r® Owner’s Manual
WARNING – To reduce the risk of fire or electric shock, do not expose this device to rain or moisture. For EU Countries This product complies with the requirements of European Directive EMC 89/336/EEC. Dieses Produkt entspricht der europäischen Richtlinie EMC 89/336/EEC. Ce produit est conforme aux exigences de la directive européenne EMC 89/336/EEC. Questo prodotto è conforme alle esigenze della direttiva europea EMC 89/336/EEC. Este producto cumple con la directrice EMC 89/336/EEC de la CE.
r ENGLISH ENGLISH Owner’s Manual ENGLISH Before using this instrument, carefully read the “Important notes” (p. 9). They provide information concerning the proper operation of the FR-3. Be sure to keep this manual in a safe place for future reference.
r FR-3 V-Accordion | 4
V-Accordion r Contents 1. Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 2. Important notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 3. Panel descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Features | Features 1. Features Stand-alone electronic instrument The digital advantage Though the FR-3 is a fully electronic instrument, you do not need to connect the FR-3s/FR-3sb to an amplifier in order to produce sounds. Its onboard amplification system is powerful enough for small venues, restaurants, etc. (The FR-3/FR-3b has no internal amplification.
V-Accordion r Using the unit safely Using the unit safely Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers other adverse effects respect to the home furnishings, as well animals or pets.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Features | Using the unit safely • Immediately turn the power off, remove the adapter from the outlet and request servicing by your retailer, the nearest Roland Service Center or an authorized Roland distributor, as listed on the “Information” page when: • The adapter’s cord or the plug has been damaged; or • Objects have fallen into or liquid has been spilled onto the FR-3; or • The unit has been exposed to rain (or otherwise has become wet); or • The unit does not appea
V-Accordion r Important notes 2. Important notes In addition to the items listed under “Using the unit safely” on p. 7, please read and observe the following: Power supply • Do not connect the FR-3 to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Important notes | Important notes Precautions for optional batteries • The temperature range for use of the batteries depends on the battery type being used. Please see the documentation that came with the batteries. • Do not use or store batteries at high temperature, such as in strong direct sunlight, in cars during hot weather or directly in front of heaters. This may cause battery fluid leakage, impaired performance and shorten the batteries’ service life.
V-Accordion r Panel descriptions 3. Panel descriptions Treble control panel A POWER button Press this button to switch the V-Accordion on (the button lights) and off (button dark). B SORDINA switch This MELLOW/BRIGHT switch allows you to switch the simulation of the wooden resonance chamber on (“BRIGHT”) and off (“MELLOW”). C VOL knob This knob allows you to set the V-Accordion’s overall volume. D BAL knob This knob allows you to set the balance between the Bass and the Treble sections.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Panel descriptions | Bass control panel H METRONOME button Press this button to switch the metronome on and off (see p. 31). It can also be used to transmit Start/ Stop messages to external MIDI devices. I CHORUS knob Use this knob to set the level of the chorus effect (see p. 22). J REVERB knob Use this knob to set the level of the reverb effect (see p. 22). Bass control panel K L K Bass registers These switches allow you to select the desired bass mix.
V-Accordion r Connection panel Connection panel P Q R P DC IN socket This is where you need to connect the supplied power adapter (PSB-4U). Note that you can also purchase 10 optional batteries and use the FR-3 without the adapter. Q MIDI OUT/IN socket This socket can be used to receive or transmit MIDI data. Its function depends on the setting of the “MId” parameter (see p. 50).
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Setting up | Setting up 4. Setting up Connections The FR-3 has a compartment for 10 optional AA-type batteries. Consider purchasing such batteries when performing on stage, or to use the FR-3s/FR-3sb as a stand-alone instrument (taking advantage of its internal speakers). An FR-3/FR-3b with optional batteries still needs to be connected to an amplifier.
