User Manual
Table Of Contents
- USING THE UNIT SAFELY
- IMPORTANT NOTES
- Contents
- Features
- Panel Descriptions
- Setting Up the Kit
- Choosing a Drum Kit
- Playing the Drum Kit
- Creating Your Own Drum Kit
- Playing with the Metronome (Click)
- Playing with a CD, Tape, or MD (Via MIX IN Jack)
- COACH Mode
- Pad Adjustments
- Hi-Hat Control Pedal Adjustment
- Factory Reset (Restoring the Factory Settings)
- About the Pads
- Pad Configuration Possibilities
- Pad and Trigger Settings
- Selecting the Pad Type (Trigger Type)
- Adjusting Pad Sensitivity
- Setting the Minimum Levels for the Pads (Threshold)
- How Playing Dynamics Changes the Volume (Velocity Curve)
- Adjusting the Trigger Signal Detection Time (Scan Time)
- Detecting Trigger Signal Attenuation and Cancelling Incorrect Triggering (Retrigger Cancel)
- Eliminate Crosstalk Between Pads (Crosstalk Cancel)
- Double Triggering Prevention (Mask Time)
- Rim Shots Response (Rim Sensitivity)
- Rim/Edge Dynamic Response (Rim Gain)
- MIDI Settings
- Troubleshooting / Error Messages
- Drum Kit List
- Drum Instrument List
- MIDI Implementation Chart
- Specifications
- Index
31
Playing with the Metronome (Click)
What are Claves?
The standard clave pattern, which is the base of most Latin rhythms features a basic beat that
is played over two measures in 2/2 time.
There are four types of Cuban clave rhythms: 3-2 son clave, 2-3 son clave, 3-2 rumba clave,
and 2-3 rumba clave.
“Clave” is Spanish for “pivotal or key point.” Originally, any instrument used to beat out the
critical notes fundamental to a piece of music was referred to as “clave,” and “claves” came to
refer to the most basic rhythms played with these instruments.
When selecting claves for the rhythm type, set the rhythm (p. 29) to “4” (4/4 time
signature; 2/2 time is shown in the score).
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