Owner`s manual
Table Of Contents
- Important notes
- Features
- Contents
- Panel description
- Shortcut list
- Before you start using the BK7m
- Connecting the AC adaptor
- Connecting the BK7m to an amplifier, mixer, etc.
- Connecting a MIDI device
- Connecting the BK7m to your computer
- Connecting a television set
- Connecting an optional footswitch, pedal or pedal unit
- Attaching the BK7m to a stand
- Listening through headphones
- Turning the power on/off
- Demo of the BK7m
- Basic operation of the BK7m
- Wizard Connection
- Playing the BK7m’s real-time parts
- Music Style functions
- Using the BK7m as a USB player
- Other important functions
- Performance Lists
- Recording your performance as audio data
- Cover functions for Music Styles and SMF songs
- Menu options
- General procedure
- ‘Performance Edit’ parameters
- ‘Global’ parameters
- MIDI parameters
- Mastering Tools
- Makeup Tools (Style and SMF)
- VLINK function
- Factory Reset
- Formatting a USB memory
- Using the BK7m with SONAR LE
- Troubleshooting
- ‘Wizard Connection’ settings
- Music Style list
- Tone List
- Drum Sets
- Specifications
- MIDI Implementation Chart
- MFX types and parameters
- Index
MFX types and parameters
Backing Module BK-7m
r
117
●
Low Rate [note] (Musical Notes)—Rate parameters can be set as
a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
●
Low Depth (0~127)—Modulation depth for the low-range cho-
rus sound.
●
Low Phase (0~180 deg)—Spaciousness of the low-range chorus
sound.
●
High Pre Delay (0.0~100.0ms)—Delay time from when the origi-
nal sound is heard to when the high-range chorus sound is
heard.
●
High Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the high modulation rate
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the following
parameter refers to a speed (Hz) or a note value.
●
High Rate [Hz] (0.05~10.00Hz)—Rate at which the high-range
chorus sound is modulated
●
High Rate [note] (musical notes)—Rate parameters can be set as
a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
●
High Depth (0~127)—Modulation depth for the high-range cho-
rus sound.
●
High Phase (0~180 deg)—Spaciousness of the high-range chorus
sound.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct sound (D) and the chorus sound (W).
●
Level (0~127)—Output level.
62. Band Flanger
A flanger that lets you apply an effect independently to the
low-frequency and high-frequency ranges.
●
Split Frequency (200~8000Hz)—Frequency at which the low and
high ranges will be divided.
●
Low Pre Delay (0.0~100.0ms)—Delay time from when the origi-
nal sound is heard to when the low-range flanger sound is
heard.
●
Low Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
●
Low Rate [Hz] (0.05~10.00Hz)—Rate at which the low-range
flanger sound is modulated.
●
Low Rate [note] (Musical Notes)—Rate parameters can be set as
a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
●
Low Depth (0~127)—Modulation depth for the low-range
flanger sound.
●
Low Phase (0~180 deg)—Spaciousness of the low-range flanger
sound.
●
Low Feedback (–98%~0~+98%)—Proportion of the low-range
flanger sound that is to be returned to the input (negative val-
ues invert the phase).
●
High Pre Delay (0.0~100.0ms)—Delay time from when the origi-
nal sound is heard to when the high-range flanger sound is
heard.
●
High Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the high modulation rate
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the following
parameter refers to a speed (Hz) or a note value.
●
High Rate [Hz] (0.05~10.00Hz)—Rate at which the high-range
flanger sound is modulated.
●
High Rate [note] (musical notes)—Rate parameters can be set as
a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
●
High Depth (0~127)—Modulation depth for the high-range
flanger sound.
●
High Phase (0~180 deg)—Spaciousness of the high-range
flanger sound.
●
High Feedback (–98%~0~+98%)—Proportion of the high-range
flanger sound that is to be returned to the input (negative val-
ues invert the phase).
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
63. Band Step Flg
A step flanger that lets you apply an effect independently to
the low-frequency and high-frequency ranges.
●
Split Frequency (200~8000Hz)—Frequency at which the low and
high ranges will be divided.
●
Low Pre Delay (0.0~100.0ms)—Delay time from when the origi-
nal sound is heard to when the low-range flanger sound is
heard.
●
Low Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
●
Low Rate [Hz] (0.05~10.00Hz)—Rate at which the low-range
flanger sound is modulated.
●
Low Rate [note] (Musical Notes)—Rate parameters can be set as
a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
●
Low Depth (0~127)—Modulation depth for the low-range
flanger sound.
●
Low Phase (0~180 deg)—Spaciousness of the low-range flanger
sound.
●
Low Feedback (–98%~0~+98%)—Proportion of the low-range
flanger sound that is to be returned to the input (negative val-
ues invert the phase).
●
Low Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the low step rate should be syn-
chronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
●
Low Step Rate [Hz] (0.10~20.00Hz)—Rate at which the steps will
cycle for the low-range flanger sound.
●
Low Step Rate [note] (musical notes)—Rate parameters can be
set as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
●
High Pre Delay (0.0~100.0ms)—Delay from when the original
sound is heard to when the high-range flanger sound is heard.
●
High Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the high modulation rate
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the following
parameter refers to a speed (Hz) or a note value.
●
High Rate [Hz] (0.05~10.00Hz)—Rate at which the high-range
flanger sound is modulated.
●
High Rate [note] (musical notes)—Rate parameters can be set as
a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
●
High Depth (0~127)—Modulation depth for the high-range
flanger sound.
●
High Phase (0~180 deg)—Spaciousness of the high-range
flanger sound.
●
High Feedback (–98%~0~+98%)—Proportion of the high-range
flanger sound that is to be returned to the input (negative val-
ues invert the phase).
●
High Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the high step rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
●
High Step Rate [Hz] (0.10~20.00Hz)—Rate at which the steps
will cycle for the high-range flanger sound.
●
High Step Rate (note) musical notes—Rate parameters can be
set as a note-value of a tempo if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
BK-7m_UK.book Page 117 Tuesday, January 4, 2011 9:25 AM