V-Accordion r Attaching the straps (2) Connect the small plug of the adapter cable to the DC IN socket and wind the cable around the guide: You can also connect the MIDI cable to the MIDI OUT/ IN socket and wind it around the guide like the adapter cable. (3) Reinstall the padding, taking care to secure the adapter cable and/or MIDI cable you have just installed. When finished, the FR-3 should look as follows: (4) Reverse these steps to remove and disconnect the adapter when you want to stop playing.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Setting up | Switching the power on and off (8) Slide the lower end of one strap through the holder ring as shown. (10) Turn the strap end around and insert it into the lower eyelet, then pull it tight. (9) Slide the strap end through the upper eyelet of its plastic buckle (see the illustration). (11) Slide the plastic clip over the loose and long lower strap ends to secure the strap. Note: You may want to adjust the length first to suit your preference.
V-Accordion r Using batteries and no external amplification (FR-3s/FR-3sb only) (5) Press the FR-3’s [POWER] button to switch it on. (6) Switch on the receiving audio device. (7) Start playing (see “First steps” on page 19). Note: This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally. —To switch off you system— (8) Turn down the output volume of the receiving audio device or switch it off.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Setting up | Switching the power on and off Listening to the demo songs One of the most striking aspects of your V-Accordion may be that it can play all by itself! It contains a series of demo songs that illustrate its wide variety of sounds and applications. Here is how to listen to the demo songs: (1) Switch on the FR-3. See “Switching the power on and off” on p. 16.
V-Accordion r First steps First steps The sections of your FR-3 Before showing you how to use the FR-3, let’s briefly look at the various “sections” of your instrument, as that will help you understand how your V-Accordion works. The FR-3 is a “virtual” accordion. That term was borrowed from synthesizers that recreate the sounds of other synthesizers using a different technology (hence the term “virtual analog synthesizer”, for example).
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Setting up | First steps How to read the display With the exception of the display and the additional buttons and knobs, the FR-3 looks like a conventional accordion. The display contains important clues about the settings that are currently in effect. The above applies to situations where no orchestral What’s shown in the display depends on how you are sound is used. using your FR-3 and what your are doing.
V-Accordion r Touring the FR-3’s sections Touring the FR-3’s sections It’s time we put the FR-3 through its paces, because that’s what you purchased it for. We’ll work section by section. Bellows resistance regulator Your FR-3 is equipped with a bellows resistance regulator knob that allows you to specify the bellows’ inertia (the force needed to push and pull it). Bellows resistance regulator. Turn to select the bellows’ resistance. Air button. Press to purge remaining air after playing.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Setting up | Touring the FR-3’s sections (6) Press one of the registers [1]~[0] to select another footage. The display now shows the number of the newly selected Treble register: CHORD/ BASS FREE BS TREBLE Note: For Set [5] (and only for that Set), registers [6] and [7] provide access to two sounds (a/b). To select a “b” sound, press the corresponding register twice. (7) If you think the sound is too loud or too soft, you can change the setting of the [VOL] knob.
V-Accordion r Bass section Chorus: This effect creates the impression that several instruments of the same type are playing at the same time (it is similar to detuning several reeds of a register). The [CHORUS] and [REVERB] knobs allow you to set the volume of these effects. Turn them all the way towards the left (the small dot) if you don’t need the effect in question. The selected value (0~127) is briefly shown in the display. Turn them towards the right (the big dot) to increase the effect volume.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Setting up | Touring the FR-3’s sections The “St” message starts flashing to signal that you need to press a register. Note: See page 44 for the assignment of the bass buttons to the available Free Bass notes. (2) Use the Bass registers to select another registration (if necessary). Free Bass registers CHORD/ BASS FREE BS TREBLE St1 ORCHESTRA The “Roland” logo now flashes in blue. (7) Press one of the registers [1]~[0] to select a Set memory.
