
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VS-700_r_e.book 175 ページ２００８年１１月２０日木曜日午後２時２８分 Index For the index of Fantom VS, refer to “Index (Fantom VS)” (p. 179). Symbols - .............................................................................................................. 69 + ............................................................................................................ 69 +48 ....................................................................................................... 83 +8 ...................................
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VS-700_r_e.book 176 ページ２００８年１１月２０日木曜日午後２時２８分 Index flag ........................................................................................................ 71 FLIP ....................................................................................................... 43 FLIP Mode .......................................................................................... 32 FLIP mode .......................................................................................... 39 FOOT SW 1. ...........
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VS-700_r_e.book 177 ページ２００８年１１月２０日木曜日午後２時２８分 Index Punch-Record ................................................................................... 72 R Rackmount Brackets ................................................................... 163 Ratio ..................................................................................................... 85 Record ................................................................................................. 54 RECORD/EDIT Section ......................
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VS-700_r_e.book 178 ページ２００８年１１月２０日木曜日午後２時２８分 Index WORDCLOCK OUT Connector .................................................... 22 WRITE/OFF ......................................................................................... 41 X X-RAY ................................................................................................... 69 Z Zoom Mode ......................................................................................
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VS-700_r_e.book 179 ページ２００８年１１月２０日木曜日午後２時２８分 Index (Fantom VS) A A-Env Level 1–3 Patch ......................................................................................... 115 Rhythm Set ............................................................................. 134 A-Env T1 V-Sens Patch ......................................................................................... 115 Rhythm Set ............................................................................. 134 A-Env T4 V-Sens Patch .
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VS-700_r_e.book 180 ページ２００８年１１月２０日木曜日午後２時２８分 Index (Fantom VS) Patch ......................................................................................... 112 Rhythm Set ............................................................................. 133 F-Env T1 V-Sens Patch ......................................................................................... 111 Rhythm Set ............................................................................. 132 F-Env T4 V-Sens Patch ...................
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VS-700_r_e.book 181 ページ２００８年１１月２０日木曜日午後２時２８分 Index (Fantom VS) O Octave Shift ............................................................................. 97, 136 On/Off Effects ....................................................................................... 144 One Shot Mode ............................................................................. 126 Output Assign Performance ........................................................................... 137 Output Level Performance .......
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VS-700_r_e.book 182 ページ２００８年１１月２０日木曜日午後２時２８分 Index (Fantom VS) Receive Program Change .......................................................... 142 Receive Switch .............................................................................. 141 Receive Volume ............................................................................ 143 Relative Level ................................................................................. 126 Release Time Offset ..........................................
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VS-700_r_e.book 183 ページ２００８年１１月２０日木曜日午後２時２８分 Index (Fantom VS) Tone Reverb Send Patch ......................................................................................... 116 Rhythm Set ............................................................................. 135 Tone Rx Bender ............................................................................. 120 Tone Rx Expression ..................................................................... 120 Tone Rx Hold-1 ............................
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VS-700_r_e.book 187 ページ２００８年１１月２０日木曜日午後２時２８分 For the USA DECLARATION OF CONFORMITY Compliance Information Statement . ol, within an e user to the e” within the magnitude to Model Name : Type of Equipment : Responsible Party : Address : Telephone : VS-700C, VS-700R USB Audio Interface and Controller Cakewalk, Inc. 268 Summer Street Boston, MA 02210 USA (617) 423-9004 For EU Countries This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.
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