V-Accordion r Using the orchestral sounds Using the orchestral sounds Your FR-3 contains PCM sounds (samples) of various instruments that are not related to accordion sounds. Those sounds allow you to expand your musical endeavours without using external MIDI devices. Of course, you are free to add external MIDI tone generators to your setup and to control them from your FR-3. See page 49 for details. Let us first look at how to use the on-board orchestral sounds, however.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Setting up | Using the orchestral sounds HIGH [12]: Now it becomes a little CHORD/ more complicated – but very inter- BASS FREE BS TREBLE esting indeed. If you select this mode and play just one note, you will hear the orchestral sound. If you keep holding that key/button ORCHESTRA while pressing another (lower) key/ button to its left, the upper note is played by the Orchestra sound. Lower notes, however, are played by the Treble accordion sound.
V-Accordion r Orchestral sounds for the Bass section Orchestral sounds for the Bass section Saving your changes (4) Press and hold the [SET] register until the display looks as follows: Wrt (This means “Write”.) (5) Press register [2/+] to save the settings. The display now looks as follows: Yes If you don’t want to save your changes, press [1÷–]. In that case the display briefly shows the “No” message. If don’t save, your changes remain in effect until you switch off the FR-3.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Setting up | Using the orchestral sounds ■Setting the volume of the ORCH BASS sound There may be times when the orchestral bass sound is too loud or too soft with respect to the other available sections. In that case, you can change its volume: (1) Press and hold the [SET] register until the display shows a parameter name, then release it.
V-Accordion r Orchestral sounds for the Chord section ■Setting the volume of the ORCH CHORD sound There may be times when the orchestral chord sound is too loud or too soft with respect to the other available sections. In that case, you can change its volume: (1) Press and hold the [SET] register until the display shows a parameter name, then release it.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Setting up | Using the orchestral sounds Orchestral sounds for the Free Bass section The orchestral Free Bass part can replace the accordion sound played by the button keyboard while Free Bass mode is active. In that case, all bass buttons play bass notes – no chords. There are no clever modes (DUAL, SOLO, etc.) here. (1) Simultaneously press the three registers labeled “FREE BASS”.
V-Accordion r Other practical functions 5. Other practical functions After looking at the accordion and Orchestra functions, let’s have a look at the “purely electronic” functions of your FR-3. Your FR-3 is what we call a virtual instrument. Though its physical appearance is similar to that of its acoustic ancestor, it is based on an altogether different concept (technology) – and it can do a lot more.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Other practical functions | Using the metronome ■Setting the tempo We’ll assume that you are still in “PARAM LIST” mode (and so didn’t press [SET] to leave it). To set this parameter at a later stage, repeat steps (1) and (2) above.
V-Accordion r Using the metronome Using the metronome After setting the metronome’s parameters to your liking (or if you don’t need to change them), you can start using the metronome: (13) Press the [METRONOME] button to start the metronome (“Str”). (14) Press it again to switch the metronome back off (the display briefly shows “StP”).
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Other practical functions | Pitch-related functions Pitch-related functions Transpose function The FR-3 contains a Transpose function that allows you to change the key of the music you are playing. The advantage of this system is that you can play a song in E major (for example), while using the fingering of the C major scale (for example). This may come in handy when you are used to playing a given song in one key and suddenly need to play it in a different key.
V-Accordion r Transposing the Orchestra section in octave steps Transposing the Orchestra section in octave steps You can also transpose the Orchestra section (i.e. the currently selected orchestral sound) up or down. This can be interesting when you are using the Orchestra part in Dual mode (page 25) and want it to sound above or below the selected Treble accordion register. Here is how to transpose the Orchestra section (i.e. the selected PCM sound). (1) Switch on the Orchestra section.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Saving your settings (User Program) | Saving your settings (User Program) 6. Saving your settings (User Program) Your FR-3 contains 10 memories where you can store the settings listed below. Working with those memories has the advantage that you can recall frequently used settings at the press of a button. The User Program settings also include the “address” of the last Set you selected.
V-Accordion r Editing a User Program Editing a User Program You can also edit existing User Programs if it turns out that some of their settings are not quite right. (1) Press the [ORCHESTRA] and [5] registers. CHORD/ BASS FREE BS TREBLE UPORCHESTRA (2) Press the Treble register ([1]~[10]) that is assigned to the User Program you want to edit. Note: While you are in User Program mode, the [METRONOME] button and the Demo function are not available. (3) Press the [ORCHESTRA] register.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Editing settings | Editing settings 7. Editing settings The FR-3 provides a whole series of specialized parameters you probably don’t need every day. They may come in handy, however, when you need to fine-tune the FR-3’s response to your playing style. This chapter discusses all parameters that are not related to MIDI. See p. 49 for the MIDI parameters.
V-Accordion r Selecting the desired function Selecting the desired function (1) Press and hold the [SET] register until the display shows a parameter name, then release it. (2) Use register [3÷√] or [4÷®] to select the desired parameter. “8” (D-Folk L), “9” (Italian L), “10” (German H), “11” (Alpine), “12” (Italian H), “13” (D-Folk H), “14” (French), “15” (Scottish). Master Tune (15.3~66.2, Default setting: 40.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Editing settings | PARAM LIST parameters The FR-3sb/b is supplied with additional white and black buttons that may come in handy. The white buttons come in two varieties: normal buttons and knurled buttons. The latter are usually used to indicate the “C” notes. Note: This parameter is not reset when you load the factory defaults (page 55).
V-Accordion r Orchestra Level Treble Mode (2/2) B-Griff Fin D-Griff 1 Orchestra Level (–40~“Std”~40, Default setting: Std) This parameter allows you to create the desired “mix” (volume balance) between the Treble accordion and the Orchestra section. This is a relative parameter, which means that its value is added to or subtracted from the standard value (“Std”).
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Editing settings | PARAM LIST parameters Treble Valve Noise Metronome Level (Off, –40~“Std”~40, Default setting: Std) You will probably agree that electronic sounds must not only reproduce the basic timbre of an existing sound, but also the original instrument’s behavior and typical “noises” in order to be perceived as authentic. In the case of a guitar that would be the sliding noise of the fingers.
V-Accordion r Orchestra Touch Orchestra Touch (1~10, Default setting: 6) This parameter allows you to specify the velocity sensitivity of the Treble keys/buttons when they are used to play an external MIDI tone generator via the Orchestral section (on the Orchestra section’s MIDI channel). The FR-3’s Treble Orchestra sounds are not velocity sensitive.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Editing settings | PARAM LIST parameters Free Bass Mode ORCH BASS Ab2 Eb2 E2 Bb2 B2 F2 F#2 C3 C#3 G2 Ab2 D3 Eb2 A2 Bb2 E2 F2 B2 C3 F#2 G2 Eb2 E2 Bb2 B2 F2 F#2 C3 C#3 G2 Ab2 D3 Eb2 C#3 D3 ORCH BASS Ab2 FREE BASS ORC FREE BS ORCH CHORD Ab2 A2 Eb2 E2 Bb2 B2 F2 F#2 Bb2 E2 F2 B2 C3 F#2 G2 C#3 D3 ORCH BASS Ab2 A2 Eb2 E2 Bb2 B2 F2 F#2 D3 Eb2 C3 C#3 A2 Bb2 F2 G2 Ab2 D3 Eb2 A2 Bb2 F2 FREE BASS ORC FREE BS
V-Accordion r Bass & Chord Mode Bass & Chord Mode The “[6] Bx-7th” option reverses the “B-7th” settings (from right to left), so that the C3 note shifts from 9th to 12th position. (1~6, Default setting: 1) This parameter allows you to specify the number of button rows for playing bass notes. The default is “1” (2 bass rows and 4 chord rows). By selecting “3 Bs Rows”, you thus gain 20 bass buttons (an entire row) and lose the “dim” chord buttons – but that may just be more convenient for you.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Editing settings | PARAM LIST parameters Auto Power Off Roland Logo Color (Off, 1~3, Default setting: 1) This parameter allows you to specify how long the FR-3 should wait before deciding that you won’t be using it for a while. If you have ever worked with a computer, you may remember that a similar function is called “sleep”, “energy saver”, or the like.
V-Accordion r MIDI parameters MIDI parameters Your FR-3 can also transmit or receive MIDI data. In this section, we’ll look at what MIDI is and does and which MIDI functions are available on the FR-3. IMPORTANT REMARK: The FR-3 only has one MIDI socket that can be used to either send (“OUT”) or receive (“IN”) MIDI data. Connect the FR-3 as follows to transmit MIDI data to an external device: External MIDI device MIDI OUT MIDI IN Then, set the “MId” parameter (see p. 50) to “Out”.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Editing settings | PARAM LIST parameters used. There are actually two kinds of master keyboards: those that only transmit MIDI data and contain no tone generator, and those that can also be used for playing back music (synthesizers, digital pianos, organs, etc.). Sequencers do not record the audio of the notes you play. They only register “events” whose position and distance specify when the notes are to be played.
V-Accordion r MIDI parameter list MIDI parameter list Memorized Display indication Full name Setting range Default See page POWER MId MIDI Out/In Out, In Out 50 OK trb Treble TX/RX channel Off, 1~16 1 50 OK trO Treble Octave Tx –3~0~3 0 51 OK bfr Bass/Free Bass TX/RX Channel Off, 1~16 2 51 OK bfO Bass/Free Bass Octave TX –3~0~3 0 51 OK CHd Chord TX/RX Channel Off, 1~16 3 51 OK CHO Chord Octave TX –3~0~3 0 51 OK OrC Orchestra TX/RX Channel Off, 1~16 4 51
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Editing settings | PARAM LIST parameters Selecting the desired MIDI LIST function (1) Press and hold the [SET] register until the display shows a parameter name, then release it. (2) Use register [5÷√] or [6÷®] to select the desired MIDI LIST parameter. If you decide not to save, your changes remain in effect until you switch off the FR-3. (If the FR-3 is powered off automatically, see page 46, your changes are lost as well.
V-Accordion r Treble Octave Tx Treble Octave Tx Orchestra TX/RX Channel (–3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the Treble section up to three octaves up or down. This can be used for songs where an accordion register of the Treble section (for example) should be doubled by a piccolo flute played by an external module whose notes would be far too low if they were used as is. As stated above, each MIDI note has a unique number.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Editing settings | PARAM LIST parameters Orchestra Free Bass Octave TX (–3~0~3, Default setting: 0) This parameter allows you to transpose the Noteon messages transmitted by the ORCH FREE BS part. OfO If you want to use the bellows for expressive purposes, set this parameter to “On”. If you don’t (because the external instrument is too sensitive and therefore changes its volume too often), select “Off”.
V-Accordion r Sending program change messages when necessary Sending program change messages when necessary (bPC, C00, C32) Though each register or Set can transmit a program change/bank select cluster when pressed (see “Program Change TX” on p. 52), you can also transmit sound select messages on the fly – without changing registers on the FR-3. These are MIDI messages that cause an external instrument or device to select a different memory (i.e. another sound or effect).
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Editing settings | PARAM LIST parameters You probably noticed that each entry represents a group of 128 possibilities. By selecting an entry, you tell the FR-3: “Whenever I select a memory number between 257 and 384 on the ‘SPC’ page, please convert that to a program change number 1~128, and add the two CC values I’m about to specify.” Note: This function can also be used to select the Patches on an SRX-series expansion board which you installed in a G-70, for example.
V-Accordion r Restoring the factory defaults (8) Use register [5÷√] or [6÷®] to select the following parameter. ■Sending Bulk data (back) to the FR-3 The FR-3 not only sends SysEx data to external devices (see above), it also receives them. (1) Connect the FR-3’s MIDI socket to the sequencer’s/ computer’s MIDI OUT socket. See page 47 for a connection diagram. Note: Your computer needs to be equipped with (or connected to) an appropriate MIDI interface. dMP “dMP” is short for “Dump TX”.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Using optional batteries | Using optional batteries 9. Using optional batteries Your FR-3 has a compartment that contains a special holder unit into which you can install 10 optional AA-type batteries. You can therefore play your instrument without connecting the supplied adapter.
V-Accordion r Note about rechargeable batteries (4) Use the tab to pull the battery case out of the compartment and turn the case around. The battery case is connected to the FR-3 by means of a cable with a padded connector strip. You can disconnect the cable from the battery case by pulling off the padded connector strip. Note that this is unnecessary if you manage to install (or remove) the batteries without disconnecting the strip.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Troubleshooting | Troubleshooting 10. Troubleshooting This section provides an overview of points to check and actions to take when the FR-3 does not function as you expect. Feel free to contact your Roland dealer if your issue remains unsolved after reading through this section. No sound Issues related to the bass buttons ■Did you turn the [VOL] knob all the way to the small dot? Set it to a higher value.
V-Accordion r Specifications 11. Specifications ■ Keyboards Right hand: FR-3s/FR-3 37 piano-type keys, velocity sensitive (starting at a G key) FR-3sb/FR-3b 92 buttons, with velocity Left hand: (All models) 120 velocity-sensitive bass buttons Modes: Standard, Free Bass, Orch. Bass, Orch. Chord, Orch.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Appendix | Appendix 12. Appendix Factory Sets 01 CLASSIC 02 JAZZ 03 I FOLK (Italian Folk) 04 D FOLK (German Folk) 05 F FOLK (French Folk)* 06 SP FOLK (Spanish Folk) 00 TEX MEX 07 BANDONEON 08 ALPINE 09 CAJUN (*) Changes the assigments of the Treble registers. See page 22. r Demo Songs 60 # SONG TITLE* PERFORMED BY 01 Walking in old Paris by S. Scappini Sergio Scappini 02 Carnival in Venice - Traditional Sergio Scappini 03 Passionate Red Rose by S.
V-Accordion r MIDI implementation MIDI implementation 1. Received data Status 7CH 12H aaH ■ Channel Voice Messages ● Note off Status 8nH 2nd byte kkH n = MIDI channel number: kk = note number: vv = note off velocity: 3rd byte vvH 0H~FH (Ch.1~16) 00H~7FH (0~127) 00H~7FH (0~127) ● Note on Status 9nH 2nd byte kkH n = MIDI channel number: kk = note number: vv = note on velocity: 3rd byte vvH 0H~FH (Ch.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Appendix | MIDI implementation ■ System Exclusive Messages Status F0H Data byte iiH, ddH, ......,eeH F0H: ii = ID number: System Exclusive Message status An ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland’s manufacturer ID is 41H. 00H~7FH (0~127) EOX (End Of Exclusive) dd,...,ee= data: F7H: Status F7H The System Exclusive Messages transmitted by the FR-3 are messages related to Data Set (DT).
V-Accordion r MIDI Implementation Chart MIDI Implementation Chart [V-Accordion] Model: FR-3s/FR-3sb/FR-3/FR-3b Function... Date: April 2006 Version: 1.
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Information | Information 13. Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. AFRICA EGYPT Al Fanny Trading Office 9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: (022)-418-5531 REUNION Maison FO - YAM Marcel 25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429 SOUTH AFRICA T.O.M.S.
V-Accordion r 14. Index A Adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Alpine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35 American. . . . . . . . . . . . . . . . . . . . . . . . . . .35 APO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46 Auto Power Off . . . . . . . . . . . . . . . . . . . . .46 B B Griff . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39 BAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22, 23 Balance . . . . . . .
FR-3s/FR-3/FR-3sb/FR-3b V-Accordion Index | U P Urt. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 User Prg. . . . . . . . . . . . . . . . . . . . . . . . . . . .36 Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14, 43 Delay. . . . . . . . . . . . . . . . . . . . . . . . . . . . .42 Panel functions . . . . . . . . . . . . . . . . . . . . .11 PC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53 PCH . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
R® 602.00.0142.